This is the list of all the composers who have some works published or at least listed in the whole Gardane site.

Entries listed in chronological order (most recent first)

Entries 1 - 100 out of 3666 [37 pages]

[1] [2] [3] [4] [5] [6]

Antonio Vivaldi (1678 - 1741):  Sonata X in G minor, RV 21
source: Sonate a violino e basso per il cembalo. Op. 2 (Venice 1709), No. 10
scoring: A (Bc)
6
Irving Berlin (1888 - 1989):  White Christmas
scoring: ATTB (Harmonic Instrument ad libitum)
 1
Andrea Bornstein (1956 - ):  Variazioni su «O Tannenbaum»
scoring: ATB (Harmonic Instrument ad libitum)
  3
Andrea Bornstein (1956 - ):  Variazioni su «The Holly and the Ivy» (vers. 2)
scoring: ATB (Harmonic Instrument ad libitum)
  2
Antonio Vivaldi (1678 - 1741):  Sonata IX in G minor, RV 16
source: Sonate a violino e basso per il cembalo. Op. 2 (Venice 1709), No. 9
scoring: A (Bc)
3
Andrea Bornstein (1956 - ):  Variazioni su «The Holly and the Ivy»
scoring: ATB
 3
Francisque Darcieux (1880 - 1951):  Noël, Noël est venu
scoring: SATB
 6
Andrea Bornstein (1956 - ):  Variazioni su «Away in a Manger»
scoring: ATB (Harmonic Instrument ad libitum)
 4
Andrea Bornstein (1956 - ):  Variazioni su «Ding Dong Merrily on High»
scoring: ABB (Harmonic Instrument ad libitum)
 3
Andrea Bornstein (1956 - ):  Variazioni su «Hark! The Herald Angels Sing»
scoring: ATB (Harmonic Instrument ad libitum)
 3
Traditional:  Tu scendi dalle stelle
Edited and/or arranged by Andrea Bornstein
scoring: AAB (Harmonic Instrument ad libitum)
 3
Andrea Bornstein (1956 - ):  Variazioni su «Auld Lang Syne»
scoring: ATB (Harmonic Instrument ad libitum)
 4
Andrea Bornstein (1956 - ):  Variazioni su «Angels We Have Heard On High»
scoring: ATB (Harmonic Instrument ad libitum)
 4
Andrea Bornstein (1956 - ):  Variazioni su «Adeste Fideles»
scoring: ATB (Harmonic Instrument ad libitum)
 5
Andrea Bornstein (1956 - ):  Variazioni su «God Rest You Merry, Gentlemen»
scoring: ATB (Harmonic Instrument ad libitum)
 5
Antonio Vivaldi (1678 - 1741):  Sonata VIII in C major, RV 23
source: Sonate a violino e basso per il cembalo. Op. 2 (Venice 1709), No. 8
scoring: A (Bc)
 6
Floriano Canale (c. 1550 - post 1603):  La Solda a 4
source: Canzoni da sonare a quattro, et otto voci. Libro 1 (Venice 1600), No. 14
scoring: SATB
4
Johann Sebastian Bach (1685 - 1750):  Partita in A minor (C minor) - BWV 1013
scoring: A
  17
Arcangelo Corelli (1653 - 1713):  Trio Sonata III in C major - Op. 4, No. 3
source: Sonate da camera a tre. Op. 4 (Rome 1694)
Edited and/or arranged by Alberto Dalla Turca
scoring: AT (Bc)
5
Johann Sebastian Bach (1685 - 1750):  Sonata a traversa e cembalo obligato in C major - BWV 1032
scoring: A (Harpsichord)
5
Lodovico Zacconi (1555 - 1627):  Contrappunto I sopra Ave maris stella
source: Prattica di Musica (Venice 1592/1619)
scoring: SATB or ATBB
5
Antonio Brunelli (1577 - 1630):  Aria di Ruggiero per sonare
source: Varii esercitii (Florence 1614)
scoring: CC or AA (Bc)
3
Anonymous:  El Marchese di Saluzzo
source: Mus.ms. 1503 h (c. 1550), Manuscript preserved in Munich: Bayerische Staatsbibliothek, Musiksammlung
scoring: ATBB
  7
Giovanni Carlo Maria Clari (1677 - 1754):  Io sarò sempre costante
source: Ms. Add. 14206 (18th cent.), British Library, London
scoring: AT (Harpsichord)
  5
Matthew Locke (c. 1622 - 1677):  Suite 9 (Nos. 33-36)
source: Little consort of three parts (London 1656), No. 9
scoring: A (Harpsichord)
 3
Johann Sebastian Bach (1685 - 1750):  Fuge über ein Thema von Legrenzi - BWV 574 A
scoring: SATB
  4
Matthew Locke (c. 1622 - 1677):  Suite 8 (Nos. 29-32)
source: Little consort of three parts (London 1656), No. 8
scoring: STB (Bc ad libitum)
  7
Antonio Vivaldi (1678 - 1741):  Sonata VII in D minor, RV 8
source: Sonate a violino e basso per il cembalo. Op. 2 (Venice 1709), No. 7
scoring: A (Bc)
8
Anne Danican Philidor (1681 - 1728):  Courante
source: 1er Livre de pieces pour la flute traversiere, flute a bec, violons et haut-bois avec la basse continuë (Paris 1712), No. 8
scoring: A (Bc)
5
Christian Petzold (1677 - 1733):  Trio Sonata in D major (F major, C major)
source: Musica 2354-Q-2. Sächsische Landesbibliothek, Dresden
scoring: AA or SSB (Bc)
 5
Francisque Darcieux (1880 - 1951):  Auprès de ma blonde
scoring: SATB
 4
Antonio Vivaldi (1678 - 1741):  Largo cantabile from Concerto RV 88
scoring: AATB (Bc)
  16
Orlando di Lasso (c. 1532 - 1594):  Heroum soboles, amor orbis, Motet a 6
source: Magnum opus musicum (Munich 1604), No. 321
Edited and/or arranged by Lorenzo Pantanetti
scoring: SAATTB or ATTBBF
 5
Manuel José Vidigal (XIX cent.):  6° Minuette
source: Seis Minuettes para Guitarra e Baxo (Lisboa c. 1796)
scoring: ATB
 7
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 7 - BWV 793
scoring: A (Harpsichord)
 5
Arcangelo Corelli (1653 - 1713):  Trio Sonata VII in F major - Op. 1, No. 7
source: Sonate da chiesa a tre, Op. 1 (Rome 1681)
Edited and/or arranged by Alberto Dalla Turca
scoring: AT (Bc)
4
Giovanni Battista Pergolesi (1710 - 1736):  Concerto a 4 in F major
source: MS. mu 9709.2965. Manuscript preserved in Copenhagen, Royal Library
scoring: TTTB
  5
Giovanni Battista Pergolesi (1710 - 1736):  Concerto a 4 in G major
source: MS. mu 9709.2965. Manuscript preserved in Copenhagen, Royal Library
scoring: A (2 Violins, Bc)
 6
Johann Christoph Pepusch (c. 1667 - 1752):  Trio in F major
source: Ms. Musica 2160-Q-2. Manuscript preserved in Dresden: Sächsische Landesbibliothek
scoring: ATB
  11
Andreas Heinrich Schultzen (1681 - 1741):  Sonata III in D minor
source: VI Sonate a Flauto solo con Cimbalo o vero Fagotto (Amsterdam [1703]), No. 3
scoring: A (Bc)
5
Johann Heinrich Müller (c. 1780 - 1826):  Canon No. 1 «Kurz, wie der Rosen»
source: Zwölf Canons […] für drei Singstimmen ohne Begleitung (Leipzig [XIX cent.]), No. 1
scoring: AAB or SST
  7
Friedrich Heinrich Himmel (1765 - 1814):  Polonoise
source: Hamburg c. 1810
scoring: ATBB
  5
Giuseppe Colombi (1635 - 1694):  Suonata 1 in C major
source: Sinfonie da camera. Op. 1 (Bologna 1668)
scoring: ATB (Bass instrument ad libitum, Bc)
 9
Johann Guth (XVII cent.):  Ut Re Mi Fa Sol La a 3 Violini, canon at the unison a 3
source: Novitas musicalis. Allerhand Canones und Fugen von 2. 3. und 4 Stimmen sampt dem General Bass (Frankfurt 1675), No. 27
scoring: AAA (Bc)
 8
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 6 - BWV 792
scoring: A (Harpsichord)
 5
Samuel Friedrich Bockshorn [Capricornus] (1628 - 1665):  Ciaccona a 2
source: Ms. Heinemann-Nr. 2369 - Herzog August Bibliothek Wolfenbüttel
scoring: AB (Bc)
  3
Giuseppe Tartini (1692 - 1770):  Concerto in G major
source: Ms. Gimo 294 - Uppsala Universitetsbiblioteket
scoring: A (Strings, Bc)
5
Heinrich Schütz (1585 - 1672):  Gib unsern Fürsten und aller Obrigkeit - SWV 373
source: Geistliche Chormusik. Op.11 (Dresden 1648)
Edited and/or arranged by Alberto Dalla Turca
scoring: SSAB or AATB (Bc)
3
Antonio Cifra (1584 - 1629):  Ricercar I
source: Ricercari et canzoni franzese. Libro 2 (Rome 1619), No. 1
scoring: SATB or ATTB
 8
Johann Friedrich Gräfe (1711 - 1787):  March
source: Musikalisches Vielerley (Hamburg 1770)
scoring: AAAB
  4
Matthew Locke (c. 1622 - 1677):  Suite 7 (Nos. 25-28)
source: Little consort of three parts (London 1656), No. 7
scoring: STB (Bc ad libitum)
 5
Antonio Vivaldi (1678 - 1741):  Sonata VI in F major (C major), RV 1
source: Sonate a violino e basso per il cembalo. Op. 2 (Venice 1709), No. 6
scoring: A or C (Bc)
 6
Giacobbe Cervetto [Basevi] (1680 - 1783):  Sonata I in D major (F major, C major)
source: Eight Solos for a German Flute. Op. 3 (London [1757]), No. 1
scoring: A or C (Bc)
 5
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 5 - BWV 791
scoring: A (Harpsichord)
 4
Joseph Bodin de Boismortier (1689 - 1755):  Deuxiéme Sonate in A minor (C minor) - Op. 2, No. 2
source: Sonates a deux flûtes-traversieres sans basse. Op. 2 (Paris 1724)
scoring: AA
6
Johann Sebastian Bach (1685 - 1750):  Erleucht auch meine finstre Sinnen, Air
source: Christmas Oratorio - BWV 248 (1734)
Edited and/or arranged by Alberto Dalla Turca
scoring: AB (Bc)
 5
Matthew Locke (c. 1622 - 1677):  Suite 6 (Nos. 21-24)
source: Little consort of three parts (London 1656), No. 6
scoring: STB (Bc ad libitum)
  6
Domenico Galli (1649 - 1691):  Sonata VI in F major
source: Trattenimento musicale sopra il violoncello a’ solo (Modena 1691), No. 6
scoring: A
4
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 4 - BWV 790
scoring: C or A (Harpsichord)
 3
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 3 - BWV 789
scoring: A (Harpsichord)
 2
Johann Sebastian Bach (1685 - 1750):  O du von Gott erhöhte Kreatur, Air
source: Cantata BWV 121, «Christum wir sollen loben schon»
Edited and/or arranged by Alberto Dalla Turca
scoring: AT (Bc)
4
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 2 - BWV 788
scoring: A (Harpsichord)
 8
Anonymous:  Gavotte
source: A Collection of Several Simphonies and Airs in Three Parts ([London] 1688), No. 10
scoring: AA or CC (Bc)
 1
Jacquet de Berchem (c. 1505 - 1567):  Le donne, i cavallier, l’arme, gli amori, madrigal a 4
source: Primo, secondo et terzo libro del capriccio […] sopra le stanze del Furioso. A quatro voci (Venice 1561), No. 1
scoring: SATB or ATTB
  3
Michel Pignolet de Montéclair (1667 - 1737):  Premier Concert
source: Concerts à deux Flutes Traversières sans Basses (Paris s.d.), No. 1
scoring: AA
 6
George Frideric Handel (1685 - 1759):  Concerto grosso III - Op. 6, No. 3
scoring: SATB
  8
Jean-Philippe Rameau (1683 - 1764):  Le Tambourin
source: Pièces de Clavessin (Paris 1724)
scoring: A (Harpsichord)
6
Johann Sebastian Bach (1685 - 1750):  Three-part Sinfonia (Invention) No. 1 - BWV 787
scoring: A (Harpsichord)
 7
Georg Philipp Telemann (1681 - 1767):  Fantasia IV in Bb major (Eb major) - TWV 40:5
source: Fantasie per il violino senza basso (c. 1727), No. 4
scoring: A
8
Andreas Heinrich Schultzen (1681 - 1741):  Sonata II in G minor
source: VI Sonate a Flauto solo con Cimbalo o vero Fagotto (Amsterdam [1703]), No. 2
scoring: A (Bc)
  5
Matthew Locke (c. 1622 - 1677):  Suite 5 (Nos. 17-20)
source: Little consort of three parts (London 1656), No. 5
scoring: SSB or AAB (Bc ad libitum)
 5
Henry Purcell (1659 - 1695):  Suite
source: The Fairy Queen (1692)
scoring: SSAB
9
Francesco Barsanti (1690 - 1772):  Sonata VI in A minor - Op. 2, No. 6
source: VI sonate per la traversiera. Op. 2 (London [1728])
scoring: A (Bc)
  6
George Frideric Handel (1685 - 1759):  Minuet in Saul
source: The delightful pocket companion for the German flute (London c. 1763), No. 1
scoring: A or C
1
George Frideric Handel (1685 - 1759):  Vola l’augello del caro nido - HWV 590, Air from the opera Sosarmes arranged by its own composer for a musical clock
source: Ten Tunes for Clay’s Musical Clock
scoring: AT
 2
George Frideric Handel (1685 - 1759):  Gigue - HWV 589
source: Ten Tunes for Clay’s Musical Clock
scoring: AT
9
Antonio Caldara (c. 1671 - 1736):  Il dio d’amore, Canon a 4
scoring: CCCC
  4
Carl Fasch (1736 - 1800):  Kyrie a 16
source: Missa a 16 voci in Quattro Cori (1783), No. 1
scoring: SSSSSSSSTTTTBBBB (Bc ad libitum)
 3
Jacob van Eyck (c. 1589 - 1657):  Silvester inde Morgenstont
source: Der Fluyten Lust-hof (1649-54), No. 89
scoring: C
4
Carl Fasch (1736 - 1800):  Chi vuol trovar la pace, Canzonetta
source: Musikalisches Vielerley (Hamburg 1770)
scoring: ATB (Harpsichord)
 6
Anonymous:  Simphonia
source: 't Uitnement Kabinet. 2 vols (Amsterdam 1646-49)
scoring: CB (Bc)
 6
Giovanni Picchi (c. 1571 - 1643):  Canzon Prima a 2
source: Canzoni da sonar con ogni sorte d'istromenti (Venice 1625), No. 1
scoring: CCB or AA (Bc)
 2
Giovanni Gabrieli (c. 1555 - 1612):  Canzon per sonar a 8. Primi Toni
source: Sacrae symphoniae (Venice 1597)
scoring: SSAATTBB
  2
Leonardo Vinci (1690 - 1730):  Cum Dominus iratus
Edited and/or arranged by Andrea Bornstein
scoring: SATB
  7
Solomon Eccles (1649 - 1710):  A Division on a Ground
source: The first part of the division flute (London [1706]), No. 9
scoring: A (Bc)
  7
Robert Valentine (1674 - c. 1735):  Sonata XII in F major - Op. 2, No. 12
source: Sonate di flauto a solo col basso per il cimbalo o violone. Op. 2 (Rome 1708)
scoring: A (Bc)
5
Anonymous:  Simphonie
source: A Collection of Several Simphonies and Airs in Three Parts ([London] 1688), No. 9
scoring: AA (Bc)
 2
Anonymous:  Gallarde Faraboscho
source: 't Uitnement Kabinet. 2 vols (Amsterdam 1646-49)
scoring: CB (Bc)
 7
Anonymous:  Suiet Italien
source: Deusiesme recueil des dances et contre-dances avec la basse continue (Amsterdam 1688)
scoring: C or A (Bc)
 13
Ferdinando Carulli (1770 - 1841):  Lezione 15 - Op. 27, No. 15
source: Metodo completo per chitarra, op. 27 (1810) - Parte terza: 24 lezioni progressive per due chitarre
scoring: TTBB or ATBB
 7
Anonymous:  Faronell's Ground
source: The first part of the division flute (London [1706]), No. 3
scoring: A (Bc)
  9
Floriano Canale (c. 1550 - post 1603):  La Barbisona a 4
source: Canzoni da sonare a quattro, et otto voci. Libro 1 (Venice 1600), No. 13
scoring: SSAT or SATB
  3
Giovanni Bononcini (1670 - 1747):  Trattenimento Secondo
source: Trattenimenti da camera. Op. 1 (Bologna 1685)
scoring: AA or VV (Bc)
  4
Eustache Du Caurroy (1549 - 1609):  Premiere Fantasie a Trois
source: Fantasies a III. IIII. V. et VI. parties (Paris 1610), No. 1
scoring: SAT or ATB
 4
Domenico Galli (1649 - 1691):  Sonata V in D minor
source: Trattenimento musicale sopra il violoncello a’ solo (Modena 1691), No. 5
scoring: A
4
Anne Danican Philidor (1681 - 1728):  Allemande
source: 1er Livre de pieces pour la flute traversiere, flute a bec, violons et haut-bois avec la basse continuë (Paris 1712), No. 7
scoring: A (Bc)
4
Antonio Vivaldi (1678 - 1741):  Sonata V in D minor, RV 36
source: Sonate a violino e basso per il cembalo. Op. 2 (Venice 1709), No. 5
scoring: A (Bc)
6
Eustache Du Caurroy (1549 - 1609):  Trentehuictiesme Fantasie a l’imitation de six monosyllabes, en laquelle sont contenuës les six especes de Diapason, divisees en la division harmonique et arithmetique
source: Fantasies a III. IIII. V. et VI. parties (Paris 1610), No. 38
scoring: ATTBB or AATBB
 5
John Reading (1645 - 1692):  Reading's Ground
source: The first part of the division flute (London [1706]), No. 1
scoring: A (Bc)
  12
Giovanni Bononcini (1670 - 1747):  Trattenimento Primo
source: Trattenimenti da camera. Op. 1 (Bologna 1685)
scoring: AA or VV (Bc)
7