Entries 401 - 500 out of 4977 [50 pages]
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Robert Woodcock (1690 - 1728): Concerto X in G minor source: XII concertos in eight parts (London [1727]), No. 10
scoring:
AAATB | |
| Arranged from the original score for oboe and strings in E minor. | |
What is the meaning of these icons?
4
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Henry Purcell (1659 - 1695): Slow Air source: The Old Bachelor (1691) - Z 607
scoring:
ATB (Bass instrument) | |
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This is an arrangement of mine that adds a middle part to the original two-part score. The bass part may be performed on a bass recorder just changing a few notes. | |
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What is the meaning of these icons?
7
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What is the meaning of these icons?
6
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What is the meaning of these icons?
5
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Henry Purcell (1659 - 1695): Prelude in D minor
scoring:
A (Harpsichord) | |
| The original score in A minor is for solo harpsichord | |
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What is the meaning of these icons?
6
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Henry Purcell (1659 - 1695): Air in G minor
scoring:
STB | |
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The original score is for solo harpsichord. This is an arrangement – possibly made by the composer himself – of the Air for orchestra found in Abdelazer (1695) - Z 570. See our arrangement of the original composition in the related entry. | |
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What is the meaning of these icons?
9
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Henry Purcell (1659 - 1695): A Lesson in G minor
scoring:
A (Harpsichord) | |
| The original score in A minor is for solo harpsichord | |
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What is the meaning of these icons?
4
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Henry Purcell (1659 - 1695): Dance in G source: The Prophetess (The History of Dioclesian) (1690) - Z 627
scoring:
ATB or TTB (Bass instrument) | |
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What is the meaning of these icons?
7
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Henry Purcell (1659 - 1695): Butterfly Dance source: The Prophetess (The History of Dioclesian) (1690) - Z 627
scoring:
ATB (Bass instrument) | |
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What is the meaning of these icons?
6
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Henry Purcell (1659 - 1695): Let monarchs fight for power and fame source: The Prophetess (The History of Dioclesian) (1690) - Z 627
scoring:
SATB | |
| Heavily arranged with editorial divisions from the original vocal score. | |
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What is the meaning of these icons?
6
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William Williams (1675 - 1701): Sonata Quarta in A minor source: Six sonata’s in three parts (London 1700), No. 4
scoring:
AA (Bc) | |
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What is the meaning of these icons?
11
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Giovanni Paolo Cima (c. 1570 - 1630): Gustate et videte source: Concerti ecclesiastici (Milan 1610), No. 22
scoring:
SSB | |
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What is the meaning of these icons?
5
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Giovanni Paolo Cima (c. 1570 - 1630): Vidi speciosam sicut columbam source: Concerti ecclesiastici (Milan 1610), No. 24
scoring:
SST | |
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What is the meaning of these icons?
5
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Josquin des Pres (c. 1440 - 1521): Benedictus source: Missa Ave maris stella (Rome 1486-95)
scoring:
AT | |
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What is the meaning of these icons?
5
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Robert Woodcock (1690 - 1728): Concerto VI in C major source: XII concertos in eight parts (London [1727]), No. 6
scoring:
SSTTB | |
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Arranged from the original score in D major for two soprano recorders in D and strings. The divisions in the second movement (Largo) are editorial. | |
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What is the meaning of these icons?
8
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Antonio Vivaldi (1678 - 1741): Mentiti contenti son veri tormenti, Air source: Cantata a canto solo e flauto traverso «All’ombra di sospetto» – RV 678
scoring:
A (Harpsichord) | |
| 8 | |
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Johann Sebastian Bach (1685 - 1750): Jesus schläft, was soll ich hoffen?, Air source: Cantata «Jesus schläft, was soll ich hoffen?» – BWV 81
scoring:
AA (Harpsichord) | |
| The original score is in E minor (here transposed to D minor) and it uses two treble recorders, an alto singer, strings and continuo. | |
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What is the meaning of these icons?
8
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Johann Sebastian Bach (1685 - 1750): Fantasia source: Partita No. 3 in A minor – BWV 827
scoring:
A (Bass instrument) | |
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What is the meaning of these icons?
7
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Giovanni Pierluigi da Palestrina (1525 - 1594): Iesu Rex admirabilis source: Diletto spirituale (Rome 1586)
scoring:
ATB | |
| With editorial divisions | |
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What is the meaning of these icons?
7
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André Grétry (1741 - 1813): Que d’attraits prete à la pudeur source: Les mariages samnites (Paris 1776)
scoring:
A (Harpsichord) | |
| 6 | |
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Andrea Bornstein (1956 - ): HI BABY (Hopefully It’ll Be A Better Year)
scoring:
SATB | |
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What is the meaning of these icons?
7
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Pietro Locatelli (1695 - 1764): Largo source: Concerto grosso XII (Amsterdam 1735)
scoring:
A (Harpsichord) | |
| 5 | |
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Richard Leveridge (1670 - 1758): Advice source: A collection of songs (London 1727), No. 6
scoring:
S (Bc) | |
| The divisions on the repeats are editorial. | |
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What is the meaning of these icons?
12
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Giovanni Legrenzi (1626 - 1690): La Cornara in G minor source: Sonate a due e tre. Op. 2 (Venice 1655)
scoring:
AA (Bc) | |
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What is the meaning of these icons?
7
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Richard Leveridge (1670 - 1758): Life & Fortune uncertain source: A collection of songs (London 1727), No. 7
scoring:
SB (Bc) | |
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The divisions on the repeats are editorial. The bass recorder is ad libitum. | |
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What is the meaning of these icons?
12
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Josquin des Pres (c. 1440 - 1521): Fortuna desperata
scoring:
ATB | |
| A good challenge for a Renaissance bass player! | |
What is the meaning of these icons?
11
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Jame (XVIII cent.): Menuet avec Variation source: Soixante ariettes arrangées pour deux flageolets (Paris 1788)
scoring:
AA | |
| 6 | |
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Johann Gottfried Keller (1657 - 1704): A Ground [Chaconne] source: 50 Airs anglois [… Book 1] (Amsterdam c. 1702), No. 50
scoring:
A (Bc) | |
| Continuo figures and their realization are editorial throughout. | |
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What is the meaning of these icons?
35
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| This Russian popular song was used by Sergei Prokofiev in his Lieutenant Kijé Suite. Many years later Sting composed a song – Russians – using Prokofiev’s version of the theme. | |
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What is the meaning of these icons?
7
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Henry Purcell (1659 - 1695): The Chair Dance source: The Prophetess (The History of Dioclesian) (1690) - Z 627
scoring:
ATB (Bass instrument) | |
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This is a good, although unacknowledged, loure: also known as the gigue lourée or gigue lente (slow gigue). The loure is a French Baroque dance, probably originating in Normandy and named after the sound of the instrument of the same name (a type of musette). A typical later example of it is in the French Suite No.5 in G major, BWV 816 by J.S. Bach. More information is available here. | |
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What is the meaning of these icons?
8
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Henry Purcell (1659 - 1695): Oh, the Sweet Delights of Love source: The Prophetess (The History of Dioclesian) (1690) - Z 627
scoring:
AA (Bc) | |
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Divisions on the repetitions of the first strain are editorial. The bass part may be performed on a bass recorder ad libitum. | |
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What is the meaning of these icons?
5
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Jacques Hotteterre «le Romain» (1673 - 1763): Deuxiéme Suitte de Pieces a Deux Dessus. Op. 6 in G major (Bb major)
scoring:
AA | |
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Hotteterre, as usual, states this piece may be played on flutes as well as on recorders. Nevertheless, the transposed version in Bb major is quite difficult for the low Ab and Gb notes, especially in the movement in Bb minor (!). It would be possible to transpose the suite to C major/C minor, but the range of both parts would reach the high G. | |
| 6 | |
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Andrea Bornstein (1956 - ): Fantasia on a Canon a 3 by Heyden (1540)
scoring:
ATTT (Bass instrument) | |
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Heyden published this didactic canon for 3 tenor voices on his treatise De arte canendi (Nuremberg 1540). I heavily arranged it, adding to the composition a bass and a top line. | |
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What is the meaning of these icons?
4
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Johann David Heinichen (1683 - 1729): Sonata a 2 in G minor - Seibel 277 source: Mus. ms. 10366. Manuscript preserved in Berlin: State Library
scoring:
AB | |
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The original title page of the manuscript of this sonata reads «Sonata a 2. Hautbois solo et Basson». The original key is C minor. I have good reason to believe that the continuo part is missing; nevertheless the bare duo is pleasant to play and listen to. | |
| 4 | |
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Hans Leo Hassler (1564 - 1612): Wir glauben an den Heiligen Geist. Der dritte Teil source: Psalmen und Christliche Gesänge (Nuremberg 1607)
scoring:
ATTBB | |
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What is the meaning of these icons?
4
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Joseph Haydn (1732 - 1809): Menuet alla zoppa source: Sinfonia No. 58 in F major
scoring:
AAB (Bass instrument) | |
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What is the meaning of these icons?
6
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Johann Adolph Hasse (1699 - 1783): Sonata II in C major source: Sei Sonate a Tre. Op. 2 (Paris c. 1730)
scoring:
A (Harpsichord) | |
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What is the meaning of these icons?
7
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Biagio Marini (1594 - 1663): La Zoppa. Symfonia allegra a 3 - Op. 1, No. 17 source: Affetti musicali a 1, 2 e 3 voci. Op. 1 (Venice 1617)
scoring:
AAB (Bc) | |
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What is the meaning of these icons?
4
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Vincenzo Ruffo (c. 1508 - 1587): Quand’io penso al martire source: Capricci in musica a tre voci (Milan 1564), No. 2
scoring:
ATB | |
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The original composition is a four-part madrigal by Jacob Arcadelt first published in his Primo libro di madrigali a 4 (Venice 1539). Ruffo borrowed the soprano from the original madrigal, adding to it a tenor and a bass. In my edition, I added the original lyrics to the top part, which are not present in Ruffo’s print. | |
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What is the meaning of these icons?
10
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Giacomo Bonzanini (XVII cent.): Sinfonia Quarta source: Capricci musicali (Venice 1616), No. 17
scoring:
ATTB or AATB | |
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What is the meaning of these icons?
5
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Anonymous (XVII cent.): Drive the Cold Winter Away source: Duos for treble recorders from well-known ancient and modern melodies, No. 27
scoring:
AA | |
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What is the meaning of these icons?
6
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Antonio Vivaldi (1678 - 1741): Concerto in Bb major - RV 553
scoring:
AAAA (Viola, Cello) | |
| Arranged from the original score for four violins, viola and continuo. | |
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What is the meaning of these icons?
4
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Francesco Maria Veracini (1690 - 1768): Largo source: Concerto a otto stromenti (1711)
scoring:
ATTBB (Bass instrument) | |
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What is the meaning of these icons?
4
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Antonio Vivaldi (1678 - 1741): Sonata in G minor - RV 44
scoring:
A (Bc) | |
| This is an arrangement of the Cello Sonata in A minor, RV 44 | |
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What is the meaning of these icons?
9
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George Frideric Handel (1685 - 1759): Courante source: Theodora (1750) - HWV 68
scoring:
AB (Bass instrument) | |
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What is the meaning of these icons?
6
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Giovanni Carlo Maria Clari (1677 - 1754): Trio Sonata in F major source: madrigale a due canti «Cantando un dì»
scoring:
AA (Bc) | |
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What is the meaning of these icons?
10
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Benedetto Marcello (1686 - 1739): Allegro in C major source: Harpsichord Sonata S.705
scoring:
A (Harpsichord) | |
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What is the meaning of these icons?
6
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Johann Sebastian Bach (1685 - 1750): Chorale: Hilf deinem Volk, Herr Jesu Christ, Cantata «Preise Jerusalem, den Herrn» - BWV 119 source: Recorder Parts in Bach’s Sacred Music
scoring:
AA | |
| 6 | |
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Johann Sebastian Bach (1685 - 1750): Chorus: Der Herr hat Guts an uns getan, Cantata «Preise Jerusalem, den Herrn» - BWV 119 source: Recorder Parts in Bach’s Sacred Music
scoring:
AA | |
| 4 | |
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Antonio Vivaldi (1678 - 1741): Largo source: Concerto RV 548 for oboe, violin and strings in Bb major
scoring:
A (Harpsichord) | |
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What is the meaning of these icons?
7
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Johann Sebastian Bach (1685 - 1750): Air: Die Obrigkeit ist Gottes Gabe, Cantata «Preise Jerusalem, den Herrn» - BWV 119 source: Recorder Parts in Bach’s Sacred Music
scoring:
AA | |
| 6 | |
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Johann Sebastian Bach (1685 - 1750): Recitative: So herrlich stehst du, liebe Stadt, Cantata «Preise Jerusalem, den Herrn» - BWV 119 source: Recorder Parts in Bach’s Sacred Music
scoring:
AA | |
| 3 | |
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Johann Sebastian Bach (1685 - 1750): Chorus: Preise Jerusalem, den Herrn, Cantata «Preise Jerusalem, den Herrn» - BWV 119 source: Recorder Parts in Bach’s Sacred Music
scoring:
AA | |
| 3 | |
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Johann Sebastian Bach (1685 - 1750): Air: Jesus schläft, was soll ich hoffen?, Cantata «Jesus schläft, was soll ich hoffen?» - BWV 81 source: Recorder Parts in Bach’s Sacred Music
scoring:
AA | |
| 5 | |
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Johann Sebastian Bach (1685 - 1750): Bestelle dein Haus! source: Cantata «Gottes Zeit ist die allerbeste Zeit» - Actus Tragicus - BWV 106
scoring:
AB (Bass instrument) | |
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What is the meaning of these icons?
9
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Hagood Hardy (1937 - 1997): The Homecoming source: Duos for treble recorders from well-known ancient and modern melodies, No. 26
scoring:
AA | |
What is the meaning of these icons?
7
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Dario Castello (1602 - 1631): Sonata Decima Quarta a 5 source: Sonate concertate in stil moderno. Libro secondo (Venice 1629), No. 14
scoring:
AABB (Bass instrument) | |
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The original score – in A minor – reads: «Sonata Decima Quarta a 4. Due soprani e doi tromboni overo violette». In my arrangement – in D minor – the continuo has become an actual bass part and the two trombone parts have been adapted to fit two bass recorders. | |
| 8 | |
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Anonymous (XV cent.): Ex palpebris meis source: Ms. Q16 (1487). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica
scoring:
ATB | |
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What is the meaning of these icons?
4
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What is the meaning of these icons?
9
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Benedetto Marcello (1686 - 1739): Giga in C major source: Harpsichord Sonata S.704
scoring:
A (Harpsichord) | |
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The original sonata is in C major and its score consists almost exclusively of the top line – here assigned to the treble recorder – and the bass line. Interesting is the rhythmic play between the 12/8 pace and the frequent passages in groups of four sixteenth notes, also present in other harpsichord sonatas by the same author. | |
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What is the meaning of these icons?
4
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Angelo Michele Bertalotti (1666 - 1747): Solfeggio Trentesimo Quarto source: Solfeggi a canto e alto (Bologna 1744), No. 34
scoring:
SA | |
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What is the meaning of these icons?
3
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Benedetto Marcello (1686 - 1739): Allegro in D minor source: Harpsichord Sonata S.712a
scoring:
A (Harpsichord) | |
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The original sonata is in C minor and its score consists almost exclusively of the top line – here assigned to the treble recorder – and the bass line. I heavily arranged it and transposed it to D minor. | |
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What is the meaning of these icons?
4
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Alessandro Scarlatti (1660 - 1725): Adagio e Fuga in F major source: Concerto XXII from Concerti di Flauto, Violini, Violetta, e Basso di Diversi Autori (Naples 1725). Manuscript preserved in the Music conservatories of Naples
scoring:
ATT (Bass instrument) | |
| Arranged from the original score in A major for treble recorder (or maybe recorder in G), strings and continuo. | |
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What is the meaning of these icons?
7
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Jay Ungar (1946 - ): Ashokan Farewell
scoring:
ATTB or ATBB | |
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What is the meaning of these icons?
8
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Michel Blavet (1700 - 1768): Sonata Quinta in D minor (G minor) - Op. 1, No. 5 source: Six Sonates Pour deux Flutes-traversieres sans Basse. Op. 1 (Paris 1728)
scoring:
AA | |
| Our edition contains both the original version for two transverse flutes and its transposition for two treble recorders. | |
| 6 | |
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Johann Friedrich Meister (c. 1638 - 1697): Sarabanda variata in G minor source: Il giardino del piacere (Hamburg 1695)
scoring:
AA (Bc) | |
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Arranged from the original score for violins, cello and continuo in E minor. Small notes in the recorder parts are editorial and may be omitted from the performance throughout. | |
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What is the meaning of these icons?
6
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Alexander Agricola (c. 1445 - 1506): Fortuna desperata
scoring:
ATTBBB or ATTBBL | |
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What is the meaning of these icons?
32
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Kunihiko Murai (1945 - ): 翼をください (Tsubasa wo Kudasai) – Please, Give Me Wings
scoring:
AA (Keyboard) | |
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What is the meaning of these icons?
9
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Ferdinando Carulli (1770 - 1841): Lezione 23 - Op. 27, No. 23 source: Metodo completo per chitarra, op. 27 (1810) - Parte terza: 24 lezioni progressive per due chitarre
scoring:
ATB | |
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What is the meaning of these icons?
3
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Benedetto Marcello (1686 - 1739): First movement – Adagio – from Sonata II in D minor source: Duos for treble recorders from well-known ancient and modern melodies, No. 24
scoring:
AA | |
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What is the meaning of these icons?
7
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Paolo Benedetto Bellinzani (c. 1690 - 1757): Trio Sonata V in C major source: Dodici sonate da Chiesa a 3, con due Violini o Basso ad imitazione di quelle di Arcangelo Corelli. (XVIII cent.). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica, No. 5
scoring:
ATB | |
| Arranged from the original score for two violins and continuo. | |
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What is the meaning of these icons?
7
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George Frideric Handel (1685 - 1759): Jigg source: Suite in D minor for harpsichord - HWV 437
scoring:
A (Harpsichord) | |
| 3 | |
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George Frideric Handel (1685 - 1759): Final Presto from Sonata HWV 360 source: Duos for treble recorders from well-known ancient and modern melodies, No. 23
scoring:
AA | |
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What is the meaning of these icons?
5
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Ferdinando Carulli (1770 - 1841): Lezione 22 - Op. 27, No. 22 source: Metodo completo per chitarra, op. 27 (1810) - Parte terza: 24 lezioni progressive per due chitarre
scoring:
ATB | |
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What is the meaning of these icons?
5
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Johann Christian Bach (1735 - 1782): Quartet in F major - W.B 53
scoring:
ATB (Bass instrument) | |
| Originally in Eb major for flute, violin, viola, cello and continuo. | |
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What is the meaning of these icons?
11
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George Frideric Handel (1685 - 1759): Final Allegro from Sonata HWV 362 source: Duos for treble recorders from well-known ancient and modern melodies, No. 22
scoring:
AA | |
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What is the meaning of these icons?
8
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John Barry (1933 - 2011): We Have All the Time in the World source: Duos for treble recorders from well-known ancient and modern melodies, No. 21
scoring:
AA | |
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What is the meaning of these icons?
6
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What is the meaning of these icons?
5
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What is the meaning of these icons?
6
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Elmer Bernstein (1922 - 2004): Love Me True source: Duos for treble recorders from well-known ancient and modern melodies, No. 18
scoring:
AA | |
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What is the meaning of these icons?
6
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Andrea Bornstein (1956 - ): Passacaglia source: Duos for treble recorders from well-known ancient and modern melodies, No. 17
scoring:
AA | |
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What is the meaning of these icons?
5
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Johnny Mandel (1925 - 2020): The Shadow of Your Smile source: Duos for treble recorders from well-known ancient and modern melodies, No. 16
scoring:
AA | |
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What is the meaning of these icons?
8
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Anonymous (XVI cent.): Greensleeves source: Duos for treble recorders from well-known ancient and modern melodies, No. 15
scoring:
AA | |
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What is the meaning of these icons?
4
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Domenico Alberti (c. 1710 - 1746): Giga in C minor source: 8 Sonates pour clavecin. Op. 1 (London 1745)
scoring:
A (Harpsichord) | |
| This is the second and last movement of the Sonata IV in G minor for harpsichord, arranged and transposed to C minor for treble recorder and harpsichord. | |
| 5 | |
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What is the meaning of these icons?
6
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Andrea Bornstein (1956 - ): L’armonia del vento tra gli olivi, Lyrics by Mario Olimpieri
scoring:
A (Voice, Keyboard) | |
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What is the meaning of these icons?
8
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What is the meaning of these icons?
6
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What is the meaning of these icons?
8
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Anonymous (XVII cent.): Wat zalmen op den Avond doen source: Duos for treble recorders from well-known ancient and modern melodies, No. 11
scoring:
AA | |
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What is the meaning of these icons?
6
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Sammy Fain (1902 - 1989): Love Is A Many-Splendored Thing source: Duos for treble recorders from well-known ancient and modern melodies, No. 10
scoring:
AA | |
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What is the meaning of these icons?
5
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Santo & Johnny (XX cent.): Sleep Walk source: Duos for treble recorders from well-known ancient and modern melodies, No. 9
scoring:
AA | |
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What is the meaning of these icons?
6
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Anonymous (XVII cent.): Lavignone source: Duos for treble recorders from well-known ancient and modern melodies, No. 8
scoring:
AA | |
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What is the meaning of these icons?
4
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Arcangelo Corelli (1653 - 1713): Gavotta from Sonata IX in A major, Op. 5 source: Duos for treble recorders from well-known ancient and modern melodies, No. 7
scoring:
AA | |
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What is the meaning of these icons?
8
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Vangelis (1943 - ): Rain and Tears source: Duos for treble recorders from well-known ancient and modern melodies, No. 6
scoring:
AA | |
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What is the meaning of these icons?
7
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Francesco Sartori (1957 - ): Con te partirò source: Duos for treble recorders from well-known ancient and modern melodies, No. 5
scoring:
AA | |
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What is the meaning of these icons?
9
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Anonymous (XVII cent.): Doen Daphne d’over schoone Maeght source: Duos for treble recorders from well-known ancient and modern melodies, No. 4
scoring:
AA | |
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What is the meaning of these icons?
11
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Nino Rota (1911 - 1979): Love Theme from Romeo and Juliet source: Duos for treble recorders from well-known ancient and modern melodies, No. 3
scoring:
AA | |
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What is the meaning of these icons?
11
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John Phillips (1935 - 2001): San Francisco (Be Sure to Wear Flowers in Your Hair) source: Duos for treble recorders from well-known ancient and modern melodies, No. 2
scoring:
AA | |
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What is the meaning of these icons?
15
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Paolo Benedetto Bellinzani (c. 1690 - 1757): Trio Sonata IV in A minor source: Dodici sonate da Chiesa a 3, con due Violini o Basso ad imitazione di quelle di Arcangelo Corelli. (XVIII cent.). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica, No. 4
scoring:
ATB | |
| Arranged from the original score for two violins and continuo. | |
| 5 | |
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Paolo Benedetto Bellinzani (c. 1690 - 1757): Balletto V in F major source: Dodici sonate da Chiesa a 3, con due Violini o Basso ad imitazione di quelle di Arcangelo Corelli. (XVIII cent.). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica, No. 17
scoring:
A (Harpsichord) | |
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At end of the score of the twelve trio sonatas, this manuscript contains 5 short and simple «ballets» for a treble instrument and unnumbered bass. I have been arranging them heavily in various ways, including the addition of new parts and variations. In the case of this fifth ballet I added divisions and a full harpsichord part. | |
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What is the meaning of these icons?
5
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