Anonymous (XVI cent.)

79 Entries

El Bisson - Pavana
scoring: ATBB
Greensleeves
scoring: SATB
J’ay pris amours (1)
scoring: STB
J’ay pris amours (2)
scoring: STB
La Gamba
scoring: SATB
O Heyligh zaligh Bethlehem, Old Dutch Christmas carol
scoring: SSATB
Wohlauf, gen Bethlehem in Eil’, Old German Christmas carol
scoring: AATB
Nun komm, der Heiden Heiland
source: Newe deudsche geistliche Gesenge für die gemeinen Schulen (Wittenberg 1544)
scoring: STTBB
8. Domine quis habitabit in tabernaculo tuo, Double canon
source: Motetti novi et chanzoni franciose a quatro sopra doi (Venice 1520)
scoring: AATB or ATTB
Coeurs desolez
source: Trente et quatre chansons musicales a quatre parties (Pierre Attaingnant, Paris 1528)
scoring: STTB or GTTB
La Brosse. Basse dance
source: Neuf basses dances deux branles vingt et cinq pavennes avec quinze gaillardes en musique a quatre parties (Pierre Attaingnant, Paris 1530)
scoring: SATB or ATTB
La gatta en italien. Basse dance
source: Neuf basses dances deux branles vingt et cinq pavennes avec quinze gaillardes en musique a quatre parties (Pierre Attaingnant, Paris 1530)
scoring: SATB or ATTB
5. L’amour de moy
source: Canti C. N. cento cinquanta (Petrucci, Venice 1503)
scoring: SAAB or STTB
38. J’ay pris amours
source: Canti C. N. cento cinquanta (Petrucci, Venice 1503)
scoring: SATB
Duma
source: MS 4173 (c. 1550). Manuscript preserved in Warsaw: Krasiński Library
scoring: ATBB or SATB
My Lady Carey’s Dompe
source: Ms. Royal Appendix 58 (c. 1525). Manuscript preserved in London: British Library
scoring: A (Harpsichord)
1. Amorosi pensier, sospir ardenti, canzonetta a 3
source: Antonio Morsolino, Il primo libro delle canzonette a tre voci (Venice 1594)
scoring: SSB
8. Lacci non fur d’Amore, canzonetta a 3
source: Antonio Morsolino, Il primo libro delle canzonette a tre voci (Venice 1594)
scoring: SSB
16. Questi tuoi biondi crini, canzonetta a 3
source: Antonio Morsolino, Il primo libro delle canzonette a tre voci (Venice 1594)
scoring: SSB
18. Fiamme che da begli occhi, canzonetta a 3
source: Antonio Morsolino, Il primo libro delle canzonette a tre voci (Venice 1594)
scoring: SSB
Canon: misericordia et veritas obuiauerunt sibi: iusticia et pax osculate sunt
source: Motetti A. Numero trentatre (Venice 1502)
scoring: TTBB
Da pacem Domine
source: Motetti A. Numero trentatre (Venice 1502)
scoring: ATB
Alla cazza
source: Ms. Rés. Vm7 676 (1502). Manuscript preserved in Paris: Bibliothèque nationale de France
scoring: SAAT
Anguilles, anguilles, anguillons
source: Ms. Rés. Vm7 676 (1502). Manuscript preserved in Paris: Bibliothèque nationale de France
scoring: SATB
El piove? Mo lasa piovere impara pur ti
source: Ms. Rés. Vm7 676 (1502). Manuscript preserved in Paris: Bibliothèque nationale de France
scoring: STB
Fortuna desperata
source: Ms. Rés. Vm7 676 (1502). Manuscript preserved in Paris: Bibliothèque nationale de France
scoring: SATB
In Festo Natalis Domini. «Ne la digna stalla»
source: Ms. Rés. Vm7 676 (1502). Manuscript preserved in Paris: Bibliothèque nationale de France
scoring: SA or TB
Tente alora ruzenenta
source: Ms. Rés. Vm7 676 (1502). Manuscript preserved in Paris: Bibliothèque nationale de France
scoring: SATB
Tente aluora
source: Ms. Rés. Vm7 676 (1502). Manuscript preserved in Paris: Bibliothèque nationale de France
scoring: ATTB
Turcho, turcho et Isabella
source: Ms. Rés. Vm7 676 (1502). Manuscript preserved in Paris: Bibliothèque nationale de France
scoring: SAAB
Fantasia
source: Ms. Panciatichi 27 (XVI cent.). Manuscript preserved in Florence: National Central Library
scoring: GTB or ATB
El Marchese di Saluzzo
source: Mus.ms. 1503 h (c. 1550), Manuscript preserved in Munich: Bavarian State Library
scoring: ATBB
Monta sus
source: Mus.ms. 1503 h (c. 1550), Manuscript preserved in Munich: Bavarian State Library
scoring: ATBB or TBBB
3. Basela un trato [Kiss her suddenly]
source: Mus.ms. 1503 h (c. 1550), Manuscript preserved in Munich: Bavarian State Library
scoring: ATTB
165. Da pacem
source: Mus.ms. 1516. Teutsche, Französische und Lateinische Lieder mit 4 Stimmen (Augsburg c. 1540), Manuscript preserved in Munich: Bavarian State Library
scoring: ATTB
185. Pavane 1
source: Mus.ms. 1516. Teutsche, Französische und Lateinische Lieder mit 4 Stimmen (Augsburg c. 1540), Manuscript preserved in Munich: Bavarian State Library
scoring: ATTB or SATB
186. Pavane 2
source: Mus.ms. 1516. Teutsche, Französische und Lateinische Lieder mit 4 Stimmen (Augsburg c. 1540), Manuscript preserved in Munich: Bavarian State Library
scoring: SATB
187. Pavane 3
source: Mus.ms. 1516. Teutsche, Französische und Lateinische Lieder mit 4 Stimmen (Augsburg c. 1540), Manuscript preserved in Munich: Bavarian State Library
scoring: STTB
188. Pavane 4
source: Mus.ms. 1516. Teutsche, Französische und Lateinische Lieder mit 4 Stimmen (Augsburg c. 1540), Manuscript preserved in Munich: Bavarian State Library
scoring: TTBB or TTTB
Ave Maris Stella
source: BSB 2 Mus.pr. 23#hs.Beibd (c. 1670), Manuscript preserved in Munich: Bavarian State Library
scoring: GTTB or ATTB
4. Canon Duo In Carnevale
source: Mus.ms. 260 (c. 1550), Manuscript preserved in Munich: Bavarian State Library
scoring: TT
59. In mynen zin heb ic
source: Mus.ms. 260 (c. 1550), Manuscript preserved in Munich: Bavarian State Library
scoring: TT
60. Ric god wien sal ic claghen
source: Mus.ms. 260 (c. 1550), Manuscript preserved in Munich: Bavarian State Library
scoring: TT
66. Plaisir nay plus
source: Mus.ms. 260 (c. 1550), Manuscript preserved in Munich: Bavarian State Library
scoring: AT
103. Ich ruff zu dir
source: Mus.ms. 260 (c. 1550), Manuscript preserved in Munich: Bavarian State Library
scoring: SAAB or STTB
104. Gelobet seist du, Jesu Christ
source: Mus.ms. 260 (c. 1550), Manuscript preserved in Munich: Bavarian State Library
scoring: SAAT or STTB
105. Gelobet seist du, Jesu Christ
source: Mus.ms. 260 (c. 1550), Manuscript preserved in Munich: Bavarian State Library
scoring: SATB or GTTB
Pavane La Bataille
source: Musicque de Joye (Lion c. 1550)
scoring: SATB
3. Hor oires une chanson
source: Harmonice Musices Odhecaton A (Venice 1501)
scoring: SGGGT or SAAAT
6. J’ay pris amours
source: Harmonice Musices Odhecaton A (Venice 1501)
scoring: SATB
20. De tous biens plaine
source: Harmonice Musices Odhecaton A (Venice 1501)
scoring: ATTB
90. Gentil prince
source: Harmonice Musices Odhecaton A (Venice 1501)
scoring: SAB
7. Pavane et Gaillarde Ferrareze
source: Recueil de danseries, contenant presque toutes sortes de danses (Antwerp 1583)
scoring: SATB
8. Pavane J’ay du mal
source: Recueil de danseries, contenant presque toutes sortes de danses (Antwerp 1583)
scoring: SATB
9. Pavane et Gaillarde de la Bataille
source: Recueil de danseries, contenant presque toutes sortes de danses (Antwerp 1583)
scoring: SATB
Heth Sold Ein Meisken Garn Om Win
source: Ms. A. R. 940/41 (1557), Manuscript preserved in Regensburg: Proske-Bibliothek
scoring: SATB or AATB
110. Fuga trium vocum ex una. Pleni sunt coeli, Canon a 3
source: Secundus tomus biciniorum (Georg Rhau, Wittenberg 1545)
scoring: ATB
111. Fuga trium vocum ex una in unisono. Omnes qui transitis per vias, Canon a 3
source: Secundus tomus biciniorum (Georg Rhau, Wittenberg 1545)
scoring: AAA
112. Fuga trium in unisono. Vivit Deus meus, Canon a 3
source: Secundus tomus biciniorum (Georg Rhau, Wittenberg 1545)
scoring: AAA or GGG
113. Fuga trium in unisono. Ne timueris, Canon a 3
source: Secundus tomus biciniorum (Georg Rhau, Wittenberg 1545)
scoring: AAA
114. Fuga quatuor vocum ex una. Et in terra pax hominibus, Canon a 4
source: Secundus tomus biciniorum (Georg Rhau, Wittenberg 1545)
scoring: SATB
115. Ad omnia post semibrevem. Pour l’amour, Canon a 4
source: Secundus tomus biciniorum (Georg Rhau, Wittenberg 1545)
scoring: SATB
119. Dominus meus exaudit me, Canon a 4
source: Secundus tomus biciniorum (Georg Rhau, Wittenberg 1545)
scoring: SATB
Basse dance - Op. 2, No. 1
source: Second livre (Pierre Attaingnant, Paris 1547)
scoring: STTB or SAAB
Basse dance - Op. 2, No. 2
source: Second livre (Pierre Attaingnant, Paris 1547)
scoring: STTB or SAAB
Basse dance - Op. 2, No. 3
source: Second livre (Pierre Attaingnant, Paris 1547)
scoring: STTB or SAAB
Basse dance - Op. 2, No. 4
source: Second livre (Pierre Attaingnant, Paris 1547)
scoring: STTB or SAAB
Basse dance. Celle qui ma le nom damy donne - Op. 2, No. 5
source: Second livre (Pierre Attaingnant, Paris 1547)
scoring: STTB or SAAB
Basse dance. La Volunte - Op. 2, No. 6
source: Second livre (Pierre Attaingnant, Paris 1547)
scoring: STTB or SAAB
Tourdion - Op. 2, No. 7
source: Second livre (Pierre Attaingnant, Paris 1547)
scoring: STTB or SAAB
Tourdion - Op. 2, No. 8
source: Second livre (Pierre Attaingnant, Paris 1547)
scoring: STTB or SAAB
Tourdion - Op. 2, No. 9
source: Second livre (Pierre Attaingnant, Paris 1547)
scoring: STTB or SAAB
Tourdion - Op. 2, No. 10
source: Second livre (Pierre Attaingnant, Paris 1547)
scoring: STTB or SAAB
Branle - Op. 2, No. 11
source: Second livre (Pierre Attaingnant, Paris 1547)
scoring: STTB or SAAB
Branle - Op. 2, No. 12
source: Second livre (Pierre Attaingnant, Paris 1547)
scoring: STTB or SAAB
Tourdion - Op. 2, No. 13
source: Second livre (Pierre Attaingnant, Paris 1547)
scoring: STTB or SAAB
Branle - Op. 2, No. 14
source: Second livre (Pierre Attaingnant, Paris 1547)
scoring: STTB or SAAB
Branle - Op. 2, No. 15
source: Second livre (Pierre Attaingnant, Paris 1547)
scoring: STTB or SAAB
Branle - Op. 2, No. 16
source: Second livre (Pierre Attaingnant, Paris 1547)
scoring: STTB or SAAB