Entries 101 - 200 out of 5030 [51 pages]
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William Babell (c. 1690 - 1723): Concerto I in C major - Op. 3, No. 1 source: Concertos in 7 Parts. Op. 3 (London [1726])
scoring:
S (Harpsichord) | |
| The original string parts are here arranged for concertato harpsichord. | |
| 7 | |
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The Beatles (flourished 1960-70): Flying
scoring:
SATTB | |
What is the meaning of these icons?
4
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Leonardo Vinci (1690 - 1730): Adagio assai in G minor from Sonata XI source: Twelve solos for a German flute or violin (London [1746])
scoring:
ATB or AAB | |
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The whole Sonata XI is in G major, but the middle adagio is in E minor. I arranged it for three recorders with divisions in the repeats. | |
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What is the meaning of these icons?
5
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What is the meaning of these icons?
6
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Andrea Bornstein (1956 - ): Christmas March
scoring:
SSATB | |
| Loosely based on a dance by G.B. Vitali (1692). | |
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What is the meaning of these icons?
8
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Georg Philipp Telemann (1681 - 1767): Harrach-Konzert in G minor
scoring:
A (Harpsichord) | |
| The original string parts are here arranged for concertato harpsichord. | |
| 9 | |
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Louis-Antoine Dornel (c. 1685 - 1765): Sonate en quatuor in D minor source: Livre de simphonies (Paris 1709)
scoring:
AA (Oboe, Bc) | |
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Adapted and transposed from the original score in B minor for three violins and continuo. The original print generically names the three treble parts «dessus» without any instrumental specification. Transposing the sonata to D minor, the first two treble parts fit two treble recorders, while the third dessus may be played on a modern oboe, which can descend to the low Bb, or on any treble instrument. | |
| 6 | |
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Johann Sebastian Bach (1685 - 1750): Variatio 10 - Fughetta source: Goldberg Variations - BWV 988 (1741), No. 10
scoring:
STTL | |
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What is the meaning of these icons?
5
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Johann Sebastian Bach (1685 - 1750): Was willst du dich, o meine Seele, kränken - BWV 425
scoring:
SATB | |
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What is the meaning of these icons?
3
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Giovanni Battista Vitali (1632 - 1692): Trio Sonata 3 in C major source: Sonate da camera a tre. Due violini e violone. Op. 14 (Modena 1692)
scoring:
SSB | |
| This suite of dances suits well two descant recorders and a bass. Even better if we play it with low recorders; that is, two tenors and a great bass recorder. | |
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What is the meaning of these icons?
5
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Domenico Scarlatti (1685 - 1757): Sonata in G major K 55, No. 55
scoring:
A (Harpsichord) | |
| 3 | |
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Henry Purcell (1659 - 1695): Trio Sonata III in D minor - Z 804 source: Ten sonatas in four parts (John Heptinstall, London 1697) [posthumous collection], No. 3
scoring:
AAB | |
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What is the meaning of these icons?
5
1
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Anonymous (XVI cent.): En m’en revenant / Poi che a noi rimena / More palatino
scoring:
AATB | |
| This melody has had numerous arrangements since 1597 and throughout the 17th century. It is known for at least three textual incipits, but we do not know who the composer was. I decided to arrange it because a few days ago I published a capriccio by Frescobaldi based on an aria with the same text incipit but different music. Comparing the two compositions, I think my point will be clear to everyone. | |
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What is the meaning of these icons?
7
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Girolamo Frescobaldi (1583 - 1643): Capriccio sopra l’aria «Or che noi rimena» in partite source: Il primo libro di capricci fatti sopra diversi soggetti et arie (Rome 1624)
scoring:
SATB | |
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I am not usually partial to the music I publish and play. But this piece by Frescobaldi is one of the most beautiful works of Italian early baroque I have ever heard. I wish I knew the original aria. | |
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What is the meaning of these icons?
12
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Johann Sebastian Bach (1685 - 1750): Variatio 19 source: Goldberg Variations - BWV 988 (1741), No. 19
scoring:
A (Harpsichord) | |
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What is the meaning of these icons?
6
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Anonymous (XIII cent.): Parti de mal e a bien aturné - English song of the XIII century about crusades
scoring:
TTB | |
| Only the melody is original, the rest is mine. | |
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What is the meaning of these icons?
3
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Henry Purcell (1659 - 1695): Trio Sonata II in F major - Z 803 source: Ten sonatas in four parts (John Heptinstall, London 1697) [posthumous collection], No. 2
scoring:
ATB | |
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What is the meaning of these icons?
7
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Anonymous (XVI cent.): La bona notte source: Mus.ms. 1503 h (1503) [14 Italian dances of the early Renaissance], No. 4
scoring:
TTBB or ATBB | |
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What is the meaning of these icons?
7
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José Feliciano (1945 - ): Feliz Navidad
scoring:
AATB | |
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What is the meaning of these icons?
8
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Jacob van Eyck (c. 1589 - 1657): Wel Jan, wat drommel doeje hier? with an editorial continuo source: Der Fluyten Lust-hof (Amsterdam 1649-54)
scoring:
A (Bc) | |
| This is the theme and variations of an anonymous piece published in van Eyck’s collection. I have transposed the piece to suit a treble recorder and added a continuo part of my own. | |
What is the meaning of these icons?
5
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Henry Purcell (1659 - 1695): Trio Sonata I in D minor - Z 802 source: Ten sonatas in four parts (John Heptinstall, London 1697) [posthumous collection], No. 1
scoring:
ATB | |
| Arranged from the original score in B minor for two violins and continuo. | |
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What is the meaning of these icons?
8
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Andrea Bornstein (1956 - ): Woodcock - early English dance tune
scoring:
STTB | |
| The plain melody of this dance is found in The English Dancing Master, published in London in 1651 by John Playford. | |
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What is the meaning of these icons?
5
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Heinrich Ignaz Franz Biber (1644 - 1704): Sarabande source: Mensa sonora seu musica instrumentalis (Salzburg 1680), Pars I
scoring:
AATB | |
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The work Mensa sonora was conceived for strings and continuo, but often these dances may be adapted for recorders with or without a harpsichord accompaniment. In particular, this sarabande works very well for four recorders with some editorial divisions of the top line on the repeats. | |
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What is the meaning of these icons?
4
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Johann Pachelbel (1653 - 1706): Aria Secunda - P 194
scoring:
A (Harpsichord) | |
| Arranged from the original score for keyboard in E minor. | |
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What is the meaning of these icons?
5
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Johann Pachelbel (1653 - 1706): Aria Prima - P 193
scoring:
STB | |
| Arranged from the original score for keyboard. | |
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What is the meaning of these icons?
5
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Anonymous (XV cent.): Je vous rongnois source: Ms. Q16 (1487). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica
scoring:
ATB | |
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What is the meaning of these icons?
5
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Hendrik Anders (1657 - 1714): Sarabande source: Trioos, Allemande, Courante, Sarabande, Gighe (Amsterdam 1696)
scoring:
A (Bc) | |
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This dance, in its simple elegance, lends itself very well to diminution. The original score, as in all of Anders’s collection, is for two recorders and continuo: I have arranged it for solo treble recorder and harpsichord by adding the divisions to the recorder part. | |
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What is the meaning of these icons?
8
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Henry Purcell (1659 - 1695): Man is for the woman made source: The Mock Marriage (1695) - Z 605
scoring:
STTB | |
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This was originally a song composed for The Mock Marriage (1695). From this version we have the vocal line and the continuo. In 1696, John Playford published the simple textless melody of this song in his The Second Part of the Dancing Master, entitled Man was for Woman made, and gave a coreography for it. My arrangement adds two middle voices to the original score, adapts some passages and adds some divisions. | |
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What is the meaning of these icons?
4
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Heinrich Ignaz Franz Biber (1644 - 1704): Gigue source: Mensa sonora seu musica instrumentalis (Salzburg 1680), Pars V
scoring:
A (Harpsichord) | |
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What is the meaning of these icons?
4
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Andrea Bornstein (1956 - ): Picking Up Sticks - early English dance tune
scoring:
STTB | |
| The source of the monody Picking Up Sticks is The English Dancing Master, published in London in 1651 by John Playford. | |
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What is the meaning of these icons?
6
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This is a traditional German melody that originally had Latin lyrics about the Nativity. The musicologist Karl Riedel (1827-1888) arranged it and added German lyrics to it. My arrangement retains the original melody and Riedel’s lyrics; the rest is mine. | |
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What is the meaning of these icons?
5
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Anonymous (XVII cent.): Chi d’Amor non vuol le pene source: Venetian manuscript of the end of the Seventeenth Century
scoring:
C or SB (Bc) | |
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The original score is for soprano singer and continuo. I added divisions on the Da Capo repeat. The bass recorder doubles the continuo line and it must be intended as ad libitum; furthermore, it preferably should be played only when a soprano recorder plays the upper part. | |
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What is the meaning of these icons?
8
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August Heinrich von Weyrauch (1788 - 1865): Ach, wie ist’s möglich dann source: Zehn deutsche Lieder in Musik gesetz. Sammlung 2 (Dorpat (Tartu) 1820)
scoring:
SATB | |
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What is the meaning of these icons?
3
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Andrea Bornstein (1956 - ): Variazioni sulla Mantovana
scoring:
A (Harpsichord) | |
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What is the meaning of these icons?
6
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Georg Philipp Telemann (1681 - 1767): Herr Christ, der einig Gotts Sohn - TWV 31:32 source: Fugierende und verändernde Choräle (1735), No. 32
scoring:
STB | |
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What is the meaning of these icons?
4
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Billy Joel (1949 - ): Honesty
scoring:
STTB | |
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What is the meaning of these icons?
5
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Heinrich Ignaz Franz Biber (1644 - 1704): Chaconne source: Mensa sonora seu musica instrumentalis (Salzburg 1680), Pars III
scoring:
A (Harpsichord) | |
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What is the meaning of these icons?
6
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Heinrich Ignaz Franz Biber (1644 - 1704): Chaconne source: Mensa sonora seu musica instrumentalis (Salzburg 1680), Pars VI
scoring:
ATB (Bc) | |
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What is the meaning of these icons?
6
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Alessandro Scarlatti (1660 - 1725): Spesso vibra per suo gioco, Air source: La caduta de’ Decemviri (Naples 1697)
scoring:
ATT (Bc) | |
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The original score in C minor is for two violins, soprano and basso continuo. In my arrangement, the two tenors play the violin parts while the treble recorder play the voice part. | |
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What is the meaning of these icons?
5
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What is the meaning of these icons?
7
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Hendrik Anders (1657 - 1714): Chaconne source: Trioos, Allemande, Courante, Sarabande, Gighe (Amsterdam 1696)
scoring:
AAB (Bc) | |
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What is the meaning of these icons?
6
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| Trun is a municipality in the Surselva Region in the canton of Grisons in Switzerland. The title of this song is in Romansh language. | |
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What is the meaning of these icons?
4
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Hendrik Anders (1657 - 1714): Sonatine in F major source: Trioos, Allemande, Courante, Sarabande, Gighe (Amsterdam 1696)
scoring:
AAB or ATB (Bc) | |
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What is the meaning of these icons?
8
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Benedetto Marcello (1686 - 1739): Largo and Chaconne in F major source: Sonata XII in F major from Suonate a flauto solo con il suo basso continuo per violoncello o cembalo (1712)
scoring:
ATB | |
| These are the last two movements of the Sonata XII arranged for ATB recorders. | |
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What is the meaning of these icons?
10
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Benedetto Marcello (1686 - 1739): Largo and Gigue in F major source: Sonata I in F major from Suonate a flauto solo con il suo basso continuo per violoncello o cembalo (1712)
scoring:
ATB | |
| These are the last two movements of the Sonata I arranged for ATB recorders. | |
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What is the meaning of these icons?
6
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Andrea Bornstein (1956 - ): Variations on The Lord at first did Adam make - English, Welsh and Irish Christmas Eve Carol
scoring:
SATB | |
| Only the melody is original: the rest is mine. | |
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What is the meaning of these icons?
7
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Andrea Bornstein (1956 - ): Variations on The Twelve Joys of Mary - A New Forest (England) Christmas Carol
scoring:
A (Harpsichord) | |
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This ancient carol is from the English New Forest District. The beginning of its melody strictly resembles that of God Rest You Merry, Gentlemen. Only the melody of the carol is original; the rest is mine. | |
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What is the meaning of these icons?
7
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Bernardo Pasquini (1637 - 1710): Pastorale
scoring:
SATB | |
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What is the meaning of these icons?
5
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Benedetto Marcello (1686 - 1739): Pastorale in F major source: Antiche Canzoni di Natale (Padua 1911)
scoring:
SAT | |
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What is the meaning of these icons?
5
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Oreste Ravanello (1871 - 1938): Magnum nomen Domini: Emmanuel - Christmas folk song source: Antiche Canzoni di Natale (Padua 1911)
scoring:
SATB | |
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What is the meaning of these icons?
3
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| The original score is for piano. | |
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What is the meaning of these icons?
3
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Christoph Graupner (1683 - 1760): Gigue - GWV 806
scoring:
C (Harpsichord) | |
| This arrangement is based on the original score for harpsichord in C minor | |
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What is the meaning of these icons?
6
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Giuseppe Giamberti (c. 1600 - c. 1663): Duo XXXV. Spagnoletta source: Duo tessuti con diversi solfeggiamenti, scherzi, perfidie, et oblighi (Rome 1657), No. 35
scoring:
ST | |
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What is the meaning of these icons?
3
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Johann Sebastian Bach (1685 - 1750): Variatio 18. Canone alla Sexta source: Goldberg Variations - BWV 988 (1741), No. 18
scoring:
ATB or AAB | |
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What is the meaning of these icons?
9
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Domenico Cimarosa (1749 - 1801): Sonata in D minor
scoring:
A (Harpsichord) | |
| Arranged from the original score for keyboard. | |
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What is the meaning of these icons?
7
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What is the meaning of these icons?
8
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Antonio Vivaldi (1678 - 1741): Trio Sonata in F major - RV 62 - Op. 1, No. 6 source: Suonate da Camera a tre. Op. 1 (Amsterdam c. 1712)
scoring:
AA (Bc) | |
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What is the meaning of these icons?
5
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Alessandro Scarlatti (1660 - 1725): Follia source: A manuscript of music for keyboard in the British Library
scoring:
STB | |
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What is the meaning of these icons?
9
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Michel Richard Delalande (1657 - 1726): Air de Diane source: Ballet de Flore dansé a [Grand] Trianon (1689)
scoring:
ATB (Bc) | |
| The bass recorder doubles the continuo line an octave above: hence it is ad libitum. | |
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What is the meaning of these icons?
5
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Francesco Nicola Fago (1677 - 1745): Toccata in C major source: Ms. Add. 1424 (XVIII cent.), Manuscript preserved in London: British Library
scoring:
A (Harpsichord) | |
| The original score for keyboard is in A major | |
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What is the meaning of these icons?
5
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Lucio Battisti (1943 - 1998): Non è Francesca
scoring:
ATB (Harmonic Instrument ad libitum) | |
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What is the meaning of these icons?
4
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Francesco Nicola Fago (1677 - 1745): Non v’è pena maggior, Air source: Secular cantata «Non credo che vi sia pena maggior». Manuscript preserved in Naples: Conservatorio S. Pietro a Majella
scoring:
A (Bc) | |
| Air with editorial divisions of the A Capo. | |
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What is the meaning of these icons?
4
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Francesco Nicola Fago (1677 - 1745): Potessi dire almeno la fiamma del mio seno, Air source: Secular cantata «Non credo che vi sia pena maggior». Manuscript preserved in Naples: Conservatorio S. Pietro a Majella
scoring:
A (Bc) | |
| Air with editorial divisions of the A Capo. | |
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What is the meaning of these icons?
5
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Anonymous (XVIII cent.): Anonymous fugue from the late 18th century in A minor source: Ms. Add. 14335 (XVIII cent.), Manuscript preserved in London: British Library
scoring:
SATB | |
| Heavily arranged from an anonymous score for keyboard. | |
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What is the meaning of these icons?
6
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Josep Gallés i Salabert (1758 - 1836): Sonata in D minor
scoring:
A (Harpsichord) | |
| Arranged from the keyboard sonata in C minor | |
| 5 | |
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Henry Purcell (1659 - 1695): Hark! my Damilcar source: Tyrannic Love or The Royal Martyr (1694) - Z 613
scoring:
ST or STB (Bc) | |
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The original score in C major is for two singers soprano and bass with continuo. In my arrangement, the bass recorder double the continuo line an octave above, hence it can be omitted from the performance. | |
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What is the meaning of these icons?
8
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Giovanni Battista Vitali (1632 - 1692): Trio Sonata 1 in C major source: Sonate da camera a tre. Due violini e violone. Op. 14 (Modena 1692)
scoring:
ATB | |
| Players should be aware that the bass recorder actually sounds an octave higher than it should for the part it plays. The result, however, is not unpleasant, but the use of an authentic bass instrument - cello, viola da gamba or bassoon - is still recommended. | |
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What is the meaning of these icons?
4
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What is the meaning of these icons?
6
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Giovanni Battista Vitali (1632 - 1692): Trio Sonata 9 in G minor source: Sonate da camera a tre. Due violini e violone. Op. 14 (Modena 1692)
scoring:
ATB | |
| Players should be aware that the bass recorder actually sounds an octave higher than it should for the part it plays. The result, however, is not unpleasant, but the use of an authentic bass instrument - cello, viola da gamba or bassoon - is still recommended. | |
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What is the meaning of these icons?
7
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The original score is in D major. The bass line splits in two just in the penultimate strain. | |
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What is the meaning of these icons?
6
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Evaristo Felice Dall'Abaco (1675 - 1742): Largo in G major source: Concerto II, Op. 5 (c. 1722)
scoring:
A (Harpsichord) | |
| The original score is for strings and continuo. | |
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What is the meaning of these icons?
5
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What is the meaning of these icons?
6
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Anonymous (XVIII cent.): Minuet source: 50 Airs anglois [… Book 1] (Amsterdam c. 1702), No. 27
scoring:
GG or AA | |
| The original score is suitable for two treble recorders in G. I have also transposed it down a tone for two common treble recorders. Either way, both versions can easily be played on two treble recorders in F. | |
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What is the meaning of these icons?
3
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Anonymous (XVIII cent.): Air source: 50 Airs anglois [… Book 1] (Amsterdam c. 1702), No. 26
scoring:
GG or AA | |
| The original score is suitable for two treble recorders in G. I have also transposed it down a tone for two common treble recorders. Either way, both versions can easily be played on two treble recorders in F. | |
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What is the meaning of these icons?
3
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Anonymous (XVIII cent.): Rondo source: 50 Airs anglois [… Book 1] (Amsterdam c. 1702), No. 25
scoring:
GG or AA | |
| The original score fits two treble recorders in G very well. I also transposed it a tone below for two common treble recorders. Anyway, both versions can easily be played on two treble recorders in F. | |
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What is the meaning of these icons?
3
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Nicola Matteis (? - post 1713): Air source: 50 Airs anglois [… Book 1] (Amsterdam c. 1702), No. 36
scoring:
AB (Bc) | |
| This is a quite interesting piece by Nicola Matteis, who devised variations in both the upper and the lower part. I have arranged it reconstructing the basic bass and assigning the bass variations to a bass recorder. For a better understanding of how Bingham presents the piece and how I rearranged it, see the facsimile of his original print. | |
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What is the meaning of these icons?
8
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Bernardo Pasquini (1637 - 1710): Passagagli source: Ms. Add. 31501, II-III (1708), Manuscript preserved in London: British Library
scoring:
A (Harpsichord) | |
| Like every instrumental composition by Pasquini, this work originally was thought for a keyboard instrument. | |
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What is the meaning of these icons?
7
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Michel Richard Delalande (1657 - 1726): Deuxième Air source: Première Suite pour le Souper du Roy
scoring:
AAB | |
| Originally this air is a «Trio de hautbois» in G major. | |
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What is the meaning of these icons?
4
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Bernardo Pasquini (1637 - 1710): Variazioni sopra la follia source: Ms. Add. 31501, II-III (1708), Manuscript preserved in London: British Library
scoring:
SATB | |
| Like every instrumental composition by Pasquini, this work originally was thought for a keyboard instrument. Nevertheless it nicely fits a recorder SATB ensemble. | |
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What is the meaning of these icons?
8
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Michel Richard Delalande (1657 - 1726): Chaconne légère source: Suite pour Les Folies de Cardenio
scoring:
A (Bc) | |
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What is the meaning of these icons?
8
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Lucio Battisti (1943 - 1998): Nel cuore, nell’anima
scoring:
AAT | |
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What is the meaning of these icons?
5
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Burt Bacharach (1928 - 2023): I Say a Little Prayer
scoring:
A (Piano) | |
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What is the meaning of these icons?
6
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Alberto Fortis (1955 - ): La Sedia di Lillà
scoring:
A (Piano) | |
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What is the meaning of these icons?
3
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Bernardo Pasquini (1637 - 1710): Partite diverse di follia
scoring:
A (Bc) | |
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What is the meaning of these icons?
10
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Giovanni Battista Vitali (1632 - 1692): Gagliarda Prima source: Balletti, correnti e sinfonie da camera a quattro stromenti. Op. 3 (Bologna 1667)
scoring:
AAB (Bc) | |
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This is a galliard, despite its tempo mark «Largo». The bass line may be played on a great bass recorder as well as on any bass instrument. | |
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What is the meaning of these icons?
5
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Giovanni Battista Vitali (1632 - 1692): Balletto Primo - Op. 4, No. 1 source: Balletti, correnti, gighe, allemande e sarabande. Op. 4 (Bologna 1673)
scoring:
A (Bc) | |
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What is the meaning of these icons?
9
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Paul de Senneville (1933 - ): Mariage d’amour
scoring:
AB | |
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What is the meaning of these icons?
6
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Imagine Dragons (XXI cent.): Believer
scoring:
A (Piano) | |
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What is the meaning of these icons?
8
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Giacomo Antonio Perti (1661 - 1756): Fugue for two voices. First example source: G.B. Martini, Esemplare. Part 2 (Bologna 1775)
scoring:
ST | |
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What is the meaning of these icons?
5
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Giacomo Antonio Perti (1661 - 1756): Fugue for two voices. Second example source: G.B. Martini, Esemplare. Part 2 (Bologna 1775)
scoring:
SA | |
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What is the meaning of these icons?
5
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Antonio Vivaldi (1678 - 1741): Sonata in F major - RV 52
scoring:
A (Bc) | |
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What is the meaning of these icons?
13
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Antonio Lotti (c. 1667 - 1740): Incostanza della Sorte source: Duetti e terzetti, e madrigali a più voci (Venice 1705)
scoring:
SAB (Bc) | |
| A wonderful composition that perfectly fits recorders as is. It cannot get any better. | |
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What is the meaning of these icons?
9
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Anonymous (XVIII cent.): Air source: 50 Airs anglois [… Book 1] (Amsterdam c. 1702), No. 34
scoring:
A (Bc) | |
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What is the meaning of these icons?
4
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Giacomo Antonio Perti (1661 - 1756): Et vitam venturi saeculi - Fuga a quattro voci source: G.B. Martini, Esemplare. Part 2 (Bologna 1775)
scoring:
SATB (Bc) | |
|
What is the meaning of these icons?
6
| |
|
Giacomo Antonio Perti (1661 - 1756): Begli occhi, io non mi pento
scoring:
C (Bc) | |
| Air with editorial divisions of the A Capo. | |
|
What is the meaning of these icons?
8
| |
|
Jean-Baptiste Lully (1632 - 1687): Entrée des Songes Funestes source: Atys. Tragédie mise en musique - LWV 53 (1689) - Act 3, Scene 4
scoring:
ATBB (Bass instrument) | |
|
What is the meaning of these icons?
4
| |
|
Anonymous (XVII cent.): Iustorum animae in manu Dei sunt - Fuga a due voci source: G.B. Martini, Esemplare. Part 2 (Bologna 1775)
scoring:
AB (Bc) | |
|
What is the meaning of these icons?
7
| |
|
Anonymous (XVIII cent.): Air source: 50 Airs anglois [… Book 1] (Amsterdam c. 1702), No. 33
scoring:
A (Bc) | |
| All the repeats bear editorial divisions. | |
|
What is the meaning of these icons?
6
| |
|
Alessandro Besozzi (1702 - 1793): Sonata I in F major source: VIII Sonatas for two German flutes (London n.d.)
scoring:
ATB | |
| 7 | |
|
Andrea Bornstein (1956 - ): Fantasia on The Beatles song I Want You
scoring:
ATTB | |
|
What is the meaning of these icons?
6
| |