Entries 101 - 200 out of 4794 [48 pages]

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Giuseppe Sarti (1729 - 1802):  Real Fugue in Eight Parts, for Two Choirs in C major
scoring: SSAATTBB
What is the meaning of these icons?  3
Salamone Rossi (1570 - c. 1630):  Sinfonia XXI a 5
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 21
scoring: SSATB
This sinfonia closely resembles the Aria del Gran Duca theme (see here), even if it is not exactly it.
What is the meaning of these icons?  5
Salamone Rossi (1570 - c. 1630):  Sinfonia IX a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 9
scoring: SSB
Transposed a tone higher for recorders’ sake.
What is the meaning of these icons?  7
Leonardo Vinci (1690 - 1730):  Pastorella in Bb major from Sonata I in D major
source: Twelve solos for a German flute or violin (London [1746])
scoring: SAB
This is an arrangement of mine of the last movement of Vinci’s Sonata I.
What is the meaning of these icons?   5
Salamone Rossi (1570 - c. 1630):  Sinfonia VIII a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 8
scoring: SSB
This short piece is in F major; we also present it here transposed a tone above, in G major.
What is the meaning of these icons?  6
Leonardo Vinci (1690 - 1730):  Sonata X in G minor
source: Twelve solos for a German flute or violin (London [1746])
scoring: A (Bc)
The original score of this sonata is in E minor.
What is the meaning of these icons?  7
Gottfried Finger (c. 1660 - 1730):  Air
source: 40 Airs anglois […] Livre second (Amsterdam c. 1702), No. 17
scoring: A (Bc)
What is the meaning of these icons?   5
Salamone Rossi (1570 - c. 1630):  Sinfonia VII a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 7
scoring: SAB
What is the meaning of these icons?  7
Salamone Rossi (1570 - c. 1630):  Sinfonia VI a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 6
scoring: SSB
What is the meaning of these icons?  7
Santo Lapis (1699 - 1765):  Trio Sonata VI in Bb major
source: Nouveaux trios a deux flutes traversieres ou a deux violons, avec la basse continue (Amsterdam 1756), No. 6
scoring: SSB
The original score is in C major. Lowering it a tone, it fits two soprano recorders well. The bass line just needed minor adjustments.
What is the meaning of these icons?  6
Santo Lapis (1699 - 1765):  Sonata VI in F major
source: Sei duetti per due flauti o violini o fagotti (Paris c. 1740-48), No. 6
scoring: AA
Original score in D major.
6
Giovanni Battista Vitali (1632 - 1692):  Corrente Seconda - Op. 1, No. 14
source: Correnti e balletti da camera a due violini. Op. 1 (Bologna 1666)
scoring: AAB
What is the meaning of these icons?  5
Giovanni Battista Vitali (1632 - 1692):  Balletto Secondo - Op. 1, No. 2
source: Correnti e balletti da camera a due violini. Op. 1 (Bologna 1666)
scoring: AAB
What is the meaning of these icons?  5
Salamone Rossi (1570 - c. 1630):  Sinfonia V a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 5
scoring: ATB
The bass line has been slightly adapted to fit a bass recorder.
What is the meaning of these icons?  9
Salamone Rossi (1570 - c. 1630):  Sinfonia II a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 2
scoring: SSB
What is the meaning of these icons?  6
Salamone Rossi (1570 - c. 1630):  Sinfonia IV a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 4
scoring: SSB
With editorial divisions
What is the meaning of these icons?  6
Salamone Rossi (1570 - c. 1630):  Sinfonia III a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 3
scoring: SSB
What is the meaning of these icons?  6
Antonio Vivaldi (1678 - 1741):  Sonata in C major RV 10
scoring: A (Bc)
Arranged from the original score in D major for violin and continuo.
What is the meaning of these icons?  6
Diego Ortiz (c. 1519 - c. 1570):  Recercada VII [Romanesca]
source: El primo libro: Nel quale si tratta delle glose sopra le cadenze et altre sorte de punti in la musica del violone (Rome 1553), No. 7
scoring: A (Harpsichord)
Arranged from the original score for viol and four unspecified instruments.
What is the meaning of these icons?   9
Diego Ortiz (c. 1519 - c. 1570):  Recercada VI [Romanesca]
source: El primo libro: Nel quale si tratta delle glose sopra le cadenze et altre sorte de punti in la musica del violone (Rome 1553), No. 6
scoring: A (Harpsichord)
Arranged from the original score for viol and four unspecified instruments.
10
Anonymous (XVII cent.):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 28
scoring: AA
3
Anonymous (XVII cent.):  Trumpet tune
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 27
scoring: AA
4
Anonymous (XVII cent.):  Trumpet tune
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 26
scoring: AA
4
Anonymous (XVII cent.):  Slow Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 22
scoring: AA
3
Anonymous (XVII cent.):  Rondo
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 21
scoring: AA
3
James Paisible (c. 1656 - 1721):  Hornpipe
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 20
scoring: AA
5
James Paisible (c. 1656 - 1721):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 19
scoring: AA
4
James Paisible (c. 1656 - 1721):  Passepied
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 18
scoring: AA
4
James Paisible (c. 1656 - 1721):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 17
scoring: AA
3
John Banister (1662 - 1736):  Minuet
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 16
scoring: AA
3
John Banister (1662 - 1736):  Bourrée
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 15
scoring: AA
5
Keen (XVII cent.):  Slow Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 14
scoring: AA
Nothing found about «Mr. Keen».
3
Keen (XVII cent.):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 13
scoring: AA
Nothing found about «Mr. Keen».
3
Salamone Rossi (1570 - c. 1630):  Sinfonia I a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 1
scoring: SSB
What is the meaning of these icons?  6
Diego Ortiz (c. 1519 - c. 1570):  Recercada V [Passamezzo antico]
source: El primo libro: Nel quale si tratta delle glose sopra le cadenze et altre sorte de punti in la musica del violone (Rome 1553), No. 5
scoring: A (Harpsichord)
Arranged from the original score for viol and four unspecified instruments.
8
Keen (XVII cent.):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 12
scoring: AA
Nothing found about «Mr. Keen».
7
Anonymous (XVII cent.):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 11
scoring: AA
This piece could be attributed either to John Banister (1662 - 1736) or to Gottfried Finger (c. 1660 - 1730).
4
Anonymous (XVII cent.):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 10
scoring: AA
This piece could be attributed either to John Banister (1662 - 1736) or to Gottfried Finger (c. 1660 - 1730).
What is the meaning of these icons?  3
Anonymous (XVII cent.):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 9
scoring: AA
This piece could be attributed either to John Banister (1662 - 1736) or to Gottfried Finger (c. 1660 - 1730).
2
Anonymous (XVII cent.):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 8
scoring: AA
This piece could be attributed either to John Banister (1662 - 1736) or to Gottfried Finger (c. 1660 - 1730).
4
Robert King (c. 1660 - c. 1726):  Rondo
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 23
scoring: AA
3
Robert King (c. 1660 - c. 1726):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 7
scoring: AA
3
Robert King (c. 1660 - c. 1726):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 6
scoring: AA
3
Robert King (c. 1660 - c. 1726):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 5
scoring: AA
3
Robert King (c. 1660 - c. 1726):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 4
scoring: AA
3
Robert King (c. 1660 - c. 1726):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 3
scoring: AA
3
Robert King (c. 1660 - c. 1726):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 2
scoring: AA
3
Robert King (c. 1660 - c. 1726):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 1
scoring: AA
5
Giovanni Paolo Cima (c. 1570 - 1630):  Quae est ista
source: Concerti ecclesiastici (Milan 1610), No. 25
scoring: AAB
What is the meaning of these icons?  5
John Barry (1933 - 2011):  The Knack
source: Duos for treble recorders from well-known ancient and modern melodies, No. 30
scoring: AA
What is the meaning of these icons?  4
Jakob Paix (1556 - 1623):  Fuga in unisono senis vocibus
source: Selectae, artificiosae et elegantes fugae duarum, trium, quator, et plurium vocum (Lauingen 1587), No. 24
scoring: TTTTTT
What is the meaning of these icons?  3
Johann Christian Schickhardt (c. 1681 - 1762):  Adagio in F major
source: VI Concerts à deux violons, deux haubois ou violons, basse et basse continue. Op. 13 (Amsterdam c. 1715)
scoring: AAAAB
This adagio belongs to the Concerto III in F major, originally for two violins, two oboes, bass instrument and continuo.
What is the meaning of these icons?  6
Richard Carpenter (1946 - ):  Karen’s Theme
scoring: A (Piano)
What is the meaning of these icons?  4
Salvatore Gambardella (1871 - 1913):  Nannina Palomma, Tarantella
scoring: A (Piano)
What is the meaning of these icons?  7
Antonio Caldara (c. 1671 - 1736):  Caro mea vere est cibus, Motet
source: Motetti a due e tre voci. Op. 4 (Bologna 1715)
scoring: AT (Bc)
What is the meaning of these icons?    7
Ferdinando Carulli (1770 - 1841):  Lezione 24 - Op. 27, No. 24
source: Metodo completo per chitarra, op. 27 (1810) - Parte terza: 24 lezioni progressive per due chitarre
scoring: SATB
What is the meaning of these icons?  3
Johann Sebastian Bach (1685 - 1750):  Courante
source: Partita No. 3 in A minor – BWV 827
scoring: A (Bass instrument)
4
Richard Leveridge (1670 - 1758):  A Bacchanal, «Whilst I’m carrousing to cheer up my soul»
source: A collection of songs (London 1727)
scoring: B (Bc)
This beautiful air by Richard Levederidge was conceived for a bass singer and continuo. As usual, the original print also contains a version of the melody transposed for treble recorder. In this case the recorder part is in the same key (G minor), but two octave above. Since the original part perfectly fits a bass recorder, I decided to dedicate this edition to that size of our instrument.
What is the meaning of these icons?    10
Henry Purcell (1659 - 1695):  But ah! How much are our delights
source: The History of Timon of Athens, the Man-Hater (1695) - Z 632, No. 4
scoring: ATL
What is the meaning of these icons?   4
Henry Purcell (1659 - 1695):  Hark! How the songsters of the grove
source: The History of Timon of Athens, the Man-Hater (1695) - Z 632, No. 2
scoring: AATT (Bass instrument)
The original score is a vocal duo accompanied by two treble recorders.
What is the meaning of these icons?  4
The Shadows (flourished 1959-2016):  Geronimo
scoring: ATB (Harmonic Instrument ad libitum)
What is the meaning of these icons?    5
Georg Philipp Telemann (1681 - 1767):  Der Gott dem alle Himmelskreise
source: 3rd number of TWV 5:1 – Brockes Passion
scoring: ATTB or AATB
The original score in Eb major is for two transverse flutes, voice and continuo.
What is the meaning of these icons?  5
Antonio Cesti (1623 - 1669):  Polifemo, Cantata
source: Venetian manuscript of the end of the Seventeenth Century
scoring: SAB
The original score is a cantata for two sopranos, bass, and continuo in C minor.
I retained the original key signature with just one flat as well as all the original time signatures, but I arranged only the choral parts, omitting the bass solos (Polifemo).
What is the meaning of these icons?  4
Gottfried Finger (c. 1660 - 1730):  Air
source: 40 Airs anglois […] Livre second (Amsterdam c. 1702)
scoring: AAAB
Arranged from the original score for treble recorder and continuo in G minor.
What is the meaning of these icons?  6
Ercole Bernabei (1622 - 1687):  Ve la dirò cantando
source: Venetian manuscript of the end of the Seventeenth Century
scoring: C (Bc)
An unexpectedly beautiful cantata, perfectly usable even performed without text. The not inconsiderable length makes it an excellent concert piece for a recorder in C.
Certainly Ercole Bernabei is a composer to be studied carefully, even if he only published vocal music.
What is the meaning of these icons?    11
Gottfried Finger (c. 1660 - 1730):  Air
source: 40 Airs anglois […] Livre second (Amsterdam c. 1702), No. 35
scoring: A (Bc)
Divisions are editorial.
What is the meaning of these icons?   9
Andrea Bornstein (1956 - ):  Giovinezza, Lyrics by Mario Olimpieri
scoring: TTB (Voice)
What is the meaning of these icons?  5
James Paisible (c. 1656 - 1721):  Minuet
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 49
scoring: AA
3
James Paisible (c. 1656 - 1721):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 48
scoring: AA
4
James Paisible (c. 1656 - 1721):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 47
scoring: AA
4
James Paisible (c. 1656 - 1721):  Minuet
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 46
scoring: AA
3
John Banister (1662 - 1736):  Minuet
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 45
scoring: AA
4
John Banister (1662 - 1736):  Saraband
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 44
scoring: AA
3
John Banister (1662 - 1736):  Minuet
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 43
scoring: CC or AA
3
John Banister (1662 - 1736):  March
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 42
scoring: AA
3
John Banister (1662 - 1736):  Minuet
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 41
scoring: CC or AA
3
John Banister (1662 - 1736):  Minuet
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 40
scoring: AA
3
John Banister (1662 - 1736):  Trumpet Minuet. Rondo
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 39
scoring: AA
5
John Banister (1662 - 1736):  Symphony
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 38
scoring: AA
7
Anonymous (XVII cent.):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 37
scoring: AA
4
Anonymous (XVII cent.):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 36
scoring: AA
3
Anonymous (XVII cent.):  Rondo
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 35
scoring: AA
3
Anonymous (XVII cent.):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 34
scoring: AA
3
Anonymous (XVII cent.):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 33
scoring: AA
3
Anonymous (XVII cent.):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 32
scoring: AA
4
Anonymous (XVII cent.):  Rondo
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 31
scoring: AA
3
Anonymous (XVII cent.):  Minuet
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 30
scoring: AA
2
Anonymous (XVII cent.):  Rondo
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 29
scoring: AA
3
Robert King (c. 1660 - c. 1726):  Gavotte
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 25
scoring: AA
3
Robert King (c. 1660 - c. 1726):  Minuet
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 24
scoring: AA
3
Andrea Bornstein (1956 - ):  Una notte al mare, Lyrics by Mario Olimpieri
scoring: B (Voice, Keyboard)
What is the meaning of these icons?  6
Arcangelo Corelli (1653 - 1713):  Concerto IX - Op. 6, No. 9
source: Concerti grossi. Op. 6 (Amsterdam 1714)
scoring: AATTB (Bc)
What is the meaning of these icons?    5
Georg Philipp Telemann (1681 - 1767):  Ew’ger Vater! Deine Güte reicht
source: Last movement of Cantata «Beglückte Zeit, die uns des Wortes Licht» – TWV 1:118
scoring: A (Bc)
What is the meaning of these icons?   6
Richard Leveridge (1670 - 1758):  A Coquet’s Fate
source: A collection of songs (London 1727), No. 8
scoring: A (Bc)
What is the meaning of these icons?    6
Domenico Scarlatti (1685 - 1757):  Sonata in C major K 7, No. 7
scoring: A (Harpsichord)
5
Andrea Bornstein (1956 - ):  C’est à ce premier jour de may
source: Fantasies on Norman Songs from the Bayeux Manuscript, No. 1
scoring: STB
The pure melody on which this composition is based is the first piece from the Bayeux Manuscript found at the Bibliothèque nationale de France.
The actual incipit of the lyrics is «C’est a ce joly moys de may», but the general index at end reads «C’est à ce premier jour de may».
What is the meaning of these icons?  6
Wolfgang Amadeus Mozart (1756 - 1791):  Duo No. 12
source: Douze Pièces pour deux Cors (Vienna 1802), No. 12
scoring: TB or AB
Certainly, the first voice can also be performed well with an alto recorder, but on the tenor it is much more brilliant.
What is the meaning of these icons?   7
Wolfgang Amadeus Mozart (1756 - 1791):  Menuetto
source: Douze Pièces pour deux Cors (Vienna 1802), No. 11
scoring: TB
What is the meaning of these icons?  8
Wolfgang Amadeus Mozart (1756 - 1791):  Duo No. 10
source: Douze Pièces pour deux Cors (Vienna 1802), No. 10
scoring: TB
The original score in C major is for two horns.
What is the meaning of these icons?  7
Leroy Anderson (1908 - 1975):  Sleigh Ride
scoring: NATTBB
What is the meaning of these icons?   4