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Entries 101 - 200 out of 4847 [49 pages]

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Giovanni Battista Riccio (flourished 1609-21):  In Spiritu humilitatis, Motet
source: Il terzo libro delle divine lodi musicali (Venice 1620)
scoring: SATB (Bc)
Riccio’s compositions always are recorder friendly. In fact, it is no coincidence that he was the most prolific 17th century composer of music for «flautino»; that is, soprano recorder.
That said, even if the four vocal parts perfectly fit a SATB group of recorder in the original key, I preferred to transpose the motet a note above to G.
The continuo part can be omitted throughout, but in this case the bass recorder must play the small-size notes at the very beginning of the composition.
What is the meaning of these icons?    5
Thomas Ravenscroft (c. 1588 - 1635):  Ut Re Me Fa Sol La, Canon at the unison a 4
source: Pammelia. Musicks Miscellanie (London 1609), No. 31
scoring: TTTT or AAAA
This peculiar composition begins with the ascending and descending hexachord; a classic didactic requirement concerning the solmisation.
Its performance it is not easy because of the presence of two different kinds of triplets that clash with the binary flowing of the other parts.
Since the four parts are equal and perfectly fit the range of a recorder in C, they can be played on any kind of recorder in C or in F. I warmly suggest to play this composition with four basses.
In addition to the texted score and parts I added a textless version useful if we just want to play the canon.
What is the meaning of these icons?  3
Domenico Natale Sarri [Sarro] (1679 - 1744):  Adagio from Concerto in D minor
source: JOG 72-29 (vol. 31). Manuscript preserved in New York: Music Division of the New York Public Library for the Performing Arts
scoring: AATB
What is the meaning of these icons?  4
Domenico Natale Sarri [Sarro] (1679 - 1744):  Concerto con violini e flauto e basso in D minor
source: JOG 72-29 (vol. 31). Manuscript preserved in New York: Music Division of the New York Public Library for the Performing Arts
scoring: A (2 Violins, Bc)
This concerto has a serious problem; that is, the first Allegro as second movement is missing. There are good reasons for surmising that: all the similar compositions contained in the famous Neapolitan collection Concerti di Flauto […] have at least four movements; but more obvious is that there are two successive slow movements: «Amoroso» and «Adagio». The loss seems to predate the writing of the manuscript JOG 72-29 (vol. 31), because in it the three movements follow each other seamlessly in all the four parts.
It is worth noticing that the second violin exactly follows the first one except in the second movement.
What is the meaning of these icons?   8
Giovanni Battista Vitali (1632 - 1692):  Balletto Settimo
source: Correnti e balletti da camera a due violini. Op. 1 (Bologna 1666)
scoring: AAB or ATB
The original score is in A major.
What is the meaning of these icons?   3
Christoph Graupner (1683 - 1760):  Selve amiche, ombrose piante, Air
source: Pastoral opera La costanza vince l’inganno (1711)
scoring: AATB (Bc)
The original score of this aria – in F major – is for a soprano singer, two treble recorders and continuo.
Our arrangement includes editorial divisions of the ripresa.
The bass recorder is ad libitum: it doubles the continuo line an octave above as a viola would do in an Eighteenth-century string score.
What is the meaning of these icons?   6
Salamone Rossi (1570 - c. 1630):  Passeggio d’un balletto a 5
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 27
scoring: SSATB
In conclusion of his collection of instrumental dances, Rossi placed a short piece – just eight measures – meant to link choreographically different dances.
Here we present it in its plain version and with editorial divisions.
What is the meaning of these icons?  4
Andrea Bornstein (1956 - ):  Primo vere (At the beginning of spring)
scoring: SATB
What is the meaning of these icons?   5
Henry Purcell (1659 - 1695):  Hence with your trifling deity
source: The History of Timon of Athens, the Man-Hater (1695) - Z 632, No. 5
scoring: ATB
What is the meaning of these icons?  4
Salamone Rossi (1570 - c. 1630):  Gagliarda a 5 detta La Massara
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 26
scoring: SSATB
What is the meaning of these icons?  5
George Frideric Handel (1685 - 1759):  Laß das Schicksal blitzen, wittern, Air
source: Almira, Königin von Castilien (1705) - HWV 1
scoring: SSATB
The original score in Eb major is for tenor singer, oboes, strings and continuo.
What is the meaning of these icons?  4
George Frideric Handel (1685 - 1759):  Chi più mi piace io voglio, Air
source: Almira, Königin von Castilien (1705) - HWV 1
scoring: A (Harpsichord)
The original score in C minor is for soprano singer, oboe and continuo.
What is the meaning of these icons?  10
George Frideric Handel (1685 - 1759):  Liebliche Wälder, schattige Felder, Air
source: Almira, Königin von Castilien (1705) - HWV 1
scoring: AATTBB (Bass instrument)
The original score is for tenor singer, two treble recorders and strings.
The «Basso» part may be played on a great bass recorder.
What is the meaning of these icons?   7
George Frideric Handel (1685 - 1759):  Courante
source: Almira, Königin von Castilien (1705) - HWV 1
scoring: ATB
The original score in G minor consists of the bass and the treble parts only.
What is the meaning of these icons?  3
Domenico Natale Sarri [Sarro] (1679 - 1744):  Larghetto from Concerto XI
source: Concerti di Flauto, Violini, Violetta, e Basso di Diversi Autori (Naples 1725). Manuscript preserved in the Music conservatories of Naples
scoring: ATB (Bass instrument)
The «Basso» part may be played on a great bass recorder.
What is the meaning of these icons?   6
Domenico Natale Sarri [Sarro] (1679 - 1744):  Sonata XI in A minor
source: Concerti di Flauto, Violini, Violetta, e Basso di Diversi Autori (Naples 1725). Manuscript preserved in the Music conservatories of Naples
scoring: A (Harpsichord)
Arranged from the original score for treble recorder and strings.
It is worth noting that the original manuscript of these compositions – as well as other contemporary sources of instrumental music – employs the terms «sonata» and «concerto» indifferently as synonyms.
What is the meaning of these icons?   7
Domenico Scarlatti (1685 - 1757):  Sonata in D minor K 58 – Fugue
scoring: A (Harpsichord)
What is the meaning of these icons?  5
Santo Lapis (1699 - 1765):  Sonata V in E minor (G minor)
source: Sei duetti per due flauti o violini o fagotti (Paris c. 1740-48)
scoring: CC or AA
The original score fits two recorders in C (sopranos or tenors), while the transposed one fits two treble recorders.
What is the meaning of these icons?  4
Salamone Rossi (1570 - c. 1630):  Gagliarda a 5 detta La Norsina
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 25
scoring: SSATB
What is the meaning of these icons?  6
Traditional:  Misty Mourne Shore, Irish folk song
scoring: ATB (Harpsichord)
What is the meaning of these icons?  5
Penn & Moman (XX cent.):  The Dark End of the Street
scoring: SAB
What is the meaning of these icons?    4
Salamone Rossi (1570 - c. 1630):  Sinfonia XXIV a 5
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 24
scoring: SSATB or SSTTB
What is the meaning of these icons?  5
Giovanni Battista Vitali (1632 - 1692):  Corrente Sesta - Op. 1, No. 18
source: Correnti e balletti da camera a due violini. Op. 1 (Bologna 1666)
scoring: ATB (Bc)
What is the meaning of these icons?   3
Giovanni Battista Vitali (1632 - 1692):  Corrente Quinta - Op. 1, No. 17
source: Correnti e balletti da camera a due violini. Op. 1 (Bologna 1666)
scoring: AAB
Transposed to G major from the original score in C major
What is the meaning of these icons?  4
Salamone Rossi (1570 - c. 1630):  Gagliarda a 5 detta L’Andreasina
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 23
scoring: SSATB
Transposed a tone higher for recorders’ sake.
The D sharp minim (half note) in bar 2 – Soprano 2 part – may be omitted from the performance since the alto recorder plays the same note.
What is the meaning of these icons?  17
Louis Mercy (c. 1695 - c. 1750):  Sonata IV in D minor - Op. 1, No. 4
source: Six Solos for a Flute with a thorough Bass (London c. 1718)
scoring: A (Bc)
According to the canons of the Baroque sonata, we could classify this composition as «bizarre».
What is the meaning of these icons?   6
Salamone Rossi (1570 - c. 1630):  Sinfonia grave a 5
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 22
scoring: SSATB
What is the meaning of these icons?   6
Louis Mercy (c. 1695 - c. 1750):  Sonata V in C major - Op. 1, No. 5
source: Six Solos for a Flute with a thorough Bass (London c. 1718)
scoring: A (Bc)
The last movement, although referred to as «Giga», does not in fact have any characteristics of that dance movement.
At end of our edition there is the transcription of the very interesting foreword to the original collection with a German and an Italian translation.
There Mercy explains how he managed to write down and play the double stops present in this and other sonatas of his Opera prima.
What is the meaning of these icons?   8
Giovanni Battista Vitali (1632 - 1692):  Balletto Sesto - Op. 1, No. 6
source: Correnti e balletti da camera a due violini. Op. 1 (Bologna 1666)
scoring: ATB
What is the meaning of these icons?  4
Giovanni Battista Vitali (1632 - 1692):  Balletto Quinto - Op. 1, No. 5
source: Correnti e balletti da camera a due violini. Op. 1 (Bologna 1666)
scoring: AAB
What is the meaning of these icons?   5
Salamone Rossi (1570 - c. 1630):  Sonata a 4
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 20
scoring: ATTB
What is the meaning of these icons?  9
Louis Mercy (c. 1695 - c. 1750):  Sonata VI in F major - Op. 1, No. 6
source: Six Solos for a Flute with a thorough Bass (London c. 1718)
scoring: A (Bc)
At end of our edition there is the transcription of the very interesting foreword to the original collection with an Italian translation.
There Mercy explains how he managed to write down and play the double stops present in this and other sonatas of his Opera prima.
What is the meaning of these icons?    11
Salamone Rossi (1570 - c. 1630):  Gagliarda a 4 detta Marchesino
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 19
scoring: SATB
What is the meaning of these icons?  7
Salamone Rossi (1570 - c. 1630):  Gagliarda a 4 detta Venturino
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 18
scoring: SATB
What is the meaning of these icons?  7
John Travers (1703 - 1758):  Advice to Delius
source: Eighteen Canzonets for two and three voices (London 1746)
scoring: TTB (Bc)
What is the meaning of these icons?   6
Andrea Bornstein (1956 - ):  Wilhelmus van Nassouwen, Dutch folk-song and present national anthem of the Netherlands
scoring: STTB
What is the meaning of these icons?   5
Anonymous (XV cent.):  Fault il que je perde
source: Ms. Q16 (1487). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica
scoring: STB
What is the meaning of these icons?   5
Giovanni Battista Vitali (1632 - 1692):  Corrente Quarta - Op. 1, No. 16
source: Correnti e balletti da camera a due violini. Op. 1 (Bologna 1666)
scoring: ATB (Bc)
All the pieces of this collection were thought to be played with a continuo realization. Usually, our arrangements do not include the continuo figures and the bass line is adapted for a bass recorder. In this case, I think the harmony is quite necessary: the three lines are simple and the beauty of this piece is almost completely based on its harmony.
By the way, Vitali was pupil of Maurizio Cazzati, but already in this first opus surpassed his teacher under any musical aspects.
As I said, the bass line is not suited for a bass recorder, since it must sound an octave below; nevertheless, the bass recorder can be used if the continuo is played by a harmonic instrument.
What is the meaning of these icons?   6
Anonymous (XVI cent.):  In mynen zin heb ic
source: Mus.ms. 260 (c. 1550), Manuscript preserved in Munich: Bavarian State Library, No. 59
scoring: TT
In this version 2.0 I have added separate parts of the two lines.
What is the meaning of these icons?  6
Salamone Rossi (1570 - c. 1630):  Sinfonia XVII a 4
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 17
scoring: SATB
What is the meaning of these icons?  6
Giovanni Battista Vitali (1632 - 1692):  Corrente Terza - Op. 1, No. 15
source: Correnti e balletti da camera a due violini. Op. 1 (Bologna 1666)
scoring: AAB
What is the meaning of these icons?  7
Giovanni Battista Vitali (1632 - 1692):  Balletto Quarto - Op. 1, No. 4
source: Correnti e balletti da camera a due violini. Op. 1 (Bologna 1666)
scoring: ATB
What is the meaning of these icons?  6
Giovanni Battista Vitali (1632 - 1692):  Balletto Terzo - Op. 1, No. 3
source: Correnti e balletti da camera a due violini. Op. 1 (Bologna 1666)
scoring: AAB
What is the meaning of these icons?  5
Domenico Scarlatti (1685 - 1757):  Sonata in D minor K 32, No. 32
scoring: C (Harpsichord)
What is the meaning of these icons?   7
Salamone Rossi (1570 - c. 1630):  Sinfonia XVI a 4
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 16
scoring: SATB
What is the meaning of these icons?  6
Joseph Haydn (1732 - 1809):  Baryton Trio in F major - Hob.XI:109
scoring: AT (Bass instrument)
The original score for baryton, viola and cello is in C major, but there is another arrangement of the same trio for flute, violin and cello in D major.
What is the meaning of these icons?  9
Salamone Rossi (1570 - c. 1630):  Sinfonia XV a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 15
scoring: SSB
What is the meaning of these icons?  5
Salamone Rossi (1570 - c. 1630):  Sinfonia XIV a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 14
scoring: SSB
The original score is in F: I transposed it a tone above to make it more comfortable for recorders.
What is the meaning of these icons?  6
Richard Leveridge (1670 - 1758):  The Harvest of Love
source: A collection of songs (London 1727)
scoring: AB (Bc)
What is the meaning of these icons?   5
Salamone Rossi (1570 - c. 1630):  Sinfonia XIII a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 13
scoring: SSB
This piece lends itself very well to bear divisions in all its parts.
We present here the transcription of the original score one tone above (from F to G) and our version with editorial divisions.
What is the meaning of these icons?  8
Giuseppe Sarti (1729 - 1802):  Cor mundum crea in me, Deus
source: Miserere mei, Deus! (c. 1790)
scoring: AATTB
What is the meaning of these icons?  5        1
Salamone Rossi (1570 - c. 1630):  Sinfonia XII a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 12
scoring: SSB
The original score is in F: I transposed it a tone above to make it more comfortable for recorders.
What is the meaning of these icons?   6
Henry Purcell (1659 - 1695):  Love in their little veins inspires
source: The History of Timon of Athens, the Man-Hater (1695) - Z 632, No. 3
scoring: A (Bc)
What is the meaning of these icons?   6
Salamone Rossi (1570 - c. 1630):  Sinfonia XI a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 11
scoring: SSB (Bc ad libitum)
In my opinion, this piece demands a harmonisation of the bass. The figures of the continuo are my additions, as is their implementation. However, the harmonisation can be ignored.
The bass sounds very much like famous Italian Renaissance basses, but it cannot be strictly assimilated to any of them.
What is the meaning of these icons?   5
Paul Simon (1941 - ):  Song for the Asking
scoring: ATB
What is the meaning of these icons?    6
Salamone Rossi (1570 - c. 1630):  Sinfonia X a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 10
scoring: SSB
What is the meaning of these icons?  6
Giuseppe Sarti (1729 - 1802):  Real Fugue in Eight Parts, for Two Choirs in C major
scoring: SSAATTBB
What is the meaning of these icons?  4
Salamone Rossi (1570 - c. 1630):  Sinfonia XXI a 5
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 21
scoring: SSATB
This sinfonia closely resembles the Aria del Gran Duca theme (see here), even if it is not exactly it.
What is the meaning of these icons?  5
Salamone Rossi (1570 - c. 1630):  Sinfonia IX a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 9
scoring: SSB
Transposed a tone higher for recorders’ sake.
What is the meaning of these icons?  7
Leonardo Vinci (1690 - 1730):  Pastorella in Bb major from Sonata I in D major
source: Twelve solos for a German flute or violin (London [1746])
scoring: SAB
This is an arrangement of mine of the last movement of Vinci’s Sonata I.
What is the meaning of these icons?   6
Salamone Rossi (1570 - c. 1630):  Sinfonia VIII a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 8
scoring: SSB
This short piece is in F major; we also present it here transposed a tone above, in G major.
What is the meaning of these icons?  6
Leonardo Vinci (1690 - 1730):  Sonata X in G minor
source: Twelve solos for a German flute or violin (London [1746])
scoring: A (Bc)
The original score of this sonata is in E minor.
What is the meaning of these icons?  7
Gottfried Finger (c. 1660 - 1730):  Air
source: 40 Airs anglois […] Livre second (Amsterdam c. 1702), No. 17
scoring: A (Bc)
What is the meaning of these icons?   5
Salamone Rossi (1570 - c. 1630):  Sinfonia VII a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 7
scoring: SAB
What is the meaning of these icons?  7
Salamone Rossi (1570 - c. 1630):  Sinfonia VI a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 6
scoring: SSB
What is the meaning of these icons?  7
Santo Lapis (1699 - 1765):  Trio Sonata VI in Bb major
source: Nouveaux trios a deux flutes traversieres ou a deux violons, avec la basse continue (Amsterdam 1756), No. 6
scoring: SSB
The original score is in C major. Lowering it a tone, it fits two soprano recorders well. The bass line just needed minor adjustments.
What is the meaning of these icons?  6
Santo Lapis (1699 - 1765):  Sonata VI in F major
source: Sei duetti per due flauti o violini o fagotti (Paris c. 1740-48), No. 6
scoring: AA
Original score in D major.
6
Giovanni Battista Vitali (1632 - 1692):  Corrente Seconda - Op. 1, No. 14
source: Correnti e balletti da camera a due violini. Op. 1 (Bologna 1666)
scoring: AAB
What is the meaning of these icons?  5
Giovanni Battista Vitali (1632 - 1692):  Balletto Secondo - Op. 1, No. 2
source: Correnti e balletti da camera a due violini. Op. 1 (Bologna 1666)
scoring: AAB
What is the meaning of these icons?  5
Salamone Rossi (1570 - c. 1630):  Sinfonia V a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 5
scoring: ATB
The bass line has been slightly adapted to fit a bass recorder.
What is the meaning of these icons?  9
Salamone Rossi (1570 - c. 1630):  Sinfonia II a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 2
scoring: SSB
What is the meaning of these icons?  6
Salamone Rossi (1570 - c. 1630):  Sinfonia IV a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 4
scoring: SSB
With editorial divisions
What is the meaning of these icons?  6
Salamone Rossi (1570 - c. 1630):  Sinfonia III a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 3
scoring: SSB
What is the meaning of these icons?  6
Antonio Vivaldi (1678 - 1741):  Sonata in C major RV 10
scoring: A (Bc)
Arranged from the original score in D major for violin and continuo.
What is the meaning of these icons?  7
Diego Ortiz (c. 1519 - c. 1570):  Recercada VII [Romanesca]
source: El primo libro: Nel quale si tratta delle glose sopra le cadenze et altre sorte de punti in la musica del violone (Rome 1553), No. 7
scoring: A (Harpsichord)
Arranged from the original score for viol and four unspecified instruments.
What is the meaning of these icons?   10
Diego Ortiz (c. 1519 - c. 1570):  Recercada VI [Romanesca]
source: El primo libro: Nel quale si tratta delle glose sopra le cadenze et altre sorte de punti in la musica del violone (Rome 1553), No. 6
scoring: A (Harpsichord)
Arranged from the original score for viol and four unspecified instruments.
11
Anonymous (XVII cent.):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 28
scoring: AA
3
Anonymous (XVII cent.):  Trumpet tune
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 27
scoring: AA
4
Anonymous (XVII cent.):  Trumpet tune
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 26
scoring: AA
4
Anonymous (XVII cent.):  Slow Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 22
scoring: AA
3
Anonymous (XVII cent.):  Rondo
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 21
scoring: AA
3
James Paisible (c. 1656 - 1721):  Hornpipe
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 20
scoring: AA
5
James Paisible (c. 1656 - 1721):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 19
scoring: AA
4
James Paisible (c. 1656 - 1721):  Passepied
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 18
scoring: AA
4
James Paisible (c. 1656 - 1721):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 17
scoring: AA
3
John Banister (1662 - 1736):  Minuet
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 16
scoring: AA
3
John Banister (1662 - 1736):  Bourrée
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 15
scoring: AA
6
Keen (XVII cent.):  Slow Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 14
scoring: AA
Nothing found about «Mr. Keen».
3
Keen (XVII cent.):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 13
scoring: AA
Nothing found about «Mr. Keen».
3
Salamone Rossi (1570 - c. 1630):  Sinfonia I a 3
source: Il primo libro delle sinfonie et gagliarde (Venice 1607), No. 1
scoring: SSB
What is the meaning of these icons?  6
Diego Ortiz (c. 1519 - c. 1570):  Recercada V [Passamezzo antico]
source: El primo libro: Nel quale si tratta delle glose sopra le cadenze et altre sorte de punti in la musica del violone (Rome 1553), No. 5
scoring: A (Harpsichord)
Arranged from the original score for viol and four unspecified instruments.
8
Keen (XVII cent.):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 12
scoring: AA
Nothing found about «Mr. Keen».
7
Anonymous (XVII cent.):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 11
scoring: AA
This piece could be attributed either to John Banister (1662 - 1736) or to Gottfried Finger (c. 1660 - 1730).
4
Anonymous (XVII cent.):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 10
scoring: AA
This piece could be attributed either to John Banister (1662 - 1736) or to Gottfried Finger (c. 1660 - 1730).
What is the meaning of these icons?  3
Anonymous (XVII cent.):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 9
scoring: AA
This piece could be attributed either to John Banister (1662 - 1736) or to Gottfried Finger (c. 1660 - 1730).
2
Anonymous (XVII cent.):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 8
scoring: AA
This piece could be attributed either to John Banister (1662 - 1736) or to Gottfried Finger (c. 1660 - 1730).
4
Robert King (c. 1660 - c. 1726):  Rondo
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 23
scoring: AA
3
Robert King (c. 1660 - c. 1726):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 7
scoring: AA
3
Robert King (c. 1660 - c. 1726):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 6
scoring: AA
3
Robert King (c. 1660 - c. 1726):  Air
source: A collection of aires, composed for two flutes, by several masters (London 1693-96), No. 5
scoring: AA
3