Gardane

Entries 401 - 500 out of 2770 [28 pages]

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César Franck (1822 - 1890):  Andantino (1857)
scoring: SATB
  7
Daniel Purcell (c. 1664 - 1717):  Solo I in F major
source: Six sonatas. Three for two flutes and a bass, and three solos for a flute and a bass (London c. 1710), No. 4
scoring: A (Bc)
5
John Dowland (1563 - 1626):  My thoughts are winged with hopes
source: The first booke of songes (London 1597), No. 3
scoring: SAAB or SATB
  11
Felix Mendelssohn (1809 - 1847):  Fuga based on the Lutheran chorale «Vater unser im Himmelreich» - Op. 65, No. 6
scoring: SATB
  14
Johann Caspar Ferdinand Fischer (1656 - 1746):  Suite I
source: Le journal du printemps: Ms. RES-F-529. Manuscript preserved in Paris: Bibliothèque nationale de France
scoring: ATBB (Bc)
 5
Antonio Lotti (c. 1667 - 1740):  Miserere mei, Deus
source: Mus. ms. 13167. Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Musikabteilung
scoring: SATB
   4
Morris Winchevsky [Ben Netz] (1856 - 1932):  Ale Brider
Edited and/or arranged by Andrea Bornstein
scoring: TTB or ATB (Harmonic Instrument ad libitum)
  9
Gottlieb Muffat (1690 - 1770):  Fugue (Canzona VII)
Edited and/or arranged by Alberto Bongini
scoring: SATB
3
Gabriel Fauré (1845 - 1924):  Après un Rêve
scoring: ST (Piano)
  2
Francesco Durante (1684 - 1755):  Salmo Laudate pueri del celebre Durante in C major
source: Ms. Musica 2397-E-2. Manuscript preserved in Dresden: Sächsische Landesbibliothek
scoring: SATB
 7
Antonín Dvořák (1841 - 1904):  Theme from the 2nd movement of the New World Symphony
Edited and/or arranged by Andrea Bornstein
scoring: SSAATBB
  12
Johann Friedrich Fasch (1688 - 1758):  Sonata in G major - FaWV N-G1
source: Mus. ms. 298/6. Manuscript preserved in Darmstadt: Hessische Universitäts- und Landesbibliothek
scoring: AA (Transverse Flute, Bc)
 7
Pietro Castrucci (1679 - 1752):  Sonata II in C major
source: Six sonatas or solos contriv'd & fitted for a flute and a bass (London c. 1721), No. 2
scoring: A (Bc)
 4
Alfredo Casella (1883 - 1947):  Pavana - Op. 1
scoring: C (Cello or Viol)
 5
John Carr (XVIII cent.):  Here draw’r, come bring us some port, A catch for three voices with thorough bass
source: The Grove or the Rural Harmony (London [1760])
scoring: AAA (Bc)
 5
Anonymous:  Sonata IV à 4 Violons, Haute Contre & Basse Continue
source: VI Sonates ou Concerts à 4, 5, & 6 parties. Livre 1 (Amsterdam n.d.), No. 4
scoring: AAAAB (Bc)
3
Josquin des Pres (c. 1440 - 1521):  Mille regretz
source: Mus.ms. 1516. Teutsche, Französische und Lateinische Lieder mit 4 Stimmen (c. 1540), Manuscript preserved in Munich: Bayerische Staatsbibliothek, Musiksammlung, No. 22
scoring: SATB
  6
Giovanni Battista Vitali (1632 - 1692):  Canone a sei soprani all'unisono
source: Artificii musicali (Modena 1689)
scoring: CCCCCC
  7
Giovanni Battista Vitali (1632 - 1692):  Canone a otto bassi all’unisono
source: Artificii musicali (Modena 1689)
scoring: BBBBBBBB
  8
Giovanni Battista Vitali (1632 - 1692):  Capricio Primo
source: Artificii musicali (Modena 1689)
scoring: A or SB (Bc)
Philippe Verdelot (c. 1480 - ante 1552):  Quanto sia lieto il giorno, madrigal a 4
scoring: ATTB
 14
Giovanni Battista Vitali (1632 - 1692):  Sinfonia a due violini in canone all'unisono col suo basso continuo
source: Artificii musicali (Modena 1689)
scoring: SSB (Bc)
  7
Reginald Spofforth (1769 - 1827):  Hail smiling Morn, Glee
scoring: ATTB or AATB
  7
Ludwig van Beethoven (1770 - 1827):  Menuett No. 5
source: Zwölf Menuetten - WoO 7
scoring: SSAB
  2
Samuel Scheidt (1587 - 1654):  Fantasia super Io son ferito [ahi] lasso - SSWV 103
source: Tabulatura nova (Hamburg 1624), No. 2
Edited and/or arranged by Alberto Bongini
scoring: SATB or SSAB
 3
Lucas Osiander (1534 - 1604):  Vater unser im Himmelreich
source: Fünfftzig Geistliche Lieder und Psalmen mit vier Stimmen (1586)
scoring: SATB
 2
Jacob van Eyck (c. 1589 - 1657):  Lavignone
source: Der Fluyten Lust-hof (1649-54), No. 9
scoring: C
1
Johann Rudolph Ahle (1625 - 1673):  Vater unser im Himmelreich
scoring: ATB
 3
Dieterich Buxtehude (c. 1637 - 1707):  Vater unser im Himmelreich - BuxWv 219
scoring: SATB
 4
Johannes Ghiselin (flourished 1491-1507):  La Alfonsina
source: Harmonice Musices Odhecaton A (O. Petrucci, Venice 1501), No. 80
scoring: ATB
7
Anonymous:  Paumgartner
source: Lochamer Liederbuch (1450-60)
scoring: STB or SAT
  10
Dieterich Buxtehude (c. 1637 - 1707):  Cantate Domino canticum novum - BuxWv 12
scoring: SSB (Keyboard)
  11
Traditional:  The White Joak aka Gwyngalch Morgannwg
source: The British Musical Miscellany. Vol. 5 (London [1734])
scoring: C or A (Bc)
  9
John Dowland (1563 - 1626):  Whoever thinks or hopes for love
source: The first booke of songes (London 1597), No. 2
scoring: SATB
  10
Giovanni Gabrieli (c. 1555 - 1612):  Sonata XXI con tre violini overo altri strumenti
source: Canzoni et sonate per sonar con ogni sorte de instrumenti, con il basso per l'organo (Venice 1615), No. 21
scoring: AAAB (Bc)
  6
Traditional Klezmer:  Arum dem Fayer
Edited and/or arranged by Andrea Bornstein
scoring: ATB (Harmonic Instrument ad libitum)
  10
Giovanni Antonio Pandolfi Mealli (flourished 1660-69):  Sonata Seconda. La Cesta - Op. 3, No. 2
source: [6] Sonate a violino solo, per chiesa e camera. Op. 3 (Innsbruck 1660)
scoring: C (Bc)
 2
Pëtr Ilič Čajkovskij (1840 - 1893):  Douce rêverie - Op. 39, No. 21
source: Album for the young, Op. 39 (1878)
scoring: SSAT
 2
Henry Purcell (1659 - 1695):  Golden Sonata - Z 810
source: Ten sonatas in four parts (John Heptinstall, London 1697) [posthumous collection]
scoring: AA (Bc)
  7
Antoine Busnoys (c. 1430 - c. 1492):  Le serviteur
source: Harmonice Musices Odhecaton A (O. Petrucci, Venice 1501), No. 35
scoring: ATB or ATTB
1
Ferdinando Carulli (1770 - 1841):  Solfège 59 - Op. 195, No. 59
source: Solfèges et vocalises, op. 195 (Paris 1826) - Trosième Partie: Solfège progressif dans tous les tons, et dans toutes les mesures
scoring: C (Guitar)
  3
Floriano Canale (c. 1550 - post 1603):  La Porta a 4
source: Canzoni da sonare a quattro, et otto voci. Libro 1 (Venice 1600), No. 10
scoring: SSTT or SATB
 1
Giovanni Legrenzi (1626 - 1690):  Che fiero costume, Arietta
source: Echi di riverenza (1678)
scoring: A (Harpsichord)
 5
Anonymous:  Air
source: 50 Airs anglois [… Book 1] (Amsterdam c. 1702), No. 22
scoring: AA
Guillaume Le Heurteur (flourished 1530-45):  Amour partes
source: Le parangon des chansons. Quart livre (Lyon 1539), No. 6
scoring: SA
 2
Anonymous:  Ouverture
source: 50 Airs anglois [… Book 1] (Amsterdam c. 1702), No. 21
scoring: AA
Jeremiah Clarke (1674 - 1707):  Jigg
source: 50 Airs anglois [… Book 1] (Amsterdam c. 1702), No. 20
scoring: A or C
Anonymous:  Trumpet Tune
source: 50 Airs anglois [… Book 1] (Amsterdam c. 1702), No. 19
scoring: A or C
1
John Shore (c. 1662 - 1752):  Trumpet Tune
source: 50 Airs anglois [… Book 1] (Amsterdam c. 1702), No. 18
scoring: A or C
Charles Dieupart (post 1667 - c. 1740):  6e Suitte in F minor
source: Six suittes de clavessin pour un violon et flûte avec une basse de viole et un archilut (Amsterdam 1701), No. 6
scoring: H or C (Bc)
 7
Anonymous:  Trumpet Tune
source: 50 Airs anglois [… Book 1] (Amsterdam c. 1702), No. 17
scoring: A or C
Anonymous:  Minuet
source: 50 Airs anglois [… Book 1] (Amsterdam c. 1702), No. 12
scoring: A or C
1
Adam Gumpelzhaimer (1559 - 1625):  Textless canon in unisono
source: Compendium musicae Latino - Germanicum (Augsburg 1595), No. 4
scoring: AA or CC
1
Adam Gumpelzhaimer (1559 - 1625):  Textless canon in unisono
source: Compendium musicae Latino - Germanicum (Augsburg 1595), No. 3
scoring: AA or CC
1
Adam Gumpelzhaimer (1559 - 1625):  Textless canon in unisono
source: Compendium musicae Latino - Germanicum (Augsburg 1595), No. 2
scoring: CC
1
Adam Gumpelzhaimer (1559 - 1625):  Textless canon in ομοφωνία
source: Compendium musicae Latino - Germanicum (Augsburg 1595), No. 1
scoring: CC
1
A. van Heerde (XVIII cent.):  Sarabanda
source: 50 Airs anglois [… Book 1] (Amsterdam c. 1702), No. 16
scoring: A or C
A. van Heerde (XVIII cent.):  Jigg
source: 50 Airs anglois [… Book 1] (Amsterdam c. 1702), No. 15
scoring: A or C
George Bingham (flourished 1702-06):  Bourrée
source: 50 Airs anglois [… Book 1] (Amsterdam c. 1702), No. 14
scoring: A or C
1
A. van Heerde (XVIII cent.):  Bourrée
source: 50 Airs anglois [… Book 1] (Amsterdam c. 1702), No. 13
scoring: A or C
Anonymous:  Air
source: 50 Airs anglois [… Book 1] (Amsterdam c. 1702), No. 11
scoring: A or C
Anonymous:  Air
source: 50 Airs anglois [… Book 1] (Amsterdam c. 1702), No. 10
scoring: A or C
Carl Maria von Weber (1786 - 1826):  Freischütz Waltz
source: The Boston collection of instrumental music (1840)
Edited and/or arranged by J.H. Seipp
scoring: SB (Guitar)
  2
Samuel Arnold (1740 - 1802):  Gil Morice
source: A selection of the most favourite Scots-songs (London [1790]), No. 15
scoring: C or SAB (Harpsichord)
  11
Gregorio Strozzi (c. 1615 - post 1687):  Toccata de Passacagli e ciascheduno può suonarsi a solo
source: Capricci da sonare cembali et organi (Naples 1687), No. 29
scoring: A (Harpsichord)
 4
John Dowland (1563 - 1626):  Awake Sweet Love
source: The first booke of songes (London 1597), No. 19
scoring: SATB
   23
John Dowland (1563 - 1626):  Unquiet thoughts your civil slaughter stint
source: The first booke of songes (London 1597), No. 1
scoring: SATB
  8
Tarquinio Merula (c. 1594 - 1665):  Ballo detto Gennaro a 3 - Op. 12, No. 23
source: Canzoni overo sonate concertate per chiesa e camera a due et a tre. Op. 12 (Venice 1637)
scoring: ATB (Bc)
 6
Jacob Tadinghen (flourished 1480-1500):  Le serviteur
source: Canti C. N. cento cinquanta (O. Petrucci, Venice 1503), No. 137
scoring: AT
  10
Ascanio Mayone (c. 1565 - 1627):  Recercar sopra il Canto Fermo di Costantio Festa (La Spagna)
source: Secondo libro di diversi capricci per sonare (Naples 1609)
scoring: SATB
 4
Robert Schumann (1810 - 1856):  Schnitterliedchen - Op. 68, No. 18
source: Album für die Jugend. Op. 68 (1848)
scoring: SSTT or SATB
 2
Benedetto Marcello (1686 - 1739):  Sonata XII in F major - Op. 2, No. 12
source: Suonate a flauto solo con il suo basso continuo per violoncello o cembalo (1712)
scoring: A (Bc)
 7
J.V. Burckhardt (XVIII cent.):  Ouverture a 3
source: Ms. imhs 013:020 - Uppsala Universitet
scoring: AA (Bc)
 2
Antonio Bertali (1605 - 1669):  Chiacona
source: Ms. 176 - Arcibiskupský zámek - Hudební sbírka, Kroměříž
Edited and/or arranged by David Bellugi
scoring: C (Bc)
  14
Antonio Bertali (1605 - 1669):  Sonata a 5 flauti
source: Ms. IV.17 (c. 1670) - Arcibiskupský zámek - Hudební sbírka, Kroměříž
scoring: SSATB or SSTTB (Bc)
  21
Charles Dieupart (post 1667 - c. 1740):  4e Suitte in E minor
source: Six suittes de clavessin pour un violon et flûte avec une basse de viole et un archilut (Amsterdam 1701), No. 4
scoring: V or C (Bc)
 9
Claudin de Sermisy (c. 1490 - 1562):  Aies pitié du grant mal
source: Le parangon des chansons. Quart livre (Lyon 1539), No. 5
scoring: SA or AT
  3
Antonio Gardane (1509 - 1569):  Ces facheux sotz
source: Le parangon des chansons. Quart livre (Lyon 1539), No. 4
scoring: ST or AT
  4
Francesco de Layolle (1492 - c. 1540):  Vaincre n'a peu
source: Le parangon des chansons. Quart livre (Lyon 1539), No. 3
scoring: CC or AT
  2
Ernesto De Curtis (1875 - 1937):  Torna a Surriento
scoring: ATB (Harmonic Instrument ad libitum)
  14
Antonio Gardane (1509 - 1569):  Il me convient
source: Le parangon des chansons. Quart livre (Lyon 1539), No. 2
scoring: ST or TB
  5
Francesco de Layolle (1492 - c. 1540):  Doulce memoire
source: Le parangon des chansons. Quart livre (Lyon 1539), No. 1
scoring: SA or AT
  2
Ottorino Respighi (1879 - 1936):  L'udir talvolta
source: Cinque canti all'antica (1906), No. 1
scoring: SATB
  10
Anonymous:  Estampie «Retrové»
source: Robertsbridge Abbey Codex (XIV cent.): British Library, Add. 28550
Edited and/or arranged by David Bellugi
scoring: AT
   8
Giovanni Giacomo Gastoldi (c. 1554 - 1609):  L'Ardito
source: Balletti a cinque voci (Antwerp 1596), No. 9
scoring: SSATB
 3
Giovanni Bononcini (1670 - 1747):  Deh più a me non v’ascondete, Air
source: Eraclea, o vero Il ratto delle Sabine (Roma 1692)
scoring: A (Harpsichord)
   11
Giovanni Paolo Cima (c. 1570 - 1630):  Sonata per cornetto e trombone, overo violino e violone
source: Concerti ecclesiastici (Milan 1610), No. 47
scoring: SB (Bc)
4
Floriano Canale (c. 1550 - post 1603):  La Ugona a 4
source: Canzoni da sonare a quattro, et otto voci. Libro 1 (Venice 1600), No. 9
scoring: SATB
  7
Anonymous:  Sonata in D major (C major)
source: Manuscrit musical 161. Manuscript preserved in Paris: Bibliothèque Municipale de Versailles, No. 6
scoring: AA
 2
Andrea Bornstein (1956 - ):  Variations on «Bunessan» (Morning Has Broken)
scoring: AB (Harmonic Instrument ad libitum)
   19
Nicola Matteis (? - post 1713):  Contr'aria
source: Ayrs for the violin (1676-85)
scoring: SB (Bc)
8
Nicola Matteis (? - post 1713):  Aria (1)
source: Ayrs for the violin (1676-85)
scoring: AB (Bc)
9
Johann Christian Bach (1735 - 1782):  Sonata V in C major - Op. 16, No. 5
source: Six Sonates pour le clavecin ou piano forte, avec accompagnement d'un violon ou flute. Op. 16 (Amsterdam [1779])
scoring: A (Harpsichord or Piano)
3
John Dowland (1563 - 1626):  Now o now I needs must part
source: The first booke of songes (London 1597), No. 6
scoring: SATB
  11
Frédéric Chopin (1810 - 1849):  Prelude - Op. 28, No. 4
scoring: STBB
 6
Traditional:  Amén Shem Nora
Edited and/or arranged by Andrea Bornstein
scoring: ATB (Harmonic Instrument ad libitum)
  11
George Gershwin (1898 - 1937):  Embraceable You
Edited and/or arranged by Maurizio Less
scoring: AATB or AAAB (Plucked bass viol, Harmonic Instrument ad libitum)
   7
Pietro Ragno (XVI cent.):  Ardo sì, ma non t’amo, madrigal a 5 with descant divisions
Edited and/or arranged by Dan Laurin
scoring: SSATB
 8
Carl Philipp Emanuel Bach (1714 - 1788):  Sonata flauto traverso solo senza basso in C minor - Wq 132 (H 562)
source: Ms. I,26 mu 6210.2926. Manuscript preserved in Copenhagen: Gieddes samling, Royal Library
scoring: A
 5
Henry Carey (1687 - 1743):  Salley in our Alley with Divisions
source: The delightful pocket companion for the German flute (London c. 1763), No. 3
scoring: A
2