Entries 601 - 700 out of 5030 [51 pages]
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Domenico Scarlatti (1685 - 1757): Sonata in G minor K 34, No. 34
scoring:
AAB | |
What is the meaning of these icons?
6
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Johann Schop (c. 1590 - 1667): Allemande 1 source: ’t Uitnement Kabinet. 2 vols (Amsterdam 1646-49)
scoring:
AAA | |
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This allemande had been already published in the Dutch collection Der Gooden Fluyt Hemel (Amsterdam 1644): see the related entry for our edition of that version. Here we present it transposed for three treble recorders. | |
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What is the meaning of these icons?
4
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Domenico Scarlatti (1685 - 1757): Sonata in F major K 6, No. 6
scoring:
A (Harpsichord) | |
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The original time signature is 3/8 but constantly in triplet figures. I doubled all the values and changed the time signature to 9/8. | |
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What is the meaning of these icons?
7
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Anonymous (XVII cent.): Bourée in C major source: A Collection of Several Simphonies and Airs in Three Parts ([London] 1688), No. 31
scoring:
AA (Bc) | |
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The original score is in Bb major, but indeed it works better a tone up, in C. The bass line can smoothly be played on a bass recorder, although an octave higher. | |
What is the meaning of these icons?
4
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Francesco Bendusi (flourished 1553): La falilela source: Opera nova de balli a quattro. Accomodati da cantare et sonare d’ogni sorte de stromenti (Venice 1553), No. 9
scoring:
ATTB or TTBB | |
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What is the meaning of these icons?
4
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Daniel Demoivre (flourished 1687-1731): Suite in Bb major
scoring:
A | |
| 8 | |
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Jacques Foucart (flourished 1634-49): Courante 3 in C minor source: ’t Uitnement Kabinet. 2 vols (Amsterdam 1646-49)
scoring:
AAA | |
| Transposed to C minor for three treble recorders from the original score in G minor. | |
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What is the meaning of these icons?
5
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Domenico Scarlatti (1685 - 1757): Sonata in G minor K 5, No. 5
scoring:
A (Harpsichord) | |
| In original score – for solo harpsichord – is in D minor. | |
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What is the meaning of these icons?
9
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Antonio Vivaldi (1678 - 1741): Sonata a 4 al Santo Sepolcro - RV 130
scoring:
ATB (Bc) | |
| The original score – in Eb major – is possibly for strings (two violins, viola and cello), but there are no indications of instruments in the original manuscript. | |
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What is the meaning of these icons?
9
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What is the meaning of these icons?
5
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Domenico Scarlatti (1685 - 1757): Sonata in G minor K 4, No. 4
scoring:
SATB | |
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What is the meaning of these icons?
7
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George Frideric Handel (1685 - 1759): Hornpipe, Composed for the concert at Vauxhall (1740) – HWV 356
scoring:
A (Bc) | |
| From the original score for strings in D major. | |
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What is the meaning of these icons?
6
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Antonio Lotti (c. 1667 - 1740): Inganni dell’Umanità source: Duetti e terzetti, e madrigali a più voci (Venice 1705)
scoring:
ATB or AAB | |
What is the meaning of these icons?
4
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Constantijn Huygens (1596 - 1687): Erravi, Domine, sicut ovis quae periit source: Pathodia sacra et profana (Paris 1647)
scoring:
A (Bc) | |
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The text is from psalm 119, verse 176. I faithfully transcribed the original score in G minor for soprano voice and continuo adding my divisions on the repeats. | |
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What is the meaning of these icons?
6
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Domenico Scarlatti (1685 - 1757): Sonata in D minor K 1, No. 1
scoring:
SATB | |
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What is the meaning of these icons?
8
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Jacques Foucart (flourished 1634-49): Courante 2 source: ’t Uitnement Kabinet. 2 vols (Amsterdam 1646-49)
scoring:
CCC or AAA | |
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What is the meaning of these icons?
3
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Jacques Foucart (flourished 1634-49): Courante 1 source: ’t Uitnement Kabinet. 2 vols (Amsterdam 1646-49)
scoring:
CCC or AAA | |
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What is the meaning of these icons?
5
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Queen (XX cent.): Somebody to Love
scoring:
SATB (Bass instrument) | |
What is the meaning of these icons?
4
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Maternus Beringer (1580 - post 1632): Domine in multitudine misericordiae tuae, canon at the octave below source: Musicae, das ist der freyen lieblichen Singkunst (Nuremberg 1610)
scoring:
ST or AB | |
| This canon introduces the pupil to the usage of the exachordum molle (soft hexachord); that is the notes spanning from F to D with a B flat. These six notes must always be sung «ut re mi fa sol la», no matter whether they are flatted or sharped: see the first F# at bar 9 of the antecedent. | |
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What is the meaning of these icons?
4
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Domenico Scarlatti (1685 - 1757): Sonata in G minor K 30 - Cat fugue, No. 30
scoring:
SATB | |
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What is the meaning of these icons?
9
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Maternus Beringer (1580 - post 1632): Quemadmodum desiderat cervus, canon at the octave below source: Musicae, das ist der freyen lieblichen Singkunst (Nuremberg 1610)
scoring:
ST or AB | |
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This canon spans just a minor seventh from C to B flat; that is a natural hexachord plus a semitone. After Beringer made sing the pupil a canon that spanned six notes from C to A (natural hexachord), he introduced here the concept of “one note over the La” (Hexachordum mit einer Noten nechst über das La), which must be always pronounced “Fa” and sung just a semitone higher than La (B flat). The narrow range of this canon fits any size of recorders, taking for granted that the pair should play the canon at one octave distance. | |
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What is the meaning of these icons?
4
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Cesare Negri (c. 1535 - post 1604): Pavaniglia source: Nuove inventioni di balli. Opera vaghissima (Milan 1604)
scoring:
AATB | |
| Heavily arranged from the original score for descant instrument and lute with plenty of divisions, especially in the bass line. | |
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What is the meaning of these icons?
4
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Jimmy Van Heusen (1913 - 1990): All the Way
scoring:
SATB | |
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What is the meaning of these icons?
4
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Cornelis Janszoon Helmbreker (1590 - 1654): Voorspel (prelude) source: ’t Uitnement Kabinet. 2 vols (Amsterdam 1646-49)
scoring:
CCB (Bc) | |
| This piece was conceived for two recorders in C (either sopranos or tenors); the bass recorder can easily double the continuo line and its utilisation is ad libitum. | |
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What is the meaning of these icons?
6
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Daniel Demoivre (flourished 1687-1731): Suite in E minor
scoring:
A | |
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What is the meaning of these icons?
6
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This is the second movement of Concerto RV 105 completely rearranged. Indeed, the original score is a duo in Eb major for a treble recorder and a bassoon. I added two other parts and some divisions. | |
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What is the meaning of these icons?
5
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Luigi Cherubini (1760 - 1842): Ninfa crudel, tu mi vuoi morto, madrigal a 5
scoring:
SSATB | |
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What is the meaning of these icons?
7
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The original mass is in G major, a tone above. The parts fit recorders with a “beginner” range and easy passages, so the whole piece is quite suitable for learning to play in ensemble. | |
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What is the meaning of these icons?
5
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Domenico Galli (1649 - 1691): Sonata IX in D minor source: Trattenimento musicale sopra il violoncello a’ solo (Modena 1691), No. 9
scoring:
A | |
| Adapted from the original score for solo cello. | |
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What is the meaning of these icons?
5
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Maternus Beringer (1580 - post 1632): In dich hab ich gehoffet, Herr, canon at the octave below source: Musicae, das ist der freyen lieblichen Singkunst (Nuremberg 1610)
scoring:
ST or AB | |
| This canon spans just a sixth from C to A; that is a natural hexachord. Indeed, this is the first vocal exercise with lyrics included in Beringer’s treatise. The narrow range fits any size of recorders, taking for granted that the pair should play the canon at one octave distance. | |
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What is the meaning of these icons?
5
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Paolo Benedetto Bellinzani (c. 1690 - 1757): Trio Sonata II in G minor source: Dodici sonate da Chiesa a 3, con due Violini o Basso ad imitazione di quelle di Arcangelo Corelli. (XVIII cent.). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica, No. 2
scoring:
AAB | |
| Arranged from the original score for two violins and continuo. | |
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What is the meaning of these icons?
12
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Anonymous (XVII cent.): Gaillarde in C major source: A Collection of Several Simphonies and Airs in Three Parts ([London] 1688), No. 30
scoring:
AA (Bc) | |
| The original score is in Bb major, but indeed it works better a tone up, in C. | |
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What is the meaning of these icons?
5
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Nadalin (flourished 1543): Su l’herbe brunette source: Il primo libro a due voci de diversi autori (Venice 1543), No. 6
scoring:
AT | |
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What is the meaning of these icons?
8
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José Feliciano (1945 - ): Pegao
scoring:
A (Harpsichord) | |
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What is the meaning of these icons?
7
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Claudio Monteverdi (1567 - 1643): Il Lamento di Arianna, «Lasciatemi morire» source: Il sesto libro de madrigali a cinque voci (Venice 1614)
scoring:
AATTB | |
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What is the meaning of these icons?
11
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George Frideric Handel (1685 - 1759): Mein Betrüben muss verschwinden source: Almira, Königin von Castilien (1705) - HWV 1
scoring:
AAB (Bc) | |
| Originally, this is a duet for soprano and tenor voices, violin and continuo in D minor. | |
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What is the meaning of these icons?
8
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Daniel Demoivre (flourished 1687-1731): Suite in C minor
scoring:
A | |
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What is the meaning of these icons?
6
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Pëtr Ilič Čajkovskij (1840 - 1893): October: Autumn Song (Октябрь - Осенняя песня) - Op. 37, No. 10 source: The Seasons. Op. 37
scoring:
A (Keyboard) | |
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Opus 37 was conceived for solo piano, but it works well if we separate the melody line from the rest of the score and assign it to another instrument. The original score is in D minor. | |
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What is the meaning of these icons?
7
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Henry Purcell (1659 - 1695): Ground - ZD 221
scoring:
A (Harpsichord) | |
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Arranged from the original score for solo harpsichord in C minor. The attribution to Henry Purcell has been questioned, since the piece appears at the beginning of a harpsichord suite ascribed to William Croft, and indeed catalogued as D 221. | |
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What is the meaning of these icons?
7
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Josquin des Pres (c. 1440 - 1521): Fuga in epidiapente (canon at the fifth above) source: Selectae, artificiosae et elegantes fugae duarum, trium, quator, et plurium vocum (Lauingen 1587), No. 2
scoring:
TB | |
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What is the meaning of these icons?
5
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Diogenio Bigaglia (c. 1676 - c. 1745): Sonata X in Bb major source: XII Sonate a violino solo o sia flauto e violoncello o basso continuo. Op. 1 (Amsterdam c. 1722), No. 10
scoring:
A (Bc) | |
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What is the meaning of these icons?
6
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Carlos Gardel (1890 - 1935): En los campos en flor
scoring:
A (Harpsichord) | |
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What is the meaning of these icons?
9
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Daniel Demoivre (flourished 1687-1731): Suite in D major
scoring:
A | |
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What is the meaning of these icons?
6
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Pietro Lappi (c. 1575 - 1630): Canzon Vigesima terza a 13. La Monteverde source: Canzoni da suonare. Libro primo. Op. 9 (Venice 1616), No. 23
scoring:
SSSSSAATTTBBL | |
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Here is another impressive number by Pietro Lappi that smoothly fits a large group of recorders, from soprano to bass in C. The upper part fits a sopranino as well. | |
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What is the meaning of these icons?
7
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Andre & Schwandt (flourished 1931): Dream a Little Dream of Me
scoring:
SATB | |
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What is the meaning of these icons?
5
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Daniel Demoivre (flourished 1687-1731): Suite in F major
scoring:
A | |
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What is the meaning of these icons?
6
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Georg Philipp Telemann (1681 - 1767): Partia 3 in G minor - TWV 41:c1 source: La Petite Musique de Chambre; Die kleine Kammer-Musik. Hautbois, ou Violon, ou Flute traverse, Ou Clavessin, avec la Basse chiffrée (Hamburg 1728), No. 3
scoring:
A (Bc) | |
| The original score is in C minor and was meant for an oboe or flute. | |
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What is the meaning of these icons?
10
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Daniel Demoivre (flourished 1687-1731): Suite in G minor
scoring:
A | |
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What is the meaning of these icons?
10
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Daniel Demoivre (flourished 1687-1731): Suite in A minor
scoring:
A | |
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What is the meaning of these icons?
10
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Gentle Giant (flourished 1970-80): Acquiring the Taste
scoring:
SAAB | |
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What is the meaning of these icons?
6
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Leopold I (1640 - 1705): Pur una volta alfine source: Venetian manuscript of the end of the Seventeenth Century
scoring:
AAB (Bc) | |
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These are two excerpts of a long cantata in D major for two sopranos, bass and continuo, here transposed to Bb major. The composer was emperor of the Holy Roman Empire, so I think he has been the highest-ranking composer ever; and he was even good! | |
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What is the meaning of these icons?
5
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Pietro Lappi (c. 1575 - 1630): Canzon Vigesima prima a 11. La Chizuola source: Canzoni da suonare. Libro primo. Op. 9 (Venice 1616), No. 21
scoring:
SSSAATTTBBF | |
| This canzona seamlessly fits a large group of recorders from descant to great bass; and indeed, the first two parts would fit two sopraninos as well. | |
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What is the meaning of these icons?
6
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Jimmy Webb (1946 - ): Highwayman
scoring:
ATB | |
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What is the meaning of these icons?
5
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Giovanni Battista Vitali (1632 - 1692): Balletto da Camera in D minor source: Varie sonate alla francese, et all’itagliana a sei stromenti. Op. 11 (Modena 1684)
scoring:
AATBB (Bass instrument) | |
| The original score in C minor was meant for strings, but easily can be adapted to five recorders and a bass instrument. | |
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What is the meaning of these icons?
7
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John Blow (1649 - 1708): Whilst you vouchsafe your thoughts to breathe source: Deliciae musicae. The first book (London 1695)
scoring:
A (Bc) | |
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What is the meaning of these icons?
10
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Johann Christian Schickhardt (c. 1681 - 1762): Giga in D minor source: VI Concerts à deux violons, deux haubois ou violons, basse et basse continue. Op. 13 (Amsterdam c. 1715)
scoring:
AAAAB | |
| This gigue belongs to the Concerto V in A minor, originally for two violins, two oboes, bass instrument and continuo. | |
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What is the meaning of these icons?
4
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Johann Christian Schickhardt (c. 1681 - 1762): Menuet in C major source: VI Concerts à deux violons, deux haubois ou violons, basse et basse continue. Op. 13 (Amsterdam c. 1715)
scoring:
AAATB (Bc) | |
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This minuet belongs to the Concerto I in C major, originally for two violins, two oboes, bass instrument and continuo. Its style is quite close to the battaglia form, and – if so – it represents a quite late example of the genre. | |
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What is the meaning of these icons?
4
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Daniel Purcell (c. 1664 - 1717): Sonata Seconda in D minor source: Six sonata’s or solos, three for a violin and three for the flute (London 1698), No. 2
scoring:
A (Bc) | |
| The edition has been completely revamped: the continuo has been realised in full and editorial divisions have been added to the third movement. | |
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What is the meaning of these icons?
30
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Claudin de Sermisy (c. 1490 - 1562): Esurientes source: Il primo libro a due voci de diversi autori (Venice 1543), No. 31
scoring:
ST or AT | |
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What is the meaning of these icons?
6
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Claudin de Sermisy (c. 1490 - 1562): Quia fecit source: Il primo libro a due voci de diversi autori (Venice 1543), No. 21
scoring:
SA or ST | |
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What is the meaning of these icons?
5
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Andrea Bornstein (1956 - ): Variations on «My Bonnie»
scoring:
SATB | |
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What is the meaning of these icons?
9
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Alessandro Scarlatti (1660 - 1725): Sonata XXIII in C major source: Concerti di Flauto, Violini, Violetta, e Basso di Diversi Autori (Naples 1725). Manuscript preserved in the Music conservatories of Naples, No. 23
scoring:
AAT (Bass instrument) | |
| Arranged from the original score for treble recorder, two violins and continuo. | |
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What is the meaning of these icons?
11
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Johann Christoph Pez (1664 - 1716): Aria in G minor
scoring:
SATB | |
| This is a movement of a suite in A minor, transposed and arranged with editorial divisions of the first section. | |
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What is the meaning of these icons?
3
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Johann Christoph Pez (1664 - 1716): Chaconne in G minor
scoring:
ATB (Bass instrument) | |
| This is a movement of a suite in E minor, transposed and arranged. | |
| 6 | |
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Dario Castello (1602 - 1631): Prima Sonata a due soprani source: Sonate concertate in stil moderno. Libro primo (Venice 1629), No. 1
scoring:
CC or AA (Bc) | |
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What is the meaning of these icons?
9
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Diego Ortiz (c. 1519 - c. 1570): Aria di Ruggiero source: El primo libro: Nel quale si tratta delle glose sopra le cadenze et altre sorte de punti in la musica del violone (Rome 1553)
scoring:
A (Harpsichord) | |
| Adapted from the original score for viola da gamba and four unspecified instruments (perhaps harpsichord). | |
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What is the meaning of these icons?
8
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Pompeo Natali (XVII cent.): Climene source: Libro secondo de’ solfeggiamenti a due e tre voci, per cantare, suonare con diversi stromenti, violino, violone, e flauto, ecc. (Rome 1681)
scoring:
ATB | |
| Here presented in two versions: the plain one, simply transposed a fifth below from the original score in F major, plus a version with divisions in all the parts. | |
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What is the meaning of these icons?
5
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Diogenio Bigaglia (c. 1676 - c. 1745): Sonata XII in F major source: XII Sonate a violino solo o sia flauto e violoncello o basso continuo. Op. 1 (Amsterdam c. 1722), No. 12
scoring:
A (Bc) | |
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What is the meaning of these icons?
12
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Andrea Bornstein (1956 - ): Coffee Grounds
scoring:
A (Harpsichord, Bass instrument ad libitum) | |
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What is the meaning of these icons?
11
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Carole King (1942 - ): It’s Too Late
scoring:
STB (Harmonic Instrument ad libitum) | |
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What is the meaning of these icons?
6
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Franz Tunder (1614 - 1667): Ein kleines Kindelein ist uns heut geboren
scoring:
SATTB (Bass instrument) | |
| Arranged from the original score for five unspecified instruments and soprano voice in C minor. | |
What is the meaning of these icons?
3
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Alessandro Scarlatti (1660 - 1725): Largo variato in G minor source: Sonata IX from Concerti di Flauto, Violini, Violetta, e Basso di Diversi Autori (Naples 1725). Manuscript preserved in the Music conservatories of Naples
scoring:
AB | |
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Arranged from the original score for treble recorder and violin in A minor. Divisions are editorial. The arrangement follows quite exactly the original score, since the first line was already thought for a treble recorder in G, while the lower line – although it was thought for two violins in unison – perfectly fits a bass recorder. | |
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What is the meaning of these icons?
8
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Jan Pieterszoon Sweelinck (1562 - 1621): Ballo del Granduca - SwWV 319
scoring:
A (Harpsichord) | |
| Arranged from the original score in G major for keyboard. | |
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What is the meaning of these icons?
8
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Johann Joachim Quantz (1697 - 1773): Affettuoso source: Trio Sonata in G major - QV 2:28
scoring:
AAB | |
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What is the meaning of these icons?
7
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Biagio Marini (1594 - 1663): La Foscarina. Sonata a 3 con il tremolo - Op. 1, No. 13 source: Affetti musicali a 1, 2 e 3 voci. Op. 1 (Venice 1617)
scoring:
AA (Bass instrument, Bc) | |
| Transposed from the original score in G minor for two violins or cornets and trombone or bassoon. | |
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What is the meaning of these icons?
7
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Johann Pachelbel (1653 - 1706): Allein Gott in der Höh sei Ehr
scoring:
SAB | |
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Arranged from the original score for keyboard. The attribution to Pachelbel is dubious and the piece could have been composed by Johann Heinrich Buttstett (1666 - 1727), who was Pachelbel’s pupil. | |
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What is the meaning of these icons?
9
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Giovanni Felice Sances (c. 1600 - 1679): Fuggi mio cor l’esca del dolce sguardo source: Il quarto libro delle cantate (Venice 1636)
scoring:
A (Bc) | |
| Ours is a substantial arrangement of this beautiful aria. Indeed, I added divisions and harmonised the bass line loosely, but summing up I think any 17th century player would have done the same. | |
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What is the meaning of these icons?
7
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Giuseppe Sammartini (1695 - 1750): Sonata III in C major source: Six sonatas or duets for two German flutes (London n.d.), No. 3
scoring:
AA | |
| Transposed from the original score for two flutes in A major | |
| 4 | |
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Giuseppe Sarti (1729 - 1802): Variazioni del Minuetto La ra dell’Opera La Grotta di Trofonio
scoring:
A (Harpsichord) | |
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The original score in Bb major is for «Cembalo con violino obligato»; that is, the harpsichord plays a more important role than the violin. Mine is a quite loose arrangement, which moves phrases from the harpsichord part to the recorder one, does not strictly respect the original structure and gets rid of all the repeat marks. The original composition – taken from the opera La grotta di Trofonio that Antonio Salieri composed in 1785 – is an aria for soprano and orchestra sung by the opera’s female protagonist, Ofelia, who mocks the eponymous Trofonio and his grotto. | |
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What is the meaning of these icons?
5
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Luigi Cherubini (1760 - 1842): Et vitam venturi saeculi for double choir
scoring:
SSAATTBB | |
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As in the great works in which Bach’s speculative constructivism is manifested, in this Credo by Cherubini the merely technical fact is transcended and spiritually transfigured precisely in the moments in which it finds its apparently most abstract implementation. And this happens precisely in the concluding fugue on a Gregorian Cantus firmus (Et vitam venturi saeculi) that constitutes almost half of the entire work. Apart from the very high technical and contrapuntal level of this long composition, there is its perfect enjoyment in both playing it with recorders and listening to it. Our edition needed only minor interventions to the parts of the two basses, which in a few places were moved to the upper octave. | |
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What is the meaning of these icons?
7
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Alessandro Scarlatti (1660 - 1725): Largo variato in F major source: Sonata XXIV from Concerti di Flauto, Violini, Violetta, e Basso di Diversi Autori (Naples 1725). Manuscript preserved in the Music conservatories of Naples
scoring:
AB | |
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Arranged from the original score for treble recorder and violin. Divisions are editorial. The arrangement follows quite exactly the original score, since the first line was already thought for a treble recorder, while the lower line – although it was thought for two violins in unison – perfectly fits a bass recorder. | |
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What is the meaning of these icons?
12
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Anonymous (XVII cent.): Simphonie in C major source: A Collection of Several Simphonies and Airs in Three Parts ([London] 1688), No. 28
scoring:
AA (Bc) | |
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The original score is in Bb major, but indeed it works better a tone up, in C. As you may see from the original parts, in our edition all the quavers (eighth notes) placed after dots have been reduced to semiquavers (sixteenth notes) as prescribed by the baroque style. Furthermore, groups of two quavers have been normalised to dotted quaver + semiquaver when requested by imitation with other parts. | |
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What is the meaning of these icons?
5
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Paolo Benedetto Bellinzani (c. 1690 - 1757): Trio Sonata Prima in F major source: Dodici sonate da Chiesa a 3, con due Violini o Basso ad imitazione di quelle di Arcangelo Corelli. (XVIII cent.). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica, No. 1
scoring:
AAB | |
| Arranged from the original score for two violins and continuo. | |
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What is the meaning of these icons?
9
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Otto Nicolai [Ehrenfried] (1810 - 1849): Duo 2 aus den Wilden in C major source: Recueil de 12 pieces pour deux flutes traversieres concertantes tirées des operettes les plus novelles (Mainz [XIX cent.]), No. 2
scoring:
AT | |
| Transposed from the original score for two flutes in D major. | |
| 4 | |
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Andrea Bornstein (1956 - ): Ulla’s Ground
scoring:
A (Harpsichord) | |
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What is the meaning of these icons?
7
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Anonymous (XV cent.): De placebo la vita mia source: Ms. Q16 (1487). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica
scoring:
ATB | |
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What is the meaning of these icons?
7
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Domenico Gallo [Pergolesi] (1730 - c. 1768): Trio Sonata in Bb major
scoring:
AA (Bc) | |
| The original score in G major is for two violins and continuo and has been attributed to Pergolesi for a very long time. | |
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What is the meaning of these icons?
9
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Anonymous (XVIII cent.): Pastorale a tre flauti
scoring:
SAB | |
| This is the transposition and arrangement of the second movement in A major of a trio for two flutes and bass disputably attributed to Pergolesi and found in a manuscript preserved at the Royal Library in Copenhagen. | |
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What is the meaning of these icons?
7
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Henry Purcell (1659 - 1695): Who can behold Florella’s charm - Z 441 source: Deliciae musicae. The first book (London 1695)
scoring:
A (Bc) | |
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What is the meaning of these icons?
6
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Antonio Caldara (c. 1671 - 1736): O sacrum convivium, Motet source: Motetti a due e tre voci. Op. 4 (Bologna 1715)
scoring:
AAB (Bc) | |
| Arranged from the original score for voices and continuo in Eb major. | |
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What is the meaning of these icons?
4
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Francesco Paolo Tosti (1846 - 1916): Non t’amo più!
scoring:
A (Harpsichord) | |
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What is the meaning of these icons?
8
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Dario Castello (1602 - 1631): Sonata Terza a due soprani source: Sonate concertate in stil moderno. Libro secondo (Venice 1629), No. 3
scoring:
AA (Bc) | |
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What is the meaning of these icons?
7
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What is the meaning of these icons?
6
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Henry Purcell (1659 - 1695): Ground - ZT 681
scoring:
A (Harpsichord) | |
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Arranged from the original score for solo harpsichord in C minor. The Nineteenth century edition of the collected works by Purcell contains a useful table that shows and translates all the graces (embellishments) used by the composer in his keyboard music. I used it to realise my recorded performance and included it in my PDF edition of this Ground. | |
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What is the meaning of these icons?
12
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Dario Castello (1602 - 1631): Sonata Decima Sesta a 4 source: Sonate concertate in stil moderno. Libro secondo (Venice 1629), No. 16
scoring:
ATB (Bass instrument) | |
| 7 | |
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Dario Castello (1602 - 1631): Sonata Seconda a sopran solo source: Sonate concertate in stil moderno. Libro secondo (Venice 1629), No. 2
scoring:
A (Bc) | |
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What is the meaning of these icons?
14
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Angelo Michele Bertalotti (1666 - 1747): Solfeggio Trentesimo Terzo source: Solfeggi a canto e alto (Bologna 1744), No. 33
scoring:
SA | |
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What is the meaning of these icons?
4
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Johann Friedrich Meister (c. 1638 - 1697): Passagaglia in G minor source: Il giardino del piacere (Hamburg 1695)
scoring:
AA (Bc) | |
| Arranged from the original score for violins, cello and continuo in C minor. | |
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What is the meaning of these icons?
10
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Antonio Lotti (c. 1667 - 1740): La vita caduca [The ephemeral life] source: Duetti e terzetti, e madrigali a più voci (Venice 1705)
scoring:
SSATB | |
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What is the meaning of these icons?
6
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Andrea Bornstein (1956 - ): Je suis un petit poupon - Old French children’s song
scoring:
ATB | |
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What is the meaning of these icons?
8
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