Entries 1001 - 1100 out of 2770 [28 pages]

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Matteo Bevilacqua (1772 - 1849):  Walzer VI - Op. 15, No. 6
source: XII Walzes pour la flute et la guitarre, op. 15 (Vienna [1805])
scoring: A (Guitar)
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Matteo Bevilacqua (1772 - 1849):  Walzer V - Op. 15, No. 5
source: XII Walzes pour la flute et la guitarre, op. 15 (Vienna [1805])
scoring: A (Guitar)
 4
Matteo Bevilacqua (1772 - 1849):  Walzer IV - Op. 15, No. 4
source: XII Walzes pour la flute et la guitarre, op. 15 (Vienna [1805])
scoring: A (Guitar)
 3
Matteo Bevilacqua (1772 - 1849):  Walzer III - Op. 15, No. 3
source: XII Walzes pour la flute et la guitarre, op. 15 (Vienna [1805])
scoring: A (Guitar)
 3
Matteo Bevilacqua (1772 - 1849):  Walzer X - Op. 15, No. 10
source: XII Walzes pour la flute et la guitarre, op. 15 (Vienna [1805])
scoring: C (Guitar)
 3
Matteo Bevilacqua (1772 - 1849):  Walzer II - Op. 15, No. 2
source: XII Walzes pour la flute et la guitarre, op. 15 (Vienna [1805])
scoring: A (Guitar)
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Matteo Bevilacqua (1772 - 1849):  Walzer I - Op. 15, No. 1
source: XII Walzes pour la flute et la guitarre, op. 15 (Vienna [1805])
scoring: A (Guitar)
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Johann Guth (XVII cent.):  Simphonia a 2 Violini, retrograde canon
source: Novitas musicalis. Allerhand Canones und Fugen von 2. 3. und 4 Stimmen sampt dem General Bass (Frankfurt 1675), No. 3
scoring: AAB (Bc ad libitum)

In this foreword to the reader, Guth gives some information about the kinds of canons used in his work. In particular the Simphonia No. 3 is explained at point 2: it is a retrograde canon or «canon cancrizans». The first violin starts from the beginning, while the second one reads the music backward, starting from the end of the piece. The bass line accompanies the two violins with no canonic restrictions.

Despite these strict composition rules, the music flows pleasantly, making its composer one of the greatest among the unknown artists of the 17th century.

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Johann Guth (XVII cent.):  Gique a 2 Violini, canon at the unison a 2
source: Novitas musicalis. Allerhand Canones und Fugen von 2. 3. und 4 Stimmen sampt dem General Bass (Frankfurt 1675), No. 2
scoring: AAB (Bc ad libitum)
  25
Johann Guth (XVII cent.):  Sonata a 2 Violini, canon at the unison a 2
source: Novitas musicalis. Allerhand Canones und Fugen von 2. 3. und 4 Stimmen sampt dem General Bass (Frankfurt 1675), No. 1
scoring: AAB (Bc ad libitum)
  10
Johann Guth (XVII cent.):  Chiacon a 2 Violini, canon by inversion
source: Novitas musicalis. Allerhand Canones und Fugen von 2. 3. und 4 Stimmen sampt dem General Bass (Frankfurt 1675), No. 33
scoring: AAB or ATB (Bc ad libitum)

In his foreword to the reader, Guth gives some information about the kinds of canons used in his work. In particular the Chiacon No. 33 is explained at point 3: it is a «canon» or «fuga contraria»; that is, a canon by inversion. The first violin reads the music in French clef (violin clef on the first line), while the second one reads the music upside down in regular violin clef. The result is a canon by inversion at the ninth below.

Despite these strict composition rules, the music flows pleasantly, making its composer one of the greatest among the unknown artists of the 17th century.

  34
Nicola Matteis (? - post 1713):  Diverse bizzarrie sopra la Vecchia Sarabanda o pur Ciaccona
source: Ayrs for the violin (1676-85)
scoring: AB
6
Johann Guth (XVII cent.):  Chiacon a 2 Violini e Braccio, canon at the unison a 2
source: Novitas musicalis. Allerhand Canones und Fugen von 2. 3. und 4 Stimmen sampt dem General Bass (Frankfurt 1675), No. 21
scoring: SSTB (Bc ad libitum)
  27
Johann Guth (XVII cent.):  Chiacon a 2 Violini, canon at the unison a 2
source: Novitas musicalis. Allerhand Canones und Fugen von 2. 3. und 4 Stimmen sampt dem General Bass (Frankfurt 1675), No. 9
scoring: AAB (Bc ad libitum)
  45
Giovanni Battista Stefanini (1574 - 1630):  Parvulus filius, Motet a 6
source: Promptuarii musici. Pars prima (Strasbourg 1611)
scoring: SSATTB

Version 2.00: revamped all the files.

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Domenico Zanata (c. 1665 - 1748):  Trio Sonata I
source: Suonate da chiesa a 3 strumenti, due violini e violoncello, col basso per l'organo. Op. 1 (Bologna 1689), No. 1
scoring: ATB

Version 2.00: re-arranged for ATB recorders and added all the wanting files.

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Pëtr Ilič Čajkovskij (1840 - 1893):  L’orgue de barberie - Op. 39, No. 24
source: Album for the young, Op. 39 (1878)
scoring: C (Piano)
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Bartolomeo Tromboncino (c. 1470 - c. 1535):  Acqua non è l'umor che versan gli occhi
source: Frottole. Libro undecimo (O. Petrucci, Fossombrone 1514)
scoring: ATTB

The original score is for voice and lute. Our edition for voice and instruments may be found here.

  25
Michael Talbot (1943 - ):  Musings on «In dulci jubilo» for recorder quartet
scoring: SATB

This little piece was written especially for Christmas 2011 at the request of Andrea Bornstein. I had many false starts, but got there in the end. Andrea's recording makes one wonder what to praise most: his expert performance; the sweet tone of Renaissance recorders; or the wonders of modern technology that can turn one player and one instrument into four.

Michael Talbot

   13
Traditional:  Adeste Fideles
scoring: SAB

For information on this piece see this wikipedia page.


Version 2.00: revamped layout and added all the wanting files.

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Anonymous:  In Festo Natalis Domini. «Ne la digna stalla»
source: Ms. Rés. Vm7 676 (1502). Manuscript preserved in Paris: Bibliothèque nationale
scoring: SA or TB

Version 2.00: revamped layout and added all the wanting files.

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Jakob Paix (1556 - 1623):  Trio
source: Selectae, artificiosae et elegantes fugae duarum, trium, quator, et plurium vocum (1587)
scoring: AAT or GGT
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Jakob Paix (1556 - 1623):  Vater unser im Himmelreich
source: Selectae, artificiosae et elegantes fugae duarum, trium, quator, et plurium vocum (1587)
scoring: SATB

Version 2.00: revamped layout and added all the wanting files.

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Jakob Paix (1556 - 1623):  Si vis laudari
source: Selectae, artificiosae et elegantes fugae duarum, trium, quator, et plurium vocum (1587)
scoring: SATB

Version 2.00: revamped layout and added all the wanting files.

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Jean Daniel Braun (XVIII cent.):  Premiere Suite in C major - Op. 2, No. 1
source: Six suites à deux muzettes, qui conviennent aux vieles, flutes à bec, traversieres, et haubois (Paris 1729)
scoring: AA

Version 2.00: corrected a misprint in the music; revamped the layout and all the related files.

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Jakob Paix (1556 - 1623):  Agimus tibi gratias
source: Selectae, artificiosae et elegantes fugae duarum, trium, quator, et plurium vocum (1587)
scoring: SSSA or TTTB

Version 2.00: revamped layout and added all the wanting files.

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Robert Schumann (1810 - 1856):  Knecht Ruprecht - Op. 68, No. 12
source: Album für die Jugend (1848)
scoring: SATB
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Johann Christian Schickhardt (c. 1681 - 1762):  Sonata V in D major / Db major - Op. 30, No. 5
source: L'Alphabet de la musique. Op. 30 (London c. 1735)
scoring: A (Bc)
 4
Clément Janequin (c. 1485 - post 1558):  Le Chant des Oyseaux, «Reveillez vous»
source: Les chansons de la guerre, la chasse, le chant des oyseaux, la louette, le rossignol (Paris 1537)
scoring: SATB
 6
Traditional:  In Dulci Jubilo
scoring: SATB (Keyboard)
   12
Dieterich Buxtehude (c. 1637 - 1707):  In Dulci Jubilo - BuxWv 197
scoring: SATB
    9
Cesare Negri (c. 1535 - post 1604):  Battaglia
source: Nuove inventioni di balli. Opera vaghissima (Milan 1604)
scoring: C (Lute)

This battaglia is quite a tricky piece of music, fascinating for its intricate rhythm and yet its overall simplicity.

The original score is quite difficult to understand and for several reasons it should have a prominent place in every paleography treatise. In some places of the source there are also subtle misprints that make me think that not even the early publisher was able to understand exactly what he was printing. Hence, I have decided to include the facsimile of the original score in the PDF to let anyone decide whether my transcription is correct.

What is presented here is just an adaptation for recorder in C and lute, while the transcription of the original score – likely for violin and lute – is available at the Etcetera site.

 9
Emilio de' Cavalieri (c. 1550 - 1602):  O che nuovo miracolo (Aria del Gran Duca)
scoring: SSGTB or SSATB
   11
Gasparo Zanetti (flourished 1626-45):  Aria del Gran Duca
source: Il scolaro per imparar a suonare di violini et altri stromenti (Milan 1645)
scoring: SATB or SAAB
  13
Johann Crüger (1598 - 1662):  Exercitatio 35
source: Musicae practicae. Praecepta brevia et exercitia pro tyronibus varia (Berlin 1660), No. 35
scoring: SST
 5
Johann Crüger (1598 - 1662):  Exercitatio 34
source: Musicae practicae. Praecepta brevia et exercitia pro tyronibus varia (Berlin 1660), No. 34
scoring: SST
 5
Pierre Regnault [Sandrin] (c. 1490 - 1561):  Doulce memoire
scoring: GTTB or ATTB

Chanson for four voices, first published around 1538. Many a variation has been composed on this famous piece.


Version 2.00: revamped layout and added all the wanting files.

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Gasparo Zanetti (flourished 1626-45):  La Mantovana
source: Il scolaro per imparar a suonare di violini et altri stromenti (Milan 1645)
scoring: SSAB
 9
Aurelio Virgiliano (XVII cent.):  Ricercar come di sopra
source: Il Dolcimelo (XVII cent.). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica, No. 5
scoring: G or A
1
Aurelio Virgiliano (XVII cent.):  Ricercar per Flauto, Cornetto, Violino, Traversa e simili in Battaglia
source: Il Dolcimelo (XVII cent.). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica, No. 4
scoring: G or A
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Aurelio Virgiliano (XVII cent.):  Ricercata per Flauto, et altri instrumenti
source: Il Dolcimelo (XVII cent.). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica, No. 3
scoring: G or A
2
Pëtr Ilič Čajkovskij (1840 - 1893):  Mazurka - Op. 39, No. 11
source: Album for the young, Op. 39 (1878)
scoring: SATB
5
Cesare Negri (c. 1535 - post 1604):  Spagnoletto, Balletto
source: Nuove inventioni di balli. Opera vaghissima (Milan 1604)
scoring: C or A (Lute)
 7
Fabrizio Caroso (c. 1530 - post 1605):  Spagnoletta nuova al modo di Madriglia, Balletto
source: Nobiltà di dame (Venice 1600)
scoring: S (Lute)

The original source contains the lute tablature only; the recorder part is editorial.

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Aurelio Virgiliano (XVII cent.):  Ricercata per Flauto, et ogni altro instrumento
source: Il Dolcimelo (XVII cent.). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica, No. 2
scoring: G or A
3
Aurelio Virgiliano (XVII cent.):  Ricercar facile di Flauto, Cornetto, Violino, Traversa e simili
source: Il Dolcimelo (XVII cent.). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica, No. 1
scoring: G or A

Virgiliano composed several ricercari specifically aimed at the recorder, in particular the treble recorder in G, which was the main size of the recorder family in the Italian Renaissance and even later.

This edition contains the transcription of the original ricercar, plus its transposition for both the common treble recorder in F and a generic recorder in C (Descant or Tenor). 

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Jakob Paix (1556 - 1623):  Trio in choralem Ave maris stella
source: Selectae, artificiosae et elegantes fugae duarum, trium, quator, et plurium vocum (1587)
scoring: GGT or AAT
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Aurelio Virgiliano (XVII cent.):  Ricercare on «Vestiva i colli e le campagne intorno»
source: Il Dolcimelo (XVII cent.). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica
scoring: SSATTB or SSAAAB

This ricercare is untitled in the source, and is indeed a sixth part added to the Palestrina madrigal. Virgiliano left it incomplete, even if – ending it on a strong cadence – it may stand as a finished composition anyway. The ricercare was probably conceived for a violin.

Here we propose an adaptation for descant recorder; all the trills and slurs are editorial.

5
Adriano Banchieri (1568 - 1634):  Rostiva i corni e le castagne in forno, madrigal a 3
source: La pazzia senile. Ragionamenti vaghi e dilettevoli a tre voci (Venice 1597)
scoring: AAB
 10
Adriano Banchieri (1568 - 1634):  Canzon Sesta. L’Alcenagina sopra Vestiva i colli
source: Canzoni alla francese a 4 voci per sonare. Libro 2 (Venice 1596), No. 6
scoring: SSAT
 6
Girolamo Dalla Casa (? - 1601):  Divisions on «Vestiva i colli e le campagne intorno»
source: Il vero modo di diminuir con tutte le sorte di stromenti (Venice 1584)
scoring: SATTB or SAAAB
 3
Giovanni Pierluigi da Palestrina (1525 - 1594):  Io son ferito, ahi lasso!, madrigal a 5 with divisions of the upper line by G.B. Bovicelli (1594)
source: Regole, passaggi di musica, madrigali e motetti passeggiati (Vincenti, Venice 1594)
scoring: SATTB

Version 2.00: revamped layout and added all the wanting files.

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Giovanni Pierluigi da Palestrina (1525 - 1594):  Vestiva i colli e le campagne intorno, madrigal a 5
source: Il Desiderio. Secondo libro de madrigali a cinque voci (Venice 1566)
scoring: SATTB or SAAAB
 8
Andreas Hammerschmidt (1612 - 1675):  Machet die Tore weit, Motet a 6
scoring: SSAATB
   5
Adam Kurek (XIX cent.):  Conversation Waltz
source: The Boston collection of instrumental music (1840), No. 12
scoring: SATTBB
4
Simon Knaebel (XIX cent.):  Polacca
source: The Boston collection of instrumental music (1840), No. 11
scoring: AT
 5
Robert Schumann (1810 - 1856):  Volksliedchen - Op. 68, No. 9
source: Album für die Jugend (1848)
scoring: SATB
4
Robert Schumann (1810 - 1856):  Wilder Reiter - Op. 68, No. 8
source: Album für die Jugend (1848)
scoring: SATB
3
Heinrich Isaac (c. 1450 - 1517):  La Morra
source: Harmonice Musices Odhecaton A (O. Petrucci, Venice 1501), No. 44
scoring: ATB or SAB
 4
Anonymous:  Sonata in C major
source: Manuscrit musical 161. Manuscript preserved in Paris: Bibliothèque Municipale de Versailles, No. 2
scoring: AA
8
Anonymous:  De tous biens plaine
source: Harmonice Musices Odhecaton A (O. Petrucci, Venice 1501), No. 20
scoring: ATTB
 5
Nicola Matteis (? - post 1713):  Scaramuccia
source: Ayrs for the violin (1676-85)
scoring: A (Bc)

Adaptation of the original score for violin and continuo.

4
Nicola Matteis (? - post 1713):  Andamento con imitazione del basso
source: Ayrs for the violin (1676-85)
scoring: A (Bc)
  12
Nicola Matteis (? - post 1713):  Aria Allegra
source: Ayrs for the violin (1676-85)
scoring: A or C (Bc)
2
Anonymous:  Sonata in C major
source: Manuscrit musical 161. Manuscript preserved in Paris: Bibliothèque Municipale de Versailles, No. 1
scoring: AA
 13
Giovanni Giacomo Gastoldi (c. 1554 - 1609):  Speme amorosa
source: Balletti a cinque voci (Antwerp 1596), No. 5
scoring: SSAAT or SSATB
 7
Claudio Monteverdi (1567 - 1643):  Ciaccona. «Zefiro torna»
source: Scherzi musicali (Venice 1632), No. 6
scoring: SSB
 8
Johann Pachelbel (1653 - 1706):  Canon
scoring: AAAB

Version 2.00: corrected a mistake, revamped layout and all the related files.

   19
Giuseppe Maria Cambini (1746 - 1825):  Enfant chéri des dames des Visitandines
source: Petits airs connus variés pour la flûte (Paris [1794]), No. 1
scoring: A (Bc)
  4
Michael Talbot (1943 - ):  Concerto III for 5 Treble Recorders - Op. 22, No. 3
scoring: AAAAA
4
Josquin des Pres (c. 1440 - 1521):  De tous biens plaine. Canon: Petrus et Johannes currunt in puncto
source: Harmonice Musices Odhecaton A (O. Petrucci, Venice 1501), No. 95
scoring: ATBB

Version 2.00: revamped layout, added all the related files.

  8
Ludwig Senfl (c. 1486 - c. 1542):  Fortuna [desperata] ad voces musicales
source: De arte canendi, ac vero signorum in cantibus usu, libri duo (Nuremberg 1540)
scoring: ATTB or SATB

Version 2.00: revamped layout and added all the wanting files.

 8
Johannes de Pinarol (XV cent.):  Fortuna desperata
source: Canti C. N. cento cinquanta (O. Petrucci, Venice 1503), No. 50
scoring: STTB

Version 2.00: revamped layout and added all the wanting files.

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Johannes Martini (c. 1430 - 1497):  Fortuna desperata
source: Q18 (XVI cent.). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica
scoring: STTB

Version 2.00: revamped layout and added all the wanting files.

2
Heinrich Isaac (c. 1450 - 1517):  Fortuna desperata
scoring: ATB

Version 2.00: revamped layout, added or renewed all the related files. 

 9
Antoine Busnoys (c. 1430 - c. 1492):  Fortuna desperata
scoring: SAB

Version 2.00: revamped layout, added or renewed all the related files. 

 6
Anonymous:  Fortuna desperata
source: Ms. Rés. Vm7 676 (1502). Manuscript preserved in Paris: Bibliothèque nationale
scoring: SATB

For more information on «Fortuna desperata» and to see a complete list of its setting published on this site, go to this page.


Version 2.00: revamped layout and added all the wanting files.

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Floriano Canale (c. 1550 - post 1603):  La Martinenga a 4
source: Canzoni da sonare a quattro, et otto voci. Libro 1 (Venice 1600), No. 4
scoring: SATB
5
Orlando di Lasso (c. 1532 - 1594):  Sibylla Persica, Motet a 4
source: Prophetiae Sibyllarum, quatuor vocibus, chromatico more (Munich 1600), No. 1
scoring: SATB
3
Giorgio Pacchioni (1947 - ):  La Farfalletta - Variazioni per Flauto in C e Piano da una canzoncina di V. Bellini (c. 1813)
Dedico queste variazioni a David Bellugi, un collega che stimo nonché persona di gentilezza squisita.
scoring: C (Piano)
  6
Johann Crüger (1598 - 1662):  Exercitatio 64
source: Musicae practicae. Praecepta brevia et exercitia pro tyronibus varia (Berlin 1660), No. 64
scoring: SS (Bc)
  8
Ferdinando Carulli (1770 - 1841):  Lezione 10 - Op. 27, No. 10
source: Metodo completo per chitarra, op. 27 (1810) - Parte terza: 24 lezioni progressive per due chitarre
scoring: AB

Version 2.00: revamped layout and added all the wanting files.

 5
Johann Crüger (1598 - 1662):  Exercitatio 33
source: Musicae practicae. Praecepta brevia et exercitia pro tyronibus varia (Berlin 1660), No. 33
scoring: SAT
  9
Johann Crüger (1598 - 1662):  Exercitatio 63
source: Musicae practicae. Praecepta brevia et exercitia pro tyronibus varia (Berlin 1660), No. 63
scoring: SS (Bc)

Version 2.00: the layout has been revamped. Added MIDI file, Finale file and live performance.

  8
Johann David Heinichen (1683 - 1729):  Pastorale per la Notte di Natale - SeiH 242 [c. 1720]
source: Ms. Musica 2398-O-13. Manuscript preserved in Dresden: Sächsische Landesbibliothek
scoring: SSSSTBB

Arranged for recorders from the original score for wind instruments and strings.

   3
Armando Hell (1957 - ):  Folzia
scoring: A
3
Pëtr Ilič Čajkovskij (1840 - 1893):  Enterrement de la poupée - Op. 39, No. 8
source: Album for the young, Op. 39 (1878)
scoring: ATTB
 3
Orlando di Lasso (c. 1532 - 1594):  Prophetiae Sibyllarum, Motet a 4
source: Prophetiae Sibyllarum, quatuor vocibus, chromatico more (Munich 1600)
scoring: SATB
 4
Floriano Canale (c. 1550 - post 1603):  La Maggia a 4
source: Canzoni da sonare a quattro, et otto voci. Libro 1 (Venice 1600), No. 3
scoring: STTB or GTTB
4
Salamone Rossi (1570 - c. 1630):  Gagliarda a 5 detta L'Andreasina
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 23
scoring: SSATB

Version 1.50: corrected both the MIDI and the FINALE files; added a live performance.

 11
Joseph Haydn (1732 - 1809):  Divertimento III in F major
source: Three divertimentos for a flute, violin, and bass (London XVIII cent.), No. 3
scoring: SAB

This is an adaptation for SAB recorders of the original score for flute, violin and cello. You may find our edition of the original scoring here.

10
Francesco Spinacino (flourished 1507):  Fortuna desperata
source: Intabulatura de lauto. Libro 2 (Venice 1507)
scoring: SATB

Transcription from the original tablature for two lutes. The way Spinacino deals with the accidentals is very interesting, since a lute tablature makes all of them apparent.

For more information on «Fortuna desperata» and to see a complete list of its setting published on this site, go to this page.


Version 2.00: revamped layout and added all the wanting files.

3
Francesco Spinacino (flourished 1507):  J'ay pris amours
source: Intabulatura de lauto. Libro 1 (Venice 1507)
scoring: SATB

Transcription from the original tablature for two lutes. The way Spinacino deals with the accidentals is very interesting, since a lute tablature makes all of them apparent.


Version 2.00: revamped layout and added all the wanting files.

2
Nicola Matteis (? - post 1713):  Gavotta
source: Ayrs for the violin (1676-85)
scoring: A (Bc)

This edition contains the adaptation of the original score for violin for a treble recorder.

2
André Chéron (1695 - 1766):  Sonate III in G minor - Op. 2, No. 3
source: Sonates en duo et en trio pour la flûte traversiere et le violon avec la basse-continüe. Op. 2 (Paris 1729)
scoring: A (Bc)

This is the transposed version (for treble recorder) of the original score in E minor for flute, available here.

 6
Ferdinando Carulli (1770 - 1841):  Lezione 3 - Op. 27, No. 3
source: Metodo completo per chitarra, op. 27 (1810) - Parte terza: 24 lezioni progressive per due chitarre
scoring: SAT
 3
Ferdinando Carulli (1770 - 1841):  Lezione 12 - Op. 27, No. 12
source: Metodo completo per chitarra, op. 27 (1810) - Parte terza: 24 lezioni progressive per due chitarre
scoring: C (Guitar)

Version 2.00: revamped layout and added all the wanting files.

 3
Ferdinando Carulli (1770 - 1841):  Lezione 11 - Op. 27, No. 11
source: Metodo completo per chitarra, op. 27 (1810) - Parte terza: 24 lezioni progressive per due chitarre
scoring: C (Guitar)

Version 2.00: revamped layout and added all the wanting files.

 3
Ferdinando Carulli (1770 - 1841):  Lezione 14 - Op. 27, No. 14
source: Metodo completo per chitarra, op. 27 (1810) - Parte terza: 24 lezioni progressive per due chitarre
scoring: A (Guitar)

Version 2.00: revamped layout, added MIDI and FINALE files.

2
Ferdinando Carulli (1770 - 1841):  Lezione 13 - Op. 27, No. 13
source: Metodo completo per chitarra, op. 27 (1810) - Parte terza: 24 lezioni progressive per due chitarre
scoring: C (Guitar)

Version 2.00: revamped layout, added MIDI and FINALE files.

 2