This is the list of all the composers who have some works published or at least listed in the whole Gardane site.

 Entries listed in chronological order (most recent first)

Entries 1 - 100 out of 3263 [33 pages]

[1] [2] [3] [4] [5] [6]

Floriano Canale (c. 1550 - post 1603):  La Averolda a 4
source: Canzoni da sonare a quattro, et otto voci. Libro 1 (Venice 1600), No. 15
scoring: SATB
3
Anonymous:  Andante in D minor
source: Mus.2-N-13,2, Manuscript preserved in Dresden: Sächsische Landesbibliothek – Staats– und Universitätbibliothek, No. 1
scoring: ATB (Bc)
 5
Andrea Bornstein (1956 - ):  Variations on «O Tannenbaum»
scoring: ATB (Harmonic Instrument ad libitum)
  3
Andrea Bornstein (1956 - ):  Variations on «The Holly and the Ivy» (vers. 2)
scoring: ATB (Harmonic Instrument ad libitum)
  2
Antonio Vivaldi (1678 - 1741):  Sonata IX in G minor, RV 16
source: Sonate a violino e basso per il cembalo. Op. 2 (Venice 1709), No. 9
scoring: A (Bc)
4
Andrea Bornstein (1956 - ):  Variations on «The Holly and the Ivy»
scoring: ATB
 3
Anonymous:  Pavane 2
source: Mus.ms. 1516. Teutsche, Französische und Lateinische Lieder mit 4 Stimmen (c. 1540), Manuscript preserved in Munich: Bayerische Staatsbibliothek, Musiksammlung, No. 186
scoring: SATB
 4
Francesco Geminiani (1687 - 1762):  Sonata III in D major (C major)
source: Three solos containing twelve easy movements for the German flute or violin (London s.d.), No. 3
scoring: G or A (Bc)
 3
Francisque Darcieux (1880 - 1951):  Noël, Noël est venu
scoring: SATB
 6
Anonymous:  Andante in G minor transposed to D minor for the recorders
source: Mus.2-N-13,2, Manuscript preserved in Dresden: Sächsische Landesbibliothek – Staats– und Universitätbibliothek, No. 16
scoring: AA (Bc)
  6
Andrea Bornstein (1956 - ):  Variations on «Away in a Manger»
scoring: ATB (Harmonic Instrument ad libitum)
 4
Andrea Bornstein (1956 - ):  Variations on «Ding Dong Merrily on High»
scoring: ABB (Harmonic Instrument ad libitum)
 3
Andrea Bornstein (1956 - ):  Variations on «Hark! The Herald Angels Sing»
scoring: ATB (Harmonic Instrument ad libitum)
 3
Traditional:  Tu scendi dalle stelle
Edited and/or arranged by Andrea Bornstein
scoring: AAB (Harmonic Instrument ad libitum)
 3
Andrea Bornstein (1956 - ):  Variations on «Auld Lang Syne»
scoring: ATB (Harmonic Instrument ad libitum)
 4
Andrea Bornstein (1956 - ):  Variations on «Angels We Have Heard On High»
scoring: ATB (Harmonic Instrument ad libitum)
 4
Andrea Bornstein (1956 - ):  Variations on «Adeste Fideles»
scoring: ATB (Harmonic Instrument ad libitum)
 5
Andrea Bornstein (1956 - ):  Variations on «God Rest You Merry, Gentlemen»
scoring: ATB (Harmonic Instrument ad libitum)
 5
Anonymous:  Bouree
source: Deusiesme recueil des dances et contre-dances avec la basse continue (Amsterdam 1688), No. 4
scoring: C or A (Bc)
1
Antonio Vivaldi (1678 - 1741):  Sonata VIII in C major, RV 23
source: Sonate a violino e basso per il cembalo. Op. 2 (Venice 1709), No. 8
scoring: A (Bc)
 6
Camille Saint-Saëns (1835 - 1921):  Tristesse
scoring: A (Piano)
   3
Francesco Mancini (1672 - 1737):  Fuga in D minor
scoring: AAAB
  2
Johann Hermann Schein (1586 - 1630):  Suite 5
source: Banchetto Musicale (Leipzig 1617)
scoring: SATTB
  1
Johann Sebastian Bach (1685 - 1750):  Es war ein wunderlicher Krieg
source: Cantata BWV 4, «Christ lag in Todesbanden»
scoring: SATB or SSAB
 1
Francesco Bendusi (flourished 1553):  Pietoso
source: Opera nova de balli a quattro. Accomodati da cantare et sonare d’ogni sorte de stromenti (Venice 1553), No. 4
scoring: ATBB or TTBB
 1
Fernando de las Infantas (1534 - c. 1610):  Contrappunto 16
source: Plura modulationum genera quae vulgo contrapuncta appellantur super excelso gregoriano cantu (Venice 1579)
scoring: ATT
Atys (1715 - 1784):  Sonata I in Bb major - Op. 1, No. 1
source: Six sonates en duo en forme de conversation pour deux flûtes traversieres. Op. 1 (Paris [1754])
Edited and/or arranged by Robert Paul Block
scoring: AA
4
Johann Sebastian Bach (1685 - 1750):  Den Tod niemand zwingen kunnt
source: Cantata BWV 4, «Christ lag in Todesbanden»
scoring: SAB or SSB
 3
Johann Sebastian Bach (1685 - 1750):  Sinfonia
source: Cantata BWV 4, «Christ lag in Todesbanden»
scoring: SAATB
 4
Heinrich Isaac (c. 1450 - 1517):  Innsbruck, ich muss dich lassen
scoring: TTBB or TTTB
 4
Paolo Benedetto Bellinzani (c. 1690 - 1757):  Trio Sonata 10 in D minor
source: Dodici sonate da Chiesa a 3, con due Violini o Basso ad imitazione di quelle di Arcangelo Corelli. (XVIII cent.). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica
scoring: AA (Bc)
6
Anonymous:  Pavane 1
source: Mus.ms. 1516. Teutsche, Französische und Lateinische Lieder mit 4 Stimmen (c. 1540), Manuscript preserved in Munich: Bayerische Staatsbibliothek, Musiksammlung, No. 185
scoring: ATTB or SATB
  4
Georg Philipp Telemann (1681 - 1767):  Solo III in A major (C major) - TWV 41:A5
source: 12 Solos à Violon ou Traversiere avec la Basse chiffrée (Hamburg 1734), No. 3
scoring: V or A (Bc)
 7
Floriano Canale (c. 1550 - post 1603):  La Solda a 4
source: Canzoni da sonare a quattro, et otto voci. Libro 1 (Venice 1600), No. 14
scoring: SATB
4
Paolo Benedetto Bellinzani (c. 1690 - 1757):  Trio Sonata 3 in C major
source: Dodici sonate da Chiesa a 3, con due Violini o Basso ad imitazione di quelle di Arcangelo Corelli. (XVIII cent.). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica
scoring: AA (Bc)
2
Johann Sebastian Bach (1685 - 1750):  Partita in A minor (C minor) - BWV 1013
scoring: A
  19
Arcangelo Corelli (1653 - 1713):  Trio Sonata III in C major - Op. 4, No. 3
source: Sonate da camera a tre. Op. 4 (Rome 1694)
Edited and/or arranged by Alberto Dalla Turca
scoring: AT (Bc)
9
Fernando de las Infantas (1534 - c. 1610):  Contrappunto 15
source: Plura modulationum genera quae vulgo contrapuncta appellantur super excelso gregoriano cantu (Venice 1579)
scoring: TTT or TTB
2
Johann Sebastian Bach (1685 - 1750):  Sonata a traversa e cembalo obligato in C major - BWV 1032
scoring: A (Harpsichord)
6
Lodovico Zacconi (1555 - 1627):  Contrappunto I sopra Ave maris stella
source: Prattica di Musica (Venice 1592/1619)
scoring: SATB or ATBB
5
Antonio Brunelli (1577 - 1630):  Aria di Ruggiero per sonare
source: Varii esercitii (Florence 1614)
scoring: CC or AA (Bc)
3
Anonymous:  El Marchese di Saluzzo
source: Mus.ms. 1503 h (c. 1550), Manuscript preserved in Munich: Bayerische Staatsbibliothek, Musiksammlung
scoring: ATBB
  7
Giovanni Carlo Maria Clari (1677 - 1754):  Io sarò sempre costante
source: Ms. Add. 14206 (18th cent.), British Library, London
scoring: AT (Harpsichord)
  6
Johann Sebastian Bach (1685 - 1750):  Fuge über ein Thema von Legrenzi - BWV 574 A
scoring: SATB
  5
Matthew Locke (c. 1622 - 1677):  Suite 8 (Nos. 29-32)
source: Little consort of three parts (London 1656), No. 8
scoring: STB (Bc ad libitum)
  7
Antonio Vivaldi (1678 - 1741):  Sonata VII in D minor, RV 8
source: Sonate a violino e basso per il cembalo. Op. 2 (Venice 1709), No. 7
scoring: A (Bc)
8
Anne Danican Philidor (1681 - 1728):  Courante
source: 1er Livre de pieces pour la flute traversiere, flute a bec, violons et haut-bois avec la basse continuë (Paris 1712), No. 8
scoring: A (Bc)
5
Christian Petzold (1677 - 1733):  Trio Sonata in D major (F major, C major)
source: Musica 2354-Q-2. Sächsische Landesbibliothek, Dresden
scoring: AA or SSB (Bc)
  6
Francisque Darcieux (1880 - 1951):  Auprès de ma blonde
scoring: SATB
 4
Antonio Vivaldi (1678 - 1741):  Largo cantabile from Concerto RV 88
scoring: AATB (Bc)
  16
Orlando di Lasso (c. 1532 - 1594):  Heroum soboles, amor orbis, Motet a 6
source: Magnum opus musicum (Munich 1604), No. 321
Edited and/or arranged by Lorenzo Pantanetti
scoring: SAATTB or ATTBBF
 5
Manuel José Vidigal (XIX cent.):  6° Minuette
source: Seis Minuettes para Guitarra e Baxo (Lisboa c. 1796)
scoring: ATB
  7
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 7 - BWV 793
scoring: A (Harpsichord)
 5
Arcangelo Corelli (1653 - 1713):  Trio Sonata VII in F major - Op. 1, No. 7
source: Sonate da chiesa a tre, Op. 1 (Rome 1681)
Edited and/or arranged by Alberto Dalla Turca
scoring: AT (Bc)
6
Giovanni Battista Pergolesi (1710 - 1736):  Concerto a 4 in F major
source: MS. mu 9709.2965. Manuscript preserved in Copenhagen, Royal Library
scoring: TTTB
  5
Giovanni Battista Pergolesi (1710 - 1736):  Concerto a 4 in G major
source: MS. mu 9709.2965. Manuscript preserved in Copenhagen, Royal Library
scoring: A (2 Violins, Bc)
 6
Johann Christoph Pepusch (c. 1667 - 1752):  Trio in F major
source: Ms. Musica 2160-Q-2. Manuscript preserved in Dresden: Sächsische Landesbibliothek
scoring: ATB
  11
Andreas Heinrich Schultzen (1681 - 1741):  Sonata III in D minor
source: VI Sonate a Flauto solo con Cimbalo o vero Fagotto (Amsterdam [1703]), No. 3
scoring: A (Bc)
5
Johann Heinrich Müller (c. 1780 - 1826):  Canon No. 1 «Kurz, wie der Rosen»
source: Zwölf Canons […] für drei Singstimmen ohne Begleitung (Leipzig [XIX cent.]), No. 1
scoring: AAB or SST
  7
Friedrich Heinrich Himmel (1765 - 1814):  Polonoise
source: Hamburg c. 1810
scoring: ATBB
  5
Giuseppe Colombi (1635 - 1694):  Suonata 1 in C major
source: Sinfonie da camera. Op. 1 (Bologna 1668)
scoring: ATB (Bass instrument ad libitum, Bc)
 9
Johann Guth (XVII cent.):  Ut Re Mi Fa Sol La a 3 Violini, canon at the unison a 3
source: Novitas musicalis. Allerhand Canones und Fugen von 2. 3. und 4 Stimmen sampt dem General Bass (Frankfurt 1675), No. 27
scoring: AAA (Bc)
 8
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 6 - BWV 792
scoring: A (Harpsichord)
 5
Samuel Friedrich Bockshorn [Capricornus] (1628 - 1665):  Ciaccona a 2
source: Ms. Heinemann-Nr. 2369 - Herzog August Bibliothek Wolfenbüttel
scoring: AB (Bc)
  3
Giuseppe Tartini (1692 - 1770):  Concerto in G major
source: Ms. Gimo 294 - Uppsala Universitetsbiblioteket
scoring: A (Strings, Bc)
5
Heinrich Schütz (1585 - 1672):  Gib unsern Fürsten und aller Obrigkeit - SWV 373
source: Geistliche Chormusik. Op.11 (Dresden 1648)
Edited and/or arranged by Alberto Dalla Turca
scoring: SSAB or AATB (Bc)
3
Antonio Cifra (1584 - 1629):  Ricercar I
source: Ricercari et canzoni franzese. Libro 2 (Rome 1619), No. 1
scoring: SATB or ATTB
 8
Johann Friedrich Gräfe (1711 - 1787):  March
source: Musikalisches Vielerley. Ed. C.Ph.E. Bach (Hamburg 1770)
scoring: AAAB
  4
Matthew Locke (c. 1622 - 1677):  Suite 7 (Nos. 25-28)
source: Little consort of three parts (London 1656), No. 7
scoring: STB (Bc ad libitum)
  5
Antonio Vivaldi (1678 - 1741):  Sonata VI in F major (C major), RV 1
source: Sonate a violino e basso per il cembalo. Op. 2 (Venice 1709), No. 6
scoring: A or C (Bc)
 6
Giacobbe Cervetto [Basevi] (1680 - 1783):  Sonata I in D major (F major, C major)
source: Eight Solos for a German Flute. Op. 3 (London [1757]), No. 1
scoring: A or C (Bc)
 5
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 5 - BWV 791
scoring: A (Harpsichord)
 4
Joseph Bodin de Boismortier (1689 - 1755):  Deuxiéme Sonate in A minor (C minor) - Op. 2, No. 2
source: Sonates a deux flûtes-traversieres sans basse. Op. 2 (Paris 1724)
scoring: AA
 7
Johann Sebastian Bach (1685 - 1750):  Erleucht auch meine finstre Sinnen, Air
source: Christmas Oratorio - BWV 248 (1734)
Edited and/or arranged by Alberto Dalla Turca
scoring: AB (Bc)
  6
Matthew Locke (c. 1622 - 1677):  Suite 6 (Nos. 21-24)
source: Little consort of three parts (London 1656), No. 6
scoring: STB (Bc ad libitum)
  6
Domenico Galli (1649 - 1691):  Sonata VI in F major
source: Trattenimento musicale sopra il violoncello a’ solo (Modena 1691), No. 6
scoring: A
4
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 4 - BWV 790
scoring: C or A (Harpsichord)
 3
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 3 - BWV 789
scoring: A (Harpsichord)
 2
Johann Sebastian Bach (1685 - 1750):  O du von Gott erhöhte Kreatur, Air
source: Cantata BWV 121, «Christum wir sollen loben schon»
Edited and/or arranged by Alberto Dalla Turca
scoring: AT (Bc)
4
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 2 - BWV 788
scoring: A (Harpsichord)
  8
Michel Pignolet de Montéclair (1667 - 1737):  Premier Concert
source: Concerts à deux Flutes Traversières sans Basses (Paris s.d.), No. 1
scoring: AA
 6
George Frideric Handel (1685 - 1759):  Concerto grosso III - Op. 6, No. 3
scoring: SATB
  9
Jean-Philippe Rameau (1683 - 1764):  Le Tambourin
source: Pièces de Clavessin (Paris 1724)
scoring: A (Harpsichord)
7
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 1 - BWV 787
scoring: A (Harpsichord)
 7
Georg Philipp Telemann (1681 - 1767):  Fantasia IV in Bb major (Eb major) - TWV 40:5
source: Fantasie per il violino senza basso (c. 1727), No. 4
scoring: A
8
Andreas Heinrich Schultzen (1681 - 1741):  Sonata II in G minor
source: VI Sonate a Flauto solo con Cimbalo o vero Fagotto (Amsterdam [1703]), No. 2
scoring: A (Bc)
  5
Matthew Locke (c. 1622 - 1677):  Suite 5 (Nos. 17-20)
source: Little consort of three parts (London 1656), No. 5
scoring: SSB or AAB (Bc ad libitum)
 5
Henry Purcell (1659 - 1695):  Suite
source: The Fairy Queen (1692)
scoring: SSAB
9
Francesco Barsanti (1690 - 1772):  Sonata VI in A minor - Op. 2, No. 6
source: VI sonate per la traversiera. Op. 2 (London [1728])
scoring: A (Bc)
  6
George Frideric Handel (1685 - 1759):  Minuet in Saul
source: The delightful pocket companion for the German flute (London c. 1763), No. 1
scoring: A or C
1
George Frideric Handel (1685 - 1759):  Vola l’augello del caro nido - HWV 590, Air from the opera Sosarmes arranged by its own composer for a musical clock
source: Ten Tunes for Clay’s Musical Clock
scoring: AT
2
George Frideric Handel (1685 - 1759):  Gigue - HWV 589
source: Ten Tunes for Clay’s Musical Clock
scoring: AT
9
Antonio Caldara (c. 1671 - 1736):  Il dio d’amore, Canon a 4
scoring: CCCC
  4
Carl Fasch (1736 - 1800):  Kyrie a 16
source: Missa a 16 voci in Quattro Cori (1783), No. 1
scoring: SSSSSSSSTTTTBBBB (Bc ad libitum)
 3
Jacob van Eyck (c. 1589 - 1657):  Silvester inde Morgenstont
source: Der Fluyten Lust-hof (1649-54), No. 89
scoring: C
4
Carl Fasch (1736 - 1800):  Chi vuol trovar la pace, Canzonetta
source: Musikalisches Vielerley. Ed. C.Ph.E. Bach (Hamburg 1770)
scoring: ATB (Harpsichord)
 6
Anonymous:  Simphonia
source: 't Uitnement Kabinet. 2 vols (Amsterdam 1646-49)
scoring: CB (Bc)
 6
Giovanni Picchi (c. 1571 - 1643):  Canzon Prima a 2
source: Canzoni da sonar con ogni sorte d'istromenti (Venice 1625), No. 1
scoring: CCB or AA (Bc)
 2
Giovanni Gabrieli (c. 1555 - 1612):  Canzon per sonar a 8. Primi Toni
source: Sacrae symphoniae (Venice 1597)
scoring: SSAATTBB
  2
Anonymous:  Bouree d'Orange
source: Deusiesme recueil des dances et contre-dances avec la basse continue (Amsterdam 1688), No. 3
scoring: A or C (Bc)
 5