Entries 801 - 900 out of 5030 [51 pages]
[4] [5] [6] [7] [8] [9] [10] [11] [12] [13] [14]
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The Beatles (flourished 1960-70): For No One
scoring:
STTB | |
What is the meaning of these icons?
5
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Christoph Graupner (1683 - 1760): Chorale source: Cantata «Heut triumphieret Gottes Sohn» - GWV 1129/15
scoring:
A (Harpsichord) | |
| This arrangement is based on the violin part accompanied by the continuo. | |
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What is the meaning of these icons?
5
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John Dowland (1563 - 1626): In darkness let me dwell
scoring:
TBL (Bass instrument) | |
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What is the meaning of these icons?
6
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Pietro Locatelli (1695 - 1764): Largo source: Concerto grosso IX (Amsterdam 1735)
scoring:
AATTB (Bass instrument) | |
|
What is the meaning of these icons?
7
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What is the meaning of these icons?
6
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Henry Purcell (1659 - 1695): With drooping wings ye Cupids come source: Dido and Aeneas (1688) - Z 626, No. 38
scoring:
ATB or TBL (Bass instrument) | |
| Here presented in two versions: in D minor and a lower one in A minor. | |
|
What is the meaning of these icons?
9
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Henry Purcell (1659 - 1695): The Triumphing Dance source: Dido and Aeneas (1688) - Z 626, No. 12
scoring:
TTB (Bass instrument) | |
|
What is the meaning of these icons?
8
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Francesco Geminiani (1687 - 1762): Follia source: Concerti Grossi della Seconda Parte dell’Opera Quinta d’Arcangelo Corelli (London 1726)
scoring:
AA (Bass instrument, Harpsichord) | |
| Arranged and transposed from the original orchestral score | |
|
What is the meaning of these icons?
6
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Anonymous (XVII cent.): Appena gli occhi alzai nel ciel del tuo volto source: Venetian manuscript of the end of the Seventeenth Century
scoring:
ATB (Bc) | |
What is the meaning of these icons?
5
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Johann Sebastian Bach (1685 - 1750): Variatio 9. Canone alla terza source: Goldberg Variations - BWV 988 (1741), No. 9
scoring:
AA (Bass instrument) | |
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What is the meaning of these icons?
5
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George Frideric Handel (1685 - 1759): Fantasia - HWV 490
scoring:
A (Harpsichord) | |
| Arranged from the original score for solo harpsichord in C major. | |
| 5 | |
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Matthew Locke (c. 1622 - 1677): Suite 9 (Nos. 33-36) source: Little consort of three parts (London 1656), No. 9
scoring:
A (Harpsichord) | |
| 6 | |
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Matthew Locke (c. 1622 - 1677): Suite 10 (Nos. 37-40) source: Little consort of three parts (London 1656), No. 10
scoring:
A (Harpsichord) | |
| 6 | |
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The Beatles (flourished 1960-70): Nowhere Man
scoring:
A (Karaoke) | |
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This song is presented as a karaoke version; that is, it must be played by a solo treble recorder with the provided MIDI file or with the karaoke videos you find here below. In the first video, the solo part plays together with the orchestra, while the second video is a minus-one (that is, the solo part is missing). | |
What is the meaning of these icons?
4
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Burt Bacharach (1928 - 2023): Close To You
scoring:
A (Karaoke) | |
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This song is presented as a karaoke version; that is, it must be played by a solo treble recorder with the provided MIDI file or with the karaoke videos you find here below. In the first video, the solo part plays together with the orchestra, while the second video is a minus-one (that is, the solo part is missing). | |
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What is the meaning of these icons?
4
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Johann Sebastian Bach (1685 - 1750): Variatio 6. Canone alla seconda source: Goldberg Variations - BWV 988 (1741), No. 6
scoring:
AA (Bass instrument) | |
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What is the meaning of these icons?
9
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Giovanni Paisiello (1740 - 1816): Sonata in D minor source: Capriccio «Les adieux» in D minor
scoring:
A (Harpsichord) | |
| This arrangement is based on excerpts from the Capriccio «Les adieux» in D minor for piano. | |
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What is the meaning of these icons?
10
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Johann Joachim Quantz (1697 - 1773): Larghetto source: Trio Sonata in Eb major - QV 2:Anh.18
scoring:
ATB | |
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What is the meaning of these icons?
12
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Francesco Bendusi (flourished 1553): Doi stanchi source: Opera nova de balli a quattro. Accomodati da cantare et sonare d’ogni sorte de stromenti (Venice 1553), No. 8
scoring:
ATTB | |
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What is the meaning of these icons?
8
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Jean Baptiste Loeillet de Gant (1688 - c. 1720): Sonata III in Bb major source: Six Sonatas for two German flutes (London 172?), No. 3
scoring:
AA | |
| As usual, this duo, which was composed for two transverse flutes in G major, may be transposed a third above and performed with two treble recorders. | |
| 9 | |
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Andrea Bornstein (1956 - ): Fantasia on a Finger’s Ground
scoring:
ATB (Bass instrument) | |
| This arrangement of mine is based on Finger’s A division on a ground in G minor. See the related entry. | |
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What is the meaning of these icons?
12
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Henry Purcell (1659 - 1695): Love, thou can’st hear - Z 396 source: Deliciae musicae. The first book (London 1695)
scoring:
A (Bc) | |
| Another smashing vocal number by Henry Purcell: the treatment of the harmony and some melodic passages are years ahead his time. | |
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What is the meaning of these icons?
13
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Domenico Natale Sarri [Sarro] (1679 - 1744): Sonata 2 in G minor source: Ms. CF-V-23: Sinfonie di varij autori. Manuscript preserved in Parma: Biblioteca Palatina, No. 24
scoring:
A (Bc) | |
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What is the meaning of these icons?
16
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Gottfried Finger (c. 1660 - 1730): A division on a ground in G minor source: The first part of the division flute (London [1706]), No. 10
scoring:
A (Bc) | |
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What is the meaning of these icons?
6
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Luigi Tenco (1938 - 1967): Quando
scoring:
ATTB | |
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What is the meaning of these icons?
7
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Gottfried Finger (c. 1660 - 1730): A division on a ground (3) source: RM.788.1191/S698: Sonates pour 1 & 2 fluttes. Manuscript preserved in Detroit: Public Library, No. 7
scoring:
A (Bc) | |
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What is the meaning of these icons?
12
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Gottfried Finger (c. 1660 - 1730): Chacone source: 40 Airs anglois […] Livre second (Amsterdam c. 1702), No. 42
scoring:
AA | |
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What is the meaning of these icons?
8
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Diego Ortiz (c. 1519 - c. 1570): Recercada tercera [Passamezzo moderno] source: El primo libro: Nel quale si tratta delle glose sopra le cadenze et altre sorte de punti in la musica del violone (Rome 1553)
scoring:
AAATB or AAAAB | |
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The original score is for viola da gamba and four generic instrumental lines (harpsichord). In this arrangement of mine four recorders share the divisions set by Ortiz for the viol. | |
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What is the meaning of these icons?
6
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Thomas Tollet (? - 1696): Tollet’s Ground source: The first part of the division flute (London [1706]), No. 5
scoring:
A (Bc) | |
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What is the meaning of these icons?
10
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Antônio Carlos Jobim (1927 - 1994): Desafinado
scoring:
BB | |
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What is the meaning of these icons?
10
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Giovanni Battista Vitali (1632 - 1692): Corrente Prima - Op. 1, No. 13 source: Correnti e balletti da camera a due violini. Op. 1 (Bologna 1666)
scoring:
AAB | |
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What is the meaning of these icons?
4
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Giovanni Battista Vitali (1632 - 1692): Balletto Primo - Op. 1, No. 1 source: Correnti e balletti da camera a due violini. Op. 1 (Bologna 1666)
scoring:
AAB | |
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What is the meaning of these icons?
8
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Henry Purcell (1659 - 1695): No, resistance is but vain - Incidental music to The Maid’s Last Prayer -or- Any Rather Than Fail - Z 601 source: Deliciae musicae. The first book (London 1695)
scoring:
AA (Bc) | |
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What is the meaning of these icons?
12
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John Eccles (1668 - 1735): Stretch’d in a dark and dismall Grove - A song in the 5th act of Pyrrhus, sung by Mrs. Hudson. source: Deliciae musicae. The third book (London 1696)
scoring:
T or A (Bc) | |
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What is the meaning of these icons?
7
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Johann Sebastian Bach (1685 - 1750): Variatio 3. Canone all’unisuono source: Goldberg Variations - BWV 988 (1741), No. 3
scoring:
AAB | |
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What is the meaning of these icons?
10
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Maurizio Cazzati (1616 - 1678): Capriccio sopra sedici note source: Suonate a due violini. Op. 18 (Bologna 1659)
scoring:
AA (Bc) | |
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What is the meaning of these icons?
6
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Thomas Tollet (? - 1696): The Queen’s Farewell in 3 parts source: The Sprightly Companion (London 1695)
scoring:
ATB (Bc ad libitum) | |
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With editorial divisions. The queen was Mary II (1662 - 1694). The harmonic realisation is editorial and may be omitted from the performance. | |
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What is the meaning of these icons?
7
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James Paisible (c. 1656 - 1721): The Queen’s Farewell in 4 parts source: The Sprightly Companion (London 1695)
scoring:
ATTB | |
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With editorial divisions. The queen was Mary II (1662 - 1694). | |
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What is the meaning of these icons?
9
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What is the meaning of these icons?
5
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Johann Caspar Ferdinand Fischer (1656 - 1746): Suite 2 source: Le journal du printemps: Ms. RES-F-529. Manuscript preserved in Paris: Bibliothèque nationale de France, No. 2
scoring:
SATB (Bass instrument) | |
| Adapted for SATB recorders and basso from the original score for strings. | |
| 7 | |
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What is the meaning of these icons?
4
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Pietro Vinci (c. 1525 - 1584): Gallina ratto rattonis / Gallina con lo corvo source: Il primo libro della musica a due voce (Venice 1560), No. 18
scoring:
AT | |
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What is the meaning of these icons?
3
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Antonio Vivaldi (1678 - 1741): Sonata in F major - RV 66 - Op. 1, No. 4 source: Suonate da Camera a tre. Op. 1 (Amsterdam c. 1712)
scoring:
A (Harpsichord) | |
| This is an arrangement of the original trio sonata for two violins and continuo in E major. | |
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What is the meaning of these icons?
13
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Giovanni Felice Sances (c. 1600 - 1679): Infortunio di Angelica, Dialogo a 3 voci source: Capricci poetici a una, doi, e tre voci (Venice 1649)
scoring:
STB (Bc) | |
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The original composition consists of a succession of solo recitatives and three-voice sections for soprano, tenor and bass singers with continuo. Here we edit just the arias transposed a tone above for recorders’ sake. | |
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What is the meaning of these icons?
8
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Giovanni Battista Vitali (1632 - 1692): Sonata 10 in D minor source: Varie sonate alla francese, et all’itagliana a sei stromenti. Op. 11 (Modena 1684)
scoring:
AAA (Harpsichord) | |
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What is the meaning of these icons?
8
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Filippo Prover (1727 - 1774): Minuetto variato source: Sei sonate per l’oboe, flauto traverso o violino con basso. Op. 1 (Paris c. 1750)
scoring:
A (Bc) | |
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This minuet with variations is the last movement of the first sonata and was originally meant for a transverse flute (or oboe). We present it here in four different versions: 1. The original version in G major that fits a transverse flute or a voice flute; 2. A transposed version to Bb that fits a treble recorder, but it is quite difficult; 3. An adapted version in the original key of G major, easier than the Bb version; 4. An adapted version in F major, possibly even easier than the G major version. | |
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What is the meaning of these icons?
6
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Giovanni Battista Riccio (flourished 1609-21): Canzon con il tremolo La Grimaneta source: Il terzo libro delle divine lodi musicali (Venice 1620)
scoring:
AB (Bc) | |
| This is one of the very few pieces of the Italian XVII century explicitly aimed at the recorder («flauto»). | |
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What is the meaning of these icons?
7
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Giovanni Battista Vitali (1632 - 1692): Sinfonia Seconda. Detta la Sadurani source: Balletti, correnti e sinfonie da camera a quattro stromenti. Op. 3 (Bologna 1667)
scoring:
ATB (Bc) | |
| With editorial divisions of the first movement. | |
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What is the meaning of these icons?
9
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Fabrizio De André (1940 - 1999): Bocca di rosa
scoring:
AA | |
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What is the meaning of these icons?
6
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Jean Baptiste Loeillet de Gant (1688 - c. 1720): Sonata II in G minor source: Six Sonatas for two German flutes (London 172?), No. 2
scoring:
AA | |
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As usual, this duo, which was composed for two transverse flutes in E minor, may be transposed a third above and performed with two treble recorders. Originally there is a movement in G major (Bb major) placed after the 4th movement «Vivace». Because of its key signature and its position, I think this piece does not belong to Sonata II. I transcribed it anyway and placed at end of the sonata. Obviously, you are free to play it as 5th movement disregarding my opinion. | |
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What is the meaning of these icons?
9
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Ludwig van Beethoven (1770 - 1827): Abbé Stadler - WoO 178
scoring:
BBB | |
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What is the meaning of these icons?
7
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Ludwig van Beethoven (1770 - 1827): Allemande - WoO 81
scoring:
ABB | |
| Originally for piano in A major. | |
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What is the meaning of these icons?
4
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Andrea Bornstein (1956 - ): Jigg to the Irish Cry
scoring:
ATTB | |
| This arrangement of mine is based on Thumoth’s Irish gigue. See the related entry. | |
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What is the meaning of these icons?
5
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Burke Thumoth (flourished 1720-47): Jigg to the Irish Cry source: Twelve Scotch and Twelve Irish Airs with Variations (London 1748), No. 24
scoring:
A (Bc) | |
| Transposed from the original score for flute and continuo in D major | |
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What is the meaning of these icons?
7
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| Arranged from the original score for solo violin and strings in D minor. | |
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What is the meaning of these icons?
8
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Anonymous (XVII cent.): Sawnay source: Deusiesme recueil des dances et contre-dances avec la basse continue (Amsterdam 1688), No. 42
scoring:
A (Bc) | |
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The Sawnay is a sort of wind instrument with quadruple reed of the Maranao people, who live in the southern Philippines. The instrument is about 28.4 cm long, the tube 6.5 mm in diameter, and the end of the bell about 4 cm in diameter. It is related with other similar Asian instruments, like the more famous Shehnai of India. All of these instruments are eventually related with the European shawms and especially with the soprano of the family: the Shalmey. It is obvious from this piece that the Sawnay was already known in Europe in the XVII century. | |
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What is the meaning of these icons?
4
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Maroon 5 (XXI cent.): Memories
scoring:
SATBB | |
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What is the meaning of these icons?
6
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Arcangelo Corelli (1653 - 1713): Concerto in D minor - Op. 6, No. 3 source: Concerti grossi. Op. 6 (Amsterdam 1714)
scoring:
AAATBB | |
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What is the meaning of these icons?
12
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Angelo Michele Bertalotti (1666 - 1747): Andante e Giga source: Solfeggi a canto e alto (Bologna 1744), No. 30
scoring:
AAT | |
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These are Bertalotti’s Solfeggio Trentesimo and Solfeggio Trentesimo Primo to which I added a middle part that may be omitted from the performance. As you may see, the two original duos are based on the same theme developed differently. Tempo marks are editorial and the second movement – Solfeggio Trentesimo Primo – originally was notated in 3/8. | |
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What is the meaning of these icons?
7
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George Frideric Handel (1685 - 1759): Fuga in A minor source: Concerto grosso Op. 3, No. 5 - HWV 316, No. 4
scoring:
A (Harpsichord) | |
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What is the meaning of these icons?
7
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George Frideric Handel (1685 - 1759): Adagio/Allegro (fuga) in D minor source: Concerto grosso Op. 3, No. 5 - HWV 316, No. 1
scoring:
ATB (Bass instrument) | |
|
What is the meaning of these icons?
9
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Johann Sebastian Bach (1685 - 1750): Gute Nacht, o Wesen source: Motet BWV 227, «Jesu, meine Freude», No. 9
scoring:
AATB | |
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What is the meaning of these icons?
9
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Johann Sebastian Bach (1685 - 1750): So aber Christus in euch ist source: Motet BWV 227, «Jesu, meine Freude», No. 8
scoring:
ATB | |
| Seldom we find a Bach’s number that perfectly fits a group of recorders without any further intervention: this is one of them. | |
|
What is the meaning of these icons?
6
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Giuseppe Giamberti (c. 1600 - c. 1663): Duo XIV. Solfeggiamento. Due canti source: Duo tessuti con diversi solfeggiamenti, scherzi, perfidie, et oblighi (Rome 1657), No. 14
scoring:
TTB | |
| Originally, the two upper parts are a duo – as any other composition of this Giamberti’s collection. I added a bass to the duo, and this part can obviously be omitted. | |
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What is the meaning of these icons?
5
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Johann Sebastian Bach (1685 - 1750): Ihr aber seid nicht fleischlich source: Motet BWV 227, «Jesu, meine Freude», No. 6
scoring:
SAATB | |
|
What is the meaning of these icons?
7
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Jean Baptiste Loeillet de Gant (1688 - c. 1720): Sonata I in F major source: Six Sonatas for two German flutes (London 172?), No. 1
scoring:
AA | |
| As usual, this duo, which was composed for two transverse flutes in D major, may be transposed a third above and performed with two treble recorders. | |
|
What is the meaning of these icons?
12
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Georg Philipp Telemann (1681 - 1767): Jesu, meine Freude - TWV 31:34 source: Fugierende und verändernde Choräle (1735), No. 34
scoring:
A (Harpsichord) | |
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Arranged from the original bicinium. The recorder part was indeed the bass part in the original duo. The keyboard part may be omitted from the performance. | |
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What is the meaning of these icons?
6
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Giovanni Antonio Cangiasi (? - c. 1614): La Marina. Canzon Terza source: Scherzi forastieri (Milan 1614), No. 3
scoring:
SATB | |
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What is the meaning of these icons?
5
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Georg Philipp Telemann (1681 - 1767): Herr Jesu Christ, dich zu uns wend’ - TWV 31:8 source: Fugierende und verändernde Choräle (1735), No. 8
scoring:
A (Harpsichord) | |
| Arranged from the original bicinium. | |
|
What is the meaning of these icons?
4
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Johann Sebastian Bach (1685 - 1750): Ouverture [Suite] No. 2 - BWV 1067
scoring:
C (Strings, Bc) | |
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Transposed and slightly adapted for a recorder in C. 2020-05-13: corrected a note in the recorder part in the first movement, bar 164. | |
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What is the meaning of these icons?
8
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Ferdinando Carulli (1770 - 1841): Lezione 18 - Op. 27, No. 18 source: Metodo completo per chitarra, op. 27 (1810) - Parte terza: 24 lezioni progressive per due chitarre
scoring:
ATB | |
|
What is the meaning of these icons?
3
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Antonio Caldara (c. 1671 - 1736): Sinfonia avanti Oratorio source: Il martirio di Santa Caterina (1708)
scoring:
A (Harpsichord) | |
| Arranged from the original score for strings | |
| 5 | |
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Andrea Bornstein (1956 - ): Alé Oh Oh
scoring:
ATTB | |
|
What is the meaning of these icons?
5
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Robert Woodcock (1690 - 1728): Gavotta variata source: Concerto VI (London 1727)
scoring:
A (Harpsichord) | |
| Transposed and adapted from the original score for two sixth flutes, two violins and continuo. | |
|
What is the meaning of these icons?
3
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Heinrich Ignaz Franz Biber (1644 - 1704): Sonata XII in G major - C 89 source: Fidicinium sacro-profanum (Nuremberg c. 1683), No. 12
scoring:
A (Harpsichord) | |
| The original score of this sonata in A major is for two violins, viol, cello and continuo. Here we present it for a treble recorder and concertato harpsichord. | |
| 6 | |
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Giuseppe Giamberti (c. 1600 - c. 1663): Duo XXIV. Alto e basso source: Duo tessuti con diversi solfeggiamenti, scherzi, perfidie, et oblighi (Rome 1657), No. 24
scoring:
SAB | |
| Originally, the two lower parts are a duo – as any other composition of this Giamberti’s collection. I added a soprano part which obviously can be omitted. | |
|
What is the meaning of these icons?
6
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ABBA (flourished 1973-82): Super Trouper
scoring:
ATTB | |
| This arrangement is based on that by Mario Thürig. | |
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What is the meaning of these icons?
6
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Philibert de La Vigne (c. 1700 - c. 1760): Le Volubilis - Op. 4 source: Les Fleurs, Op.4 (Paris 1745)
scoring:
AT | |
| 4 | |
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Johann Kuhnau (1660 - 1722): Ich will den Namen Gottes loben mit einem Liede, Chorale source: Cantata già BWV 142, «Uns ist ein Kind geboren», No. 4
scoring:
SSSAATBB | |
| The cantata «Uns ist ein Kind geboren» was formerly attributed to Johann Sebastian Bach as his BWV 142. Now we know that its composer is Johann Kuhnau. | |
What is the meaning of these icons?
6
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Johann Kuhnau (1660 - 1722): Dein Geburtstag ist erschienen, Air source: Cantata già BWV 142, «Uns ist ein Kind geboren», No. 3
scoring:
ATB (Harpsichord) | |
| The cantata «Uns ist ein Kind geboren» was formerly attributed to Johann Sebastian Bach as his BWV 142. Now we know that its composer is Johann Kuhnau. | |
|
What is the meaning of these icons?
8
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Johann Kuhnau (1660 - 1722): Alleluja, gelobet sei Gott, Chorale source: Cantata già BWV 142, «Uns ist ein Kind geboren», No. 8
scoring:
A (Harpsichord) | |
| The cantata «Uns ist ein Kind geboren» was formerly attributed to Johann Sebastian Bach as his BWV 142. Now we know that its composer is Johann Kuhnau. | |
|
What is the meaning of these icons?
7
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Johann Kuhnau (1660 - 1722): Uns ist ein Kind geboren, Chorale source: Cantata già BWV 142, «Uns ist ein Kind geboren», No. 2
scoring:
ATTBBB (Bass instrument) | |
| The cantata «Uns ist ein Kind geboren» was formerly attributed to Johann Sebastian Bach as his BWV 142. Now we know that its composer is Johann Kuhnau. | |
|
What is the meaning of these icons?
8
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Johann Philipp Kirnberger (1721 - 1783): Ich dank dir schon durch deinen Sohn source: Musikalisches Vielerley. Ed. by C.Ph.E. Bach (Hamburg 1770)
scoring:
AB (Bass instrument) | |
|
The original score in C major is for organ. In my arrangement all the musical values have been doubled. | |
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What is the meaning of these icons?
7
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Johann Friedrich Meister (c. 1638 - 1697): Passagaglia in Bb major source: Il giardino del piacere (Hamburg 1695)
scoring:
AA (Bc) | |
| Arranged from the original score for violins, cello and continuo in Eb major. | |
|
What is the meaning of these icons?
6
| |
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Johann Sebastian Bach (1685 - 1750): Wir glauben all an einen Gott - BWV 437
scoring:
SATB | |
|
What is the meaning of these icons?
6
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Andrea Bornstein (1956 - ): Fantasia su «Wir glauben all an einen Gott», Based on Bach’s chorale BWV 437
scoring:
A (Harpsichord) | |
|
What is the meaning of these icons?
6
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Antonio Bertali (1605 - 1669): Sonata a 6 stromenti in A minor source: Partiturbuch Ludwig (1662). Manuscript preserved in Wolfenbüttel: Herzog August Bibliothek
scoring:
AATBB (Bass instrument, Bc) | |
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What is the meaning of these icons?
5
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Jean Baptiste Loeillet de Gant (1688 - c. 1720): Sonata VI in G minor source: Six Sonatas for two German flutes (London 172?), No. 6
scoring:
AA | |
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As usual, this duo, which was composed for two transverse flutes in E minor, may be transposed a third above and performed with two treble recorders. | |
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What is the meaning of these icons?
10
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Diogenio Bigaglia (c. 1676 - c. 1745): Sonata VIII in G minor source: XII Sonate a violino solo o sia flauto e violoncello o basso continuo. Op. 1 (Amsterdam c. 1722), No. 8
scoring:
A (Bc) | |
| Transposed from the original score in E minor | |
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What is the meaning of these icons?
10
| |
|
Anonymous (XVI cent.): Heth Sold Ein Meisken Garn Om Win source: Ms. A. R. 940/41 (1557), Manuscript preserved in Regensburg: Proske-Bibliothek
scoring:
SATB or AATB | |
|
What is the meaning of these icons?
8
| |
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Gregor Aichinger (c. 1565 - 1628): Assumpta est Maria source: Tricinia Mariana (Innsbruck 1598)
scoring:
ATB | |
|
What is the meaning of these icons?
9
| |
|
Giacomo Rampin (XVIII cent.): Concerto V in C major source: Concerti a cinque. Libro 1 (Amsterdam [1716]), No. 5
scoring:
A (Harpsichord) | |
| Transposed and arranged from the original concerto for strings and solo violin. | |
| 4 | |
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This is the third movement (in B minor) of a trio sonata in D major for two transverse flutes and continuo. I transposed it in D minor and slightly adapted the bass line for a bass recorder. | |
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What is the meaning of these icons?
12
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Josquin des Pres (c. 1440 - 1521): Fuga trium vocum source: Selectae, artificiosae et elegantes fugae duarum, trium, quator, et plurium vocum (Lauingen 1587), No. 34
scoring:
ATB | |
|
What is the meaning of these icons?
6
| |
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Alessandro Orologio (c. 1550 - 1633): Intrada 28 a 6 source: Intradae quinque et sex vocibus (Helmstedt 1597), No. 28
scoring:
AATTTB | |
|
What is the meaning of these icons?
8
| |
|
Andrea Bornstein (1956 - ): Aria variata su un tema di Gottfried Finger
scoring:
AA (Harpsichord) | |
|
What is the meaning of these icons?
8
| |
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Jacob Clemens non Papa (c. 1510 - c. 1555): Ego me diligentes diligo, Motet a 5 source: Liber quartus cantionum sacrarum (Leuven 1554)
scoring:
AATTB | |
|
What is the meaning of these icons?
11
| |
|
Giovanni Maria Bononcini (1642 - 1678): Allemana - Op. 2, No. 9 source: Sonate da camera e da ballo a 1, 2, 3 e 4 (Venice 1667)
scoring:
A (Harpsichord) | |
| The original score, for two violins and continuo, has been transposed and adapted for a treble recorder and concertato harpsichord. | |
|
What is the meaning of these icons?
4
| |
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Antonio Vivaldi (1678 - 1741): Adagio from Concerto RV 87
scoring:
A (Harpsichord) | |
| Arranged and transposed from the original score for treble recorder and continuo in A minor, with editorial divisions. | |
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What is the meaning of these icons?
11
| |
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Giuseppe Giamberti (c. 1600 - c. 1663): Duo XXXIV. Corrente. Canto e tenore source: Duo tessuti con diversi solfeggiamenti, scherzi, perfidie, et oblighi (Rome 1657), No. 34
scoring:
ATB | |
|
Originally, the first line and the last one are a duo – as any other composition of this Giamberti’s collection. I added a tenor part which obviously can be omitted. | |
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What is the meaning of these icons?
5
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