This is the list of all the composers who have some works published or at least listed in the whole Gardane site.

Entries listed in chronological order (most recent first)

Entries 1 - 100 out of 3728 [38 pages]

[1] [2] [3] [4] [5] [6]

Floriano Canale (c. 1550 - post 1603):  La Solda a 4
source: Canzoni da sonare a quattro, et otto voci. Libro 1 (Venice 1600), No. 14
scoring: SATB
Johann Sebastian Bach (1685 - 1750):  Partita in A minor (C minor) - BWV 1013
scoring: A
Arcangelo Corelli (1653 - 1713):  Trio Sonata III in C major - Op. 4, No. 3
source: Sonate da camera a tre. Op. 4 (Rome 1694)
Edited and/or arranged by Alberto Dalla Turca
scoring: AT (Bc)
Fernando de las Infantas (1534 - c. 1610):  Contrappunto 15
source: Plura modulationum genera quae vulgo contrapuncta appellantur super excelso gregoriano cantu (Venice 1579)
scoring: TTT or TTB
Johann Sebastian Bach (1685 - 1750):  Sonata a traversa e cembalo obligato in C major - BWV 1032
scoring: A (Harpsichord)
Lodovico Zacconi (1555 - 1627):  Contrappunto I sopra Ave maris stella
source: Prattica di Musica (Venice 1592/1619)
scoring: SATB or ATBB
Antonio Brunelli (1577 - 1630):  Aria di Ruggiero per sonare
source: Varii esercitii (Florence 1614)
scoring: CC or AA (Bc)
Anonymous:  El Marchese di Saluzzo
source: Mus.ms. 1503 h (c. 1550), Manuscript preserved in Munich: Bayerische Staatsbibliothek, Musiksammlung
scoring: ATBB
Giovanni Carlo Maria Clari (1677 - 1754):  Io sarò sempre costante
source: Ms. Add. 14206 (18th cent.), British Library, London
scoring: AT (Harpsichord)
Matthew Locke (c. 1622 - 1677):  Suite 9 (Nos. 33-36)
source: Little consort of three parts (London 1656), No. 9
scoring: A (Harpsichord)
Johann Sebastian Bach (1685 - 1750):  Fuge über ein Thema von Legrenzi - BWV 574 A
scoring: SATB
Matthew Locke (c. 1622 - 1677):  Suite 8 (Nos. 29-32)
source: Little consort of three parts (London 1656), No. 8
scoring: STB (Bc ad libitum)
Antonio Vivaldi (1678 - 1741):  Sonata VII in D minor, RV 8
source: Sonate a violino e basso per il cembalo. Op. 2 (Venice 1709), No. 7
scoring: A (Bc)
Luigi Battiferri (c. 1610 - 1682):  Ricercare Settimo a 4. Con tre soggetti - Op. 3, No. 7
source: Ricercare a quattro, a cinque e a sei. Op. 3 (Bologna 1669)
scoring: SATB
Anne Danican Philidor (1681 - 1728):  Courante
source: 1er Livre de pieces pour la flute traversiere, flute a bec, violons et haut-bois avec la basse continuë (Paris 1712), No. 8
scoring: A (Bc)
Christian Petzold (1677 - 1733):  Trio Sonata in D major (F major, C major)
source: Musica 2354-Q-2. Sächsische Landesbibliothek, Dresden
scoring: AA or SSB (Bc)
Francisque Darcieux (1880 - 1951):  Auprès de ma blonde
scoring: SATB
Antonio Vivaldi (1678 - 1741):  Largo cantabile from Concerto RV 88
scoring: AATB (Bc)
Orlando di Lasso (c. 1532 - 1594):  Heroum soboles, amor orbis, Motet a 6
source: Magnum opus musicum (Munich 1604), No. 321
Edited and/or arranged by Lorenzo Pantanetti
scoring: SAATTB or ATTBBF
Manuel José Vidigal (XIX cent.):  6° Minuette
source: Seis Minuettes para Guitarra e Baxo (Lisboa c. 1796)
scoring: ATB
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 7 - BWV 793
scoring: A (Harpsichord)
Arcangelo Corelli (1653 - 1713):  Trio Sonata VII in F major - Op. 1, No. 7
source: Sonate da chiesa a tre, Op. 1 (Rome 1681)
Edited and/or arranged by Alberto Dalla Turca
scoring: AT (Bc)
Giovanni Battista Somis (1686 - 1763):  Sinfonia a Flauto solo e Basso in F major
source: Ms. CF-V-23: Sinfonie di varij autori. Manuscript preserved in Parma: Biblioteca Palatina, No. 9
scoring: A (Bc)
Giovanni Battista Pergolesi (1710 - 1736):  Concerto a 4 in F major
source: MS. mu 9709.2965. Manuscript preserved in Copenhagen, Royal Library
scoring: TTTB
Giovanni Battista Pergolesi (1710 - 1736):  Concerto a 4 in G major
source: MS. mu 9709.2965. Manuscript preserved in Copenhagen, Royal Library
scoring: A (2 Violins, Bc)
Johann Christoph Pepusch (c. 1667 - 1752):  Trio in F major
source: Ms. Musica 2160-Q-2. Manuscript preserved in Dresden: Sächsische Landesbibliothek
scoring: ATB
Luigi Battiferri (c. 1610 - 1682):  Ricercare Sesto a 4. Con due soggetti - Op. 3, No. 6
source: Ricercare a quattro, a cinque e a sei. Op. 3 (Bologna 1669)
scoring: SATB
Andreas Heinrich Schultzen (1681 - 1741):  Sonata III in D minor
source: VI Sonate a Flauto solo con Cimbalo o vero Fagotto (Amsterdam [1703]), No. 3
scoring: A (Bc)
Johann Heinrich Müller (c. 1780 - 1826):  Canon No. 1 «Kurz, wie der Rosen»
source: Zwölf Canons […] für drei Singstimmen ohne Begleitung (Leipzig [XIX cent.]), No. 1
scoring: AAB or SST
Friedrich Heinrich Himmel (1765 - 1814):  Polonoise
source: Hamburg c. 1810
scoring: ATBB
Giuseppe Colombi (1635 - 1694):  Suonata 1 in C major
source: Sinfonie da camera. Op. 1 (Bologna 1668)
scoring: ATB (Bass instrument ad libitum, Bc)
Johann Guth (XVII cent.):  Ut Re Mi Fa Sol La a 3 Violini, canon at the unison a 3
source: Novitas musicalis. Allerhand Canones und Fugen von 2. 3. und 4 Stimmen sampt dem General Bass (Frankfurt 1675), No. 27
scoring: AAA (Bc)
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 6 - BWV 792
scoring: A (Harpsichord)
Samuel Friedrich Bockshorn [Capricornus] (1628 - 1665):  Ciaccona a 2
source: Ms. Heinemann-Nr. 2369 - Herzog August Bibliothek Wolfenbüttel
scoring: AB (Bc)
Giuseppe Tartini (1692 - 1770):  Concerto in G major
source: Ms. Gimo 294 - Uppsala Universitetsbiblioteket
scoring: A (Strings, Bc)
Heinrich Schütz (1585 - 1672):  Gib unsern Fürsten und aller Obrigkeit - SWV 373
source: Geistliche Chormusik. Op.11 (Dresden 1648)
Edited and/or arranged by Alberto Dalla Turca
scoring: SSAB or AATB (Bc)
Antonio Cifra (1584 - 1629):  Ricercar I
source: Ricercari et canzoni franzese. Libro 2 (Rome 1619), No. 1
scoring: SATB or ATTB
Johann Friedrich Gräfe (1711 - 1787):  March
source: Musikalisches Vielerley (Hamburg 1770)
scoring: AAAB
Matthew Locke (c. 1622 - 1677):  Suite 7 (Nos. 25-28)
source: Little consort of three parts (London 1656), No. 7
scoring: STB (Bc ad libitum)
Antonio Vivaldi (1678 - 1741):  Sonata VI in F major (C major), RV 1
source: Sonate a violino e basso per il cembalo. Op. 2 (Venice 1709), No. 6
scoring: A or C (Bc)
Pompeo Natali (XVII cent.):  Solfeggiamento XXVI a tre
source: Solfeggiamenti a due e tre voci per cantare e suonare (Rome 1674), No. 7
scoring: SST or ATB
Giacobbe Cervetto [Basevi] (1680 - 1783):  Sonata I in D major (F major, C major)
source: Eight Solos for a German Flute. Op. 3 (London [1757]), No. 1
scoring: A or C (Bc)
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 5 - BWV 791
scoring: A (Harpsichord)
Joseph Bodin de Boismortier (1689 - 1755):  Deuxiéme Sonate in A minor (C minor) - Op. 2, No. 2
source: Sonates a deux flûtes-traversieres sans basse. Op. 2 (Paris 1724)
scoring: AA
Johann Sebastian Bach (1685 - 1750):  Erleucht auch meine finstre Sinnen, Air
source: Christmas Oratorio - BWV 248 (1734)
Edited and/or arranged by Alberto Dalla Turca
scoring: AB (Bc)
Luigi Battiferri (c. 1610 - 1682):  Ricercare Quinto a 4. Con due soggetti - Op. 3, No. 5
source: Ricercare a quattro, a cinque e a sei. Op. 3 (Bologna 1669)
scoring: SATB
Matthew Locke (c. 1622 - 1677):  Suite 6 (Nos. 21-24)
source: Little consort of three parts (London 1656), No. 6
scoring: STB (Bc ad libitum)
Domenico Galli (1649 - 1691):  Sonata VI in F major
source: Trattenimento musicale sopra il violoncello a’ solo (Modena 1691), No. 6
scoring: A
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 4 - BWV 790
scoring: C or A (Harpsichord)
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 3 - BWV 789
scoring: A (Harpsichord)
Johann Sebastian Bach (1685 - 1750):  O du von Gott erhöhte Kreatur, Air
source: Cantata BWV 121, «Christum wir sollen loben schon»
Edited and/or arranged by Alberto Dalla Turca
scoring: AT (Bc)
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 2 - BWV 788
scoring: A (Harpsichord)
Anonymous:  Gavotte
source: A Collection of Several Simphonies and Airs in Three Parts ([London] 1688), No. 10
scoring: AA or CC (Bc)
Jacquet de Berchem (c. 1505 - 1567):  Le donne, i cavallier, l’arme, gli amori, madrigal a 4
source: Primo, secondo et terzo libro del capriccio […] sopra le stanze del Furioso. A quatro voci (Venice 1561), No. 1
scoring: SATB or ATTB
Michel Pignolet de Montéclair (1667 - 1737):  Premier Concert
source: Concerts à deux Flutes Traversières sans Basses (Paris s.d.), No. 1
scoring: AA
George Frideric Handel (1685 - 1759):  Concerto grosso III - Op. 6, No. 3
scoring: SATB
Jean-Philippe Rameau (1683 - 1764):  Le Tambourin
source: Pièces de Clavessin (Paris 1724)
scoring: A (Harpsichord)
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 1 - BWV 787
scoring: A (Harpsichord)
Georg Philipp Telemann (1681 - 1767):  Fantasia IV in Bb major (Eb major) - TWV 40:5
source: Fantasie per il violino senza basso (c. 1727), No. 4
scoring: A
Andreas Heinrich Schultzen (1681 - 1741):  Sonata II in G minor
source: VI Sonate a Flauto solo con Cimbalo o vero Fagotto (Amsterdam [1703]), No. 2
scoring: A (Bc)
Matthew Locke (c. 1622 - 1677):  Suite 5 (Nos. 17-20)
source: Little consort of three parts (London 1656), No. 5
scoring: SSB or AAB (Bc ad libitum)
Henry Purcell (1659 - 1695):  Suite
source: The Fairy Queen (1692)
scoring: SSAB
Francesco Barsanti (1690 - 1772):  Sonata VI in A minor - Op. 2, No. 6
source: VI sonate per la traversiera. Op. 2 (London [1728])
scoring: A (Bc)
George Frideric Handel (1685 - 1759):  Minuet in Saul
source: The delightful pocket companion for the German flute (London c. 1763), No. 1
scoring: A or C
George Frideric Handel (1685 - 1759):  Vola l’augello del caro nido - HWV 590, Air from the opera Sosarmes arranged by its own composer for a musical clock
source: Ten Tunes for Clay’s Musical Clock
scoring: AT
George Frideric Handel (1685 - 1759):  Gigue - HWV 589
source: Ten Tunes for Clay’s Musical Clock
scoring: AT
Antonio Caldara (c. 1671 - 1736):  Il dio d’amore, Canon a 4
scoring: CCCC
Carl Fasch (1736 - 1800):  Kyrie a 16
source: Missa a 16 voci in Quattro Cori (1783), No. 1
scoring: SSSSSSSSTTTTBBBB (Bc ad libitum)
Jacob van Eyck (c. 1589 - 1657):  Silvester inde Morgenstont
source: Der Fluyten Lust-hof (1649-54), No. 89
scoring: C
Carl Fasch (1736 - 1800):  Chi vuol trovar la pace, Canzonetta
source: Musikalisches Vielerley (Hamburg 1770)
scoring: ATB (Harpsichord)
Anonymous:  Simphonia
source: 't Uitnement Kabinet. 2 vols (Amsterdam 1646-49)
scoring: CB (Bc)
Giovanni Picchi (c. 1571 - 1643):  Canzon Prima a 2
source: Canzoni da sonar con ogni sorte d'istromenti (Venice 1625), No. 1
scoring: CCB or AA (Bc)
Giovanni Gabrieli (c. 1555 - 1612):  Canzon per sonar a 8. Primi Toni
source: Sacrae symphoniae (Venice 1597)
scoring: SSAATTBB
Anonymous:  Bouree d'Orange
source: Deusiesme recueil des dances et contre-dances avec la basse continue (Amsterdam 1688), No. 3
scoring: A or C (Bc)
Leonardo Vinci (1690 - 1730):  Cum Dominus iratus
Edited and/or arranged by Andrea Bornstein
scoring: SATB
Solomon Eccles (1649 - 1710):  A Division on a Ground
source: The first part of the division flute (London [1706]), No. 9
scoring: A (Bc)
Robert Valentine (1674 - c. 1735):  Sonata XII in F major - Op. 2, No. 12
source: Sonate di flauto a solo col basso per il cimbalo o violone. Op. 2 (Rome 1708)
scoring: A (Bc)
Anonymous:  Simphonie
source: A Collection of Several Simphonies and Airs in Three Parts ([London] 1688), No. 9
scoring: AA (Bc)
Anonymous:  Gallarde Faraboscho
source: 't Uitnement Kabinet. 2 vols (Amsterdam 1646-49)
scoring: CB (Bc)
Anonymous:  Suiet Italien
source: Deusiesme recueil des dances et contre-dances avec la basse continue (Amsterdam 1688)
scoring: C or A (Bc)
Ferdinando Carulli (1770 - 1841):  Lezione 15 - Op. 27, No. 15
source: Metodo completo per chitarra, op. 27 (1810) - Parte terza: 24 lezioni progressive per due chitarre
scoring: TTBB or ATBB
Anonymous:  Faronell's Ground
source: The first part of the division flute (London [1706]), No. 3
scoring: A (Bc)
Luigi Battiferri (c. 1610 - 1682):  Ricercare Quarto a 4. Con due soggetti - Op. 3, No. 4
source: Ricercare a quattro, a cinque e a sei. Op. 3 (Bologna 1669)
scoring: SATB
Floriano Canale (c. 1550 - post 1603):  La Barbisona a 4
source: Canzoni da sonare a quattro, et otto voci. Libro 1 (Venice 1600), No. 13
scoring: SSAT or SATB
Domenico Natale Sarri [Sarro] (1679 - 1744):  Sonata 3 in D major (C major)
source: Ms. CF-V-23: Sinfonie di varij autori. Manuscript preserved in Parma: Biblioteca Palatina, No. 25
scoring: G or A (Bc)
Giovanni Bononcini (1670 - 1747):  Trattenimento Secondo
source: Trattenimenti da camera. Op. 1 (Bologna 1685)
scoring: AA or VV (Bc)
Eustache Du Caurroy (1549 - 1609):  Premiere Fantasie a Trois
source: Fantasies a III. IIII. V. et VI. parties (Paris 1610), No. 1
scoring: SAT or ATB
Domenico Galli (1649 - 1691):  Sonata V in D minor
source: Trattenimento musicale sopra il violoncello a’ solo (Modena 1691), No. 5
scoring: A
Anne Danican Philidor (1681 - 1728):  Allemande
source: 1er Livre de pieces pour la flute traversiere, flute a bec, violons et haut-bois avec la basse continuë (Paris 1712), No. 7
scoring: A (Bc)
Antonio Vivaldi (1678 - 1741):  Sonata V in D minor, RV 36
source: Sonate a violino e basso per il cembalo. Op. 2 (Venice 1709), No. 5
scoring: A (Bc)
Eustache Du Caurroy (1549 - 1609):  Trentehuictiesme Fantasie a l’imitation de six monosyllabes, en laquelle sont contenuës les six especes de Diapason, divisees en la division harmonique et arithmetique
source: Fantasies a III. IIII. V. et VI. parties (Paris 1610), No. 38
scoring: ATTBB or AATBB
John Reading (1645 - 1692):  Reading's Ground
source: The first part of the division flute (London [1706]), No. 1
scoring: A (Bc)
Giovanni Bononcini (1670 - 1747):  Trattenimento Primo
source: Trattenimenti da camera. Op. 1 (Bologna 1685)
scoring: AA or VV (Bc)
Adriano Banchieri (1568 - 1634):  Canzon Prima. La Rovattina
source: Canzoni alla francese a 4 voci per sonare. Libro 2 (Venice 1596), No. 1
scoring: SATB or SAAB
Michel Pignolet de Montéclair (1667 - 1737):  Sixiéme Concert
source: Concerts à deux Flutes Traversières sans Basses (Paris s.d.), No. 6
scoring: AA
Anonymous:  Air
source: A Collection of Several Simphonies and Airs in Three Parts ([London] 1688), No. 8
scoring: AAB or TTB (Bc)
Anonymous:  Air
source: A Collection of Several Simphonies and Airs in Three Parts ([London] 1688), No. 7
scoring: AAB (Bc)
Michel Blavet (1700 - 1768):  Sonata Seconda in A minor (C minor) - Op. 1, No. 2
source: Six Sonates Pour deux Flutes-traversieres sans Basse. Op. 1 (Paris 1728)
scoring: AA
Anonymous:  Simphonie
source: A Collection of Several Simphonies and Airs in Three Parts ([London] 1688), No. 6
scoring: AAB (Bc)
John Adson (1587 - 1640):  Ayre 9 of 5 Parts
source: Courtly masquing ayres (London 1621), No. 9
scoring: ATBLF or NSATB