This is the list of all the composers who have some works published or at least listed in the whole Gardane site.

Entries listed in chronological order (most recent first)

Entries 1 - 100 out of 3252 [33 pages]

[1] [2] [3] [4] [5] [6]

George Frideric Handel (1685 - 1759):  Largo in G minor from Concerto HWV 313
scoring: STBB
4
  v. 1.00
Charles Villiers Stanford (1852 - 1924):  The Blue Bird - Op. 119, No. 3
scoring: TBB (2 Viols)
2
  v. 1.00
Traditional:  The Little Red Lark
Edited by Charles Villiers Stanford
scoring: SATB
3
  v. 1.00
Antonio Vivaldi (1678 - 1741):  Trio Sonata in G minor, RV 67 - Op. 1, No. 2
source: Suonate da Camera a tre. Op. 1 (Amsterdam c. 1712)
scoring: AA (Bc)
3
  v. 1.00
Giorgio Pacchioni (1947 - ):  Passacaglia - Op. 62, No. 1
scoring: CC (Cello, Bc)
6
  v. 1.50
Alessandro Besozzi (1702 - 1793):  Sonata II in Eb major
source: Six Sonatas or Duets for two German Flutes or Violins (London c. 1750), No. 2
scoring: AA
  v. 1.00
Alessandro Besozzi (1702 - 1793):  Sonata II in C major
source: Six Sonatas or Duets for two German Flutes or Violins (London c. 1750), No. 2
scoring: 2 Flutes
  v. 1.00
Alessandro Besozzi (1702 - 1793):  Sonata I in D minor
source: Six Sonatas or Duets for two German Flutes or Violins (London c. 1750), No. 1
scoring: AA
1
  v. 1.00
Alessandro Besozzi (1702 - 1793):  Sonata I in B minor
source: Six Sonatas or Duets for two German Flutes or Violins (London c. 1750), No. 1
scoring: 2 Flutes
  v. 1.00
Pëtr Ilič Čajkovskij (1840 - 1893):  June - Op. 37, No. 6
source: The Seasons
scoring: A (Piano)
5
  v. 1.00
Christopher Tye (c. 1505 - ante 1573):  In Nomine «Crye»
scoring: SATTB or SSTTB
3
  v. 1.00
Henry VIII (1491 - 1547):  Pastime with good company
source: British Library, Add. 31922 (c. 1510-20)
scoring: STB or SAB
3
  v. 1.00
George Frideric Handel (1685 - 1759):  Trio Sonata in G minor - HWV 400
scoring: AT (Bc)
4
  v. 1.00
Vincenzo Legrenzio Ciampi (1719 - 1762):  Tre giorni son che Nina
source: Gli tre cicisbei ridicoli (London 1749)
scoring: A (Harpsichord)
5
  v. 1.00
Alessandro Orologio (c. 1550 - 1633):  Miserere mei, Deus, Motet a 5
source: Promptuarii musici (Strasbourg 1611)
scoring: SATTB or STTTB
7
  v. 1.00
Antonio Vivaldi (1678 - 1741):  Concerto VI in G major, RV 437
source: VI concerti a flauto traverso […] Op. 10 (Amsterdam [1729]), No. 6
scoring: G or A (Strings, Bc)
2
  v. 2.00
Traditional Klezmer:  Papirosn (Cigarettes)
scoring: SAB
10
  v. 1.00
Christopher Tye (c. 1505 - ante 1573):  In Nomine «Trust»
scoring: SATTB or SSTTB
4
  v. 1.00
Johann Sebastian Bach (1685 - 1750):  Ouverture [Suite] No. 2 - BWV 1067
scoring: C (Strings, Bc)
2
  v. 1.00
Wolfgang Amadeus Mozart (1756 - 1791):  Ave verum corpus (KV 618), Motet
scoring: SATB or SSAB
3
  v. 1.00
Johann Sebastian Bach (1685 - 1750):  Ouverture [Suite] No. 2 - BWV 1067
scoring: Transverse Flute, Strings, Bc
1
  v. 1.00
Carl Philipp Emanuel Bach (1714 - 1788):  Sonata in G minor (A minor) - H 542.5 (formerly BWV 1020)
scoring: A (Harpsichord)
33
  v. 3.60
Georg Philipp Telemann (1681 - 1767):  Am vierten Advents-Sonntage, «Lauter Wonne, lauter Freude» - TWV 01:1040
source: Harmonische Gottes-Dienst oder geistliche Cantaten (Hamburg 1725-26), No. 68
scoring: G or A (Soprano, Bc)
4
  v. 1.50
George Frideric Handel (1685 - 1759):  Fugue from Vierte Suite HWV 429
scoring: A (Harpsichord)
2
  v. 1.00
Georg Philipp Telemann (1681 - 1767):  Adagio from Trumpet Concerto TWV 51:D7
scoring: SATB
4
  v. 1.00
Jean-Baptiste Lully (1632 - 1687):  Passacaille
source: Armide (1686) - LWV 71
scoring: ATB (Harpsichord)
10
  v. 1.00
Wolfgang Amadeus Mozart (1756 - 1791):  Das Bandel (KV 441)
scoring: TTB (Keyboard)
3
  v. 1.00
Wolfgang Amadeus Mozart (1756 - 1791):  Kanon «Bona nox» (KV 561)
scoring: AAAA or CCCC
2
  v. 1.00
Traditional Klezmer:  Oy dortn dortn
scoring: ATB (Harmonic Instrument ad libitum)
10
  v. 1.00
Matteo Bevilacqua (1772 - 1849):  Canzonetta VI, «Nina no der de no» - Op. 20, No. 6
source: Sei canzonette veneziane, op. 20 (Vienna [18??])
scoring: C (Guitar)
2
  v. 1.00
François Couperin (1668 - 1733):  Neuviéme concert intitulé Ritratto dell’Amore
source: Les goûts-réünis, ou Nouveaux concerts (Paris 1724)
scoring: V (Bc)
5
  v. 1.50
Thomas Morley (c. 1557 - 1602):  I goe before my darling, Canzonetta a 2
source: The first booke of canzonets to two voyces (London 1595), No. 5
scoring: CC or AA
3
  v. 1.00
Thomas Morley (c. 1557 - 1602):  Il Doloroso, Fantasia a 2
source: The first booke of canzonets to two voyces (London 1595), No. 4
scoring: ST or AB
3
  v. 1.00
Thomas Morley (c. 1557 - 1602):  Sweet nimphe, come to thy lover, Canzonetta a 2
source: The first booke of canzonets to two voyces (London 1595), No. 3
scoring: CC or AA
2
  v. 1.00
Thomas Morley (c. 1557 - 1602):  When loe, by breake of morning, Canzonetta a 2
source: The first booke of canzonets to two voyces (London 1595), No. 2
scoring: CC or AA
3
  v. 1.00
Thomas Morley (c. 1557 - 1602):  Goe yee my canzonets, Canzonetta a 2
source: The first booke of canzonets to two voyces (London 1595), No. 1
scoring: CC or AA
3
  v. 1.00
Antonio Vivaldi (1678 - 1741):  Concerto del Gardellino in D major, RV 90
source: Giordano 31, Manuscript preserved in Turin: Biblioteca Nazionale Universitaria
scoring: G or A (Oboe, Violin, Bassoon, Bc)
9
  v. 2.00
Antonio Caldara (c. 1671 - 1736):  Come raggio di sol mite e sereno
scoring: ATTBB
7
  v. 1.00
Giovanni Giacomo Gastoldi (c. 1554 - 1609):  Il Premiato
source: Balletti a cinque voci (Antwerp 1596), No. 11
scoring: SSSAT or AATBB
5
  v. 1.00
Giovanni Giacomo Gastoldi (c. 1554 - 1609):  Amor vittorioso
source: Balletti a cinque voci (Antwerp 1596), No. 10
scoring: SSSAT or AATTB
4
  v. 1.00
Andrea Bornstein (1956 - ):  Variations on «Eventide» by W.H. Monk (1823 - 1889)
scoring: STTB or SAAB
12
  v. 1.00
Domenico Galli (1649 - 1691):  Sonata III in A minor
source: Trattenimento musicale sopra il violoncello a’ solo (Modena 1691), No. 3
scoring: A
3
  v. 1.00
Felix Mendelssohn (1809 - 1847):  Finale - Op. 65, No. 6
scoring: SATBL
8
  v. 1.00
Robert Schumann (1810 - 1856):  Winterszeit I - Op. 68, No. 38
source: Album für die Jugend. Op. 68 (1848)
scoring: SAATB
3
  v. 1.00
Antonio Caldara (c. 1671 - 1736):  Sebben crudele
scoring: A (Harpsichord)
13
  v. 1.00
Traditional:  Fenesta ca lucive
scoring: STB
15
  v. 1.00
Georg Philipp Telemann (1681 - 1767):  Duetto I in G major (C major) - TWV 40:124
source: Second livre de duo pour deux violons, fluttes, ou hautbois (Paris [1752]), No. 1
scoring: AA
3
  v. 2.00
Johann Pachelbel (1653 - 1706):  Magnificat fugue primi toni No. 5
scoring: SATB
3
  v. 1.00
Johann Pachelbel (1653 - 1706):  Magnificat fugue primi toni No. 19
scoring: SATB
3
  v. 1.00
Johann Pachelbel (1653 - 1706):  Magnificat fugue primi toni No. 9
scoring: SATB
3
  v. 1.00
Antonio Vivaldi (1678 - 1741):  Concerto per Flauto in C minor, RV 441
source: Giordano 31, Manuscript preserved in Turin: Biblioteca Nazionale Universitaria
scoring: A (Strings, Bc)
23
  v. 2.60
Traditional:  Santa Lucia
scoring: STB
3
  v. 1.00
Georg Philipp Telemann (1681 - 1767):  Ouverture avec des airs a 4 - TWV 55:B9
source: Ms. Musica 2392-N-9. Manuscript preserved in Dresden: Sächsische Landesbibliothek
scoring: SATB
5
  v. 1.00
Leonardo Leo (1694 - 1744):  Trio [Adagio and Fugue]
source: Ms. Musica 2460-N-2. Manuscript preserved in Dresden: Sächsische Landesbibliothek
scoring: SSB or AA (Bc)
8
  v. 1.00
Georg Philipp Telemann (1681 - 1767):  Trio sonata in G minor (C minor) - TWV 42:g4
scoring: AA or AT (Bc)
3
  v. 1.00
Francesco Durante (1684 - 1755):  Vergin, tutto amor
scoring: B (Bc)
7
  v. 1.00
David Perez (1711 - 1778):  Duetto I in C major
source: Solfèges d'Italie (Paris c. 1760)
scoring: CC (Bc)
5
  v. 1.00
Francesco Durante (1684 - 1755):  Danza, danza, fanciulla gentile
scoring: SB (Harpsichord)
9
  v. 1.00
Giovanni Battista Fontana (c. 1589 - c. 1630):  Sonata Seconda a violino solo
source: Sonate a 1, 2, 3 (Venice 1641), No. 1
scoring: C or A (Bc)
1
  v. 1.00
Giovanni Battista Fontana (c. 1589 - c. 1630):  Sonata Seconda a violino solo
source: Sonate a 1, 2, 3 (Venice 1641), No. 1
scoring: Violin, Bc
  v. 1.00
Giovanni Battista Fontana (c. 1589 - c. 1630):  Sonata Prima a violino solo
source: Sonate a 1, 2, 3 (Venice 1641), No. 1
scoring: A (Bc)
1
  v. 1.00
Giovanni Battista Fontana (c. 1589 - c. 1630):  Sonata Prima a violino solo
source: Sonate a 1, 2, 3 (Venice 1641), No. 1
scoring: Violin, Bc
  v. 1.00
Johan Peter Emilius Hartmann (1805 - 1900):  Du kommer
source: Ni Fleerstemmige Mandssange (København 1866)
scoring: ATTB or AATB
6
  v. 1.00
Carlo Gesualdo da Venosa (c. 1561 - 1613):  Gagliarda
scoring: SATB or SSAB
4
  v. 1.00
Orlando di Lasso (c. 1532 - 1594):  Ad altre le voi dare ste passate
source: Libro de villanelle, moresche et altre canzoni a 4. 5. 6 et 8 voci (Antwerp 1582)
scoring: SATB or ATTB
3
  v. 1.00
Orlando di Lasso (c. 1532 - 1594):  Tutto lo dì mi dici: canta, canta!
source: Libro de villanelle, moresche et altre canzoni a 4. 5. 6 et 8 voci (Antwerp 1582)
scoring: SATB
4
  v. 1.00
Orlando di Lasso (c. 1532 - 1594):  Saccio ’na cosa ch’è di legn’e tonda
source: Libro de villanelle, moresche et altre canzoni a 4. 5. 6 et 8 voci (Antwerp 1582)
scoring: 4 Singers
  v. 1.00
Orlando di Lasso (c. 1532 - 1594):  Tutto lo dì mi dici: canta, canta!
source: Libro de villanelle, moresche et altre canzoni a 4. 5. 6 et 8 voci (Antwerp 1582)
scoring: 4 Singers
  v. 1.00
Orlando di Lasso (c. 1532 - 1594):  Ad altre le voi dare ste passate
source: Libro de villanelle, moresche et altre canzoni a 4. 5. 6 et 8 voci (Antwerp 1582)
scoring: 4 Singers
  v. 1.00
César Franck (1822 - 1890):  Panis Angelicus
scoring: SSATTB
13
  v. 1.00
César Franck (1822 - 1890):  Andantino (1857)
scoring: SATB
7
  v. 1.00
Daniel Purcell (c. 1664 - 1717):  Solo I in F major
source: Six sonatas. Three for two flutes and a bass, and three solos for a flute and a bass (London c. 1710), No. 4
scoring: A (Bc)
4
  v. 1.00
John Dowland (1563 - 1626):  My thoughts are winged with hopes
source: The first booke of songes (London 1597), No. 3
scoring: SAAB or SATB
11
  v. 1.00
Antonio Lotti (c. 1667 - 1740):  Miserere mei, Deus
source: Mus. ms. 13167. Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Musikabteilung
scoring: 4 Singers
2
  v. 1.00
Felix Mendelssohn (1809 - 1847):  Fuga based on the Lutheran chorale «Vater unser im Himmelreich» - Op. 65, No. 6
scoring: SATB
11
  v. 1.00
Johann Sebastian Bach (1685 - 1750):  Vater unser im Himmelreich - BWV 636
scoring: SSTB
9
  v. 1.00
Johann Sebastian Bach (1685 - 1750):  Vater unser im Himmelreich - BWV 683
scoring: SSTB
8
  v. 1.00
Johann Caspar Ferdinand Fischer (1656 - 1746):  Suite I
source: Le journal du printemps: Ms. RES-F-529. Manuscript preserved in Paris: Bibliothèque nationale de France
scoring: ATBB (Bc)
5
  v. 1.00
Antonio Lotti (c. 1667 - 1740):  Miserere mei, Deus
source: Mus. ms. 13167. Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Musikabteilung
scoring: SATB
4
  v. 1.00
Morris Winchevsky [Ben Netz] (1856 - 1932):  Ale Brider
scoring: TTB or ATB (Harmonic Instrument ad libitum)
9
  v. 1.00
Gottlieb Muffat (1690 - 1770):  Fugue (Canzona VII)
Edited by Alberto Bongini
scoring: SATB
2
  v. 1.00
Gabriel Fauré (1845 - 1924):  Après un Rêve
scoring: ST (Piano)
2
  v. 1.00
Francesco Durante (1684 - 1755):  Salmo Laudate pueri del celebre Durante in C major
source: Ms. Musica 2397-E-2. Manuscript preserved in Dresden: Sächsische Landesbibliothek
scoring: SATB
7
  v. 1.00
Antonín Dvořák (1841 - 1904):  Theme from the 2nd movement of the New World Symphony
scoring: SSAATBB
12
  v. 1.00
Johann Friedrich Fasch (1688 - 1758):  Sonata in G major - FaWV N-G1
source: Mus. ms. 298/6. Manuscript preserved in Darmstadt: Hessische Universitäts- und Landesbibliothek
scoring: AA (Transverse Flute, Bc)
3
  v. 1.00
Pietro Castrucci (1679 - 1752):  Sonata II in C major
source: Six sonatas or solos contriv'd & fitted for a flute and a bass (London c. 1721), No. 2
scoring: A (Bc)
3
  v. 1.00
John Carr (XVIII cent.):  Here draw’r, come bring us some port, A catch for three voices with thorough bass
source: The Grove or the Rural Harmony (London [1760])
scoring: 3 Singers, Bc
1
  v. 1.00
John Carr (XVIII cent.):  Here draw’r, come bring us some port, A catch for three voices with thorough bass
source: The Grove or the Rural Harmony (London [1760])
scoring: AAA (Bc)
5
  v. 1.00
Anonymous:  Sonata IV à 4 Violons, Haute Contre & Basse Continue
source: VI Sonates ou Concerts à 4, 5, & 6 parties. Livre 1 (Amsterdam n.d.), No. 4
scoring: AAAAB (Bc)
2
  v. 1.00
Josquin des Pres (c. 1440 - 1521):  Mille regretz
source: Mus.ms. 1516 (Augsburg c. 1540), Manuscript preserved in Munich: Bayerische Staatsbibliothek, Musiksammlung, No. 22
scoring: SATB
5
  v. 1.00
Giovanni Battista Vitali (1632 - 1692):  Canone a sei soprani all'unisono
source: Artificii musicali (Modena 1689)
scoring: CCCCCC
7
  v. 1.00
Giovanni Battista Vitali (1632 - 1692):  Canone a otto bassi all’unisono
source: Artificii musicali (Modena 1689)
scoring: BBBBBBBB
8
  v. 1.00
Giovanni Battista Vitali (1632 - 1692):  Capricio Primo
source: Artificii musicali (Modena 1689)
scoring: A or SB (Bc)
  v. 1.00
Philippe Verdelot (c. 1480 - ante 1552):  Quanto sia lieto il giorno, madrigal a 4
scoring: ATTB
14
  v. 1.00
Giovanni Battista Vitali (1632 - 1692):  Sinfonia a due violini in canone all'unisono col suo basso continuo
source: Artificii musicali (Modena 1689)
scoring: SSB (Bc)
7
  v. 1.00
Reginald Spofforth (1769 - 1827):  Hail smiling Morn, Glee
scoring: ATTB or AATB
6
  v. 1.00
Reginald Spofforth (1769 - 1827):  Hail smiling Morn, Glee
scoring: 4 Singers
1
  v. 1.00
Ludwig van Beethoven (1770 - 1827):  Menuett No. 5
source: Zwölf Menuetten - WoO 7
scoring: SSAB
  v. 1.00
Samuel Scheidt (1587 - 1654):  Fantasia super Io son ferito [ahi] lasso - SSWV 103
source: Tabulatura Nova (1624)
Edited by Alberto Bongini
scoring: SATB or SSAB
3
  v. 1.00
Lucas Osiander (1534 - 1604):  Vater unser im Himmelreich
source: Fünfftzig Geistliche Lieder und Psalmen mit vier Stimmen (1586)
scoring: SATB
1
  v. 1.00