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The latest 100 entries
Johann David Heinichen (1683 - 1729):  Sonata in C major
Edited and/or arranged by Valery Popov and A. Bornstein
scoring: A (Harpsichord)
Johann David Heinichen (1683 - 1729):  Ave maris stella - SeiH 59 [1723]
scoring: TTBF
Domenico Scarlatti (1685 - 1757):  Sonata K 509
scoring: SSATB
Domenico Scarlatti (1685 - 1757):  Sonata K 510
scoring: SATTB
Andrea Bornstein (1956 - ):  Der Heiland ist geboren, Austrian Christmas carol
scoring: STTB
Andrea Bornstein (1956 - ):  Der Morgenstern ist aufgedrungen, Advent and Christmas carol
scoring: SATB
Andrea Bornstein (1956 - ):  Alle Jahre wieder, Old German Christmas carol
scoring: AA
André Grétry (1741 - 1813):  Une fièvre brûlante
source: Richard Cœur-de-Lion (Paris 1783)
scoring: STB
Andrea Bornstein (1956 - ):  Maria durch ein Dornwald ging, German Advent song
scoring: SATTB
Giovanni Bassano (c. 1560 - 1617):  Divisions on «Vestiva i colli e le campagne intorno»
source: Motetti, madrigali et canzone francese diminuiti per sonar con ogni sorte di stromenti (Venice 1591)
scoring: A (Harpsichord)
Version 2: A serious layout error has been corrected thanks to Marc Rives.
Traditional:  Ihr Hirten, erwacht!, Old German Christmas carol
Edited and/or arranged by Karl Riedel and A. Bornstein
scoring: SATB
Andrea Bornstein (1956 - ):  Ihr Hirten erwacht
scoring: SATB
Camille Saint-Saëns (1835 - 1921):  Romance sans paroles
scoring: SATB (Piano)
Charles Borel-Clerc (1879 - 1959):  Nos Vingt Ans
source: Album-Musica N° 3 (Paris 1902)
scoring: A (Piano)
Dezsö Lederer (1858 - 1921):  Berceuse tendre, Op.40
source: Album-Musica N° 3 (Paris 1902)
scoring: SATBBB
Paul Wachs (1851 - 1915):  Une bonne nouvelle
source: Album-Musica N° 4 (Paris 1903)
scoring: S (Piano)
Antonio Vivaldi (1678 - 1741):  Andante in A minor
source: Concerto RV 532
scoring: SSB
Carlos Gardel (1890 - 1935):  Lejana Tierra Mia
scoring: SSTB
Renato Rascel (1912 - 1991):  Arrivederci Roma
scoring: ATB
Doris Fisher & Allan Roberts (flourished 1944-47):  Amado Mio
scoring: ATTB
Anonymous (XVII cent.):  Als Garint
source: Der Gooden Fluyt Hemel (Amsterdam 1644), No. 43
Edited and/or arranged by Andrea Bornstein
scoring: STB
Anonymous (XVII cent.):  Montirande
source: Der Gooden Fluyt Hemel (Amsterdam 1644), No. 48
Edited and/or arranged by Andrea Bornstein
scoring: SATB
Andrea Bornstein (1956 - ):  ’t Waren twee boerinnitjes, Early Dutch tune
scoring: AB
Willem Janszoon Lossy (XVII cent.):  Passaggi
source: Der Gooden Fluyt Hemel (Amsterdam 1644), No. 50
Edited and/or arranged by Andrea Bornstein
scoring: SATB
The original score is for soprano recorder only and was probably arranged from an original violin solo exercise.
I arranged it for four SATB recorders.
Anonymous (XVII cent.):  Naer dien u Godlyckeyt
Edited and/or arranged by Andrea Bornstein
scoring: ATTB
This melody is not related to the one used by van Eyck in piece No. 99 of his collection, Der Fluyten Lust–hof.
Antoine Boësset (1586 - 1643):  Object dont les charmes
source: Neusiéme livre d’airs (Paris 1688)
Edited and/or arranged by Andrea Bornstein
scoring: TTTB
Jacob van Eyck (c. 1589 - 1657):  Kits Almande
source: Der Fluyten Lust-hof (Amsterdam 1649-54), No. 72
Edited and/or arranged by Andrea Bornstein
scoring: ATB
Pieter de Vois (flourished 1644-46):  Pavane de Spanje
source: Der Gooden Fluyt Hemel (Amsterdam 1644), No. 37
Edited and/or arranged by Andrea Bornstein
scoring: A (Bc)
Andrea Bornstein (1956 - ):  Poliphemus, Early Dutch tune
scoring: ATTB
William Croft (1678 - 1727):  Adagio from Sonata III
source: Six sonatas of two parts, purposely made and contrived for two flutes (London [1704])
Edited and/or arranged by Andrea Bornstein
scoring: AAAB
William Croft (1678 - 1727):  Adagio from Sonata II
source: Six sonatas of two parts, purposely made and contrived for two flutes (London [1704])
Edited and/or arranged by Andrea Bornstein
scoring: AAB
Traditional:  John Riley, English ballad
scoring: SATB (Harmonic Instrument ad libitum)
François Devienne (1759 - 1803):  Duo III
source: Six Duos très faciles pour deux flageolets (Paris 1799), No. 3
scoring: AT
Andrea Bornstein (1956 - ):  Musette
source: Nicolas Dalayrac, Nina ou la Folle par amour (Paris 1786)
scoring: TTTB
Andrea Bornstein (1956 - ):  L’amie cillae, Early French tune
scoring: ATB
Andrea Bornstein (1956 - ):  Geswinde Bode van de Min, Early Dutch tune
scoring: ATB
Andrea Bornstein (1956 - ):  Onan of Tanneken, Traditional English tune
scoring: ATTB
Anonymous (XVIII cent.):  Adagio from Sonata V
source: VI Sonates ou Concerts à 4, 5, & 6 parties. Livre 1 (Amsterdam n.d.)
scoring: ATBF
Anonymous (XVIII cent.):  Adagio from Sonata II
source: VI Sonates ou Concerts à 4, 5, & 6 parties. Livre 1 (Amsterdam n.d.)
scoring: TTBF
Anonymous (XVII cent.):  Francesina
source: ADB 250/B (XVII cent.). Manuscript preserved in Rome: Archivio Doria Pamphilj
scoring: C (Harpsichord)
Anonymous (XVII cent.):  Corrente
source: ADB 250/B (XVII cent.). Manuscript preserved in Rome: Archivio Doria Pamphilj
scoring: A (Harpsichord)
Frédéric Chalon (flourished 1801-1821):  Te bien aimer
source: Methode où Tablature Générale du Flageolet (c. 1801)
scoring: TTT or BBB
I arranged the original duo by adding a third line.
Frédéric Chalon (flourished 1801-1821):  Vous l’ordonez
source: Methode où Tablature Générale du Flageolet (c. 1801), No. 3
scoring: ATB
I arranged the original duo by adding a bass line.
Andrea Bornstein (1956 - ):  Contrasto – Fantasia su un tema di François Devienne
scoring: AATTBB
François Devienne (1759 - 1803):  Duo II
source: Six Duos très faciles pour deux flageolets (Paris 1799), No. 2
scoring: AT
Frédéric Chalon (flourished 1801-1821):  Triste raison
source: Methode où Tablature Générale du Flageolet (c. 1801), No. 2
scoring: ATB
I arranged the original duo by adding a bass line.
François Devienne (1759 - 1803):  Duo I
source: Six Duos très faciles pour deux flageolets (Paris 1799), No. 1
scoring: AT
Frédéric Chalon (flourished 1801-1821):  Si vous aimez la danse
source: Methode où Tablature Générale du Flageolet (c. 1801), No. 7
scoring: ATB
I arranged the original duo by adding a bass line.
Frédéric Chalon (flourished 1801-1821):  Mon Dieu, comme hier
source: Methode où Tablature Générale du Flageolet (c. 1801), No. 6
scoring: ATB
I arranged the original duo by adding a bass line.
Carlos Santana (1947 - ):  Samba Pa Ti
scoring: SATTB or SAATB
Angelo Michele Bertalotti (1666 - 1747):  Solfeggio Trentesimo Settimo
source: Solfeggi a canto e alto (Bologna 1744), No. 37
scoring: SAB
I arranged the original duo by adding a bass line.
Alessandro Marcello (1673 - 1747):  Lento in D minor
source: Violin Sonata XI in F major, S.D924 (1738)
scoring: ATB
Nicola Fiorenza (? - 1764):  Largo in C major from Sinfonia a flauto solo con violini e basso in G minor
source: Ms. 2258-62. Manuscript preserved in the Music conservatories of Naples
scoring: ABB
Andrea Bornstein (1956 - ):  Fantasia based on the first four bars of «Souvenir d’enfance» – A piano composition by Richard Clayderman
scoring: ATB (Harmonic Instrument ad libitum)
Traditional:  House Carpenter, English ballad
scoring: ATB (Harmonic Instrument ad libitum)
Traditional:  Fennario, English ballad
scoring: ATTB (Harmonic Instrument ad libitum)
Traditional:  The Trees They Do Grow High, English ballad
scoring: ATB (Harmonic Instrument ad libitum)
Johann Sebastian Bach (1685 - 1750):  Adagio
source: Sonata in C minor - BWV 1017
scoring: ATB
Traditional:  Leis mi favorir, Traditional Swiss song
scoring: STB
Ludwig van Beethoven (1770 - 1827):  Since Greybeards inform us that Youth will decay
source: 20 irische Lieder – WoO 153
scoring: ATTB
Traditional:  The Bailiff’s Daughter of Islington, English popular song
scoring: SATB
Ludwig van Beethoven (1770 - 1827):  No Riches from his scanty Store
source: 20 irische Lieder – WoO 153
scoring: SATB
Benedetto Marcello (1686 - 1739):  Gavotta in F major
source: Sonata XII in F major from Suonate a flauto solo con il suo basso continuo per violoncello o cembalo (1712)
scoring: ATB
Ludwig van Beethoven (1770 - 1827):  When Eve’s last Rays in Twilight die
source: 20 irische Lieder – WoO 153
scoring: TTBB (Piano)
Ludwig van Beethoven (1770 - 1827):  ’Tis sunshine at last
source: 20 irische Lieder – WoO 153
scoring: ATB (Piano)
Francesco Gasparini (1661 - 1727):  Do like the rest
source: Love’s Triumph (1708)
scoring: A (Keyboard)
Francesco Gasparini (1661 - 1727):  Sonata in F major
scoring: STTB
Francesco Nicola Fago (1677 - 1745):  Preces meae non sunt dignae
source: Requiem in C minor
scoring: ATBBF
Carl Fasch (1736 - 1800):  Quoniam tu solus
source: Missa a 16 voci in Quattro Cori (1783)
scoring: ATTBLF
Carl Fasch (1736 - 1800):  Gloria
source: Missa a 16 voci in Quattro Cori (1783)
scoring: SSSSAAAATTTTBBBB
Francesco Nicola Fago (1677 - 1745):  Judex ergo cum sedebit
source: Requiem in C minor
scoring: ATBF
Jimmy Fontana [Enrico Sbriccoli] (1934 - 2013):  Che sarà
scoring: ATTB
Francesco Nicola Fago (1677 - 1745):  Mors stupebit et natura
source: Requiem in C minor
scoring: B (Harpsichord)
Francesco Nicola Fago (1677 - 1745):  Quantus tremor est futurus
source: Requiem in C minor
scoring: AATTTBBF
Francesco Nicola Fago (1677 - 1745):  Requiem æternam
source: Requiem in C minor
scoring: AAATTTTBBBBFFF
Traditional:  The Flowers of Edinburgh, early English dance
scoring: STTB
John Baptist Grano (c. 1692 - c. 1748):  Largo in G minor from Sonata V
source: Solos for a German flute (London c. 1728)
scoring: ATB
Charles-François Gounod (1818 - 1893):  Redis-nous tes refrains joyeux, excerpt from Le Temple de l’Harmonie (1869)
source: 12 Choeurs et une cantate (1869)
scoring: TB (Piano)
Charles-François Gounod (1818 - 1893):  Sicut cervus
source: 12 Choeurs et une cantate (1869)
scoring: AATB or AAAB
Charles-François Gounod (1818 - 1893):  Prière du soir
source: 12 Choeurs et une cantate (1869)
scoring: SATTBB
Mauro Giuliani (1781 - 1829):  Waltz No. 6
source: 16 Walses pour deux Guitares. Op. 16 (Paris XIX cent.), No. 6
scoring: AATTB
Charles-François Gounod (1818 - 1893):  D’un coeur qui t’aime
source: 12 Choeurs et une cantate (1869)
scoring: SSAATTBB
Mauro Giuliani (1781 - 1829):  Waltz No. 5
source: 16 Walses pour deux Guitares. Op. 16 (Paris XIX cent.), No. 5
scoring: ATTB
Mauro Giuliani (1781 - 1829):  Waltz No. 4
source: 16 Walses pour deux Guitares. Op. 16 (Paris XIX cent.), No. 4
scoring: AATTB
Charles-François Gounod (1818 - 1893):  Ave verum
source: 12 Choeurs et une cantate (1869)
scoring: AATBB or SAATB
Charles-François Gounod (1818 - 1893):  Comme une mer, excerpt from Le Vendredi-Saint (1869)
source: 12 Choeurs et une cantate (1869)
scoring: SATTBB
Charles-François Gounod (1818 - 1893):  L’affût
scoring: TTBB
Mauro Giuliani (1781 - 1829):  Waltz No. 3
source: 16 Walses pour deux Guitares. Op. 16 (Paris XIX cent.), No. 3
scoring: AAB
Mauro Giuliani (1781 - 1829):  Waltz No. 2
source: 16 Walses pour deux Guitares. Op. 16 (Paris XIX cent.), No. 2
scoring: AA (Harmonic Instrument)
Mauro Giuliani (1781 - 1829):  Waltz No. 1
source: 16 Walses pour deux Guitares. Op. 16 (Paris XIX cent.), No. 1
scoring: AABB
François-Joseph Gossec (1734 - 1829):  Anglaise ou Bostoniene
source: Le triomphe de la République (1794)
scoring: ATBB
Francesco Barsanti (1690 - 1772):  Sonata VI in D minor
source: Six sonatas for two violins and a bass. Op. 6 (London [1746]), No. 6
scoring: A (Harpsichord)
Francesco Barsanti (1690 - 1772):  Menuet in G minor from Sonata III
source: Six sonatas for two violins and a bass. Op. 6 (London [1746])
scoring: ATB
Antonio Mortaro (? - 1619):  La Saronna with editorial divisions
source: Primo libro de canzoni da sonare a quattro voci (Venice 1600), No. 20
scoring: SATB
Nicola Cosimi (1667 - 1717):  Allemanda in D minor from Sonata XII
source: 12 Sonate da camera. Op. 1 (Amsterdam 1702)
scoring: ATB
Nicola Cosimi (1667 - 1717):  Largo in D minor from Sonata XII
source: 12 Sonate da camera. Op. 1 (Amsterdam 1702)
scoring: AAB
Nicola Francesco Haym (1678 - 1729):  Largo in D minor from Sonata IV
source: VI Sonate da camera (Amsterdam n.d.)
scoring: ATB
Nicola Francesco Haym (1678 - 1729):  Adagio in D minor from Sonata III
source: VI Sonate da camera (Amsterdam n.d.)
scoring: ATB
Andrea Fadini (XVIII cent.):  Canone in Eb major from Sonata II
source: XII Sonate a due violini, violoncello ed organo, con tre soggetti reali. Op. 1 (Amsterdam n.d.)
scoring: AAB
Andrea Fadini (XVIII cent.):  Adagio from Sonata I
source: XII Sonate a due violini, violoncello ed organo, con tre soggetti reali. Op. 1 (Amsterdam n.d.)
scoring: AAB