This is the list of all the composers who have some works published or at least listed in the whole Gardane site.

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Entries 1 - 100 out of 3237 [33 pages]

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Johann Sebastian Bach (1685 - 1750):  Ouverture [Suite] No. 2 - BWV 1067
scoring: C (Strings, Bc)
  v. 1.00
Wolfgang Amadeus Mozart (1756 - 1791):  Ave verum corpus (KV 618), Motet
scoring: SATB or SSAB
  v. 1.00
Johann Sebastian Bach (1685 - 1750):  Ouverture [Suite] No. 2 - BWV 1067
scoring: Transverse Flute, Strings, Bc
  v. 1.00
Carl Philipp Emanuel Bach (1714 - 1788):  Sonata in G minor (A minor) - H 542.5 (formerly BWV 1020)
scoring: A (Harpsichord)
  v. 3.60
Georg Philipp Telemann (1681 - 1767):  Am vierten Advents-Sonntage, «Lauter Wonne, lauter Freude» - TWV 01:1040
source: Harmonische Gottes-Dienst oder geistliche Cantaten (Hamburg 1725-26), No. 68
scoring: G or A (Soprano, Bc)
  v. 1.50
George Frideric Handel (1685 - 1759):  Fugue from Vierte Suite HWV 429
scoring: A (Harpsichord)
  v. 1.00
Georg Philipp Telemann (1681 - 1767):  Adagio from Trumpet Concerto TWV 51:D7
scoring: SATB
  v. 1.00
Jean-Baptiste Lully (1632 - 1687):  Passacaille
source: Armide (1686) - LWV 71
scoring: ATB (Harpsichord)
  v. 1.00
Wolfgang Amadeus Mozart (1756 - 1791):  Das Bandel (KV 441)
scoring: TTB (Keyboard)
  v. 1.00
Wolfgang Amadeus Mozart (1756 - 1791):  Kanon «Bona nox» (KV 561)
scoring: AAAA or CCCC
  v. 1.00
Traditional Klezmer:  Oy dortn dortn
scoring: ATB (Harmonic Instrument ad libitum)
  v. 1.00
Matteo Bevilacqua (1772 - 1849):  Canzonetta VI, «Nina no der de no» - Op. 20, No. 6
source: Sei canzonette veneziane, op. 20 (Vienna [18??])
scoring: C (Guitar)
  v. 1.00
François Couperin (1668 - 1733):  Neuviéme concert intitulé Ritratto dell’Amore
source: Les goûts-réünis, ou Nouveaux concerts (Paris 1724)
scoring: V (Bc)
  v. 1.50
Thomas Morley (c. 1557 - 1602):  I goe before my darling, Canzonetta a 2
source: The first booke of canzonets to two voyces (London 1595), No. 5
scoring: CC or AA
  v. 1.00
Thomas Morley (c. 1557 - 1602):  Il Doloroso, Fantasia a 2
source: The first booke of canzonets to two voyces (London 1595), No. 4
scoring: ST or AB
  v. 1.00
Thomas Morley (c. 1557 - 1602):  Sweet nimphe, come to thy lover, Canzonetta a 2
source: The first booke of canzonets to two voyces (London 1595), No. 3
scoring: CC or AA
  v. 1.00
Thomas Morley (c. 1557 - 1602):  When loe, by breake of morning, Canzonetta a 2
source: The first booke of canzonets to two voyces (London 1595), No. 2
scoring: CC or AA
  v. 1.00
Thomas Morley (c. 1557 - 1602):  Goe yee my canzonets, Canzonetta a 2
source: The first booke of canzonets to two voyces (London 1595), No. 1
scoring: CC or AA
  v. 1.00
Antonio Vivaldi (1678 - 1741):  Concerto del Gardellino in D major, RV 90
source: Giordano 31, Manuscript preserved in Turin: Biblioteca Nazionale Universitaria
scoring: G or A (Oboe, Violin, Bassoon, Bc)
  v. 2.00
Antonio Caldara (c. 1671 - 1736):  Come raggio di sol mite e sereno
scoring: ATTBB
  v. 1.00
Giovanni Giacomo Gastoldi (c. 1554 - 1609):  Il Premiato
source: Balletti a cinque voci (Antwerp 1596), No. 11
scoring: SSSAT or AATBB
  v. 1.00
Giovanni Giacomo Gastoldi (c. 1554 - 1609):  Amor vittorioso
source: Balletti a cinque voci (Antwerp 1596), No. 10
scoring: SSSAT or AATTB
  v. 1.00
Andrea Bornstein (1956 - ):  Variations on «Eventide» by W.H. Monk (1823 - 1889)
scoring: STTB or SAAB
  v. 1.00
Domenico Galli (1649 - 1691):  Sonata III in A minor
source: Trattenimento musicale sopra il violoncello a’ solo (Modena 1691), No. 3
scoring: A
  v. 1.00
Felix Mendelssohn (1809 - 1847):  Finale - Op. 65, No. 6
scoring: SATBL
  v. 1.00
Robert Schumann (1810 - 1856):  Winterszeit I - Op. 68, No. 38
source: Album für die Jugend. Op. 68 (1848)
scoring: SAATB
  v. 1.00
Antonio Caldara (c. 1671 - 1736):  Sebben crudele
scoring: A (Harpsichord)
  v. 1.00
Traditional:  Fenesta ca lucive
scoring: STB
  v. 1.00
Georg Philipp Telemann (1681 - 1767):  Duetto I in G major (C major) - TWV 40:124
source: Second livre de duo pour deux violons, fluttes, ou hautbois (Paris [1752]), No. 1
scoring: AA
  v. 2.00
Johann Pachelbel (1653 - 1706):  Magnificat fugue primi toni No. 5
scoring: SATB
  v. 1.00
Johann Pachelbel (1653 - 1706):  Magnificat fugue primi toni No. 19
scoring: SATB
  v. 1.00
Johann Pachelbel (1653 - 1706):  Magnificat fugue primi toni No. 9
scoring: SATB
  v. 1.00
Antonio Vivaldi (1678 - 1741):  Concerto per Flauto in C minor, RV 441
source: Giordano 31, Manuscript preserved in Turin: Biblioteca Nazionale Universitaria
scoring: A (Strings, Bc)
  v. 2.60
Traditional:  Santa Lucia
scoring: STB
  v. 1.00
Georg Philipp Telemann (1681 - 1767):  Ouverture avec des airs a 4 - TWV 55:B9
source: Ms. Musica 2392-N-9. Manuscript preserved in Dresden: Sächsische Landesbibliothek
scoring: SATB
  v. 1.00
Leonardo Leo (1694 - 1744):  Trio [Adagio and Fugue]
source: Ms. Musica 2460-N-2. Manuscript preserved in Dresden: Sächsische Landesbibliothek
scoring: SSB or AA (Bc)
  v. 1.00
Georg Philipp Telemann (1681 - 1767):  Trio sonata in G minor (C minor) - TWV 42:g4
scoring: AA or AT (Bc)
  v. 1.00
Francesco Durante (1684 - 1755):  Vergin, tutto amor
scoring: B (Bc)
  v. 1.00
David Perez (1711 - 1778):  Duetto I in C major
source: Solfèges d'Italie (Paris c. 1760)
scoring: CC (Bc)
  v. 1.00
Francesco Durante (1684 - 1755):  Danza, danza, fanciulla gentile
scoring: SB (Harpsichord)
  v. 1.00
Giovanni Battista Fontana (c. 1589 - c. 1630):  Sonata Seconda a violino solo
source: Sonate a 1, 2, 3 (Venice 1641), No. 1
scoring: C or A (Bc)
  v. 1.00
Giovanni Battista Fontana (c. 1589 - c. 1630):  Sonata Seconda a violino solo
source: Sonate a 1, 2, 3 (Venice 1641), No. 1
scoring: Violin, Bc
  v. 1.00
Giovanni Battista Fontana (c. 1589 - c. 1630):  Sonata Prima a violino solo
source: Sonate a 1, 2, 3 (Venice 1641), No. 1
scoring: A (Bc)
  v. 1.00
Giovanni Battista Fontana (c. 1589 - c. 1630):  Sonata Prima a violino solo
source: Sonate a 1, 2, 3 (Venice 1641), No. 1
scoring: Violin, Bc
  v. 1.00
Johan Peter Emilius Hartmann (1805 - 1900):  Du kommer
source: Ni Fleerstemmige Mandssange (København 1866)
scoring: ATTB or AATB
  v. 1.00
Carlo Gesualdo da Venosa (c. 1561 - 1613):  Gagliarda
scoring: SATB or SSAB
  v. 1.00
Orlando di Lasso (c. 1532 - 1594):  Ad altre le voi dare ste passate
source: Libro de villanelle, moresche et altre canzoni a 4. 5. 6 et 8 voci (Antwerp 1582)
scoring: SATB or ATTB
  v. 1.00
Orlando di Lasso (c. 1532 - 1594):  Tutto lo dì mi dici: canta, canta!
source: Libro de villanelle, moresche et altre canzoni a 4. 5. 6 et 8 voci (Antwerp 1582)
scoring: SATB
  v. 1.00
Orlando di Lasso (c. 1532 - 1594):  Saccio ’na cosa ch’è di legn’e tonda
source: Libro de villanelle, moresche et altre canzoni a 4. 5. 6 et 8 voci (Antwerp 1582)
scoring: 4 Singers
  v. 1.00
Orlando di Lasso (c. 1532 - 1594):  Tutto lo dì mi dici: canta, canta!
source: Libro de villanelle, moresche et altre canzoni a 4. 5. 6 et 8 voci (Antwerp 1582)
scoring: 4 Singers
  v. 1.00
Orlando di Lasso (c. 1532 - 1594):  Ad altre le voi dare ste passate
source: Libro de villanelle, moresche et altre canzoni a 4. 5. 6 et 8 voci (Antwerp 1582)
scoring: 4 Singers
  v. 1.00
César Franck (1822 - 1890):  Panis Angelicus
scoring: SSATTB
  v. 1.00
César Franck (1822 - 1890):  Andantino (1857)
scoring: SATB
  v. 1.00
Daniel Purcell (c. 1664 - 1717):  Solo I in F major
source: Six sonatas. Three for two flutes and a bass, and three solos for a flute and a bass (London c. 1710), No. 4
scoring: A (Bc)
  v. 1.00
John Dowland (1563 - 1626):  My thoughts are winged with hopes
source: The first booke of songes (London 1597), No. 3
scoring: SAAB or SATB
  v. 1.00
Antonio Lotti (c. 1667 - 1740):  Miserere mei, Deus
source: Mus. ms. 13167. Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Musikabteilung
scoring: 4 Singers
  v. 1.00
Felix Mendelssohn (1809 - 1847):  Fuga based on the Lutheran chorale «Vater unser im Himmelreich» - Op. 65, No. 6
scoring: SATB
  v. 1.00
Johann Sebastian Bach (1685 - 1750):  Vater unser im Himmelreich - BWV 636
scoring: SSTB
  v. 1.00
Johann Sebastian Bach (1685 - 1750):  Vater unser im Himmelreich - BWV 683
scoring: SSTB
  v. 1.00
Johann Caspar Ferdinand Fischer (1656 - 1746):  Suite I
source: Le journal du printemps: Ms. RES-F-529. Manuscript preserved in Paris: Bibliothèque nationale de France
scoring: ATBB (Bc)
  v. 1.00
Antonio Lotti (c. 1667 - 1740):  Miserere mei, Deus
source: Mus. ms. 13167. Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Musikabteilung
scoring: SATB
  v. 1.00
Morris Winchevsky [Ben Netz] (1856 - 1932):  Ale Brider
scoring: TTB or ATB (Harmonic Instrument ad libitum)
  v. 1.00
Gottlieb Muffat (1690 - 1770):  Fugue (Canzona VII)
Edited by Alberto Bongini
scoring: SATB
  v. 1.00
Gabriel Fauré (1845 - 1924):  Après un Rêve
scoring: ST (Piano)
  v. 1.00
Francesco Durante (1684 - 1755):  Salmo Laudate pueri del celebre Durante in C major
source: Ms. Musica 2397-E-2. Manuscript preserved in Dresden: Sächsische Landesbibliothek
scoring: SATB
  v. 1.00
Antonín Dvořák (1841 - 1904):  Theme from the 2nd movement of the New World Symphony
scoring: SSAATBB
  v. 1.00
Johann Friedrich Fasch (1688 - 1758):  Sonata in G major - FaWV N-G1
source: Mus. ms. 298/6. Manuscript preserved in Darmstadt: Hessische Universitäts- und Landesbibliothek
scoring: AA (Transverse Flute, Bc)
  v. 1.00
Pietro Castrucci (1679 - 1752):  Sonata II in C major
source: Six sonatas or solos contriv'd & fitted for a flute and a bass (London c. 1721), No. 2
scoring: A (Bc)
  v. 1.00
John Carr (XVIII cent.):  Here draw’r, come bring us some port, A catch for three voices with thorough bass
source: The Grove or the Rural Harmony (London [1760])
scoring: 3 Singers, Bc
  v. 1.00
John Carr (XVIII cent.):  Here draw’r, come bring us some port, A catch for three voices with thorough bass
source: The Grove or the Rural Harmony (London [1760])
scoring: AAA (Bc)
  v. 1.00
Anonymous:  Sonata IV à 4 Violons, Haute Contre & Basse Continue
source: VI Sonates ou Concerts à 4, 5, & 6 parties. Livre 1 (Amsterdam n.d.), No. 4
scoring: AAAAB (Bc)
  v. 1.00
Josquin des Pres (c. 1440 - 1521):  Mille regretz
source: Mus.ms. 1516 (Augsburg c. 1540), Manuscript preserved in Munich: Bayerische Staatsbibliothek, Musiksammlung, No. 22
scoring: SATB
  v. 1.00
Giovanni Battista Vitali (1632 - 1692):  Canone a sei soprani all'unisono
source: Artificii musicali (Modena 1689)
scoring: CCCCCC
  v. 1.00
Giovanni Battista Vitali (1632 - 1692):  Canone a otto bassi all’unisono
source: Artificii musicali (Modena 1689)
scoring: BBBBBBBB
  v. 1.00
Giovanni Battista Vitali (1632 - 1692):  Capricio Primo
source: Artificii musicali (Modena 1689)
scoring: A or SB (Bc)
  v. 1.00
Philippe Verdelot (c. 1480 - ante 1552):  Quanto sia lieto il giorno, madrigal a 4
scoring: ATTB
  v. 1.00
Giovanni Battista Vitali (1632 - 1692):  Sinfonia a due violini in canone all'unisono col suo basso continuo
source: Artificii musicali (Modena 1689)
scoring: SSB (Bc)
  v. 1.00
Reginald Spofforth (1769 - 1827):  Hail smiling Morn, Glee
scoring: ATTB or AATB
  v. 1.00
Reginald Spofforth (1769 - 1827):  Hail smiling Morn, Glee
scoring: 4 Singers
  v. 1.00
Ludwig van Beethoven (1770 - 1827):  Menuett No. 5
source: Zwölf Menuetten - WoO 7
scoring: SSAB
  v. 1.00
Samuel Scheidt (1587 - 1654):  Fantasia super Io son ferito [ahi] lasso - SSWV 103
source: Tabulatura Nova (1624)
Edited by Alberto Bongini
scoring: SATB or SSAB
  v. 1.00
Lucas Osiander (1534 - 1604):  Vater unser im Himmelreich
source: Fünfftzig Geistliche Lieder und Psalmen mit vier Stimmen (1586)
scoring: SATB
  v. 1.00
Jacob van Eyck (c. 1589 - 1657):  Lavignone
source: Der Fluyten Lust-hof (1649-54), No. 9
scoring: C
  v. 2.00
Johann Rudolph Ahle (1625 - 1673):  Vater unser im Himmelreich
scoring: ATB
  v. 1.00
Georg Philipp Telemann (1681 - 1767):  Vater unser im Himmelreich
source: Fugirende und verandernde Chorale (1735)
scoring: SAB
  v. 1.00
Dieterich Buxtehude (c. 1637 - 1707):  Vater unser im Himmelreich - BuxWv 219
scoring: SATB
  v. 1.00
Johann Pachelbel (1653 - 1706):  Vater unser im Himmelreich
scoring: SATB
  v. 1.00
Johann Sebastian Bach (1685 - 1750):  Contrapunctus I
source: Art of Fugue - BWV 1080 (1742), No. 1
Edited by David Bellugi
scoring: SATB
  v. 1.00
Johannes Ghiselin (flourished 1491-1507):  La Alfonsina
source: Harmonice Musices Odhecaton A (O. Petrucci, Venice 1501), No. 80
scoring: ATB
  v. 1.00
Anonymous:  Paumgartner
source: Lochamer Liederbuch (1450-60)
scoring: STB or SAT
  v. 1.00
Arcangelo Corelli (1653 - 1713):  Sonata a quattro
scoring: ATT (Bc)
  v. 1.00
Johann Sebastian Bach (1685 - 1750):  Fuge über ein Thema von Corelli - BWV 579
scoring: SATB
  v. 1.00
George Frideric Handel (1685 - 1759):  Künft' ger Zeiten eitler Kummer - HWV 202
scoring: AA (Bc)
  v. 1.00
Dieterich Buxtehude (c. 1637 - 1707):  Cantate Domino canticum novum - BuxWv 12
scoring: SSB (Keyboard)
  v. 1.00
Traditional:  The White Joak aka Gwyngalch Morgannwg
source: The British Musical Miscellany (London [1734])
scoring: C (Harpsichord)
  v. 1.00
Georg Philipp Telemann (1681 - 1767):  Trio 5 in A minor - TWV 42:a4
source: Essercizii musici, overo dodeci soli e dodeci trii à diversi stromenti (Hamburg [1740])
scoring: G or A (Violin, Bc)
  v. 1.00
John Dowland (1563 - 1626):  Whoever thinks or hopes for love
source: The first booke of songes (London 1597), No. 2
scoring: SATB
  v. 1.00
Traditional Klezmer:  Arum dem Fayer
scoring: ATB (Harmonic Instrument ad libitum)
  v. 1.00
Giovanni Antonio Pandolfi Mealli (flourished 1660-69):  Sonata Seconda. La Cesta - Op. 3, No. 2
source: [6] Sonate a violino solo, per chiesa e camera. Op. 3 (Innsbruck 1660)
scoring: C (Bc)
  v. 1.00
Pëtr Ilič Čajkovskij (1840 - 1893):  Douce rêverie - Op. 39, No. 21
source: Album for the young, Op. 39 (1878)
scoring: SSAT
  v. 1.00