Gardane
Entries listed in chronological order (most recent first)

Entries 1 - 100 out of 3263 [33 pages]

[1] [2] [3] [4] [5] [6]

Floriano Canale (c. 1550 - post 1603):  La Averolda a 4
source: Canzoni da sonare a quattro, et otto voci. Libro 1 (Venice 1600), No. 15
scoring: SATB
3
Anonymous:  Andante in D minor
source: Mus.2-N-13,2, Manuscript preserved in Dresden: Sächsische Landesbibliothek – Staats– und Universitätbibliothek, No. 1
scoring: ATB (Bc)
 7
Andrea Bornstein (1956 - ):  Variations on «O Tannenbaum»
scoring: ATB (Harmonic Instrument ad libitum)
  3
Andrea Bornstein (1956 - ):  Variations on «The Holly and the Ivy» (vers. 2)
scoring: ATB (Harmonic Instrument ad libitum)
  2
Antonio Vivaldi (1678 - 1741):  Sonata IX in G minor, RV 16
source: Sonate a violino e basso per il cembalo. Op. 2 (Venice 1709), No. 9
scoring: A (Bc)
4
Andrea Bornstein (1956 - ):  Variations on «The Holly and the Ivy»
scoring: ATB
 3
Anonymous:  Pavane 2
source: Mus.ms. 1516. Teutsche, Französische und Lateinische Lieder mit 4 Stimmen (c. 1540), Manuscript preserved in Munich: Bayerische Staatsbibliothek, Musiksammlung, No. 186
scoring: SATB
 5
Francesco Geminiani (1687 - 1762):  Sonata III in D major (C major)
source: Three solos containing twelve easy movements for the German flute or violin (London s.d.), No. 3
scoring: G or A (Bc)
 3
Francisque Darcieux (1880 - 1951):  Noël, Noël est venu
scoring: SATB
 6
Anonymous:  Andante in G minor transposed to D minor for the recorders
source: Mus.2-N-13,2, Manuscript preserved in Dresden: Sächsische Landesbibliothek – Staats– und Universitätbibliothek, No. 16
scoring: AA (Bc)
  6
Andrea Bornstein (1956 - ):  Variations on «Away in a Manger»
scoring: ATB (Harmonic Instrument ad libitum)
 4
Andrea Bornstein (1956 - ):  Variations on «Ding Dong Merrily on High»
scoring: ABB (Harmonic Instrument ad libitum)
 3
Andrea Bornstein (1956 - ):  Variations on «Hark! The Herald Angels Sing»
scoring: ATB (Harmonic Instrument ad libitum)
 3
Traditional:  Tu scendi dalle stelle
Edited and/or arranged by Andrea Bornstein
scoring: AAB (Harmonic Instrument ad libitum)
 3
Andrea Bornstein (1956 - ):  Variations on «Auld Lang Syne»
scoring: ATB (Harmonic Instrument ad libitum)
 4
Andrea Bornstein (1956 - ):  Variations on «Angels We Have Heard On High»
scoring: ATB (Harmonic Instrument ad libitum)
 4
Andrea Bornstein (1956 - ):  Variations on «Adeste Fideles»
scoring: ATB (Harmonic Instrument ad libitum)
 5
Andrea Bornstein (1956 - ):  Variations on «God Rest You Merry, Gentlemen»
scoring: ATB (Harmonic Instrument ad libitum)
 5
Anonymous:  Bouree
source: Deusiesme recueil des dances et contre-dances avec la basse continue (Amsterdam 1688), No. 4
scoring: C or A (Bc)
1
Antonio Vivaldi (1678 - 1741):  Sonata VIII in C major, RV 23
source: Sonate a violino e basso per il cembalo. Op. 2 (Venice 1709), No. 8
scoring: A (Bc)
 6
Camille Saint-Saëns (1835 - 1921):  Tristesse
scoring: A (Piano)
   3
Francesco Mancini (1672 - 1737):  Fuga in D minor
scoring: AAAB
  2
Johann Hermann Schein (1586 - 1630):  Suite 5
source: Banchetto Musicale (Leipzig 1617)
scoring: SATTB
  1
Johann Sebastian Bach (1685 - 1750):  Es war ein wunderlicher Krieg
source: Cantata BWV 4, «Christ lag in Todesbanden»
scoring: SATB or SSAB
 2
Francesco Bendusi (flourished 1553):  Pietoso
source: Opera nova de balli a quattro. Accomodati da cantare et sonare d’ogni sorte de stromenti (Venice 1553), No. 4
scoring: ATBB or TTBB
 1
Fernando de las Infantas (1534 - c. 1610):  Contrappunto 16
source: Plura modulationum genera quae vulgo contrapuncta appellantur super excelso gregoriano cantu (Venice 1579)
scoring: ATT
Atys (1715 - 1784):  Sonata I in Bb major - Op. 1, No. 1
source: Six sonates en duo en forme de conversation pour deux flûtes traversieres. Op. 1 (Paris [1754])
Edited and/or arranged by Robert Paul Block
scoring: AA
4
Johann Sebastian Bach (1685 - 1750):  Den Tod niemand zwingen kunnt
source: Cantata BWV 4, «Christ lag in Todesbanden»
scoring: SAB or SSB
 3
Johann Sebastian Bach (1685 - 1750):  Sinfonia
source: Cantata BWV 4, «Christ lag in Todesbanden»
scoring: SAATB
 4
Heinrich Isaac (c. 1450 - 1517):  Innsbruck, ich muss dich lassen
scoring: TTBB or TTTB
 4
Paolo Benedetto Bellinzani (c. 1690 - 1757):  Trio Sonata 10 in D minor
source: Dodici sonate da Chiesa a 3, con due Violini o Basso ad imitazione di quelle di Arcangelo Corelli. (XVIII cent.). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica
scoring: AA (Bc)
6
Anonymous:  Pavane 1
source: Mus.ms. 1516. Teutsche, Französische und Lateinische Lieder mit 4 Stimmen (c. 1540), Manuscript preserved in Munich: Bayerische Staatsbibliothek, Musiksammlung, No. 185
scoring: ATTB or SATB
  4
Georg Philipp Telemann (1681 - 1767):  Solo III in A major (C major) - TWV 41:A5
source: 12 Solos à Violon ou Traversiere avec la Basse chiffrée (Hamburg 1734), No. 3
scoring: V or A (Bc)
 8
Floriano Canale (c. 1550 - post 1603):  La Solda a 4
source: Canzoni da sonare a quattro, et otto voci. Libro 1 (Venice 1600), No. 14
scoring: SATB
4
Paolo Benedetto Bellinzani (c. 1690 - 1757):  Trio Sonata 3 in C major
source: Dodici sonate da Chiesa a 3, con due Violini o Basso ad imitazione di quelle di Arcangelo Corelli. (XVIII cent.). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica
scoring: AA (Bc)
2
Johann Sebastian Bach (1685 - 1750):  Partita in A minor (C minor) - BWV 1013
scoring: A
  19
Arcangelo Corelli (1653 - 1713):  Trio Sonata III in C major - Op. 4, No. 3
source: Sonate da camera a tre. Op. 4 (Rome 1694)
Edited and/or arranged by Alberto Dalla Turca
scoring: AT (Bc)
9
Fernando de las Infantas (1534 - c. 1610):  Contrappunto 15
source: Plura modulationum genera quae vulgo contrapuncta appellantur super excelso gregoriano cantu (Venice 1579)
scoring: TTT or TTB
2
Johann Sebastian Bach (1685 - 1750):  Sonata a traversa e cembalo obligato in C major - BWV 1032
scoring: A (Harpsichord)
6
Lodovico Zacconi (1555 - 1627):  Contrappunto I sopra Ave maris stella
source: Prattica di Musica (Venice 1592/1619)
scoring: SATB or ATBB
5
Antonio Brunelli (1577 - 1630):  Aria di Ruggiero per sonare
source: Varii esercitii (Florence 1614)
scoring: CC or AA (Bc)
3
Anonymous:  El Marchese di Saluzzo
source: Mus.ms. 1503 h (c. 1550), Manuscript preserved in Munich: Bayerische Staatsbibliothek, Musiksammlung
scoring: ATBB
  7
Giovanni Carlo Maria Clari (1677 - 1754):  Io sarò sempre costante
source: Ms. Add. 14206 (18th cent.), British Library, London
scoring: AT (Harpsichord)
  6
Johann Sebastian Bach (1685 - 1750):  Fuge über ein Thema von Legrenzi - BWV 574 A
scoring: SATB
  5
Matthew Locke (c. 1622 - 1677):  Suite 8 (Nos. 29-32)
source: Little consort of three parts (London 1656), No. 8
scoring: STB (Bc ad libitum)
  8
Antonio Vivaldi (1678 - 1741):  Sonata VII in D minor, RV 8
source: Sonate a violino e basso per il cembalo. Op. 2 (Venice 1709), No. 7
scoring: A (Bc)
8
Anne Danican Philidor (1681 - 1728):  Courante
source: 1er Livre de pieces pour la flute traversiere, flute a bec, violons et haut-bois avec la basse continuë (Paris 1712), No. 8
scoring: A (Bc)
5
Christian Petzold (1677 - 1733):  Trio Sonata in D major (F major, C major)
source: Musica 2354-Q-2. Sächsische Landesbibliothek, Dresden
scoring: AA or SSB (Bc)
  6
Francisque Darcieux (1880 - 1951):  Auprès de ma blonde
scoring: SATB
 4
Antonio Vivaldi (1678 - 1741):  Largo cantabile from Concerto RV 88
scoring: AATB (Bc)
  16
Orlando di Lasso (c. 1532 - 1594):  Heroum soboles, amor orbis, Motet a 6
source: Magnum opus musicum (Munich 1604), No. 321
Edited and/or arranged by Lorenzo Pantanetti
scoring: SAATTB or ATTBBF
 5
Manuel José Vidigal (XIX cent.):  6° Minuette
source: Seis Minuettes para Guitarra e Baxo (Lisboa c. 1796)
scoring: ATB
  7
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 7 - BWV 793
scoring: A (Harpsichord)
 5
Arcangelo Corelli (1653 - 1713):  Trio Sonata VII in F major - Op. 1, No. 7
source: Sonate da chiesa a tre, Op. 1 (Rome 1681)
Edited and/or arranged by Alberto Dalla Turca
scoring: AT (Bc)
6
Giovanni Battista Pergolesi (1710 - 1736):  Concerto a 4 in F major
source: MS. mu 9709.2965. Manuscript preserved in Copenhagen, Royal Library
scoring: TTTB
  5
Giovanni Battista Pergolesi (1710 - 1736):  Concerto a 4 in G major
source: MS. mu 9709.2965. Manuscript preserved in Copenhagen, Royal Library
scoring: A (2 Violins, Bc)
 6
Johann Christoph Pepusch (c. 1667 - 1752):  Trio in F major
source: Ms. Musica 2160-Q-2. Manuscript preserved in Dresden: Sächsische Landesbibliothek
scoring: ATB
  11
Andreas Heinrich Schultzen (1681 - 1741):  Sonata III in D minor
source: VI Sonate a Flauto solo con Cimbalo o vero Fagotto (Amsterdam [1703]), No. 3
scoring: A (Bc)
5
Johann Heinrich Müller (c. 1780 - 1826):  Canon No. 1 «Kurz, wie der Rosen»
source: Zwölf Canons […] für drei Singstimmen ohne Begleitung (Leipzig [XIX cent.]), No. 1
scoring: AAB or SST
  7
Friedrich Heinrich Himmel (1765 - 1814):  Polonoise
source: Hamburg c. 1810
scoring: ATBB
  5
Giuseppe Colombi (1635 - 1694):  Suonata 1 in C major
source: Sinfonie da camera. Op. 1 (Bologna 1668)
scoring: ATB (Bass instrument ad libitum, Bc)
 9
Johann Guth (XVII cent.):  Ut Re Mi Fa Sol La a 3 Violini, canon at the unison a 3
source: Novitas musicalis. Allerhand Canones und Fugen von 2. 3. und 4 Stimmen sampt dem General Bass (Frankfurt 1675), No. 27
scoring: AAA (Bc)
 8
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 6 - BWV 792
scoring: A (Harpsichord)
 5
Samuel Friedrich Bockshorn [Capricornus] (1628 - 1665):  Ciaccona a 2
source: Ms. Heinemann-Nr. 2369 - Herzog August Bibliothek Wolfenbüttel
scoring: AB (Bc)
  3
Giuseppe Tartini (1692 - 1770):  Concerto in G major
source: Ms. Gimo 294 - Uppsala Universitetsbiblioteket
scoring: A (Strings, Bc)
5
Heinrich Schütz (1585 - 1672):  Gib unsern Fürsten und aller Obrigkeit - SWV 373
source: Geistliche Chormusik. Op.11 (Dresden 1648)
Edited and/or arranged by Alberto Dalla Turca
scoring: SSAB or AATB (Bc)
3
Antonio Cifra (1584 - 1629):  Ricercar I
source: Ricercari et canzoni franzese. Libro 2 (Rome 1619), No. 1
scoring: SATB or ATTB
 8
Johann Friedrich Gräfe (1711 - 1787):  March
source: Musikalisches Vielerley. Ed. C.Ph.E. Bach (Hamburg 1770)
scoring: AAAB
  4
Matthew Locke (c. 1622 - 1677):  Suite 7 (Nos. 25-28)
source: Little consort of three parts (London 1656), No. 7
scoring: STB (Bc ad libitum)
  5
Antonio Vivaldi (1678 - 1741):  Sonata VI in F major (C major), RV 1
source: Sonate a violino e basso per il cembalo. Op. 2 (Venice 1709), No. 6
scoring: A or C (Bc)
 6
Giacobbe Cervetto [Basevi] (1680 - 1783):  Sonata I in D major (F major, C major)
source: Eight Solos for a German Flute. Op. 3 (London [1757]), No. 1
scoring: A or C (Bc)
 5
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 5 - BWV 791
scoring: A (Harpsichord)
 4
Joseph Bodin de Boismortier (1689 - 1755):  Deuxiéme Sonate in A minor (C minor) - Op. 2, No. 2
source: Sonates a deux flûtes-traversieres sans basse. Op. 2 (Paris 1724)
scoring: AA
 7
Johann Sebastian Bach (1685 - 1750):  Erleucht auch meine finstre Sinnen, Air
source: Christmas Oratorio - BWV 248 (1734)
Edited and/or arranged by Alberto Dalla Turca
scoring: AB (Bc)
  6
Matthew Locke (c. 1622 - 1677):  Suite 6 (Nos. 21-24)
source: Little consort of three parts (London 1656), No. 6
scoring: STB (Bc ad libitum)
  6
Domenico Galli (1649 - 1691):  Sonata VI in F major
source: Trattenimento musicale sopra il violoncello a’ solo (Modena 1691), No. 6
scoring: A
4
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 4 - BWV 790
scoring: C or A (Harpsichord)
 3
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 3 - BWV 789
scoring: A (Harpsichord)
 2
Johann Sebastian Bach (1685 - 1750):  O du von Gott erhöhte Kreatur, Air
source: Cantata BWV 121, «Christum wir sollen loben schon»
Edited and/or arranged by Alberto Dalla Turca
scoring: AT (Bc)
4
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 2 - BWV 788
scoring: A (Harpsichord)
  8
Michel Pignolet de Montéclair (1667 - 1737):  Premier Concert
source: Concerts à deux Flutes Traversières sans Basses (Paris s.d.), No. 1
scoring: AA
 6
George Frideric Handel (1685 - 1759):  Concerto grosso III - Op. 6, No. 3
scoring: SATB
  9
Jean-Philippe Rameau (1683 - 1764):  Le Tambourin
source: Pièces de Clavessin (Paris 1724)
scoring: A (Harpsichord)
7
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 1 - BWV 787
scoring: A (Harpsichord)
 7
Georg Philipp Telemann (1681 - 1767):  Fantasia IV in Bb major (Eb major) - TWV 40:5
source: Fantasie per il violino senza basso (c. 1727), No. 4
scoring: A
8
Andreas Heinrich Schultzen (1681 - 1741):  Sonata II in G minor
source: VI Sonate a Flauto solo con Cimbalo o vero Fagotto (Amsterdam [1703]), No. 2
scoring: A (Bc)
  5
Matthew Locke (c. 1622 - 1677):  Suite 5 (Nos. 17-20)
source: Little consort of three parts (London 1656), No. 5
scoring: SSB or AAB (Bc ad libitum)
 5
Henry Purcell (1659 - 1695):  Suite
source: The Fairy Queen (1692)
scoring: SSAB
9
Francesco Barsanti (1690 - 1772):  Sonata VI in A minor - Op. 2, No. 6
source: VI sonate per la traversiera. Op. 2 (London [1728])
scoring: A (Bc)
  6
George Frideric Handel (1685 - 1759):  Minuet in Saul
source: The delightful pocket companion for the German flute (London c. 1763), No. 1
scoring: A or C
1
George Frideric Handel (1685 - 1759):  Vola l’augello del caro nido - HWV 590, Air from the opera Sosarmes arranged by its own composer for a musical clock
source: Ten Tunes for Clay’s Musical Clock
scoring: AT
2
George Frideric Handel (1685 - 1759):  Gigue - HWV 589
source: Ten Tunes for Clay’s Musical Clock
scoring: AT
9
Antonio Caldara (c. 1671 - 1736):  Il dio d’amore, Canon a 4
scoring: CCCC
  4
Carl Fasch (1736 - 1800):  Kyrie a 16
source: Missa a 16 voci in Quattro Cori (1783), No. 1
scoring: SSSSSSSSTTTTBBBB (Bc ad libitum)
 3
Jacob van Eyck (c. 1589 - 1657):  Silvester inde Morgenstont
source: Der Fluyten Lust-hof (1649-54), No. 89
scoring: C
4
Carl Fasch (1736 - 1800):  Chi vuol trovar la pace, Canzonetta
source: Musikalisches Vielerley. Ed. C.Ph.E. Bach (Hamburg 1770)
scoring: ATB (Harpsichord)
 6
Anonymous:  Simphonia
source: 't Uitnement Kabinet. 2 vols (Amsterdam 1646-49)
scoring: CB (Bc)
 6
Giovanni Picchi (c. 1571 - 1643):  Canzon Prima a 2
source: Canzoni da sonar con ogni sorte d'istromenti (Venice 1625), No. 1
scoring: CCB or AA (Bc)
 2
Giovanni Gabrieli (c. 1555 - 1612):  Canzon per sonar a 8. Primi Toni
source: Sacrae symphoniae (Venice 1597)
scoring: SSAATTBB
  2
Anonymous:  Bouree d'Orange
source: Deusiesme recueil des dances et contre-dances avec la basse continue (Amsterdam 1688), No. 3
scoring: A or C (Bc)
 5