Gardane

Entries 301 - 400 out of 2770 [28 pages]

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Traditional:  Draw Nigh, Immanuel
source: Old Christmas Carols, Traditional Melodies. First Set newly arranged, harmonized and edited by S. Archer Gibson (New York 1904), No. 2
scoring: SATB
  3
Traditional:  Holy Night! Peaceful Night
source: Old Christmas Carols, Traditional Melodies. First Set newly arranged, harmonized and edited by S. Archer Gibson (New York 1904), No. 1
scoring: SATB
 2
Traditional:  A Child This Day Is Born
source: Old Christmas Carols, Traditional Melodies. Third Set newly arranged, harmonized and edited by F. Flaxington Harker (New York 1904), No. 3
scoring: SATB

With editorial divisions of the upper part.

   4
Marco Uccellini (c. 1603 - 1680):  Aria Prima [sopra Greensleeves]
source: Sonate arie et correnti a 2 e 3 per sonare con diversi instromenti (Venice 1642)
scoring: SSB or CC (Bc)

Uccellini's works were conceived for violins; nevertheless, they may be easily adapted for recorders. This Aria, in particular, smoothly fits two recorders in C, which must be two descants if we want to play the bass line on a bass recorders; otherwise, they can be two tenors.

A passage in the upper line has been slightly edited to ease it for a C recorder.

  9
Claudio Monteverdi (1567 - 1643):  Quando l’Alba in Oriente, scherzo musicale a 3
source: Scherzi musicali (Venice 1607), No. 4
scoring: SSB
  7
Ludwig van Beethoven (1770 - 1827):  Allegro con brio (abridged)
source: Symphony no. 5, Op. 67
scoring: NNSSSAATTTBBL
 3
Johann Mattheson (1681 - 1764):  Sonata XII in A minor or G minor - Op. 1, No. 12
source: XII Sonates à 2 et 3 flutes sans bass. Op. 1 (Amsterdam 1708)
scoring: GG or AA

This duo was conceived for two treble recorders in G. Our edition contains the transcription of the original score in A minor and its transposition  in G minor for two treble recorders in F.

  3
Johann Mattheson (1681 - 1764):  Sonata XI in Bb major - Op. 1, No. 11
source: XII Sonates à 2 et 3 flutes sans bass. Op. 1 (Amsterdam 1708)
scoring: AA
 2
Francesco Manfredini (1684 - 1762):  Pastorale per il Santissimo Natale
source: Concerto 12, Op. 3 (Bologna 1718)
scoring: AAAAB (Cello or Viol)
Version 1.10 (2014-11-06): corrected a mistake in the PDF file.
   5
Johann Christoph Pez (1664 - 1716):  Pastorale
scoring: AATTB (Bc)
   4
Giovanni Gabrieli (c. 1555 - 1612):  «Sacri di Giove augei», madrigal a 12
source: Concerti: Libro primo et secondo (Venice 1587)
scoring: SSSAATTTTTTB

The madrigal has been transposed a tone up for recorders’ sake.

  5
Christiaen Herwich (XVII cent.):  Tweede Stuck
source: 't Uitnement Kabinet. 2 vols (Amsterdam 1646-49)
scoring: C (Viol, Bc)

Divisions of the upper part are editorial.

  6
Ambrosius Wilfflingseder (? - 1563):  Trio 3
source: Musica Teutsch der Jugent zu gut gestelt (Nuremberg 1561), No. 3
scoring: CCC
 2
Sebald Heyden (1499 - 1561):  Fuga trium in unisono (No. 1), Canon a 3
source: De arte canendi, ac vero signorum in cantibus usu, libri duo (Nuremberg 1540)
scoring: TTT
  7
Andrea Bornstein (1956 - ):  Fantasia on «I Will Survive» by Freddie Perren (1943 - 2004)
scoring: STTB (Harmonic Instrument ad libitum)
  9
Johann Christian Bach (1735 - 1782):  Torna in quell’onda chiara - WH 18, Canzonetta - Op. 6, No. 1
source: Six Canzonets. Op. 6 (London [1767])
scoring: CCB
 4
Christoph Willibald Gluck (1714 - 1787):  Reigen seliger Geister
source: Orfeo ed Euridice (Vienna 1762)
scoring: A (Harpsichord)
 6
Johann Heinrich Schmelzer (c. 1620 - 1680):  Sonata a 7 flauti
source: IMhs 58:8a. Manuscript preserved in Uppsala: Universitetsbiblioteket, Carolina Rediviva
scoring: SSAATTB
Version 1.50 (2014-10-27): a music mistake has been corrected, the layout revamped and all the wanting files added.
This is THE piece for recorders of the 17th century: a must for the repertoire of every recorder ensemble.
  23
Ambrosius Wilfflingseder (? - 1563):  Trio 1
source: Musica Teutsch der Jugent zu gut gestelt (Nuremberg 1561), No. 1
scoring: CCC
 5
Ambrosius Wilfflingseder (? - 1563):  Trio 2
source: Musica Teutsch der Jugent zu gut gestelt (Nuremberg 1561), No. 2
scoring: SSA or TTB
 9
Franco Ballabeni (1957 - ):  Arkadia
scoring: T (Harpsichord)
3
Traditional Klezmer:  Oy tate
Edited and/or arranged by Andrea Bornstein
scoring: ATB (Harmonic Instrument ad libitum)
   8
Jacques-Christophe Naudot (c. 1690 - 1762):  Premiere Babiole in C major - Op. 10, No. 1
source: VI Babioles. Op. 10 (Paris [1737])
scoring: AA
10
Philibert de La Vigne (c. 1700 - c. 1760):  IV.e Sonate La Beaumont in C major - Op. 2, No. 4
source: Sonates pour la musette, vièle, flute-à-bec, traversière, haubois etc. avec la basse. Op. 2 (Paris 1731)
scoring: A (Bc)
Version 1.50 (2014-10-22): corrected a musical mistake and the audio files.

The six sonatas contained in the opus 2 by de La Vigne are modernly called with titles that are NOT original at all. The sonatas simply have some movements entitled to noble families: in particular, the composition published here has the first movement dedicated to «La Beaumont». Evidence of this fact is in the third movement (Premier Musette) entitled to «La Comtesse De Lusse».

7
Claudio Monteverdi (1567 - 1643):  Se non mi date aita, canzonetta a 3
source: Antonio Morsolino, Il primo libro delle canzonette a tre voci (Venice 1594), No. 14
scoring: SAB or SSB

The divisions are editorial.

 4
Claudio Monteverdi (1567 - 1643):  Occhi miei, se mirar più non debb'io, canzonetta a 3
source: Antonio Morsolino, Il primo libro delle canzonette a tre voci (Venice 1594), No. 6
scoring: SAB

The divisions are editorial.

 3
Claudio Monteverdi (1567 - 1643):  Io ardo, sì, ma 'l foco è di tal sorte, canzonetta a 3
source: Antonio Morsolino, Il primo libro delle canzonette a tre voci (Venice 1594), No. 2
scoring: SAB

The divisions are editorial.

  12
Joseph Bodin de Boismortier (1689 - 1755):  Sonata I in A minor - Op. 34, No. 1
source: Six Sonates à quatre perties différentes et également travaillées. Pour 3 Flutes trav.res Violons, ou autres Instrumens, avec la Basse (Paris 1731)
scoring: ATTB

This is an arrangement of the sonata for three violins and continuo already published here (see the related entry under the menu LINKS).

 3
Claudio Monteverdi (1567 - 1643):  Quante son stelle in ciel e in mar arene, canzonetta a 3
source: Antonio Morsolino, Il primo libro delle canzonette a tre voci (Venice 1594), No. 10
scoring: SAB

The divisions are editorial.

  5
Christiaen Herwich (XVII cent.):  Eerste Stuck
source: 't Uitnement Kabinet. 2 vols (Amsterdam 1646-49)
scoring: C (Viol, Bc)
 5
Anonymous:  Intrada (3)
source: 't Uitnement Kabinet. 2 vols (Amsterdam 1646-49)
scoring: A (Bc)

The original solo part has been adapted to a treble recorder. 

 7
Andreas Hammerschmidt (1612 - 1675):  Intrada (2)
source: 't Uitnement Kabinet. 2 vols (Amsterdam 1646-49)
scoring: CB (Bc)
  3
Alessandro Besozzi (1702 - 1793):  Sonata IV in Bb major
source: Six Sonatas or Duets for two German Flutes or Violins (London c. 1750), No. 4
scoring: AA

The original score for two flutes or violins has been transposed a third above for two treble recorders.

Joseph Bodin de Boismortier (1689 - 1755):  Sonata I in G minor - Op. 34, No. 1
source: Six Sonates à quatre perties différentes et également travaillées. Pour 3 Flutes trav.res Violons, ou autres Instrumens, avec la Basse (Paris 1731)
scoring: A (2 Flutes or 2 Violins, Bc)

This collection of sonatas has the saddest instrumental indication for a recorder ever seen, as you may see here below:

Nonetheless, they work very well with a treble recorder on top and are beautiful.

4
Johann Weinmann (c. 1477 - 1542):  Vater unser im Himmelreich
source: Neue deutsche geistliche Gesänge für die gemeinen Schulen (Wittenberg 1544)
scoring: STTB or GTTB

This is the only extant work of Johann Weinmann, originally found in Neue deutsche geistliche Gesänge für die gemeinen Schulen, a collection of sacred music published by Georg Rhau in 1544.
Although Weinmann was the oldest composer in the anthology, the composition is rather forward-looking in placing the cantus firmus in the top voice instead of in the tenor.

  3
Matthaeus Le Maistre (c. 1505 - 1577):  Vater unser im Himmelreich
source: Schöne und auserlesene deudsche und lateinische geistliche Gesenge (Dresden 1577)
scoring: SAT
 7
Antonius Gosswin (c. 1546 - c. 1598):  Vater unser im Himmelreich
source: Newe Teutsche Lieder mit dreyen Stimmen (1581)
scoring: TBB
 4
Alessandro Besozzi (1702 - 1793):  Sonata III in Bb major
source: Six Sonatas or Duets for two German Flutes or Violins (London c. 1750), No. 3
scoring: AA

The original score for two flutes or violins has been transposed a third above for two treble recorders.

 3
Anonymous:  Magnificat - BuxWV Anh. 1
scoring: SSATB

This Magnificat – originally for four solo singers, choir, two violins and continuo – was attributed to Buxtehude by the musicologist Bruno Grusnick in 1931. He later (in 1966) refused his own attribution.

Our edition marks the «Soli» and the «Tutti» sections, and the «Instrumental ritornelli»; should the piece be played by more than one recorder per part, the «Soli» will be performed by just one recorder per part. If the piece is played by five recorders only, the «Soli» should be played piano.

 6
Johann Christian Schickhardt (c. 1681 - 1762):  Concerto II in D minor - Op. 19, No. 2
source: VI Concerts à Quatre Flutes et Basse Continue. Op. 19 (Amsterdam c. 1715)
scoring: AAAA (Bc)
4
Johann Christian Schickhardt (c. 1681 - 1762):  Concerto I in C major - Op. 19, No. 1
source: VI Concerts à Quatre Flutes et Basse Continue. Op. 19 (Amsterdam c. 1715)
scoring: AAAA (Bc)
 5
Charles Dieupart (post 1667 - c. 1740):  Concerto a 5 in A minor
source: 2174-O-1, Manuscript preserved in Dresden: Sächsische Landesbibliothek – Staats- und Universitätbibliothek
scoring: S (Strings, Bc)

This is one of the few concertos for descant recorder (flautino) of the 18th century.

The viola part my be played on a third violin.

7
Johann Christian Schickhardt (c. 1681 - 1762):  Concerto III in G major (F major) - Op. 19, No. 3
source: VI Concerts à Quatre Flutes et Basse Continue. Op. 19 (Amsterdam c. 1715)
scoring: GGGG or AAAA (Bc)

This concerto fits four treble recorders in G as is and in all likelihood was conceived for them. Our edition also contains a transposed version, to F major, that fits four treble recorders in F. Nonetheless, all the recorder parts of the version in G major are easy enough to be smoothly played on F recorders.

4
Peter Philips (c. 1560 - 1628):  Echo, figlia dei bosch'e de le valli
source: Madrigali a otto voci (Antwerp 1599)
scoring: SSAATTBB

The original setting does not fit recorders; hence our edition also contains a transposed version adapted for recorders.

 2
Frédéric Chopin (1810 - 1849):  Valse (Minute Waltz) - Op. 64, No. 1
scoring: A (Piano)
 1
Charles Dieupart (post 1667 - c. 1740):  Concerto in G minor for six recorders
source: 2174-O-4, Manuscript preserved in Dresden: Sächsische Landesbibliothek – Staats- und Universitätbibliothek
scoring: AAATTB

This is an arrangement of mine of the Concerto in E minor for two flutes and strings.

  6
Charles Dieupart (post 1667 - c. 1740):  Concerto in E minor
source: 2174-O-4, Manuscript preserved in Dresden: Sächsische Landesbibliothek – Staats- und Universitätbibliothek
scoring: VV (Strings, Bc)

This concerto could have been conceived for two recorders – chiefly two voice flutes – even if it fits two flutes as well.

Our edition also contains transposed parts useful to read the flute line with F fingering.

 3
Mark Warshavsky (1848 - 1907):  Der Alef Beys (Oyfn pripetchik brent a fayerl)
Edited and/or arranged by Andrea Bornstein
scoring: STB or SAB (Harmonic Instrument ad libitum)
   4
Johann Christian Bach (1735 - 1782):  Rondo from Sonata VI
source: Six Sonates pour le clavecin ou piano forte, avec accompagnement d'un violon ou flute. Op. 16 (Amsterdam [1779])
scoring: SSB

This rondo is the last movement of a sonata for concertato harpsichord and transverse flute here adapted for three recorders SSB. Should the bass line be played by a cello or similar instrument, the two top lines could be played by tenor recorders.

  4
Johann Christian Bach (1735 - 1782):  Sonata VI in F major - Op. 16, No. 6
source: Six Sonates pour le clavecin ou piano forte, avec accompagnement d'un violon ou flute. Op. 16 (Amsterdam [1779])
scoring: A (Harpsichord or Piano)

Adapted for a treble recorder from the original setting for transverse flute or violin.

4
Giovanni Giacomo Gastoldi (c. 1554 - 1609):  La Bellezza
source: Balletti a cinque voci (Antwerp 1596), No. 13
scoring: SATTB or SSATB
4
Giovanni Maria Trabaci (c. 1575 - 1647):  20 Partite sopra Fedele
source: Ricercate, canzone franzese, capricci. Libro 1 (Naples 1603)
scoring: SATB
Version 2.00 (2014-09-11): the layout has been updated and all the wanting files added.
5
Francesco Cavalli (1602 - 1676):  La bellezza è una donna fugace, Aria di Eumene
source: Xerse (Venice 1654)
scoring: A (Harpsichord)

Divisions of the recorder part are editorial.

  5
Charles Villiers Stanford (1852 - 1924):  Sweet love for me, Damaetas’ Jig in praise of his love - Op. 49, No. 4
source: Six Elizabethan Pastorals
scoring: SATB
 2
Robert Valentine (1674 - c. 1735):  Sonata X in C major - Op. 2, No. 10
source: Sonate di flauto a solo col basso per il cimbalo o violone. Op. 2 (Rome 1708)
scoring: A (Bc)
5
Guillaume de Machaut (c. 1300 - 1377):  Messe de Nostre Dame (ante 1365)
scoring: AATB or AATT
 5
William Byrd (c. 1540 - 1623):  Tu es pastor ovium, Motet a 6
source: Gradualia (London 1610)
scoring: SATTBB

This motet is textless in the original print of Byrd's Gradualia (1610); hence it was probably thought there for an instrumental performance.

  5
James Oswald (1710 - 1769):  Dumbarton's Drums beat Bonny
source: The Caledonian Pocket Companion (London c. 1745)
scoring: A

In about 1745 the first two volumes of The Caledonian Pocket Companion, a cheap collection of one-line tunes suitable for flute, violin or, indeed, any other instrument, were published. This work was to be the success of Oswald’s life; it ran to 12 volumes and many reprints and copies were still circulating long after his death (1769).

Moreover, Robert Burns’s song lyrics are hardly conceivable without the tunes provided for them by The Caledonian Pocket Companion.

Our edition contains both the transcription of the original score for flute and a transposed version for treble recorder.

 3
Giuseppe Valentini (1681 - 1753):  Concerto a oboe concertato, violino concertato e archi in D major (C major)
source: Ms. Musica 2387-O-5. Manuscript preserved in Dresden: Sächsische Landesbibliothek
scoring: V or C (Violin, Strings, Bc)

The original concerto is set for oboe and violin concertati, plus strings and continuo. The oboe part fits a voice flute and the concerto has also editorially transposed to C major for a recorder in C. The viola part is «a beneplacito»; that is, ad libitum.

  4
Charles Villiers Stanford (1852 - 1924):  The Blue Bird - Op. 119, No. 3
scoring: TBB (2 Viols)
   3
Traditional:  The Little Red Lark
Edited and/or arranged by Charles Villiers Stanford
scoring: SATB

Old Irish song arranged by Charles Villiers Stanford (1852 - 1924). With divisions of mine of the melody.

  5
Giorgio Pacchioni (1947 - ):  Passacaglia - Op. 62, No. 1
scoring: CC (Cello, Bc)
Version 1.50 (2014-08-18): added a glorious live performance and a Finale file.
   8
Alessandro Besozzi (1702 - 1793):  Sonata II in Eb major
source: Six Sonatas or Duets for two German Flutes or Violins (London c. 1750), No. 2
scoring: AA

The original score for two flutes or violins has been transposed a third above for two treble recorders.

1
Alessandro Besozzi (1702 - 1793):  Sonata I in D minor
source: Six Sonatas or Duets for two German Flutes or Violins (London c. 1750), No. 1
scoring: AA

The original score for two flutes or violins has been transposed a third above for two treble recorders.

 3
Pëtr Ilič Čajkovskij (1840 - 1893):  June - Op. 37, No. 6
source: The Seasons
scoring: A (Piano)

This is the arrangement of the first part only of June.

  6
Christopher Tye (c. 1505 - ante 1573):  In Nomine «Crye»
scoring: SATTB or SSTTB

All the parts but the bass fit recorders; our edition contains an adapted bass part for the bass recorder.

  5
Henry VIII (1491 - 1547):  Pastime with good company
source: British Library, Add. 31922 (c. 1510-20)
scoring: STB or SAB

Our edition presents the transcription of the original score as is; furthermore, there is a transposed version with editorial divisions of all the part.

  6
Vincenzo Legrenzio Ciampi (1719 - 1762):  Tre giorni son che Nina
source: Gli tre cicisbei ridicoli (London 1749)
scoring: A (Harpsichord)

Divisions of the recorder part are editorial.

 6
Alessandro Orologio (c. 1550 - 1633):  Miserere mei, Deus, Motet a 5
source: Promptuarii musici. Pars prima (Strasbourg 1611)
scoring: SATTB or STTTB
  7
Traditional Klezmer:  Papirosn (Cigarettes)
Edited and/or arranged by Andrea Bornstein
scoring: SAB

This piece is based on a traditional Jewish-Bulgarian melody. The title Papirosn (cigarettes) refers to the lyrics added by «Der Poyets» (The Clown) Herman Yablokoff (1903 - 1981).

   12
Christopher Tye (c. 1505 - ante 1573):  In Nomine «Trust»
scoring: SATTB or SSTTB

All the parts fit recorders but the bass; our edition contains an adapted bass part for the bass recorder.

 5
Wolfgang Amadeus Mozart (1756 - 1791):  Ave verum corpus (KV 618), Motet
scoring: SATB or SSAB
   4
Carl Philipp Emanuel Bach (1714 - 1788):  Sonata in G minor (A minor) - H 542.5 (formerly BWV 1020)
scoring: A (Harpsichord)
Version 3.60 (2014-07-17): corrected a minor misprint.
Version 3.50 (2014-06-24): added bar 5 to the third movement, according to some manuscript sources of this sonata. Thanks to Guillermo and David for that.
Version 3.00 (2011-02-10): revamped layout and corrected an imperfection in the first movement. Thanks to Larry for that.

For many years this sonata was thought to have been composed by Johann Sebastian Bach, and hence listed as BWV 1020 in the Bach Werke Verzeichnis. Nowadays, most modern scholars consider it instead to be the work of Carl Philipp Emanuel Bach. The sonata is listed as H.542.5 in the Thematic Catalogue of the Works of Carl Philipp Emanuel Bach.

Our edition also includes a version transposed a tone up and adapted for a treble recorder.

   35
Jean-Baptiste Lully (1632 - 1687):  Passacaille
source: Armide (1686) - LWV 71
scoring: ATB (Harpsichord)
  14
Wolfgang Amadeus Mozart (1756 - 1791):  Das Bandel (KV 441)
scoring: TTB (Keyboard)
   5
Wolfgang Amadeus Mozart (1756 - 1791):  Kanon «Bona nox» (KV 561)
scoring: AAAA or CCCC
  5
Traditional Klezmer:  Oy dortn dortn
Edited and/or arranged by Andrea Bornstein
scoring: ATB (Harmonic Instrument ad libitum)
   13
Matteo Bevilacqua (1772 - 1849):  Canzonetta VI, «Nina no der de no» - Op. 20, No. 6
source: Sei canzonette veneziane, op. 20 (Vienna [18??])
scoring: C (Guitar)

The divisions are editorial.

  2
François Couperin (1668 - 1733):  Neuviéme concert intitulé Ritratto dell’Amore
source: Les goûts-réünis, ou Nouveaux concerts (Paris 1724)
scoring: V (Bc)
Version 1.50 (2014-06-24): added a score without the continuo blank staff.
9
Antonio Caldara (c. 1671 - 1736):  Come raggio di sol mite e sereno
scoring: ATTBB
  10
Giovanni Giacomo Gastoldi (c. 1554 - 1609):  Il Premiato
source: Balletti a cinque voci (Antwerp 1596), No. 11
scoring: SSSAT or AATBB
  5
Giovanni Giacomo Gastoldi (c. 1554 - 1609):  Amor vittorioso
source: Balletti a cinque voci (Antwerp 1596), No. 10
scoring: SSSAT or AATTB
  6
Andrea Bornstein (1956 - ):  Variations on «Eventide» by W.H. Monk (1823 - 1889)
scoring: STTB or SAAB
  13
Domenico Galli (1649 - 1691):  Sonata III in A minor
source: Trattenimento musicale sopra il violoncello a’ solo (Modena 1691), No. 3
scoring: A

Adapted from the original score for solo cello.

 5
Felix Mendelssohn (1809 - 1847):  Finale - Op. 65, No. 6
scoring: SATBL
   9
Robert Schumann (1810 - 1856):  Winterszeit I - Op. 68, No. 38
source: Album für die Jugend. Op. 68 (1848)
scoring: SAATB
4
Antonio Caldara (c. 1671 - 1736):  Sebben crudele
scoring: A (Harpsichord)

Divisions of the recorder part are editorial.

 13
Traditional:  Fenesta ca lucive
Edited and/or arranged by Andrea Bornstein
scoring: STB
  16
Johann Pachelbel (1653 - 1706):  Magnificat fugue primi toni No. 5
scoring: SATB
 4
Johann Pachelbel (1653 - 1706):  Magnificat fugue primi toni No. 19
scoring: SATB
 4
Johann Pachelbel (1653 - 1706):  Magnificat fugue primi toni No. 9
scoring: SATB
 3
Traditional:  Santa Lucia
Edited and/or arranged by Andrea Bornstein
scoring: STB
 4
Leonardo Leo (1694 - 1744):  Trio [Adagio and Fugue]
source: Ms. Musica 2460-N-2. Manuscript preserved in Dresden: Sächsische Landesbibliothek
scoring: SSB or AA (Bc)

The source manuscript of this piece is entitled «Trio» and contains separate parts for several instruments:

  • Violino I: 4 parts;
  • Violino II: 3 parts;
  • Violetta [Viola]: 2 parts;
  • Basso: 2 parts;
  • Organo: 1 part;
  • Oboe I: 1 part;
  • Oboe II: 1 part;
  • Fagotto: 2 parts.

Indeed, the real parts are just three, since the Oboi double the Violini; the Basso, the Organo and the Fagotto are the same part and the Violetta doubles the bass line an octave above. My suspicion is, this piece was not even conceived for instruments (and certainly not for this force) but was a solfeggio for two sopranos and continuo quite usual in the Neapolitan school, where Leonardo Leo belonged. The Organo part is the only one that contains a few continuo figures.

  9
Georg Philipp Telemann (1681 - 1767):  Trio sonata in G minor (C minor) - TWV 42:g4
scoring: AA or AT (Bc)

We present this trio sonata in three versions:

  1. The original one in G minor, for two violins or flutes;
  2. A transposed version in C minor (quite difficult) for two treble recorders;
  3. An easier version in G minor for AT recorders.
 5
Francesco Durante (1684 - 1755):  Vergin, tutto amor
scoring: B (Bc)
  8
David Perez (1711 - 1778):  Duetto I in C major
source: Solfèges d'Italie (Paris c. 1760)
scoring: CC (Bc)
  5
Francesco Durante (1684 - 1755):  Danza, danza, fanciulla gentile
scoring: SB (Harpsichord)
  10
Giovanni Battista Fontana (c. 1589 - c. 1630):  Sonata Seconda a violino solo
source: Sonate a 1, 2, 3 (Venice 1641), No. 2
scoring: C or A (Bc)

Transposed from the original score for violin both for a recorder in C and for a treble recorder.

 2
Giovanni Battista Fontana (c. 1589 - c. 1630):  Sonata Prima a violino solo
source: Sonate a 1, 2, 3 (Venice 1641), No. 1
scoring: A (Bc)

Transposed from the original score for violin.

 3
Johan Peter Emilius Hartmann (1805 - 1900):  Du kommer
source: Ni Fleerstemmige Mandssange (København 1866)
scoring: ATTB or AATB
  7