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Entries 1 - 100 out of 5034 [51 pages]
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Antonio Vivaldi (1678 - 1741): Chi vuol goder d’Amor source: Arsilda, Regina di Ponto (1716) – RV 700
scoring:
A (Harpsichord) | |
What is the meaning of these icons?
4
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Antonio Vivaldi (1678 - 1741): Pupille del mio ben source: Arsilda, Regina di Ponto (1716) – RV 700
scoring:
AAB | |
| This vocal piece has a peculiar scoring: the bass plays very few bars and the lowest part is played by the viola. The other two parts are soprano and violin respectively. Our arrangement is therefore quite faithful to the original, since the bass recorder is, for once, at the right distance from the treble recorders. | |
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What is the meaning of these icons?
3
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Antonio Vivaldi (1678 - 1741): Ride il fior, canta l’augello source: Arsilda, Regina di Ponto (1716) – RV 700
scoring:
SSSAB | |
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What is the meaning of these icons?
3
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Domenico Scarlatti (1685 - 1757): Sonata in G minor K 9, No. 9
scoring:
A (Harpsichord) | |
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What is the meaning of these icons?
5
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Raphael Courteville (c. 1675 - 1772): A lass there lives upon the green source: Deliciae musicae. The fourth book (London 1696)
scoring:
A (Bc) | |
| This air is part of the incidental music for the performance of the play Oroonoko: or, the Royal Slave in 1695, which also includes pieces by Henry Purcell (Z 584). | |
What is the meaning of these icons?
5
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Paolo Benedetto Bellinzani (c. 1690 - 1757): Trio Sonata Settima in F major source: Dodici sonate da Chiesa a 3, con due Violini o Basso ad imitazione di quelle di Arcangelo Corelli. (XVIII cent.). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica, No. 7
scoring:
AAB | |
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What is the meaning of these icons?
7
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Andrea Bornstein (1956 - ): Ciaccona from Bach motet BWV 230
scoring:
A (Harpsichord) | |
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This ciaccona is based on the last twenty bars of the «Alleluia» from the motet Lobet den Herrn, alle Heiden – BWV 230 by J.S. Bach. All the contrapuntal material is taken from the choral score: I have simply arranged it for treble recorder and concertato harpsichord. | |
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What is the meaning of these icons?
6
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Johann Sebastian Bach (1685 - 1750): Lobet den Herrn, alle Heiden - BWV 230
scoring:
SATB | |
| This motet, in its original form, is perfectly suited to a SATB group of recorders. | |
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What is the meaning of these icons?
4
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Johann Sebastian Bach (1685 - 1750): Komm, Jesu, komm - BWV 229
scoring:
SSAATTBB | |
What is the meaning of these icons?
6
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Antonio Vivaldi (1678 - 1741): D’Imeneo la bella face source: Arsilda, Regina di Ponto (1716) – RV 700
scoring:
SATB | |
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What is the meaning of these icons?
4
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Andrew Parcham (flourished 1700): Aria in G major source: Sonate à un Dessus et une Basse - 40 Airs anglois […] Livre second (Amsterdam c. 1702)
scoring:
AAB | |
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What is the meaning of these icons?
4
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Andrew Parcham (flourished 1700): Sonate à un Dessus et une Basse in G major source: 40 Airs anglois […] Livre second (Amsterdam c. 1702), No. 43
scoring:
A (Bc) | |
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What is the meaning of these icons?
12
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Georg Philipp Telemann (1681 - 1767): Allein Gott in der Höh sei Ehr - TWV 31:3 source: Fugierende und verändernde Choräle (1735), No. 3
scoring:
SAB | |
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What is the meaning of these icons?
4
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Jim Brickman (1961 - ): Valentine
scoring:
A (Piano) | |
What is the meaning of these icons?
5
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Andrea Bornstein (1956 - ): Parson’s Farewell - early English dance tune
scoring:
SATB or STTB | |
| The plain melody of this dance is found in The English Dancing Master, published in London in 1651 by John Playford. | |
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What is the meaning of these icons?
5
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Antonio Vivaldi (1678 - 1741): Un certo non so che source: Arsilda, Regina di Ponto (1716) – RV 700
scoring:
A (Harpsichord) | |
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What is the meaning of these icons?
7
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Antonio Vivaldi (1678 - 1741): La tiranna avversa sorte source: Arsilda, Regina di Ponto (1716) – RV 700
scoring:
SSATB | |
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What is the meaning of these icons?
7
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Antonio Vivaldi (1678 - 1741): Io son quel gelsomino vicino al ruscelletto source: Arsilda, Regina di Ponto (1716) – RV 700
scoring:
SAABB (Harpsichord) | |
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This aria is interesting because it is rare to find an obbligato part for the harpsichord in this type of composition, instead of a simple continuo line. By transposing this air a semitone higher, all the string parts became comfortable for the recorders with only minor adjustments. Theoretically, the soprano part should be played on a tenor recorder, but the soprano gives it more emphasis. | |
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What is the meaning of these icons?
4
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Antonio Vivaldi (1678 - 1741): Concerto in A minor/C major - RV 463
scoring:
ATTB (Bass instrument) | |
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This concerto is peculiar in its key signature, as the first movement is in A minor, but the last two movements are in C major. However, it works very well for recorders and a bass instrument. | |
| 9 | |
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Andrea Bornstein (1956 - ): Variations on Frescobaldi’s Aria «Se l’aura spira»
scoring:
SATB | |
| The original score consists only of the canto and the continuo line. Frescobaldi’s composition can be found in his Arie musicali per cantarsi nel gravicimbalo e tiorba a una, a dua, e a tre voci (Firenze 1630). | |
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What is the meaning of these icons?
6
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| This piece is surprisingly suitable for three recorders ATB simply transposing it a third higher. No notes had to be changed, and the arrangement can also respect the homogeneous timbre, since it was composed for three strings, while we play it with three recorders. | |
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What is the meaning of these icons?
4
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John Dowland (1563 - 1626): Come away, come sweet love source: The first booke of songes (London 1597), No. 11
scoring:
SSTB or SSAB | |
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What is the meaning of these icons?
4
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Antonio Vivaldi (1678 - 1741): Alma oppressa da sorte crudele, Air source: Opera La fida ninfa – RV 714 (1735)
scoring:
AA (Harpsichord) | |
| 6 | |
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Andrea Fadini (XVIII cent.): Canone in C major from Sonata I source: XII Sonate a due violini, violoncello ed organo, con tre soggetti reali. Op. 1 (Amsterdam n.d.)
scoring:
AAB | |
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What is the meaning of these icons?
3
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Henry Purcell (1659 - 1695): Adagio in G minor from Trio Sonata IV - Z 805 source: Ten sonatas in four parts (John Heptinstall, London 1697) [posthumous collection]
scoring:
AAB | |
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What is the meaning of these icons?
4
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What is the meaning of these icons?
7
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Anonymous (XVII cent.): Soccorretemi per pietà source: Venetian manuscript of the end of the Seventeenth Century
scoring:
AA or AT (Bc) | |
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What is the meaning of these icons?
6
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Giacomo Carissimi (1605 - 1674): Cantate mecum Domino source: Oratorio Jephte (1648)
scoring:
A (Harpsichord) | |
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What is the meaning of these icons?
5
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Giacomo Carissimi (1605 - 1674): Cantemus omnes Domino source: Oratorio Jephte (1648)
scoring:
SSATTB or SSAATB | |
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What is the meaning of these icons?
4
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Benedetto Marcello (1686 - 1739): Sonata in G minor S.737a
scoring:
A (Harpsichord) | |
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What is the meaning of these icons?
7
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Giovanni Battista Vitali (1632 - 1692): Balletto per Camera in D minor source: Varie sonate alla francese, et all’itagliana a sei stromenti. Op. 11 (Modena 1684)
scoring:
AAA (Harpsichord) | |
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What is the meaning of these icons?
5
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Giovanni Battista Vitali (1632 - 1692): Allegro in F major source: Artificii musicali. Op. 13 (Modena 1689)
scoring:
ATB | |
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What is the meaning of these icons?
7
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Giovanni Battista Vitali (1632 - 1692): Allegro in Bb major source: Artificii musicali. Op. 13 (Modena 1689)
scoring:
A (Bc) | |
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What is the meaning of these icons?
6
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Marchetto Cara (c. 1465 - 1525): Or venduto ho la speranza source: Frottole. Libro primo (Venice 1504)
scoring:
TTTB or ATTB | |
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What is the meaning of these icons?
3
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Alessandro Striggio (c. 1536 - 1592): Invidioso Amor del mio bel stato, madrigal a 5 source: Il primo libro de madregali a cinque voci (Venice 1560)
scoring:
SATTB or ATTTB | |
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What is the meaning of these icons?
5
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Nerf Herder (XXI cent.): Buffy Theme
scoring:
SATB | |
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What is the meaning of these icons?
3
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Salve D'Esposito (1903 - 1982): Anema e core
scoring:
ATB | |
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What is the meaning of these icons?
5
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Raphael Courteville (c. 1675 - 1772): Damon, farewell source: Deliciae musicae. The fourth book (London 1696)
scoring:
A (Bc) | |
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What is the meaning of these icons?
5
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Raphael Courteville (c. 1675 - 1772): Grant me, gentle Love source: Deliciae musicae. The first book (London 1695)
scoring:
A or T (Bc) | |
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What is the meaning of these icons?
5
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Johann Sebastian Bach (1685 - 1750): Variatio 4 source: Goldberg Variations - BWV 988 (1741), No. 4
scoring:
C or A (Harpsichord) | |
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What is the meaning of these icons?
3
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Arcangelo Corelli (1653 - 1713): Sarabanda variata in F major source: Sonata X, Op. 5 (Rome 1700)
scoring:
SATB | |
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What is the meaning of these icons?
3
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Darling Violetta (XXI cent.): Theme Song from «Angel»
scoring:
ATB | |
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What is the meaning of these icons?
5
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Arcangelo Corelli (1653 - 1713): Sonata X in F major, Op. 5 source: Duos for treble recorders from well-known ancient and modern melodies, No. 31
scoring:
AA | |
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What is the meaning of these icons?
6
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Leonardo Vinci (1690 - 1730): Aria in C major from Sonata II source: Twelve solos for a German flute or violin (London [1746])
scoring:
ATB | |
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What is the meaning of these icons?
5
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Johann Adolph Hasse (1699 - 1783): Concerto in Bb major source: Ms. Musica 2477-O-4. Manuscript preserved in Saxon State and University Library Dresden
scoring:
AAB (Bc) | |
| New version with continuo realisation. | |
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What is the meaning of these icons?
14
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Raphael Courteville (c. 1675 - 1772): The Charms of Bright Beauty
scoring:
A (Bc) | |
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The original print is a flying leaf by an unknown publisher, but it looks like a Playford print. The song is part of the incidental music for the drama Aureng–zebe by John Dryden. Some of the music was composed by Henry Purcell in 1692, so this song must also have been composed around that year. The original score in A major for singer and continuo is followed by the singer’s part transposed to F major «FOR THE FLUTE», i.e. a treble recorder. This was common practice in England and made the piece officially a song for recorder and continuo. All divisions are mine. | |
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What is the meaning of these icons?
7
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David Benoit (1953 - ): Kei’s Song
scoring:
A (Piano) | |
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What is the meaning of these icons?
4
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What is the meaning of these icons?
4
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Johann Pachelbel (1653 - 1706): Aria Sexta. Aria Sebaldina - P 198
scoring:
A (Harpsichord) | |
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What is the meaning of these icons?
7
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What is the meaning of these icons?
5
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Raphael Courteville (c. 1675 - 1772): Why, fair Corinna, shou’d you grieve? source: Deliciae musicae. The first book (London 1695)
scoring:
A (Bc) | |
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It is amazing, after 45 years of studying and transcribing early music, how I still manage to find such a little gem as this song by a composer – Courteville – who I only knew from his recorder music. If the date is correct, he composed it before his 20th birthday. Hats off to him! The divisions are mine. | |
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What is the meaning of these icons?
8
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Raphael Courteville (c. 1675 - 1772): Sonata in C major source: A Solo for a flute and a bass (London c. 1715)
scoring:
A (Bc) | |
| Authentic recorder sonata | |
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What is the meaning of these icons?
8
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Christoph Graupner (1683 - 1760): Suite in G major - GWV 854
scoring:
STB | |
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Chalumeaux are musical instruments very similar to recorders, especially because of their similar range. To adapt this suite to recorders, it was enough to transpose it a fifth higher from C to G major. The only problem is the frequent use of dynamic markings: since recorders are not comfortable playing piano and forte, I think the best solution is to play this piece with more than one recorder per part, leaving three recorders playing solo in the piano phrases. | |
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What is the meaning of these icons?
7
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Giovanni Maria Bononcini (1642 - 1678): Aria 10 La Fontana in F major - Op. 4, No. 10 source: Arie, correnti, sarabande, gighe et allemande a violino e violone over spinetta. Op. 4 (Bologna 1671)
scoring:
A (Bc) | |
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What is the meaning of these icons?
4
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Giovanni Maria Bononcini (1642 - 1678): Sarabanda 9 in C major - Op. 4, No. 9 source: Arie, correnti, sarabande, gighe et allemande a violino e violone over spinetta. Op. 4 (Bologna 1671)
scoring:
ATB | |
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The first and third parts are the original ones, while the tenor part is my addition. The divisions are also mine. | |
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What is the meaning of these icons?
5
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Johann Sebastian Bach (1685 - 1750): Variatio 2 source: Goldberg Variations - BWV 988 (1741), No. 2
scoring:
A (Harpsichord) | |
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What is the meaning of these icons?
6
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Johann Sebastian Bach (1685 - 1750): Variatio 21. Canone alla settima source: Goldberg Variations - BWV 988 (1741), No. 21
scoring:
STB | |
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What is the meaning of these icons?
3
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Giovanni Bononcini (1670 - 1747): Trattenimento XII in C minor - Op. 1, No. 12 source: Trattenimenti da camera. Op. 1 (Bologna 1685)
scoring:
A (Harpsichord) | |
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What is the meaning of these icons?
5
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Tommaso Albinoni (1671 - c. 1750): Balletto X in F major source: Balletti a tre. Op. 3 (Amsterdam n.d.)
scoring:
A (Harpsichord) | |
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What is the meaning of these icons?
8
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Johann Gottfried Keller (1657 - 1704): Sonata I in D minor source: VI Sonate a tre. Due flauti e basso continuo (Amsterdam XVIII cent.), No. 1
scoring:
AA (Bc) | |
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What is the meaning of these icons?
8
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Paolo Fonghetti (1572 - post 1628): Lo Aereo source: Capricii et madrigali a due voci (Verona 1598), No. 5
scoring:
ST | |
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What is the meaning of these icons?
4
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Linda Thompson (1950 - ): Tell Him
scoring:
A (Piano) | |
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This piece begins in a key unfriendly to the recorder (G# minor), but then modulates several times until it ends in Bb major. It is a very interesting piece, both for the difficulty it presents to the performer and for the beauty of the melody. We also add that it is one of the few pieces of music composed by a woman on our site. | |
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What is the meaning of these icons?
9
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George Frideric Handel (1685 - 1759): Fuga in F major source: Concerto in G major – HWV 314
scoring:
AATB | |
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What is the meaning of these icons?
3
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Anonymous (XV cent.): I sideri vostri (Your eyes) source: Ms. Q16 (1487). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica
scoring:
ATB | |
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What is the meaning of these icons?
5
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Alessandro Scarlatti (1660 - 1725): Concerto XII in D minor source: Concerti di Flauto, Violini, Violetta, e Basso di Diversi Autori (Naples 1725). Manuscript preserved in the Music conservatories of Naples
scoring:
SATB | |
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What is the meaning of these icons?
4
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Alessandro Scarlatti (1660 - 1725): Concerto XII in C minor source: Concerti di Flauto, Violini, Violetta, e Basso di Diversi Autori (Naples 1725). Manuscript preserved in the Music conservatories of Naples
scoring:
A (Harpsichord) | |
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What is the meaning of these icons?
7
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George Frideric Handel (1685 - 1759): Andante in C major source: Concerto in Bb major - HWV 288
scoring:
AATBF | |
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What is the meaning of these icons?
4
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George Frideric Handel (1685 - 1759): Larghetto in D minor source: Concerto No. 6, Op. 4 in Bb major - HWV 294
scoring:
SSAB | |
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What is the meaning of these icons?
4
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George Frideric Handel (1685 - 1759): Concerto No. 6 in Bb major – HWV 294 source: 6 Organ Concertos. Op. 4 (London 1738)
scoring:
AA (Harpsichord) | |
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Within Handel’s Opus 4, which includes the organ as a solo instrument, this sixth concerto is special for two reasons: firstly, two treble recorders are provided, and the harp takes the place of the organ. For more details, see our transcription of the original in the related entry. Our arrangement retains from the original score the recorder parts accompanied only by the harpsichord (instead of the harp), and ignores the doubling of the strings. The recorders play little and their parts are relatively easy, so the piece is suitable for performance by beginners to teach them the concerto form. Bear in mind, however, that this is Handel, so the music is always of a high quality! | |
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What is the meaning of these icons?
5
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Giovanni Buonaventura Viviani (1638 - 1693): Sinfonia Seconda in G minor source: Capricci armonici da chiesa e da camera. Op. 4 (Venice 1678)
scoring:
A (Bc) | |
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What is the meaning of these icons?
7
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Johann Gottfried Keller (1657 - 1704): Sonata VII in G minor source: 8 Sonates a 3 parties (Amsterdam [1700]), No. 7
scoring:
AT (Bc) | |
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I propose it here a tone lower for treble recorder, tenor recorder and continuo. The transposition did not require any adjustments, and although the tenor might not be able to play the low Eb comfortably, the composer seems to have deliberately avoided it. There remains the unfamiliar sequence of movements, i.e. two slow followed by two fast, but this is what English composers of the late 17th and early 18th centuries got us used to! | |
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What is the meaning of these icons?
9
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Georg Philipp Telemann (1681 - 1767): Cantabile in F major, from Concerto TWV 54:B2
scoring:
SAAATTBF | |
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What is the meaning of these icons?
4
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Georg Philipp Telemann (1681 - 1767): Ses soupirs amoureux apres la Princesse Dulcinée source: Suite «Burlesque de Quixotte» - TWV 55:G10
scoring:
A (Harpsichord) | |
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What is the meaning of these icons?
8
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Georg Philipp Telemann (1681 - 1767): Grave in D minor
scoring:
SATB | |
| Arranged from Concerto a 4 in G major – TWV 43:G6 | |
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What is the meaning of these icons?
6
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Antonio Vivaldi (1678 - 1741): Trio Sonata in Bb major - RV 69 - Op. 1, No. 5 source: Suonate da Camera a tre. Op. 1 (Amsterdam c. 1712)
scoring:
AA (Bc) | |
| The bass line can be played on a bass recorder, provided that a real harmonic instrument plays the full continuo part. | |
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What is the meaning of these icons?
7
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Giovanni Buonaventura Viviani (1638 - 1693): Sinfonia Prima in C major source: Capricci armonici da chiesa e da camera. Op. 4 (Venice 1678)
scoring:
A (Bc) | |
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What is the meaning of these icons?
9
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Domenico Zipoli (1688 - 1726): Sonata in G minor source: Sonate d’intavolatura per organo e cimbalo. Op.1 (London 1716)
scoring:
A (Harpsichord) | |
| 8 | |
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Francesco Barbella (1692 - 1733): Concerto III in C major source: Concerti di Flauto, Violini, Violetta, e Basso di Diversi Autori (Naples 1725). Manuscript preserved in the Music conservatories of Naples
scoring:
AAA (Harpsichord) | |
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This is my arrangement of the original concerto (sonata) for treble recorder, two violins and basso continuo. The part of the two violins fits quite well with two treble recorders and the result is remarkable. I worked on the revision and publication of this concerto more than 20 years ago, and now I still find things to revise and discover beautiful new passages in it. It really is remarkable music! | |
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What is the meaning of these icons?
9
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Domenico Alberti (c. 1710 - 1746): Presto assai in Bb major source: 8 Sonates pour clavecin. Op. 1 (London 1745)
scoring:
AA | |
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This is the second and last movement of Sonata VIII in G major for harpsichord. I have arranged it heavily for two treble recorders and transposed it to Bb major. | |
| 3 | |
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Hendrik Anders (1657 - 1714): Air source: Trioos, Allemande, Courante, Sarabande, Gighe (Amsterdam 1696)
scoring:
AAB (Bc) | |
| With editorial divisions for all the recorder parts. | |
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What is the meaning of these icons?
4
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Jim Brickman (1961 - ): If You Believe
scoring:
A (Piano) | |
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What is the meaning of these icons?
5
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Jean-Baptiste Lully (1632 - 1687): Passacaglia source: Acis et Galatée - LWV 73 (1686) - Act 3, Finale
scoring:
ATB (Harpsichord) | |
| According to the original score, at least the first two parts were intended for recorders. | |
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What is the meaning of these icons?
9
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Hendrik Anders (1657 - 1714): Largo in G minor source: Trioos, Allemande, Courante, Sarabande, Gighe (Amsterdam 1696)
scoring:
TTB | |
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What is the meaning of these icons?
5
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Nurit Hirsh (1942 - ): Osse Shalom Bimromav
scoring:
SAATB | |
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What is the meaning of these icons?
10
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Andrea Bornstein (1956 - ): Variazioni su un’aria di Pachelbel
scoring:
A (Harpsichord) | |
| To compose this piece, I started from the hypothetical original version of an Aria with Variations by Pachelbel (P 22), which I have already published: see the related entry. | |
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What is the meaning of these icons?
7
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Johann Pachelbel (1653 - 1706): Aria - P 22
scoring:
A (Harpsichord) | |
| Arranged from the original score for keyboard in D major. | |
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What is the meaning of these icons?
7
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Evaristo Felice Dall'Abaco (1675 - 1742): Concerto 4 in D minor source: 12 Concerti da Chiesa, Op.2 (n.d.)
scoring:
A (Harpsichord) | |
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What is the meaning of these icons?
5
| |
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Anonymous (XVI cent.): La rocha e ’l fuso source: Mus.ms. 1503 h (1503) [14 Italian dances of the early Renaissance]
scoring:
SATB or ATTB | |
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What is the meaning of these icons?
4
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Anonymous (XV cent.): Fo qui pronare Amore source: Ms. Q16 (1487). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica
scoring:
ATB or TBB | |
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What is the meaning of these icons?
4
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Girolamo Frescobaldi (1583 - 1643): Canzon I a Basso solo [e contralto] source: Canzoni da sonare a una, due, tre et quattro con il basso continuo. Libro primo (Venice 1634), No. 5
scoring:
AB (Bc) | |
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In this edition, the treble recorder part is entirely editorial. The piece is presented in two versions: one with the bass recorder playing the solo bass part and the entire continuo line, plus the new treble recorder part. The second version is for AB recorders, accompanied by the continuo realisation. Finally, the work can be performed as Frescobaldi originally intended, with the solo bass recorder and continuo. | |
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What is the meaning of these icons?
5
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Hendrik Anders (1657 - 1714): Phantasie source: Trioos, Allemande, Courante, Sarabande, Gighe (Amsterdam 1696)
scoring:
AAB (Bc) | |
|
What is the meaning of these icons?
8
| |
|
Johann Pachelbel (1653 - 1706): Variatio 6 from Aria Quinta - P 197
scoring:
AB | |
| This bicinium is similar in structure to the other Pachelbel duo included in the related entry. Both bicinia work very well for AB recorders, and in both pieces only one note in the bass line had to be transposed an octave higher. | |
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What is the meaning of these icons?
7
| |
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Francesco Mancini (1672 - 1737): Concerto VI in D minor source: Concerti di Flauto, Violini, Violetta, e Basso di Diversi Autori (Naples 1725). Manuscript preserved in the Music conservatories of Naples, No. 6
scoring:
AATB | |
|
What is the meaning of these icons?
8
| |
|
The Beatles (flourished 1960-70): Oh! Darling
scoring:
SAATTB or SAAATB (Harmonic Instrument ad libitum) | |
|
What is the meaning of these icons?
4
| |
|
Francesco Geminiani (1687 - 1762): Affettuoso source: The Enchanted Forest - H 150 (1754)
scoring:
A (Harpsichord) | |
|
What is the meaning of these icons?
5
| |
|
Maurice Jarre (1924 - 2009): Lara’s Theme from «Doctor Zhivago»
scoring:
A (Piano) | |
|
What is the meaning of these icons?
6
| |
|
Francesco Geminiani (1687 - 1762): Allegro source: The Enchanted Forest - H 150 (1754)
scoring:
AB (Bass instrument) | |
|
What is the meaning of these icons?
7
| |
|
Francesco Geminiani (1687 - 1762): Allegro moderato source: The Enchanted Forest - H 150 (1754)
scoring:
AT (Harpsichord) | |
|
What is the meaning of these icons?
8
| |
|
Henry Purcell (1659 - 1695): Chaconne - ZT 680
scoring:
A (Harpsichord) | |
| Arranged from the original score for keyboard. | |
|
What is the meaning of these icons?
5
| |
|
Billy Joel (1949 - ): She’s Always a Woman
scoring:
A (Piano) | |
|
What is the meaning of these icons?
6
| |