Collection by various composers |
Ms. Q16 (1487). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica |
Collection by various composers |
Ms.α.F.9.9 (1495). Manuscript preserved in Modena: Biblioteca Estense |
Collection by various composers |
Cancionero de Palacio (1505-20). Manuscript preserved in Madrid: Palacio Real, Biblioteca |
Collection by various composers |
Musyk Voor De Fluyt Anno 1739 (1739). Manuscript preserved in Boston: Harvard Musical Association Library |
Collection by various composers |
RM.788.1191/S698: Sonates pour 1 & 2 fluttes (XVIII cent.). Manuscript preserved in Detroit: Public Library |
Collection by various composers |
Panciatichi 27 (XVI cent.). Manuscript preserved in Florence: Biblioteca Nazionale Centrale |
Collection by various composers |
Manuscrit musical 161 (XVIII cent.). Manuscript preserved in Paris: Bibliothèque Municipale de Versailles |
Collection by various composers |
Ms. CF-V-23: Sinfonie di Varij Autori (XVIII cent.). Manuscript preserved in Parma: Biblioteca Palatina |
This source has been fully transcribed |
Collection by various composers |
6 Sonates ou Concerts. Livre 1 (Amsterdam XVIII cent.) |
Collection by various composers |
Torr. Ms. B. 21 (XVII cent.). Manuscript preserved in Venice: Conservatorio di Musica – Fondo Torrefranca |
Collection by various composers |
A choice collection of aires and duets (London XVIII cent.) |
Collection by various composers |
Cod. 2856 (1480-90). Manuscript preserved in Rome: Biblioteca Casanatense |
Collection by various composers |
Harmonice Musices Odhecaton A (Venice 1501) |
Collection by various composers |
Motetti A. numero trentatre (Venice 1502) |
Collection by various composers |
Ms. Rés. Vm7 676 (1502). Manuscript preserved in Paris: Bibliothèque nationale de France |
Collection by various composers |
Canti C. N. cento cinquanta (Venice 1503) |
Collection by various composers |
Mus.ms. 1503 h (1503) [14 Italian dances of the early Renaissance] (1503). Manuscript preserved in Munich: Bayerische Staatsbibliothek |
Collection by various composers |
Frottole libro primo (Venice 1504) |
Collection by various composers |
Frottole. Book 3 (Venice 1504) |
Collection by various composers |
Motetti novi et chanzoni franciose a quatro sopra doi (Venice 1520) |
Collection by various composers |
Neuf basses dances deux branles vingt et cinq pavennes avec quinze gaillardes en musique a quatre parties (Paris 1530) |
Collection by various composers |
Canzoni frottole et capitoli: Libro secondo de la Croce (Rome 1531) |
Collection by various composers |
Canzoni francese a due voci (Venice 1539) |
Collection by various composers |
Le Parangon des chansons. Book 4 (Lion 1539) |
Collection by various composers |
Mus.ms. 1516. Teutsche, Franzosische, Lateinische Lieder mit 4 Stimmen (c. 1540). Manuscript preserved in Munich: Bayerische Staatsbibliothek |
Collection by various composers |
Le dotte et eccellente compositioni de i madregali a cinque voci (Venice 1540) |
Collection by various composers |
Il primo libro a due voci de diversi autori (Venice 1543) |
Collection by various composers |
Bicinia gallica, latina, germanica. Book 1 (Wittenberg 1545) |
Collection by various composers |
Secundus tomus biciniorum (Wittenberg 1545) |
Collection by various composers |
Second livre contenant trois gaillardes, trois pavanes, vingt trois branles (Paris 1547) |
Collection by various composers |
Quart livre de danceries, a quatre parties contenant XIX pavanes et XXXI gaillardes. Vev et corrige par Claude Gervaise (Paris 1550) |
Collection by various composers |
Cinqueisme livre de danceries, a quatre parties contenant dix bransles gays, huict bransles de poictou, trentecinq bransles de champaigne. Vev et corrige par Claude Gervaise (Paris 1550) |
Collection by various composers |
Mus.ms. 260. Franzosische, lateinische, und teutsche Lieder, mit 2 und 4 Stimmen (c. 1550). Manuscript preserved in Munich: Bayerische Staatsbibliothek |
Collection by various composers |
Musicque de Joye (Lion c. 1550) |
Collection by various composers |
Liber quartus cantionum sacrarum (Leuven 1554) |
Collection by various composers |
Sixieme livre de danceries, mis en musique par Claude Gervaise (Paris 1555) |
Collection by various composers |
Troisieme livre de danceries a quatre et cinq parties, vev par Claude Gervaise (Paris 1556) |
Collection by various composers |
Septieme livre de danceries, mis en musique a quatre parties par Estienne du Tetre (Paris 1557) |
Collection by various composers |
Fantasie Recercari Contrapunti a tre voci. Book 1 (Venice 1559) |
Collection by various composers |
Il primo libro delle muse a tre voci (Venice 1562) |
Collection by various composers |
Recueil de danseries (Antwerp 1583) |
Collection by various composers |
Diletto spirituale (Rome 1586) |
Collection by various composers |
Bicinia (Antwerp 1590) |
Collection by various composers |
Madrigales. The Triumphes of Oriana, to 5 and 6 voices (London 1601) |
Collection by various composers |
Canzoni per sonare. Book 1 (Venice 1608) |
This source has been fully transcribed |
Collection by various composers |
Promptuarium musicum, ed. by Abraham Schadaeus (Strasbourg 1611-17) |
Collection by various composers |
Der Gooden Fluyt Hemel. Vol. 1 (Amsterdam 1644) |
This source has been fully transcribed |
Collection by various composers |
't Uitnement Kabinet (Amsterdam 1646-49) |
Collection by various composers |
Partiturbuch Ludwig (1662). Manuscript preserved in Wolfenbüttel: Herzog August Bibliothek |
Collection by various composers |
Ms. Rés. Vm7 673 - Manuscrit Rost (1680-88). Manuscript preserved in Paris: Bibliothèque nationale de France |
Collection by various composers |
A Collection of Several Simphonies and Airs (London 1688) |
This source has been fully transcribed |
Collection by various composers |
Deusiesme recuiel des dances et contre-dances avec la basse continue (Amsterdam 1688) |
Collection by various composers |
Synopsis Musicae (London 1693) |
This source has been fully transcribed |
Collection by various composers |
Thesaurus Musicus. 5 vols (London 1693-96) |
This source has been fully transcribed |
Collection by various composers |
Deliciae musicae. The first book (London 1695) |
Collection by various composers |
The Sprightly Companion (London 1695) |
Collection by various composers |
Deliciae musicae. The third book (London 1696) |
Collection by various composers |
Deliciae musicae. The fourth book (London 1696) |
Collection by various composers |
14 Sonates a 2 flustes (Amsterdam c. 1700) |
This source has been fully transcribed |
Collection by various composers |
50 Airs anglois. Livre 1, ed. by George Bingham (Amsterdam c. 1702) |
Collection by various composers |
40 Airs anglois. Book 2, ed. by George Bingham (Amsterdam c. 1702) |
This source has been fully transcribed |
Collection by various composers |
Select preludes or volentarys for ye violin (London 1705) |
Collection by various composers |
The first part of the division flute (London 1706) |
Collection by various composers |
The second part of the division flute (London 1708) |
This source has been fully transcribed |
Collection by various composers |
Concerti a cinque (Amsterdam [1716]) |
Collection by various composers |
Notebook for Anna Magdalena Bach (1725). Manuscript preserved in Berlin: Staatsbibliothek |
Collection by various composers |
The British Musical Miscellany (London c. 1734) |
Collection by various composers |
Fonds Blancheton, Op. 3. Ms. RES F-443, ed. by Pierre Philibert de Blancheton (c. 1744). Manuscript preserved in Paris: Bibliothèque nationale de France |
Collection by various composers |
12 solos for a German flute or violin (London [1746]) |
Collection by various composers |
31 Piecen von verschiedenen Meistern (1750-65). Manuscript preserved in Dresden: Sächsische Landesbibliothek |
Collection by various composers |
Oden mit Melodien (Berlin [1753]) |
Collection by various composers |
The delightful pocket companion for the German flute (London c. 1763) |
Collection by various composers |
Soixante ariettes arrangées pour deux flageolets, ed. by Jame (Paris 1788) |
Collection by various composers |
Recueil des meilleurs contredanses arrangées pour le flageolet, ed. by P.J. Chaxelle (Paris c. 1790) |
Collection by various composers |
A selection of the most favourite Scots-songs (London [1790]) |
This source has been fully transcribed |
Collection by various composers |
The Boston collection of instrumental music (Boston 1840) |
Collection by various composers |
Nursery Rhymes, ed. by Edward Francis Rimbault (London [1846]) |
Collection by various composers |
Old Christmas Carols. Vol. 1 (New York 1904) |
Collection by various composers |
Old Christmas Carols. Vol. 3 (New York 1904) |
Collection by various composers |
Duos for treble recorders from well-known ancient and modern melodies, ed. by Andrea Bornstein (Rome 2021) |
Collection by various composers |
Duos for recorders in C, ed. by Andrea Bornstein (Rome 2022) |
Collection by various composers |
TheLeadingBass: for bass recorder players who occasionally want to take the lead, ed. by Andrea Bornstein (Rome 2023) |
Karl Friedrich Abel |
VI Sonate a Clavicembalo obligato. Op. 2 (Leipzig 1762) |
Karl Friedrich Abel |
6 easy sonattas for the harpsichord (Amsterdam [1771]) |
This source has been fully transcribed |
Karl Friedrich Abel |
4 Trios. Op. 16 (London c. 1785) |
This source has been fully transcribed |
John Adson |
Courtly masquing Ayres, composed to 5 and 6 parts (London 1621) |
Tommaso Albinoni |
Sinfonie e concerti a 5. Op. 2 (Venice 1700) |
Tommaso Albinoni |
Balletti a tre. Op. 3 (Amsterdam c. 1701) |
Camillo Angleria |
La regola del contraponto, e della musical compositione (Milan 1622) |
Jacob Arcadelt |
Il primo libro de madrigali a quattro voci (Venice 1539) |
Jacob Arcadelt |
Il terzo libro de madrigali a quattro voci (Venice 1539) |
Giovanni Matteo Asola |
Madrigali a due voci accomodati da cantar in fuga diversamente sopra una parte sola (Venice 1587) |
William Babell |
6 Concertos in 7 parts. Op. 3 (London [1726]) |
This source has been fully transcribed |
Johann Sebastian Bach |
Motet «Jesu, meine Freude» ([1723]) |
Johann Sebastian Bach |
Sechs Orgel-Trios (1727-31): autograph manuscript |
This source has been fully transcribed |
Johann Sebastian Bach |
Christmas Oratorio (1734) |
Johann Sebastian Bach |
Goldberg Variations (Nuremberg 1741) |
Johann Sebastian Bach |
The Art of Fugue, ed. by Carl Philipp Emanuel Bach (Berlin [1751]) |
Collection by various composers |
Musikalisches Vielerley, ed. by Carl Philipp Emanuel Bach (Hamburg 1770) |
Johann Sebastian Bach |
Recorder Parts in Bach's Sacred Music, ed. by Andrea Bornstein (2015-21) |
Johann Christian Bach |
6 Canzonets. Op. 6 (London [1767]) |
Johann Christian Bach |
6 Sonates pour le clavecin ou piano forte, avec accompagnement d'un violon ou flute. Op. 16 (Amsterdam [1779]) |
This source has been fully transcribed |
Adriano Banchieri |
Canzoni alla francese a 4 voci per sonare. Libro 2 (Venice 1596) |
Adriano Banchieri |
Cartella (Venice 1601) |
Adriano Banchieri |
L'organo suonarino. Op. 13 (Venice 1605) |
Adriano Banchieri |
L'organo suonarino. Op. 25 (Venice 1611) |
Adriano Banchieri |
La Banchierina (Venice 1623) |
Adriano Banchieri |
Dialoghi concerti sinfonie e canzoni. Op. 48 (Venice 1625) |
Adriano Banchieri |
Il virtuoso ritrovo academico. Op. 49 (Venice 1626) |
John Banister |
A Sett of Ayres in Four Parts (London 1691) |
This source has been fully transcribed |
Michel de la Barre |
Deuxieme livre de pieces (Paris 1710) |
Francesco Barsanti |
6 Sonatas for a flute (London [1724]) |
This source has been fully transcribed |
Francesco Barsanti |
6 sonate per la traversiera. Op. 2 (London [1728]) |
This source has been fully transcribed |
Francesco Barsanti |
A collection of old Scots tunes with the bass for violoncello or harpsichord (Edinburgh [1742]) |
This source has been fully transcribed |
Francesco Barsanti |
Six sonatas for two violins and a bass. Op.6 (London [1746]) |
Girolamo Bartei |
Il primo libro de ricercari a due voci: Opera duodecima (Rome 1618) |
Giovanni Bassano |
Ricercate passaggi et cadentie (Venice 1585) |
This source has been fully transcribed |
Giovanni Bassano |
Motetti, madrigali et canzone francese diminuiti per sonar con ogni sorte di stromenti (Venice 1591) |
John Baston |
6 Concertos for violins and flutes (London [1729]) |
This source has been fully transcribed |
Luigi Battiferri |
Ricercare a quattro, a cinque e a sei. Op. 3 (Bologna 1669) |
This source has been fully transcribed |
Paolo Benedetto Bellinzani |
Ms. DD 133: Dodici suonate da chiesa a 3 (XVIII cent.). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica |
Paolo Benedetto Bellinzani |
Sonate a flauto solo con cembalo o violoncello. Op. 3 (Venice 1720) |
This source has been fully transcribed |
Paolo Benedetto Bellinzani |
Offertorj a due voci (Pesaro 1726) |
Francesco Bendusi |
Opera nova de balli (Venice 1553) |
Angelo Berardi |
Sinfonie a violino solo. Libro primo. Op. 7 (Bologna 1670) |
Jacquet de Berchem |
Primo, secondo et terzo libro del capriccio […] sopra le stanze del Furioso. A quatro voci (Venice 1561) |
Maternus Beringer |
Musicae, das ist der freyen lieblichen Singkunst (Nuremberg 1610) |
Ercole Bernabei |
Concerto madrigalesco a tre voci diverse (Rome 1669) |
Angelo Michele Bertalotti |
Solfeggi a canto e alto (Bologna 1744) |
Angelo Michele Bertalotti |
Solfeggi a canto e alto. Nuova edizione (Bologna 1764) |
Alessandro Besozzi |
6 Sonatas or Duets (London c. 1750) |
This source has been fully transcribed |
Matteo Bevilacqua |
6 Canzonette Veneziane con accompagniamento di Chitarra. Op. 20 (Vienna XIX cent.) |
Matteo Bevilacqua |
12 Walzes pour la flute et la guitarre. Op. 15 (Vienna [1805]) |
This source has been fully transcribed |
Heinrich Ignaz Franz Biber |
Fidicinium Sacro-Profanum (Nuremberg c. 1683) |
Diogenio Bigaglia |
XII Sonate a violino solo o sia flauto e violoncello o basso continuo. Op. 1 (Amsterdam [1722]) |
George Bingham and Gottfried Finger |
40 Airs anglois. Livre 3 (Amsterdam c. 1704) |
George Bingham |
40 Airs anglois. Book 4 (Amsterdam c. 1706) |
This source has been fully transcribed |
Martino Bitti |
Sonate a due violino e basso. Per suonarsi con flauto overo violino (London [1711]) |
This source has been fully transcribed |
Michel Blavet |
6 Sonates pour deux flutes-traversieres sans basse. Op. 1 (Paris 1728) |
Michel Blavet |
Troisieme livre de sonates pour la Flûte traversiere avec la Basse (Paris 1740) |
Joseph Bodin de Boismortier |
6 Sonates a deux flûtes-traversieres sans basse. Op. 1 (Paris 1724) |
Joseph Bodin de Boismortier |
6 Sonates a deux flûtes-traversieres sans basse. Op. 2 (Paris 1724) |
Joseph Bodin de Boismortier |
6 Sonates a deux flûtes-traversieres sans basse. Op. 6 (Paris 1725) |
Joseph Bodin de Boismortier |
6 Sonates pour trois flûtes traversieres sans basse. Op. 7 (Paris 1725) |
This source has been fully transcribed |
Joseph Bodin de Boismortier |
6 Sonates a deux flûtes-traversieres sans basse. Op. 8 (Paris 1725) |
Joseph Bodin de Boismortier |
6 Concertos pour 5 flûtes-traversieres ou autres instrumens sans basse. Op. 15 (Paris 1727) |
This source has been fully transcribed |
Joseph Bodin de Boismortier |
V Sonates en Trio pour un Dessus & deux Basses; suivies d'un Concerto a Cinq Parties pour une Flute, un Violon, un Haubois, un Basson, & la Basse. Op. 37 (Paris 1732) |
Giovanni Bononcini |
Trattenimenti da camera a tre. Op. 1 (Bologna 1685) |
Giovanni Bononcini |
Divertimenti da camera (London 1722) |
Giovanni Bononcini |
XII Sonatas for the chamber (London 1732) |
Giacobbe Cervetto |
Eight Solos for a German Flute. Op. 3 (London [1757]) |
Giovanni Maria Bononcini |
Sonate da camera e da ballo. Op. 2 (Venice 1667) |
Giovanni Maria Bononcini |
Arie, correnti, sarabande, gighe et allemande a violino e violone over spinetta. Op. 4 (Bologna 1671) |
Giacomo Bonzanini |
Capricci musicali (Venice 1616) |
Andrea Bornstein |
Fantasies on Norman Songs from the Bayeux Manuscript (Rome 2022) |
Jean Daniel Braun |
6 Suites à deux muzettes. Op. 2 (Paris 1729) |
This source has been fully transcribed |
Giuseppe Ferdinando Brivio |
XII Sonates en trio. Book 1 (Paris XVIII cent.) |
Giuseppe Ferdinando Brivio |
XII Sonates en trio. Book 2 (Paris XVIII cent.) |
Giovanni Battista Buonamente |
Il quarto libro de varie sonate (Venice 1626) |
William Byrd |
Gradualia (London 1610) |
Giulio Caccini |
Le nuove musiche (Florence 1601) |
Pëtr Ilič Čajkovskij |
Album pour enfants. Op. 39 (1878) |
Antonio Caldara |
Suonate da camera a due violini, con il basso continuo. Op. 2 (Venice 1699) |
Antonio Caldara |
Motetti a due e tre voci. Op. 4 (Bologna 1715) |
Floriano Canale |
Canzoni da sonare a quattro et otto voci: Libro primo (Venice 1600) |
This source has been fully transcribed |
Giovanni Antonio Cangiasi |
Scherzi forastieri per suonare a quattro voci. Op. 8 (Milan 1614) |
Fabrizio Caroso |
Nobiltà di dame (Venice 1600) |
Robert Carr |
The Delightful Companion (London 1686) |
This source has been fully transcribed |
Ferdinando Carulli |
Metodo completo per chitarra. Op. 27 (1810) |
This source has been fully transcribed |
Ferdinando Carulli |
Solfèges et vocalises. Op. 195 (Paris 1826) |
All the pieces for the recorders has been transcribed |
Dario Castello |
Sonate concertate in stil moderno. Libro primo (Venice 1629) |
Dario Castello |
Sonate concertate in stil moderno. Libro secondo (Venice 1629) |
Pietro Castrucci and Francesco Geminiani |
Six Sonate a une Flute & une Basse (Amsterdam XVIII cent.) |
Girolamo Cavazzoni |
Intavolatura cioe recercari, canzoni, himni, magnificati. Libro primo (Venice 1543) |
Maurizio Cazzati |
Correnti, balletti, galiarde a 3 e 4 (Venice 1659) |
Maurizio Cazzati |
Suonate a 2 Violini. Op. 18 (Bologna 1659) |
Maurizio Cazzati |
Correnti e balletti per sonare nella spinetta, leuto o tiorba, overo violino e violone col secondo violino a beneplacito (Bologna 1662) |
Maurizio Cazzati |
Sonate a due, tre, quattro e cinque con alcune per tromba. Op. 35 (Bologna 1665) |
Scipione Cerreto |
Della prattica musica vocale et strumentale (Naples 1601) |
Scipione Cerreto |
Dialogo harmonico (c. 1631). Manuscript preserved in Bologna: Museo internazionale e biblioteca della musica |
Nicolas Chédeville |
Amusements champêtres. Op. 1 (Paris 1729) |
This source has been fully transcribed |
Nicolas Chédeville |
Il Pastor Fido (Paris [1737]) |
Nicolas Chédeville |
Le Printems ou Les Saisons. Amusantes Concertos d’Antonio Vivaldi (Paris [1739]) |
Antonio Cifra |
Ricercari et canzoni franzese. Libro secondo (Rome 1619) |
Giovanni Paolo Cima |
Concerti ecclesiastici (Milan 1610) |
Giuseppe Colombi |
Sinfonie da camera. Op. 1 (Bologna 1668) |
Arcangelo Corelli |
6 solos for a flute and a bass being the second part of his fifth opera (London [1702]) |
This source has been fully transcribed |
Arcangelo Corelli |
Concerti grossi. Op. 6 (Amsterdam 1714) |
Arcangelo Corelli |
Première partie du cinquième oeuvre de Corelli ajustée à la flûte traversière avec la basse (Paris [1738]) |
Nicola Cosimi |
12 Sonate da camera. Op. 1 (Amsterdam 1702) |
William Croft |
6 sonatas of two parts, purposely made and contrived for two flutes (London [1704]) |
This source has been fully transcribed |
Johann Crüger |
Musicae practicae (Berlin 1660) |
Giuseppe Dall'Abaco |
Serenata a 4 voci (XVIII cent.). Manuscript preserved in Modena: Biblioteca Estense |
Jean-François Dandrieu |
Noels (Paris c. 1725) |
Giovanni Battista Degli Antoni |
Balletti e correnti, gighe e sarabande. Op. 3 (Bologna 1688) |
This source has been fully transcribed |
Christoph Demantius |
Isagoge artis musicae ad incipientium captum maxime accommodata (Nuremberg 1607) |
Christoph Demantius |
Isagoge artis musicae ad incipientium captum maxime accommodata. Editio Nona et ultima (Freiburg 1656) |
Charles Dieupart |
6 suittes de clavessin pour un violon et flûte avec une basse de viole et un archilut (Amsterdam 1701) |
This source has been fully transcribed |
Baldassare Donato |
Il secondo libro de madrigali a quattro voci (Venice 1568) |
John Dowland |
The first booke of songes (London 1597) |
John Dowland |
Lachrimae or seaven teares (London [1604]) |
Eustache Du Caurroy |
Fantasies a III. IIII. V. et VI. parties (Paris 1610) |
Eustachio Romano |
Musica duorum: Liber primus (Rome 1521) |
Jacob van Eyck |
Der Fluyten Lust-hof. 2 vols (Amsterdam 1646-54) |
Heinrich Faber |
Compendiolum musicae pro incipientibus (Nuremberg 1594) |
This source has been fully transcribed |
Andrea Fadini |
XII Sonate a due violini, violoncello ed organo, con tre soggetti reali. Op. 1 (Amsterdam XVIII cent.) |
Andrea Falconieri |
Il primo libro di canzone, sinfonie, fantasie (Naples 1650) |
Gottfried Finger |
A collection of musick in two parts (London 1691) |
This source has been fully transcribed |
Gottfried Finger |
6 Sonatas of two parts. Op. 2 (London c. 1698) |
This source has been fully transcribed |
Gottfried Finger |
Dix Sonates à 1 Flute & 1 Basse Continue. Op. 3 (Amsterdam [1701]) |
Andrea Stefano Fioré |
Sinfonie da chiesa a tre. Op. 1 (Modena 1699) |
Johann Caspar Ferdinand Fischer |
Le Journal du Printems (Augsburg 1695) |
Johann Fischer |
Musicalisch Divertissement (Dresden 1699) |
This source has been fully transcribed |
Johann Fischer |
Musicalische Fürsten-Lust (Lübeck 1706) |
Paolo Fonghetti |
Capricii et madrigali a due voci (Verona 1598) |
Fabrizio Fontana |
Ricercari (Rome 1677) |
Giovanni Battista Fontana |
Sonate (Venice 1641) |
Girolamo Frescobaldi |
Il primo libro di capricci (Rome 1624) |
Girolamo Frescobaldi |
Il primo libro delle canzoni (Rome 1628) |
Girolamo Frescobaldi |
Arie musicali (Florence 1630) |
Girolamo Frescobaldi |
Canzoni da sonare. Libro primo (Venice 1634) |
Girolamo Frescobaldi |
Fiori musicali. Op. 12 (Venice 1635) |
Andrea Gabrieli |
Ecclesiasticarum cantionum quatuor vocum. Liber primus (Venice 1576) |
Andrea Gabrieli and Giovanni Gabrieli |
Concerti (Venice 1587) |
Giovanni Gabrieli |
Sacrae symphoniae (Venice 1597) |
Domenico Gabrielli |
Ms. Mus. G.79: Ricercari per il violoncello (1689). Manuscript preserved in Modena: Biblioteca Estense |
Domenico Galli |
Trattenimento musicale sopra il violoncello a’ solo (Modena 1691) |
John Ernest Galliard and Ignazio Sieber |
12 Sonates (Amsterdam [1710]) |
Giuseppe Garzaroli |
Suonate da Camera a Flauto e Basso (XVIII cent.). Manuscript preserved in Vienna: Österreichische Nationalbibliothek - Musiksammlung |
This source has been fully transcribed |
Giovanni Giacomo Gastoldi |
Balletti a cinque voci (Antwerp 1596) |
This source has been fully transcribed |
Giovanni Giacomo Gastoldi |
Balletti a tre voci (Antwerp 1606) |
Francesco Geminiani |
Three Solos (London XVIII cent.) |
This source has been fully transcribed |
Francesco Geminiani |
12 Sonate a violino, violone e cembalo. Op. 1 (Amsterdam c. 1720) |
Francesco Geminiani |
Concerti Grossi della Seconda Parte dell’Opera Quinta d’Arcangelo Corelli (London 1726) |
Francesco Geminiani |
A Treatise of Good Taste in the Art of Musick (London 1749) |
Bartholomäus Gesius |
Geistliche Deutsche Lieder (Frankfurt am Oder 1601) |
Giuseppe Giamberti |
Duo (Rome 1657) |
Mauro Giuliani |
Pieces faciles et agreables pour la flute ou violon et guitarre. Op. 74 (Vienna c. 1810) |
This source has been fully transcribed |
John Baptist Grano |
Solos for a German flute (London c. 1728) |
Adam Gumpelzhaimer |
Compendium musicae Latino - Germanicum (Augsburg 1595) |
Adam Gumpelzhaimer |
Compendium musicae (Augsburg 1611) |
Cesario Gussago |
Sonate a quattro, sei et otto (Venice 1608) |
Johann Guth |
Novitas musicalis (Frankfurt 1675) |
George Frideric Handel |
Alexander for a flute (London XVIII cent.) |
George Frideric Handel |
Almira, Königin von Castilien - HWV 1 (London 1705) |
George Frideric Handel |
Neun Deutsche Arien (1724-27) |
This source has been fully transcribed |
George Frideric Handel |
Solos for a German flute a hoboy or violin (London [1732]) |
George Frideric Handel |
Concerto grosso Op. 3, No. 5 - HWV 316 (London 1734) |
George Frideric Handel |
Music for the Royal Fireworks - HWV 351 (1749) |
Johann Adolph Hasse |
Sei Sonate a Tre. Op. 2 (Paris c. 1730) |
Hans Leo Hassler |
Lustgarten. Neuer Teutscher Gesäng (Nuremberg 1601) |
Joseph Haydn |
Three divertimentos for a flute, violin, and bass (London XVIII cent.) |
This source has been fully transcribed |
Joseph Haydn |
6 Sonates a flute, violon et violoncello. Op. 11 (Amsterdam c. 1771) |
Sebald Heyden |
De arte canendi (Nuremberg 1540) |
Jacques Hotteterre «le Romain» |
Sonates en trio. Livre premier. Op. 3 (Paris 1712) |
Jacques Hotteterre «le Romain» |
Premiere suitte de pieces a deux dessus. Op. 4 (Paris 1712) |
Jacques Hotteterre «le Romain» |
Premier livre de pieces pour la flûte-traversiere. Op. 2 (Paris 1715) |
Jacques Hotteterre «le Romain» |
L’art de préluder. Op.7 (Paris 1719) |
William Jackson |
Twelve Songs. Op. 1 (London c. 1755) |
Clément Janequin |
Les chansons de La guerre, La chasse, Le chant des oyseaux, La louette, Le rossignol (Paris 1537) |
Johann Gottfried Keller |
VI Sonate a tre (Amsterdam XVIII cent.) |
Johann Gottfried Keller and Robert Orme |
8 Sonates a 3 parties (Amsterdam [1700]) |
Ernest Krähmer |
100 Übungsstücke für den Csakan. Op. 31 (Vienna [1837]) |
Johann Kuhnau |
Cantata già BWV 142, «Uns ist ein Kind geboren» ([1720]) |
Philibert de La Vigne |
Sonates pour la musette, vièle, flute-à-bec. Op. 2 (Paris 1731) |
Philibert de La Vigne |
Les Fleurs. Op. 4 (Paris 1745) |
Santo Lapis |
Sei duetti per due flauti o violini o fagotti (Paris 1740-48) |
Santo Lapis |
Nouveaux trios a deux flutes traversieres (Amsterdam 1756) |
Pietro Lappi |
Canzoni da suonare. Libro primo. Op. 9 (Venice 1616) |
Orlando di Lasso |
Libro de villanelle, moresche et altre canzoni a 4. 5. 6 et 8 voci (Antwerp 1582) |
Orlando di Lasso |
Magnum opus musicum (Munich 1604) |
Giovanni Legrenzi |
Sonate a due e tre. Op. 2 (Venice 1655) |
Giovanni Legrenzi |
Sonate a due, tre, cinque e sei istromenti. Op. 8 (Venice 1664) |
Giovanni Legrenzi |
La Cetra. Op. 10 (Venice 1673) |
Leonardo Leo |
Solfeggi (1750-1800). Manuscript preserved in Dresden: Sächsische Landesbibliothek |
Richard Leveridge |
A Collection of Songs. In two volumes (London 1727) |
Matthew Locke |
Little Consort of Three Parts (London 1656) |
Jean Baptiste Loeillet de Gant |
Six Sonatas of two parts for two German flutes (London XVIII cent.) |
This source has been fully transcribed |
Jean Baptiste Loeillet de Gant |
12 Sonates a une Flute & Basse Continue. Op. 3 (Amsterdam [1715]) |
Jean Baptiste [John] Loeillet of London |
Sonatas for variety of instruments. Op. 1 (London 1722) |
Jean Baptiste [John] Loeillet of London |
12 Sonatas in three parts. Op. 2 (London c. 1725) |
Antonio Lotti |
Duetti, terzetti e madrigali a più voci (Venice 1705) |
Jean-Baptiste Lully |
Armide. Tragedie mise en musique (Paris 1686) |
Jean-Baptiste Lully |
Atys. Tragedie mise en musique (Paris 1689) |
Jean-Baptiste Lully |
Trio de la Chambre. Tome premier. Ms. RES-1397 (1705). Manuscript preserved in Paris: Bibliothèque nationale de France |
Jean-Baptiste Lully (II) |
Concert de violons et hautbois donné au soupé du Roy. Ms. Rés.F.528 (1707). Manuscript preserved in Paris: Bibliothèque nationale de France |
This source has been fully transcribed |
Francesco Mancini |
12 Solos for a flute (London [1724]) |
This source has been fully transcribed |
Benedetto Marcello |
Suonate a flauto solo (Venice 1712) |
This source has been fully transcribed |
Benedetto Marcello |
Canzoni madrigalesche. Op. 4 (Bologna 1717) |
Biagio Marini |
Affetti musicali a 1, 2 e 3. Op. 1 (Venice 1617) |
Biagio Marini |
Arie, madrigali et corenti. Op. 3 (Venice 1620) |
Biagio Marini |
Diversi generi di sonate. Libro terzo. Opera 22 (Venice 1655) |
This source has been fully transcribed |
Florentio Maschera |
Libro primo de canzoni da sonare a quattro voci (Brescia 1584) |
This source has been fully transcribed |
Nicola Matteis |
Ayrs for the violin (London 1676-85) |
Nicola Matteis |
A collection of new songs. Book 1 (London 1696) |
Johann Mattheson |
12 Sonates à 2 et 3 flutes sans bass. Op. 1 (Amsterdam 1708) |
This source has been fully transcribed |
Ascanio Mayone |
Secondo libro di diversi capricci per sonare (Naples 1609) |
Domenico Mazzocchi |
Dialoghi e sonetti posti in musica (Rome 1638) |
Johann Friedrich Meister |
Il giardino del piacere (Hamburg 1695) |
Louis Mercy |
6 solos for a flute with a thorough bass (London c. 1718) |
Tarquinio Merula |
Canzoni overo sonate concertate per chiesa e camera a due e a tre. Libro terzo, Op. 12 (Venice 1637) |
Claudio Merulo |
Canzoni d'intavolatura d'organo a quattro voci fatte alla francese (Venice 1592) |
Constantijn Huygens |
Pathodia sacra et profana (Paris 1647) |
Johann Melchior Molter |
Mus. Hs. 398-403. Duetti senza basso (1745). Manuscript preserved in Karlsruhe: Badische Landesbibliothek |
This source has been fully transcribed |
Johann Melchior Molter |
Mus. Hs. 404-409. 6 Duets (1745). Manuscript preserved in Karlsruhe: Badische Landesbibliothek |
Michel Pignolet de Montéclair |
Concerts à deux Flutes Traversières sans Basses (Paris XVIII cent.) |
Claudio Monteverdi |
Scherzi musicali a tre voci (Venice 1607) |
Claudio Monteverdi |
L’Orfeo (Venice 1609) |
Claudio Monteverdi |
Madrigali guerrieri et amorosi. Libro 8 (Venice 1638) |
Claudio Monteverdi |
Selva morale e spirituale (Venice 1641) |
Thomas Morley |
The first booke of canzonets to two voyces (London 1595) |
This source has been fully transcribed |
Thomas Morley |
The first booke of balletts to five voyces (London 1595) |
Thomas Morley |
A plaine and easie introduction to practicall musicke set downe in forme of a dialogue (London 1597) |
Antonio Morsolino |
Il primo libro delle canzonette a tre voci (Venice 1594) |
This source has been fully transcribed |
Antonio Mortaro |
Primo libro de canzoni da sonare a quattro voci (Venice 1600) |
Artemio Motta |
Concerti a cinque. Op. 1 (Modena 1701) |
Wolfgang Amadeus Mozart |
Douze Pièces pour deux Cors (Vienna [1802]) |
This source has been fully transcribed |
Johann Heinrich Müller |
Zwölf Canons aus Raupachs Gedichten entlehnt für drei Singstimmen ohne Begleitung (Leipzig XIX cent.) |
Alexander Munro |
A Collection of the best Scots tunes fited to the German flute with several divisions & variations and (Paris [1732]) |
Giulio Mussi |
Il primo libro delle canzoni da sonare a due voci. Op. 5 (Venice 1620) |
Pompeo Natali |
Solfeggiamenti a due e tre voci per cantare e suonare (Rome 1674) |
Pompeo Natali |
Libro secondo de' solfeggiamenti a due e tre voci per cantare, suonare con diversi stromenti, violino, violone, e flauto, ecc. (Rome 1681) |
Jacques-Christophe Naudot |
Sonates pour la Flûtes traversières avec la basse. Op. 1 (Paris 1726) |
Jacques-Christophe Naudot |
6 Babioles. Op. 10 (Paris [1737]) |
This source has been fully transcribed |
Johann Gottlieb Naumann |
Zwölf Canons für 3 Singstimmen (Oranienburg [1804]) |
This source has been fully transcribed |
Cesare Negri |
Nuove inventioni di balli (Milan 1604) |
Otto Nicolai |
Recueil de 12 pieces pour deux flutes traversieres (Mainz XIX cent.) |
Alessandro Orologio |
Intradae quinque et sex vocibus (Helmstedt 1597) |
This source has been fully transcribed |
Diego Ortiz |
El primo libro: Nel quale si tratta delle glose sopra le cadenze et altre sorte de punti in la musica del violone nouamente posti in luce (Rome 1553) |
Lucas Osiander |
Fünfftzig Geistliche Lieder und Psalmen mit vier Stimmen (Nuremberg 1586) |
James Oswald |
The Caledonian Pocket Companion. 8 vols (London c. 1745) |
James Paisible |
6 sonatas of two parts for two flutes. Op. 1 (London c. 1703) |
This source has been fully transcribed |
Jakob Paix |
Selectae, artificiosae et elegantes fugae (Lauingen 1594) |
Giovanni Antonio Pandolfi Mealli |
Sonate a violino solo per chiesa e camera. Op. 3 (Innsbruck 1660) |
Giovanni Antonio Pandolfi Mealli |
Sonate a violino solo per chiesa e camera. Op. 4 (Innsbruck 1660) |
Johann Christoph Pepusch |
Sonatas (Amsterdam [1705]) |
Johann Christoph Pepusch |
6 sonatas or solos for the flute (London 1707) |
This source has been fully transcribed |
Johann Christoph Pepusch |
A Second Set of Solos for the Flute (London 1709) |
Johann Christoph Pepusch |
6 Concerts. Op. 8 (Amsterdam c. 1717) |
This source has been fully transcribed |
Giovanni Battista Pescetti |
Sonate per gravicembalo (London 1739) |
Anne Danican Philidor |
I.er Livre de pieces pour la flute traversiere (Paris 1712) |
Peter Philips |
Madrigali a otto voci (Antwerp 1599) |
Giovanni Picchi |
Canzoni da sonar con ogni sorte d'istromenti (Venice 1625) |
Filippo Prover |
Sei sonate per l'oboe, flauto traverso o violino con basso. Op. 1 (Paris c. 1750) |
Henry Purcell |
Dido and Aeneas (London 1688) |
Henry Purcell |
King Arthur, or The British Worthy (London 1691) |
Henry Purcell |
The Fairy-Queen (London 1692) |
Henry Purcell |
The History of Timon of Athens, the Man-Hater (London 1695) |
Henry Purcell |
Ten Sonatas in four parts (London 1697) |
Henry Purcell |
Orpheus britannicus. Book 2 (London 1702) |
Daniel Purcell |
6 Sonata's or Solos (London [1698]) |
All the pieces for the recorders has been transcribed |
Daniel Purcell |
6 Sonatas (London c. 1710) |
Paolo Quagliati |
Recercate, et canzone per sonare, et cantare (Rome 1601) |
Johann Joachim Quantz |
6 duetti a due flauti traversi. Op. 2 (Berlin 1759) |
This source has been fully transcribed |
Thomas Ravenscroft |
Deuteromelia (London 1609) |
Thomas Ravenscroft |
Pammelia (London 1609) |
Thomas Ravenscroft |
Melismata (London 1611) |
Giovanni Battista Riccio |
Il terzo libro delle divine lodi musicali (Venice 1620) |
Johan Helmich Roman |
Drottningholmsmusiken (Royal wedding music) ([1744]). Manuscript preserved in Stockholm: Statens musikbibliotek - The Music Library of Sweden |
Salamone Rossi |
Il primo libro delle sinfonie et gagliarde a tre, quatro, & a cinque voci (Venice 1607) |
This source has been fully transcribed |
Salamone Rossi |
Il secondo libro delle sinfonie e gagliarde a tre voci (Venice 1608) |
Erasmus Rotenbucher |
Diphona amoena et florida (Nuremberg 1549) |
Vincenzo Ruffo |
Capricci in musica a tre voci (Milan 1564) |
Giuseppe Sammartini |
Six sonatas or duets for two German flutes (London XVIII cent.) |
Giuseppe Sammartini |
12 sonatas for two German flutes or violins with a thorough bass (London c. 1727) |
This source has been fully transcribed |
Giovanni Felice Sances |
Cantade a voce sola. Libro 2 (Venice 1633) |
Giovanni Felice Sances |
Il quarto libro delle cantate (Venice 1636) |
Giovanni Felice Sances |
Capricci poetici a una, doi, e tre voci (Venice 1649) |
Pietro Sangiorgio |
Il primo libro de capricci a due voci (Venice 1608) |
Samuel Scheidt |
Tabulatura nova (Hamburg 1624) |
Johann Hermann Schein |
Banchetto Musicale (Leipzig 1617) |
Johann Christian Schickhardt |
Sonates a une Flute & une Basse Continue. Op. 1 (Amsterdam c. 1710) |
This source has been fully transcribed |
Johann Christian Schickhardt |
Sonates pour la chambre à deux flutes et une basse continue. Op. 6 (Amsterdam 1710) |
Johann Christian Schickhardt |
Principes de la Flûte. Op. 12 (Amsterdam c. 1710) |
This source has been fully transcribed |
Johann Christian Schickhardt |
12 Sonates a une Flute & une Basse Continue. Op. 17 (Amsterdam c. 1712) |
Johann Christian Schickhardt |
VI Concerts. Op. 13 (Amsterdam c. 1715) |
Johann Christian Schickhardt |
6 concerts à quatre flutes et basse continue. Op. 19 (Amsterdam c. 1715) |
Johann Christian Schickhardt |
12 Sonate del Sig.r Arcangelo Corelli, Op. 6ta a 2 Flauti, e Basso Continuo (Amsterdam c. 1720) |
This source has been fully transcribed |
Johann Christian Schickhardt |
L'Alphabet de la musique. Op. 30 (London c. 1735) |
Wilhelm Schüler |
Vier Taenze für Guitarre und Floete und Fünf für Guitarre allein (Ansbach c. 1821) |
Andreas Heinrich Schultzen |
6 Sonate a flauto solo (Amsterdam [1703]) |
This source has been fully transcribed |
Robert Schumann |
Album für die Jugend. Op. 68 (1848) |
Heinrich Schütz |
Geistliche Chormusik. Op.11 (Dresden 1648) |
Girolamo Scotto |
Il primo libro delli madrigali a due voci (Venice 1558) |
Bartolomé de Selma y Salaverde |
Canzoni, fantasie et correnti da suonar (Venice 1638) |
Francesco Spinacino |
Intabulatura de lauto: Libro primo (Venice 1507) |
Francesco Spinacino |
Intabulatura de lauto: Libro secondo (Venice 1507) |
Gregorio Strozzi |
Capricci da sonare cembali et organi (Naples 1687) |
Michael Talbot |
6 Duets for two treble recorders (Liverpool 2008) |
Michael Talbot |
6 sonatas for recorder and obbligato harpsichord (Liverpool 2009-11) |
Georg Philipp Telemann |
Harmonischer Gottes-Dienst oder geistliche Cantaten (Hamburg 1725-26) |
Georg Philipp Telemann |
Sonates sans Basse à deux Flutes traverses, ou à deux Violons, ou à deux Flutes à bec (Hamburg 1727) |
This source has been fully transcribed |
Georg Philipp Telemann |
Fantasie per il Violino, senza Basso (c. 1727) |
This source has been fully transcribed |
Georg Philipp Telemann |
Sonate metodiche a violino solo o flauto traverso (Hamburg [1728]) |
Georg Philipp Telemann |
Der Getreue Music-Meister (Hamburg 1728-29) |
Georg Philipp Telemann |
La petite musique de chambre (Hamburg 1728) |
This source has been fully transcribed |
Georg Philipp Telemann |
3 Trietti metodici e 3 Scherzi (Hamburg [1731]) |
This source has been fully transcribed |
Georg Philipp Telemann |
Fantaisies pour le clavessin (Hamburg c. 1733) |
Georg Philipp Telemann |
12 Solos à Violon ou Traversiere avec la Basse chiffrée (Hamburg 1734) |
Georg Philipp Telemann |
Fugierende und verändernde Choräle ([1735]) |
Georg Philipp Telemann |
Sonates Corellisantes (Hamburg 1735) |
Georg Philipp Telemann |
22 canons mélodieux (Paris 1738) |
This source has been fully transcribed |
Georg Philipp Telemann |
Essercizii musici (Hamburg [1740]) |
Georg Philipp Telemann |
Second Livre de Duo pour deux Violons, Fluttes, ou Hautbois (Paris [1752]) |
This source has been fully transcribed |
Burke Thumoth |
Twelve Scotch and Twelve Irish Airs with Variations (London 1748) |
William Topham |
XII sonate a flauto solo (Amsterdam XVIII cent.) |
Giovanni Maria Trabaci |
Ricercate, canzone franzese, capricci. Book 1 (Naples 1603) |
Antonio Troilo |
Il primo libro delle canzoni da sonare (Venice 1606) |
Marco Uccellini |
Sonate arie et correnti a 2 e 3 per sonare con diversi instromenti (Venice 1642) |
Marco Uccellini |
Sonate correnti et arie. Op. 4 (Venice 1645) |
Robert Valentine |
La Villeggiatura à 2 Flauti - Ms. Sanv.D.145c (XVIII cent.). Manuscript preserved in Parma: Biblioteca Palatina |
This source has been fully transcribed |
Robert Valentine |
Sonate di Flauto a Solo col Basso per il Cimbalo o Violone. Op. 2 (Rome 1708) |
This source has been fully transcribed |
Robert Valentine |
Sonate di flauto a solo co’l basso per il cimbalo, o violone. Op. 3 (Rome 1710) |
Orazio Vecchi |
Selva di varia ricreatione (Venice 1590) |
Orazio Vecchi and Gemignano Capilupi |
Canzonette a tre voci (Venice 1597) |
Francesco Maria Veracini |
Sonate a violino, o flauto solo, e basso (1716). Manuscript preserved in Dresden: Sächsische Landesbibliothek |
This source has been fully transcribed |
Lodovico Viadana |
Cento concerti ecclesiastici. Op. 12 (Venice 1605) |
Lodovico Viadana |
Centum sacri concentus ab una voce sola (Frankfurt 1615) |
Pietro Vinci |
Il primo libro della musica a due voce (Venice 1560) |
Giovanni Battista Vitali |
Correnti e balletti da camera. Op. 1 (Bologna 1666) |
Giovanni Battista Vitali |
Balletti, correnti, e sinfonie da camera a quattro stromenti. Op. 3 (Bologna 1667) |
Giovanni Battista Vitali |
Sonate a due, tre, quattro, e cinque stromenti. Op. 5 (Bologna 1669) |
Giovanni Battista Vitali |
Balletti. Op. 4 (Bologna 1673) |
Giovanni Battista Vitali |
Varie sonate. Op. 11 (Modena 1684) |
Giovanni Battista Vitali |
Artifici musicali. Op. 13 (Modena 1689) |
Giovanni Battista Vitali |
Sonate da camera a tre. Due violini e violone. Op. 14 (Modena 1692) |
Tomaso Antonio Vitali |
Concerto di sonate a violino, violoncello e cembalo. Op. 4 (Modena 1701) |
Antonio Vivaldi |
Sonate a violino e basso per il cembalo. Op. 2 (Venice 1709) |
This source has been fully transcribed |
Antonio Vivaldi |
Suonate da camera a tre. Op. 1 (Amsterdam c. 1712) |
Antonio Vivaldi |
Arsilda, Regina di Ponto (1716). Manuscript preserved in Turin: Biblioteca Nazionale Universitaria |
Antonio Vivaldi |
6 concerti. Op. 10 (Amsterdam 1729) |
This source has been fully transcribed |
Giovanni Buonaventura Viviani |
Capricci armonici da chiesa e da camera. Op.4 (Venice 1678) |
August Heinrich von Weyrauch |
Zehn deutsche Lieder. Sammlung 2 (Dorpat (Tartu) 1820) |
Thomas Whythorne |
Duos, or songs for two voices (London 1590) |
Ambrosius Wilfflingseder |
Musica Teutsch der Jugent zu gut gestelt (Nuremberg 1561) |
William Williams |
6 sonata's in three parts (London 1700) |
Robert Woodcock |
12 concertos in eight parts (London [1727]) |
William Young |
Sonate a 3, 4 e 5 (Innsbruck 1653) |
Domenico Zanata |
Suonate da chiesa a 3 strumenti, due violini e violoncello, col basso per l'organo. Op. 1 (Bologna 1689) |
Gasparo Zanetti |
Il scolaro per imparar a suonare di violini et altri stromenti (Milan 1645) |