Entries 701 - 800 out of 2770 [28 pages]

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Biagio Marini (1594 - 1663):  Sonata Terza per 3 violini - Op. 22, No. 23
source: Diversi generi di sonate da chiesa e da camera (Venice 1655)
scoring: SSAB

Adapted from the original score for 3 violins and basso continuo.

  10
Anonymous:  Canzone passaggiata
source: Ms. Add. 31440 (XVII cent.), British Library, London
scoring: C (Bc)
 10
Jean Daniel Braun (XVIII cent.):  Sonata Terza in D minor - Op. 1, No. 3
source: Sonates pour la flûte-traversiere avec la basse. Op. 1 (Paris 1728)
scoring: C (Bc)

Adaptation of the original score for flute.

 8
Johann Christian Schickhardt (c. 1681 - 1762):  Folia in D minor - Op. 6, No. 6
source: Sonates pour la chambre à deux flutes et une basse continue. Op. 6 (Amsterdam 1710)
scoring: AA (Bc)
 26
Traditional:  Chiapanecas
scoring: SATB
  7
F.A. Patrichala (XX cent.):  Mexican Hat Dance
scoring: SATB
  8
Adrian Willaert (c. 1490 - 1562):  Petite camusette, Double canon
source: Motetti novi et chanzoni franciose a quatro sopra doi (Venice 1520), No. 28
scoring: STTB or SAAB
 9
Johann Melchior Molter (1696 - 1765):  Duetto No. 4 in F major
source: Mus. Hs. 404-409. 6 Duets (1745). Manuscript preserved in Karlsruhe: Badische Landesbibliothek, No. 4
scoring: AA

Transposed from the original score for two flutes.

 4
Johann Melchior Molter (1696 - 1765):  Duetto No. 3 in D minor
source: Mus. Hs. 404-409. 6 Duets (1745). Manuscript preserved in Karlsruhe: Badische Landesbibliothek, No. 3
scoring: AT

Transposed a tone down from the original score for two flutes.

 5
Girolamo Frescobaldi (1583 - 1643):  Canzon Trigesimaprima, detta L’Arnolfinia
source: Il primo libro delle canzoni a una, due, tre e quattro voci per sonare con ogni sorte di stromenti (Paolo Masotti, Rome 1628), No. 31
scoring: SSBB

Version 2.00: revamped layout and added all the wanting files.

 5
Anonymous:  La Gamba
scoring: SATB

Version 2.00: revamped layout and added all the wanting files. C-clef parts for viols are also included.

  8
Traditional Klezmer:  Der Shtiller Bulgar
Edited and/or arranged by Andrea Bornstein
scoring: ATB (Harmonic Instrument ad libitum)
   28
Jacques Hotteterre «le Romain» (1673 - 1763):  Deuxiéme Suitte in Bb major - Op. 2, No. 2
source: Premier livre de pieces pour la flûte-traversiere, et autres instruments. Op. 2 (Paris 1715)
scoring: A (Bc)
 15
Andrea Gabrieli (c. 1532 - 1585):  Canzone
source: Ms. MCXXVIII (c. 1585) Manuscript preserved in Verona: Biblioteca Capitolare
scoring: SSAT or AATB

This edition contains both the transcription at the original pitch and an editorial version transposed a fifth below that fits an AATB group of recorders.


Version 2.00: revamped layout and added all the wanting files.

   17
Lorenzo Bergomozzo (XVI cent.):  Ave Maria, Motet
scoring: ATTB or SAAB

All the parts contain editorial divisions ad libitum.


Version 2.00: revamped layout and added all the wanting files.

 8
Adriano Banchieri (1568 - 1634):  Prima Sonata doppio soggietto
source: L'organo suonarino. Op. 25 (Venice 1611)
scoring: SATB
5
Adriano Banchieri (1568 - 1634):  Ricercata del Terzo et Quarto Tuono
source: L'organo suonarino. Op. 25 (Venice 1611)
scoring: SATB
 4
Adriano Banchieri (1568 - 1634):  Ricercata del Secondo Tuono sopra dui Suggietti
source: L'organo suonarino. Op. 25 (Venice 1611)
scoring: ATTB or SATB
4
Adriano Banchieri (1568 - 1634):  Prima Canzone Italiana
source: L'organo suonarino. Op. 25 (Venice 1611)
scoring: ATTB or SATB

Presented in three different versions:

  1. The original score does not suit recorders;
  2. The first transposed score suits an ATTB ensemble of recorders.
  3. The second transposed score suits an SATB ensemble of recorders.

Version 2.00: revamped layout and added all the wanting files plus inner parts in C clef suitable for viols.

 6
Traditional Klezmer:  A Nacht in Gan Eydn
Edited and/or arranged by Andrea Bornstein
scoring: SAB (Guitar)
   37
Giovanni Giacomo Gastoldi (c. 1554 - 1609):  Il Piacere
source: Balletti a cinque voci (Antwerp 1596), No. 8
scoring: SSATB or SSAAB
4
Traditional:  Frailach #2
Edited and/or arranged by Andrea Bornstein
scoring: ATB (Guitar)
  30
Traditional:  Frailach
Edited and/or arranged by Andrea Bornstein
scoring: A (Guitar)
 19
Anonymous:  Domine quis habitabit in tabernaculo tuo, Double canon
source: Motetti novi et chanzoni franciose a quatro sopra doi (Venice 1520), No. 8
scoring: AATB or ATTB

Version 2.00: revamped layout and added all the wanting files.

  7
Benedetto Marcello (1686 - 1739):  Sonata IV in E minor / D minor - Op. 2, No. 4
source: Suonate a flauto solo con il suo basso continuo per violoncello o cembalo (1712)
scoring: G or A (Bc)

Looking at the recorder’s range and at the key, this sonata was, in all likelihood, thought for a Recorder in G. Nevertheless, it could be played by a common Treble Recorder in F with little difficulty.


Version 3.00: revamped layout and added all the wanting files. Furthermore, a version transposed to D minor has been also provided, useful to play the sonata with a treble recorder or – transposed – with a recorder in G.

 11
Traditional Klezmer:  Chava
Edited and/or arranged by Andrea Bornstein
scoring: TTB
  25
Jacob Obrecht (1458 - 1505):  Beata es, Maria, Motet a 4
scoring: AATB

Version 2.00: revamped layout and added all the wanting files, included viol parts in alto clef.

  5
Jean Japart (flourished 1474-81):  Vray dieu d'amours
source: Canti C. N. cento cinquanta (O. Petrucci, Venice 1503), No. 74
scoring: STTB

Version 2.00: revamped layout and added all the wanting files, included viol parts in alto clef.

 5
Carpentras [Elzéar Genet] (c. 1470 - 1548):  Sicut erat in principio
source: Giovanni Battista Rossi, Organo de cantori (Venice 1618)
scoring: SATB or SAAT

Version 2.00: revamped layout and added all the wanting files, included viol parts in alto clef.

 8
Orlando di Lasso (c. 1532 - 1594):  Matona mia cara
source: Libro de villanelle, moresche et altre canzoni a 4. 5. 6 et 8 voci (Antwerp 1582)
scoring: SATB

Also transposed a tone up for recorders' sake.

   33
Giovanni Battista Stefanini (1574 - 1630):  Nativitas tua Dei genitrix virgo, Motet a 6
source: Promptuarii musici. Pars prima (Strasbourg 1611)
scoring: SSSAAB or SSATTB
  11
Johann Christian Schickhardt (c. 1681 - 1762):  Sonata VI in D# minor / D minor - Op. 30, No. 6
source: L'Alphabet de la musique. Op. 30 (London c. 1735)
scoring: A (Bc)
 7
Anonymous:  Hor oires une chanson
source: Harmonice Musices Odhecaton A (O. Petrucci, Venice 1501), No. 3
scoring: SGGGT or SAAAT

Version 2.00: revamped layout and added all the wanting files.

  12
Josquin des Pres (c. 1440 - 1521):  O Venus bant
source: Harmonice Musices Odhecaton A (O. Petrucci, Venice 1501), No. 78
scoring: SAB or STB

Doubtful attribution: another source attributed it to Gaspar van Weerbeke.


Version 2.00: revamped layout and added all the wanting files.

  12
Traditional:  Tumbalalaika (טום־באַלאַלײַקע)
Edited and/or arranged by Andrea Bornstein
scoring: A (Guitar)

I have got the impression that even the pop song Delilah, recorded by Welsh singer Tom Jones, is related to this Yiddish folk song; at least the unusual triple time choice and the first 8 bars let me think so.

   21
Dmitry Pokrass (1899 - 1978):  Zog Nit Keynmol (זאָג ניט קיין מאָל)
Edited and/or arranged by Andrea Bornstein
scoring: SAB
   20
Johann Heinrich Müller (c. 1780 - 1826):  Canon No. 2 «Stumm ist ewig die Natur»
source: Zwölf Canons […] für drei Singstimmen ohne Begleitung (Leipzig [XIX cent.]), No. 2
scoring: SST
  5
Orlando di Lasso (c. 1532 - 1594):  Chi chi li chi Cu cu ru cu, Villanella a 6
source: Libro de villanelle, moresche et altre canzoni a 4. 5. 6 et 8 voci (Antwerp 1582)
scoring: SSATTB
  27
Johann Crüger (1598 - 1662):  Exercitatio 73, «Miserere mei Deus»
source: Musicae practicae. Praecepta brevia et exercitia pro tyronibus varia (Berlin 1660), No. 73
scoring: SSB (Bc)

Divisions of the two high voices are editorial.

  9
Heinrich Isaac (c. 1450 - 1517):  Benedictus
source: Harmonice Musices Odhecaton A (O. Petrucci, Venice 1501), No. 76
scoring: ATB
 8
Johann Crüger (1598 - 1662):  Exercitatio 74, «Anima mea liquefacta est»
source: Musicae practicae. Praecepta brevia et exercitia pro tyronibus varia (Berlin 1660), No. 74
scoring: SSB (Bc)
  5
Hayne van Ghizeghem (c. 1445 - c. 1480):  Allez regretz
source: Harmonice Musices Odhecaton A (O. Petrucci, Venice 1501), No. 57
scoring: ATB
  11
Traditional:  Hatikvah - ַתִּקְוָה (National Anthem of Israel)
Edited and/or arranged by Samuel Alman (1877 - 1947)
scoring: SATB
   13
Traditional:  Hava Nagila (הבה נגילה)
Edited and/or arranged by Andrea Bornstein
scoring: SSAB
   13
Anonymous:  Pavane et Gaillarde de la Bataille
source: Recueil de danseries, contenant presque toutes sortes de danses (Antwerp 1583), No. 9
scoring: SATB
 9
Giorgio Mainerio (c. 1535 - 1582):  Pass'e mezzo d'Italie [Pass'e mezzo antico]
source: Recueil de danseries, contenant presque toutes sortes de danses (Antwerp 1583), No. 2
scoring: SATB

The dance was first published in Mainerio's Il primo libro de balli a quattro voci (Venice 1578) with the title «Pass'e mezzo antico».

 13
Giorgio Mainerio (c. 1535 - 1582):  Putta Nera Ballo Furlano
source: Recueil de danseries, contenant presque toutes sortes de danses (Antwerp 1583), No. 48
scoring: SATB
  11
Giorgio Mainerio (c. 1535 - 1582):  Schiarazula Marazula
source: Recueil de danseries, contenant presque toutes sortes de danses (Antwerp 1583), No. 49
scoring: SATB or SSAT
  14
Giorgio Mainerio (c. 1535 - 1582):  Almande Poussinghe [Tedesca]
source: Recueil de danseries, contenant presque toutes sortes de danses (Antwerp 1583), No. 29
scoring: SATB or SSAT

The dance was first published in Mainerio's Il primo libro de balli a quattro voci (Venice 1578) with the generic title «Tedesca».

  11
Anonymous:  Pavane J’ay du mal
source: Recueil de danseries, contenant presque toutes sortes de danses (Antwerp 1583), No. 8
scoring: SATB
 7
Giorgio Mainerio (c. 1535 - 1582):  Pass'e mezzo moderno
source: Recueil de danseries, contenant presque toutes sortes de danses (Antwerp 1583), No. 3
scoring: SATB

The dance was first published in Mainerio's Il primo libro de balli a quattro voci (Venice 1578).

   24
Biagio Marini (1594 - 1663):  Sonata I. Due violini e basso sopra «Fuggi dolente core» - Op. 22, No. 21
source: Diversi generi di sonate da chiesa e da camera (Venice 1655)
scoring: CC (Cello, Bc)

The two upper parts may be seamlessly played with two recorders in C.

   10
Heinrich Isaac (c. 1450 - 1517):  J'ay pris amours
source: Canti C. N. cento cinquanta (O. Petrucci, Venice 1503), No. 25
scoring: STTB or ATTB

Version 2.00: revamped layout and added all the wanting files.

  13
Johann Christian Bach (1735 - 1782):  Pastorale from Sonata IV
source: Six Sonates pour le clavecin ou piano forte, avec accompagnement d'un violon ou flute. Op. 16 (Amsterdam [1779])
scoring: SSTB
   14
Johann Christian Bach (1735 - 1782):  Sonata IV in G major - Op. 16, No. 4
source: Six Sonates pour le clavecin ou piano forte, avec accompagnement d'un violon ou flute. Op. 16 (Amsterdam [1779])
scoring: C (Harpsichord or Piano)
 5
Floriano Canale (c. 1550 - post 1603):  La Furta a 4
source: Canzoni da sonare a quattro, et otto voci. Libro 1 (Venice 1600), No. 8
scoring: SATB
 10
Floriano Canale (c. 1550 - post 1603):  La Fenarola a 4
source: Canzoni da sonare a quattro, et otto voci. Libro 1 (Venice 1600), No. 7
scoring: SATB
 10
Ernest Krähmer (1795 - 1837):  Fantasia in C major - Op. 31, No. 100
source: 100 Übungsstücke für den Csakan. Op. 31 (Vienna 1837)
scoring: C

The 100 exercises by Ernest Krähmer were conceived for the Csakan, an evolution of the recorder devised during the 19th century. They fit the traditional recorder, even if they are quite demanding.

 5
Gottfried Finger (c. 1660 - 1730):  A Ground
source: 40 Airs anglois […] Livre second (Amsterdam c. 1702), No. 19
scoring: A or C (Bc)

Version 2.00: revamped layout and added all the wanting files.

7
Andrea Bornstein (1956 - ):  Variations on «L'amour de moy»
scoring: SAB
   26
Anonymous:  Branle - Op. 2, No. 16
source: Second livre (Pierre Attaingnant, Paris 1547)
scoring: STTB or SAAB
  6
Anonymous:  L'amour de moy
source: Canti C. N. cento cinquanta (O. Petrucci, Venice 1503), No. 5
scoring: SAAB or STTB

Version 2.00: revamped layout and added all the wanting files.

   24
Jacob van Eyck (c. 1589 - 1657):  Pavane Lachrymae
source: Der Fluyten Lust-hof (1649-54), No. 8
scoring: C

Version 2.00: our edition now includes both the faithful transcription of the original 1649 and 1654 sources and a scored version, useful to understand how van Eyck worked out his variations.

  9
Scott Joplin (c. 1867 - 1917):  Weeping Willow, A Rag Time Two Step
scoring: SSATB (Cello)
  10
Giovanni Domenico da Nola (c. 1515 - 1592):  Chi la gagliarda donna vo imparare, canzon villanesca a 3
source: Canzone villanesche (Venice 1541)
scoring: AAT or SAT

Version 2.00: revamped layout and added all the wanting files.

  5
Simon Knaebel (XIX cent.):  Brooklyn Waltz
source: The Boston collection of instrumental music (1840), No. 2
scoring: SATB

Version 2.00: revamped layout and added all the wanting files.

 5
Vicente Lusitano (? - post 1561):  Allor ch'ignuda d'erb'e fior la terra, madrigal a 3
source: Il primo libro delle muse a tre voci (Venice 1562), No. 11
scoring: AAT or TTB

Version 2.00: revamped layout and added all the wanting files, plus editorial divisions of the two upper parts.

  19
Johannes Tinctoris (c. 1435 - 1511):  Virgo Dei trono digna
source: Motetti A. Numero trentatre (Venice 1502)
scoring: ATB

Our edition contains the thorough transcription of the original source, which is textless, and a version more comfortable for recorders.

  11
Anonymous:  Da pacem Domine
source: Motetti A. Numero trentatre (Venice 1502)
scoring: ATB

Our edition contains the thorough transcription of the original source, which has text under the upper line only, and a version more comfortable for recorders.

  9
Joseph Bodin de Boismortier (1689 - 1755):  Concerto VI in G minor - Op. 15, No. 6
source: VI Concertos pour 5 flûtes-traversieres ou autres instrumens sans basse. Op. 15 (Paris 1727)
scoring: AAAAA

Transposed a third above from the original score in E minor for five flutes.

 5
Anonymous:  Alla cazza
source: Ms. Rés. Vm7 676 (1502). Manuscript preserved in Paris: Bibliothèque nationale
scoring: SAAT

Version 2.00: revamped layout and added all the wanting files.

  10
Joseph Bodin de Boismortier (1689 - 1755):  Concerto V in C major - Op. 15, No. 5
source: VI Concertos pour 5 flûtes-traversieres ou autres instrumens sans basse. Op. 15 (Paris 1727)
scoring: AAAAA

Transposed a third above from the original score in A major for five flutes.

 5
Mauro Giuliani (1781 - 1829):  Andantino grazioso - Op. 74, No. 15
source: Pieces faciles et agreables pour la flute ou violon et guitarre. Op. 74 (Vienna c. 1810)
scoring: A or C (Guitar)

The original upper part fits a treble recorder.

Our edition also contains a transposed version for a recorder in C.

 3
Mauro Giuliani (1781 - 1829):  Bolero - Op. 74, No. 14
source: Pieces faciles et agreables pour la flute ou violon et guitarre. Op. 74 (Vienna c. 1810)
scoring: A or ST (Guitar)

The original upper part fits a treble recorder.

The PDF file also contains the upper part arranged for a soprano and a tenor recorder. The two recorders may be played by the same player, who changes instrument at bar 22, or the tenor may keep on playing, doubling the soprano at the octave below from the same bar.

  2
Mauro Giuliani (1781 - 1829):  Menuetto - Op. 74, No. 13
source: Pieces faciles et agreables pour la flute ou violon et guitarre. Op. 74 (Vienna c. 1810)
scoring: A (Guitar)

The original upper part fits a treble recorder.

Thanks to Roberto for helping me publish this piece of music.

 5
Mauro Giuliani (1781 - 1829):  Grazioso - Op. 74, No. 12
source: Pieces faciles et agreables pour la flute ou violon et guitarre. Op. 74 (Vienna c. 1810)
scoring: A (Guitar)

The original upper part fits a treble recorder.

Thanks to Roberto for helping me publish this piece of music.

 4
Robert Valentine (1674 - c. 1735):  Sonata V in Bb major
source: La Villeggiatura à 2 Flauti - Ms. Sanv.D.145c: Parma, Biblioteca Palatina, No. 5
scoring: AA
 3
Jan Jaap Langereis (1962 - ):  Fuga a 3
scoring: ATB
  14
Girolamo Frescobaldi (1583 - 1643):  Canzona quarta detta La Donatina
source: Il primo libro delle canzoni a una, due, tre e quattro voci per sonare con ogni sorte di stromenti (Paolo Masotti, Rome 1628), No. 4
scoring: C (Bc)

This canzona is almost identical to Canzon IV a Canto solo, published in 1634 in Venice (see the related entry).

The original source erroneously reads «Canzona terza» instead of «Canzona quarta».

The rubric «Canto solo come sta» refers to the fact that the canzona must not be transposed a fifth below as it was usual for music notated in high clefs – «chiavette».

 5
Giorgio Pacchioni (1947 - ):  Varie partite e fuga sopra la Passacaille - Op. 64, No. 7
scoring: A (Violin, Bc)
  1
Robert Valentine (1674 - c. 1735):  Sonata IV in D minor
source: La Villeggiatura à 2 Flauti - Ms. Sanv.D.145c: Parma, Biblioteca Palatina, No. 4
scoring: AA
 7
Gottfried Finger (c. 1660 - 1730):  A division on a ground
source: The second part of the division flute (London [1708]), No. 1
scoring: A (Bc)

Version 2.00: revamped layout and added all the wanting files.

  7
Anonymous:  An Italian Ground
source: The second part of the division flute (London [1708]), No. 6
scoring: A (Bc)

Version 2.00: revamped layout and added all the wanting files.

  16
Wolff (XVIII cent.):  L'Alexandrine
source: Recueil des meilleurs contredanses arrangées pour le flageolet par P.J. Chaxelle (Paris c. 1792), No. 7
scoring: D or C

The source is a French collection of contra dances by various composers arranged for solo flageolet. The original version fits a D instrument; our edition also includes the transposed versions for a C and an F instrument.

5
Wolff (XVIII cent.):  La Chasse au Daim
source: Recueil des meilleurs contredanses arrangées pour le flageolet par P.J. Chaxelle (Paris c. 1792), No. 6
scoring: D or C

The source is a French collection of contra dances by various composers arranged for solo flageolet. The original version fits a D instrument; our edition also includes the transposed versions for a C and an F instrument.

4
Wolff (XVIII cent.):  La Betzvare
source: Recueil des meilleurs contredanses arrangées pour le flageolet par P.J. Chaxelle (Paris c. 1792), No. 5
scoring: D or C

The source is a French collection of contra dances by various composers arranged for solo flageolet. The original version fits a D instrument; our edition also includes the transposed versions for a C and an F instrument.

3
Wolff (XVIII cent.):  La Poulette
source: Recueil des meilleurs contredanses arrangées pour le flageolet par P.J. Chaxelle (Paris c. 1792), No. 4
scoring: D or C

The source is a French collection of contra dances by various composers arranged for solo flageolet. The original version fits a D instrument; our edition also includes the transposed versions for a C and an F instrument.

5
Wolff (XVIII cent.):  La Dorimene
source: Recueil des meilleurs contredanses arrangées pour le flageolet par P.J. Chaxelle (Paris c. 1792), No. 3
scoring: D or C

The source is a French collection of contra dances by various composers arranged for solo flageolet. The original version fits a D instrument; our edition also includes the transposed versions for a C and an F instrument.

2
Wolff (XVIII cent.):  La Seraphine
source: Recueil des meilleurs contredanses arrangées pour le flageolet par P.J. Chaxelle (Paris c. 1792), No. 2
scoring: D or C

The source is a French collection of contra dances by various composers arranged for solo flageolet. The original version fits a D instrument; our edition also includes the transposed versions for a C and an F instrument.

1
Wolff (XVIII cent.):  La Braunaw
source: Recueil des meilleurs contredanses arrangées pour le flageolet par P.J. Chaxelle (Paris c. 1792), No. 1
scoring: D or C

The source is a French collection of contra dances by various composers arranged for solo flageolet. The original version fits a D instrument; our edition also includes the transposed versions for a C and an F instrument.

3
Robert Valentine (1674 - c. 1735):  Sonata III in C major (Bb major)
source: La Villeggiatura à 2 Flauti - Ms. Sanv.D.145c: Parma, Biblioteca Palatina, No. 3
scoring: GG or AA

The original score fits two treble recorders in G: our edition also includes a transposed version (a tone down) suitable for two treble recorders.

 4
Robert Valentine (1674 - c. 1735):  Sonata II in G major (F major)
source: La Villeggiatura à 2 Flauti - Ms. Sanv.D.145c: Parma, Biblioteca Palatina, No. 2
scoring: GG or AA

The original score fits two treble recorders in G: our edition also includes a transposed version (a tone down) suitable for two treble recorders.

 7
Giorgio Pacchioni (1947 - ):  Sonata sopra la Ciaccona - Op. 64, No. 1
scoring: A (Violin, Bc)
  3
Orlando Gibbons (1583 - 1625):  O clap your hands
scoring: SSAATTBB
  6
Michael Talbot (1943 - ):  Duetto VI - Op. 8, No. 6
source: Six duets for two treble (alto) recorders in F (Liverpool 2008)
scoring: AA

Version 2.00: revamped layout, added all the wanting files and split the complete edition in six entries.

Furthermore, a live performance by Jan Jaap Langereis has been added

  1
Michael Talbot (1943 - ):  Duetto V - Op. 8, No. 5
source: Six duets for two treble (alto) recorders in F (Liverpool 2008)
scoring: AA

Version 2.00: revamped layout, added all the wanting files and split the complete edition in six entries.

  2
Michael Talbot (1943 - ):  Duetto IV - Op. 8, No. 4
source: Six duets for two treble (alto) recorders in F (Liverpool 2008)
scoring: AA

Version 2.00: revamped layout, added all the wanting files and split the complete edition in six entries.

  2
Michael Talbot (1943 - ):  Duetto III - Op. 8, No. 3
source: Six duets for two treble (alto) recorders in F (Liverpool 2008)
scoring: AA

Version 2.00: revamped layout, added all the wanting files and split the complete edition in six entries.

  1
Michael Talbot (1943 - ):  Duetto II - Op. 8, No. 2
source: Six duets for two treble (alto) recorders in F (Liverpool 2008)
scoring: AA

Version 2.00: revamped layout, added all the wanting files and split the complete edition in six entries.

  7
Michael Talbot (1943 - ):  Duetto I - Op. 8, No. 1
source: Six duets for two treble (alto) recorders in F (Liverpool 2008)
scoring: AA

Version 2.00: revamped layout, added all the wanting files and split the complete edition in six entries.

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