Gardane

Entries 601 - 700 out of 2769 [28 pages]

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Niccolò Jommelli (1714 - 1774):  Trio No. 1 in F major
source: Aalholm-samlingen III,1 AccNr. mu9709.2974. Manuscript preserved in Copenhagen: Royal Library
scoring: AA (Bc)

This trio sonata is the transposed version of the original one conceived for two transverse flutes and continuo.

 17
Anonymous:  Ave Maris Stella
source: BSB 2 Mus.pr. 23#hs.Beibd (c. 1670), Manuscript preserved in Munich: Bayerische Staatsbibliothek, Musiksammlung
scoring: GTTB or ATTB
  10
Albert Roussel (1869 - 1937):  Pipe
scoring: C (Piano)
  2
Luigi Cherubini (1760 - 1842):  Guide mes pas, ô Providence!, opera Les deux journées, ou Le porteur d'eau
source: Sammlung verschiedener Lieder und Arien für die Guittar eingerichtet, Vol. 1 ed. by Andreas Traeg (Vienna [ca. 1802])
scoring: C (Guitar)

The Austrian publisher and composer Andreas Traeg arranged this famous aria by Cherubini for voice and guitar, with a German translation of the lyrics: «Ha, segne Gottheit mein Bestreben!». Our textless edition also contains editorial divisions of the top line.

   21
Wilhelm Schüler (XIX cent.):  Ecossaise No. 4
source: Vier Taenze für Guitarre und Floete und Fünf für Guitarre allein (Ansbach c. 1821), No. 4
scoring: A (Guitar)
4
Wilhelm Schüler (XIX cent.):  Walzer No. 5
source: Vier Taenze für Guitarre und Floete und Fünf für Guitarre allein (Ansbach c. 1821), No. 5
scoring: A or G (Guitar)

This edition is a free arrangement of the original score for solo guitar.

  13
Wilhelm Schüler (XIX cent.):  Polonaise No. 9
source: Vier Taenze für Guitarre und Floete und Fünf für Guitarre allein (Ansbach c. 1821), No. 9
scoring: SA

This is a free transcription of the original score for solo guitar.

  5
Wilhelm Schüler (XIX cent.):  Walzer No. 1
source: Vier Taenze für Guitarre und Floete und Fünf für Guitarre allein (Ansbach c. 1821), No. 1
scoring: G (Guitar)

This Walzer has been slightly adapted from the original one for transverse flute and guitar published on the EtCetera site. A transposed part for the treble recorder in G is also provided.

  13
William Jackson (1730 - 1803):  Song IV, «My days have been so wondrous free»
source: Twelve favourite songs (London, 2nd half of the XVIII cent.), No. 4
scoring: ATB
  20
Leonardo Leo (1694 - 1744):  Solfeggio 1
source: Manuscript preserved in Naples: Conservatorio S. Pietro a Majella
scoring: SB (Bc)
 7
Robert Schumann (1810 - 1856):  (untitled) - Op. 68, No. 30
source: Album für die Jugend. Op. 68 (1848)
scoring: SATB
   4
Traditional Klezmer:  Im Eshkachéch Yerushalayim
Edited and/or arranged by Andrea Bornstein
scoring: ATB (Harmonic Instrument ad libitum)
  31
Anonymous:  Paul's Steeple
source: The first part of the division flute (London [1706]), No. 2
scoring: A (Bc)

The title refers to St. Paul’s Cathedral in London.


Version 2.00: revamped layout and added all the wanting files.

  20
Jacob Arcadelt (c. 1504 - 1568):  O felici occhi miei, madrigal a 4 with descant divisions by D. Ortiz (1555)
source: Il primo libro de madrigali a quattro voci (Venice 1539)
scoring: ATTB

Transposed a fourth below in D from the original in G.


Version 2.00: revamped layout and added all the wanting files.

   26
Anonymous:  Coeurs desolez
source: Trente et quatre chansons musicales a quatre parties (Pierre Attaingnant, Paris 1528)
scoring: STTB or GTTB

Version 2.00: The piece has been edited from scratch, using the Attaingnant source. Furthermore, editorial divisions of the first line have been devised for a recorder in G.

  17
Anonymous:  La gatta en italien. Basse dance
source: Neuf basses dances deux branles vingt et cinq pavennes avec quinze gaillardes en musique a quatre parties (Pierre Attaingnant, Paris 1530)
scoring: SATB or ATTB

Thanks to David Bellugi for pointing me out this interesting piece of music, which shows very well how the metric structure of a Renaissance dance may be quite complex.

   19
Gottfried Finger (c. 1660 - 1730):  Sonata a flutto solo in G major
source: RM.788.1191/S698: Sonates pour 1 & 2 fluttes. Manuscript preserved in Detroit: Public Library, No. 11
scoring: G or A (Bc)

In my opinion, this sonata was conceived for a recorder in G; nevertheless, it can be easily played on a common treble recorder as well. Our edition includes the transposed part as well.

 11
William Williams (1675 - 1701):  Sonata a solo flutto in D minor
source: RM.788.1191/S698: Sonates pour 1 & 2 fluttes. Manuscript preserved in Detroit: Public Library, No. 1
scoring: A (Bc)

Version 2.00: revamped layout and added the karaoke files.

 17
Maurice Ravel (1875 - 1937):  Pavane pour une infante défunte
scoring: T (Piano)

I retained most original dynamics signs, even if they cannot be performed on a recorder properly.

   15
Johann Adolph Hasse (1699 - 1783):  Concerto in Bb major
source: Ms. Musica 2477-O-4. Manuscript preserved in Dresden: Sächsische Landesbibliothek
scoring: AAB (Bc)

This edition contains an adaptation for recorders of a Hasse concerto in F major for chalumeau, oboe, bassoon and continuo.


Version 1.10: corrected one mistake in the second movement. Thanks to Jan Jaap Langereis for his precious help.

6
Johann Heinrich Schmelzer (c. 1620 - 1680):  Sonatina
source: IMhs 8:15. Manuscript preserved in Uppsala: Universitetsbiblioteket, Carolina Rediviva
scoring: ATBF

The sigla «F» stands for great bass recorder in F. For more information, see this FAQ.

  10
Johann Heinrich Schmelzer (c. 1620 - 1680):  Intrada con Treza
source: IMhs 8:17. Manuscript preserved in Uppsala: Universitetsbiblioteket, Carolina Rediviva
scoring: ATBL

The sigla «L» stands for bass recorder in C. For more information, see this FAQ.

  28
Ludwig van Beethoven (1770 - 1827):  Allegretto
source: Symphony no. 7, Op. 92
scoring: SATB

Only the first section of the movement has been arranged.

  23
Anonymous:  Sarabanda
source: 't Uitnement Kabinet. 2 vols (Amsterdam 1646-49)
scoring: AB (Bc)
  12
Anonymous:  Capriciosa
source: 't Uitnement Kabinet. 2 vols (Amsterdam 1646-49)
scoring: CB (Bc)
  6
Andreas Hammerschmidt (1612 - 1675):  Intrada (1)
source: 't Uitnement Kabinet. 2 vols (Amsterdam 1646-49)
scoring: CB (Bc)
  25
Anonymous:  Paduana
source: 't Uitnement Kabinet. 2 vols (Amsterdam 1646-49)
scoring: CB (Bc)

The bass recorder part is an adaptation of the original bass part; hence the bass recorder is ad libitum.

  16
Fromental Halévy (1799 - 1862):  Vive, vive l’Italie!
source: Le Dilettante d’Avignon. Opéra comique en un acte (1863)
scoring: SATB
  6
Fromental Halévy (1799 - 1862):  Vive l'Italie from «Le Dilettante d'Avignon»
source: Airs favoris arrangées pour deux violons par Gard & Panofka (Rotterdam 18?), No. 3
scoring: SAA or TBB
  5
Andrea Bornstein (1956 - ):  Variations on «Katyusha» (Fischia il vento)
scoring: SAB
   15
Johann Gottlieb Graun (c. 1702 - 1771):  Concerto in C major arranged for two recorders and harpsichord
source: Mus. ms. 353/2. Manuscript preserved in Darmstadt: Hessische Universitäts- und Landesbibliothek
scoring: AT (Harpsichord)
 12
Johann Gottlieb Graun (c. 1702 - 1771):  Concerto in C major
source: Mus. ms. 353/2. Manuscript preserved in Darmstadt: Hessische Universitäts- und Landesbibliothek
scoring: A (Violin, Strings, Bc)

The PDF file also contains the harpsichord reduction.

 9
Johann Strauss II (1825 - 1899):  Waltz
source: The Boston collection of instrumental music (1840), No. 15
Edited and/or arranged by Simon Knaebel
scoring: ATTBB
  13
Tarquinio Merula (c. 1594 - 1665):  Ruggiero arranged for 3 recorders TTB - Op. 12, No. 18
source: Canzoni overo sonate concertate per chiesa e camera a due et a tre. Op. 12 (Venice 1637)
scoring: TTB
11
Tarquinio Merula (c. 1594 - 1665):  Ruggiero arranged for 2 recorders and cello - Op. 12, No. 18
source: Canzoni overo sonate concertate per chiesa e camera a due et a tre. Op. 12 (Venice 1637)
scoring: CC (Cello, Bc)
 10
Anonymous:  O my fearefull dreames never forget shall I - Round or Catch
source: Pammelia. Musicks Miscellanie (London 1609), No. 2
scoring: BBB
  9
Anonymous:  Hey hoe, to the greene wood now let us goe - Round or Catch
source: Pammelia. Musicks Miscellanie (London 1609), No. 1
scoring: TTT
  15
Francesco Geminiani (1687 - 1762):  Preludio
source: Ms. 2201-P-1. Sächsische Landesbibliothek, Dresden
scoring: C or A

Adapted for recorder in C or in F from the original score for violin.

 7
Francesco Geminiani (1687 - 1762):  Duetto in F major
source: Ms. 2201-P-1. Sächsische Landesbibliothek, Dresden
scoring: AA

Adapted for two treble recorders from the original score for two transverse flutes or violins.

 10
Niccolò Paganini (1782 - 1840):  Mose-Fantasia, Introduzione e Tema con Variazioni sulla preghiera «Dal tuo stellato soglio» dal Mosè in Egitto di G. Rossini
Edited and/or arranged by Giorgio Pacchioni
scoring: C (Piano)
  4
Alessandro Scarlatti (1660 - 1725):  Sonata in G major
source: MS. SANT Hs 3975 (Nr. 14), Santini-Bibliothek, Münster
scoring: G or A (Bc)
 24
Alessandro Scarlatti (1660 - 1725):  Sonata in F major
source: MS. SANT Hs 3975 (Nr. 13), Santini-Bibliothek, Münster
scoring: A (Bc)
 26
Antonio Cesti (1623 - 1669):  Intorno all'idol mio
source: Orontea (1656)
scoring: A (Harpsichord)

Divisions of the recorder part are editorial.

   28
Traditional Klezmer:  Papir iz dokh vays
Edited and/or arranged by Andrea Bornstein
scoring: AB (Guitar)
  25
Mauro Giuliani (1781 - 1829):  Vivace - Op. 74, No. 16
source: Pieces faciles et agreables pour la flute ou violon et guitarre. Op. 74 (Vienna c. 1810)
scoring: A (Guitar)

Transposed a minor third from the original for flute or violino.

Thanks to Roberto for helping me publish this piece of music.

  9
Josquin des Pres (c. 1440 - 1521):  En l'ombre d'ung buissonet, Double canon
source: Motetti novi et chanzoni franciose a quatro sopra doi (Venice 1520), No. 18
scoring: SAAB or ATTB
  12
Josquin des Pres (c. 1440 - 1521):  Baises moy, Double canon
source: Motetti novi et chanzoni franciose a quatro sopra doi (Venice 1520), No. 17
scoring: SAAT or ATTB

Version 2.00: revamped layout and added all the wanting files.

  12
Francisco Guerrero (1528 - 1599):  Huid, Huid
source: Canciones y villanescas espirituales (Venice 1589)
scoring: SATB

Also transposed a tone up for recorders’ sake.

   11
Adrian Willaert (c. 1490 - 1562):  Christi virgo dilectissima, Double canon
source: Motetti novi et chanzoni franciose a quatro sopra doi (Venice 1520), No. 4
scoring: ATTB or SATT

Version 2.00: revamped layout and added all the wanting files.

 11
Adrian Willaert (c. 1490 - 1562):  Cum iocunditate, Double canon
source: Motetti novi et chanzoni franciose a quatro sopra doi (Venice 1520), No. 3
scoring: STTB or ATTB

Version 2.00: revamped layout and added all the wanting files.

 8
Antoine Brumel (c. 1460 - c. 1515):  Da pacem Domine, Double canon
source: Motetti novi et chanzoni franciose a quatro sopra doi (Venice 1520), No. 11
scoring: SATB

Version 2.00: revamped layout and added all the wanting files.

  12
Adrian Willaert (c. 1490 - 1562):  Sancta et immaculata virginitas, Double canon
source: Motetti novi et chanzoni franciose a quatro sopra doi (Venice 1520), No. 2
scoring: ATTB

Version 2.00: revamped layout and added all the wanting files; furthermore, C-clef parts have been added.


Version 2.10: eine Live-Performance hinzugefügt

  14
Tarquinio Merula (c. 1594 - 1665):  Ciaccona a 2 violini ed a 3 col violone - Op. 12, No. 20
source: Canzoni overo sonate concertate per chiesa e camera a due et a tre. Op. 12 (Venice 1637)
scoring: SSB (Bc)

Version 1.05: corrected a single note.

  39
Jean Mouton (ante 1459 - 1522):  En venant de Lyon, Canon a 4
source: Motetti novi et chanzoni franciose a quatro sopra doi (Venice 1520), No. 1
scoring: SSAT or SATT

Version 2.00: revamped layout and added all the wanting files.

   10
Jean Mouton (ante 1459 - 1522):  Qui ne regrettoit le gentil Févin, Double canon
source: Motetti novi et chanzoni franciose a quatro sopra doi (Venice 1520), No. 23
scoring: SATB

Version 2.00: revamped layout and added all the wanting files.

  11
Traditional Klezmer:  Battare Prosciutto
Edited and/or arranged by Andrea Bornstein
scoring: ATB (Harmonic Instrument ad libitum)

Der Titel dieser traditionellen Musik klingt italienisch, aber er ergibt keinen Sinn in dieser Sprache. «Battare» hört sich an wie ein italienischer Infinitiv, aber er passt zu keinem italienischen Verb. Es könnte eine falsch geschriebene Version sein von «buttare» (loswerden, beseitigen) oder «battere» (schlagen, stoßen). Wenn ich eine Version wählen müsste, würde ich die erste nehmen: Dann würde der Titel bedeuten «Schinken loswerden», denn Schinken ist ein Nahrungsmittel, das jüdische Menschen nicht essen dürfen.

   28
Andrea Bornstein (1956 - ):  Progression in G
scoring: AB (Kalimba, Ukulele ad libitum)
  23
Henry Purcell (1659 - 1695):  Intro to the Duett «Sheperds, sheperds»
source: King Arthur, or The British Worthy (1691) - Z 628
scoring: ATB or TTB
 6
Henry Purcell (1659 - 1695):  Overture of the Third Act
source: King Arthur, or The British Worthy (1691) - Z 628
scoring: SATB

This is an arrangement for recorders of the original score for strings.

We suggest this interpretation of the musical values:

 

  3
Jean Mouton (ante 1459 - 1522):  Adieu mes amours, Double canon
source: Motetti novi et chanzoni franciose a quatro sopra doi (Venice 1520), No. 25
scoring: SATB or SAAT

Version 2.00: revamped layout and added all the wanting files.

  9
Henry Purcell (1659 - 1695):  The Grand Dance
source: King Arthur, or The British Worthy (1691) - Z 628
scoring: ATB (Bc)

This is an arrangement for recorders of the original score for strings.

  35
Henry Purcell (1659 - 1695):  Symphony from «Fairest Isle» Song
source: King Arthur, or The British Worthy (1691) - Z 628
scoring: SATB

This is an arrangement for recorders of the original score for strings.

 6
Henry Purcell (1659 - 1695):  Hornpipe
source: King Arthur, or The British Worthy (1691) - Z 628
scoring: SATB

This is an arrangement for recorders of the original score for strings.

 7
Henry Purcell (1659 - 1695):  Passagaglia
source: King Arthur, or The British Worthy (1691) - Z 628
scoring: ATB (Bc)

This is an arrangement for recorders of the original score for strings.

  14
Andrés Sas (1900 - 1967):  Pastoral de la provincia de Candarave
source: Aires y Danzas Indios del Peru (Paris 1934)
scoring: STB

Arranged for recorders from the original score for piano.

  6
Andrés Sas (1900 - 1967):  Danza de Urubamba
source: Aires y Danzas Indios del Peru (Paris 1934)
scoring: SAB or SATB

Arranged for recorders from the original score for piano. The tenor part can substitute for the bass or reinforce it.

  7
Andrés Sas (1900 - 1967):  Aire de siembra de Huanca
source: Aires y Danzas Indios del Peru (Paris 1934)
scoring: TB
 5
Traditional:  Jovano Jovanke
scoring: ATB (Harmonic Instrument ad libitum)
   19
Traditional Klezmer:  Sonya & Anoushka
Edited and/or arranged by Andrea Bornstein
scoring: ATB (Harmonic Instrument ad libitum)
  25
Traditional:  La Cucaracha
scoring: SATBL

The bass in C is ad libitum.

  12
Giorgio Pacchioni (1947 - ):  Variations on «Die Forelle» di Schubert - Op. 66, No. 2
scoring: S (Harpsichord)
  9
Andrés Sas (1900 - 1967):  Canción de Coracora
source: Aires y Danzas Indios del Peru (Paris 1934)
scoring: TBB
 9
Henry Purcell (1659 - 1695):  Rondeau
source: Abdelazer (London 1695) - Z 570
scoring: SATL or SATB

This is an arrangement for SATL recorders of the original score for strings.

An extra bass part adapted for a bass recorder is also provided.

   11
Henry Purcell (1659 - 1695):  Charon the peaceful shade invites
source: Orpheus Britannicus. A collection of all the choicest songs for one, two, and three voices (London 1706)
scoring: AATB

This is an arrangement for AATB recorders of the original score for two treble recorders, voice and continuo.

  4
Henry Purcell (1659 - 1695):  Return fond Muse the thoughts of war
source: Orpheus Britannicus. A collection of all the choicest songs for one, two, and three voices (London 1706)
scoring: SSTB

This is an arrangement for SSTB recorders of the original score in C minor for AAB recorders, voice and continuo.

  3
Henry Purcell (1659 - 1695):  Return fond Muse the thoughts of war
source: Orpheus Britannicus. A collection of all the choicest songs for one, two, and three voices (London 1706)
scoring: AAB (Alto, Bc)

This is one of the rare Baroque pieces with a part specifically thought for a bass recorder.

5
Henry Purcell (1659 - 1695):  Symphony and Ciaccona
source: Orpheus Britannicus. A collection of all the choicest songs for one, two, and three voices (London 1706)
scoring: ATTB

This is an arrangement for ATTB recorders of the original score in C minor for two treble recorders, voice and continuo.

  8
Henry Purcell (1659 - 1695):  A Song in the Prophetess, «Since the toils and the hazards of war's at an end»
source: Orpheus Britannicus. A collection of all the choicest songs for one, two, and three voices (London 1706)
scoring: AA (Voice, Bc)
 6
Xavier Lefèvre (1763 - 1829):  Sonate II in A minor
source: Méthode de Clarinette (Paris 1802)
scoring: A (Bc)

The sonata was conceived for a clarinet, but it fits a treble recorder with just a few adjustments in the second movement.

9
Xavier Lefèvre (1763 - 1829):  Première Sonate in C major
source: Méthode de Clarinette (Paris 1802)
scoring: A (Bc)

The sonata was conceived for a clarinet, but it seamlessly fits a treble recorder.

   15
John Bacchus Dykes (1823 - 1876):  On the Birthday of the Lord
scoring: SATB

Divisions are editorial.

   13
Anonymous:  [Quatuor]
source: α.F.9.9 (c.1495). Manuscript preserved in Modena: Biblioteca estense universitaria
scoring: ATTB
  5
Anonymous:  Duma
source: MS 4173 (c. 1550). Manuscript preserved in Warszawie: Biblioteki Krasińskich
scoring: ATBB or SATB

This unusual instrumental piece, probably by a Polish composer, is here presented in its original F key and transposed a fifth above in C.

  8
Traditional Klezmer:  The Bride’s Waltz
Edited and/or arranged by Andrea Bornstein
scoring: TTB or ATB (Harmonic Instrument ad libitum)
  22
Traditional Klezmer:  Chasene Waltz
Edited and/or arranged by Andrea Bornstein
scoring: ATB or STB (Harmonic Instrument ad libitum)

Version 1.20: Following Reuven's suggestion, I performed again the waltz at a slower tempo. Furthermore, I added a couple of sharp Cs in the penultimate bar.

Version 1.30: Changed two notes in the Alto part and all the related files. Thanks to Reuven for his precious suggestions.

   23
Carpentras [Elzéar Genet] (c. 1470 - 1548):  Sederunt in terra
scoring: ATB or TTB

Presented in three different keys: Bb, F and G.

  10
Heinrich Isaac (c. 1450 - 1517):  Wolauff, gut gsell hinnen
scoring: ATB
 8
Innocentius Dammonis (c. 1470 - c. 1527):  Tutti debiam cantare
scoring: SATB
   7
Traditional:  Transeamus usque Bethlehem
scoring: SSTB
   7
Charles-François Gounod (1818 - 1893):  Ave Maria
scoring: A (Harpsichord)
  15
Charles-François Gounod (1818 - 1893):  Sérénade
scoring: SATB
  7
Andrea Bornstein (1956 - ):  Variations on «The First Nowell»
scoring: SATB
   22
Edvard Grieg (1843 - 1907):  Julens vuggesang (Yuletide Cradle-Song) - EG 155
scoring: SSATB
   12
Traditional:  God rest you merry, gentlemen
scoring: SATB

Divisions of the top part are editorial.


Version 2.00: revamped layout and added all the wanting files.

   14
Andrea Bornstein (1956 - ):  Variations on «Go Tell It on the Mountain»
scoring: SATB
   22
Leonardo Leo (1694 - 1744):  Solfeggio 6
source: Ms. Musica 2460-K-500. Manuscript preserved in Dresden: Sächsische Landesbibliothek
scoring: SB (Bc ad libitum)

This solfeggio by the Neapolitan composer Leonardo Leo belongs to a group of 129 solfeggi found in three manuscripts preserved in the Sächsische Landesbibliothek in Dresden.

Solfeggi are vocal exercises, in Leo's case almost always aimed at a soprano singer. Nevertheless, their outstanding style and beautiful melody make them useful for instruments as well, mainly if one is interested in learning and practising the Italian style of the late Baroque.

Considering the great amount of solfeggi available, I have decided to publish randomly those that better suit recorders in any combination; hence the progressive numbers are just editorial.


The bass line has been also adapted for a bass recorder.

 5
Karl Friedrich Abel (1723 - 1787):  Sonata I in C major - K 111 - Op. 2, No. 1
source: VI Sonate a Clavicembalo obligato con Violino o Flauto traverso. Op. 2 (Leipzig 1762)
scoring: C (Harpsichord)

Adapted from the original score for violin or transverse flute and concertato harpsichord.

 10
Anonymous:  Sine nomine
source: α.F.9.9 (c.1495). Manuscript preserved in Modena: Biblioteca estense universitaria
scoring: SATB

The top part divisions in our edition are editorial.


Version 2.00: revamped layout and added all the wanting files.

  18
Traditional Klezmer:  Adir Hu (אדיר הוּא)
Edited and/or arranged by Andrea Bornstein
scoring: SAB (Harmonic Instrument ad libitum)
  24
Biagio Marini (1594 - 1663):  Sonata Terza per 3 violini - Op. 22, No. 23
source: Diversi generi di sonate da chiesa e da camera (Venice 1655)
scoring: SSAB

Adapted from the original score for 3 violins and basso continuo.

  10