This is the list of all the composers who have some works published or at least listed in the whole Gardane site.

published sources (or in their way to be published)

All composers: 237 works

Ms. Q16 (Museo internazionale e biblioteca della musica, Bologna 1487)
Ms.α.F.9.9 (Biblioteca Estense, Modena 1495)
Pammelia. Musicks Miscellanie or Mixed Varietie of plaesant roundelayes and delightfull catches of 3. 4. 5. 6. 7. 8. 9. 10 parts in one, ed. by Thomas Ravenscroft (Willim Barley, London 1609)
Quatorse Sonates a 2 Flustes: dont les 6 premiers sont composés par Mr. Fingher, les 6 suivants par Mr. Courtivill et les 2 derniers par Mr. Paisible (Estienne Roger, Amsterdam c. 1700)
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Motetti novi et chanzoni franciose a quatro sopra doi (Andrea Antico, Venice 1520)
Second livre contenant trois gaillardes, trois pavanes, vingt trois branles (Pierre Attaingnant, Paris 1547)
Troisieme livre de danceries a quatre et cinq parties, vev par Claude Gervaise (Pierre Attaingnant, Paris 1556)
Quart livre de danceries, a quatre parties contenant XIX pavanes et XXXI gaillardes. Vev et corrige par Claude Gervaise (Pierre Attaingnant, Paris 1550)
Cinqueisme livre de danceries, a quatre parties contenant dix bransles gays, huict bransles de poictou, trentecinq bransles de champaigne. Vev et corrige par Claude Gervaise (Pierre Attaingnant, Paris 1550)
Sixieme livre de danceries, mis en musique par Claude Gervaise (Pierre Attaingnant, Paris 1555)
Septieme livre de danceries, mis en musique a quatre parties par Estienne du Tetre (Pierre Attaingnant, Paris 1557)
Neuf basses dances deux branles vingt et cinq pavennes avec quinze gaillardes en musique a quatre parties (Pierre Attaingnant, Paris 1530)
50 Airs anglois. Dont les 20 premiers sont à un dessus seul les 10 suivant à 2 dessus & les 20 derniers à un dessus & une basse, ed. by George Bingham (Estienne Roger & Le Cene, Amsterdam c. 1702)
40 Airs anglois à un dessus & une basse & trois sonates, les deux premiers à 2 dessus et le troisiéme à un dessus & une basse. Livre second, ed. by George Bingham (Estienne Roger & Le Cene, Amsterdam c. 1702)
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Gottfried Finger and George Bingham 40 Airs anglois pour la flute à un dessus & une basse. Dont les 16 prémiers sont de Monsieur Finger & les 24 suivants de Mr George Bingham. Livre troisieme (Pierre Mortier, Amsterdam c. 1704)
The Boston collection of instrumental music: containing marches, quicksteps, waltzes, airs, cotillons, contra dances, hornpipes, quadrilles, arranged with figures, Scotch and Irish jigs, reels, and strathspeys, arranged for brass, wooden, & stringed instruments (Oliver Ditson, Boston 1840)
Canti C. N. cento cinquanta (Ottaviano Petrucci, Venice 1503)
Cod. 2856 (Biblioteca Casanatense, Rome 1480-90)
Recueil des meilleurs contredanses arrangées pour le flageolet, ed. by P.J. Chaxelle (Frere, Paris c. 1790)
The delightful pocket companion for the German flute containing a choice collection of the most celebrated Italian, English, adn Scotch tunes, curiously adapted to that instrument (R. Bremner, London c. 1763)
RM.788.1191/S698: Sonates pour 1 & 2 fluttes (Public Library, Detroit XVIII cent.)
The first part of the division flute containing a collection of divisions upon several excellent grounds for the flute being very improveing and delightfull to all lovers of that instrument (John Walsh, London 1706)
The second part of the division flute containing the newest divisions upon the choisest grounds for the flute as also several excellent preludes chacon's and cibells by the best masters (John Walsh, London 1708)
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Canzoni frottole et capitoli: Libro secondo de la Croce (Valerio Dorico, Rome 1531)
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Der Gooden Fluyt Hemel. Eerste Deel (Paulus Matthysz, Amsterdam 1644)
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Canzoni francese a due voci buone da cantare et sonare (Antonio Gardane, Venice 1539)
't Uitnement Kabinet: Vol Pavanen, Almanden, Sarbanden, Couranten, Balletten, Intraden, Airs etc. 2 vols (Paulus Matthysz, Amsterdam 1646-49)
Le Parangon des Chansons: Quart livre contenant XXXII chansons a deux et a troys parties (Jacques Moderne, Lion 1539)
Motetti A. numero trentatre (Ottaviano Petrucci, Venice 1502)
Ms. Rés. Vm7 676 (Bibliothèque nationale, Paris 1502)
Panciatichi 27 (Biblioteca Nazionale Centrale, Florence XVI cent.)
Mus.ms. 1516. Teutsche, Franzosische, Lateinische Lieder mit 4 Stimmen (Bayerische Staatsbibliothek, Munich c. 1540)
Mus.ms. 260. Franzosische, lateinische, und teutsche Lieder, mit 2 und 4 Stimmen (Bayerische Staatsbibliothek, Munich c. 1550)
Concerti di flauto, violini, violetta e basso di diversi autori (Conservatorio di Musica S. Pietro a Majella, Naples 1725)
Harmonice Musices Odhecaton A (Ottaviano Petrucci, Venice 1501)
Manuscrit musical 161 (Bibliothèque Municipale de Versailles, Paris XVIII cent.)
Ms. CF-V-23: Sinfonie di Varij Autori (Biblioteca Palatina, Parma XVIII cent.)
Recueil de danseries, contenant presque toutes sortes de danses, comme Pavanes, Pass'emezes, Allemandes, Gaillardes, Branles, et plusieurs autres, accommodées aussi bien a la voix, comme à tous instrumens musicaux, nouvellement amassé d’aucuns sçavans maistres musiciens, et autres amateurs de toute sorte d’harmonie (Pierre Phalése and Jean Bellére, Antwerp 1583)
Bicinia, sive cantiones suavissime duarum vocum, tam divinae musices tyronibus, quam eiusdem artis peritioribus magno usui futurae, nec non et quibusuis instrumentis accomodae: ex praeclaris huius aetatis auctoribus collectae: quarum catalogum pagella sequens explicat (Pierre Phalèse and Jean Bellère, Antwerp 1590)
Promptuarii musici. Sacras harmonias sive motetas V. V. VII. & VIII. vocum, e diversis, iisque clarissimis huius & superioris atatis autoribus, antehac nunquam in Germania editis, collectas exhibentis. Pars prima, ed. by Abraham Schadaeus (Caroli Kiefferi, Strasbourg 1611)
Canzoni per sonare con ogni sorte di stromenti a quattro, cinque e otto, con il suo basso generale per l'organo, novamente raccolte da diversi eccellentissimi musici, e date in luce. Libro primo (Alessandro Raverii, Venice 1608)
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Bicinia gallica, latina, germanica ex praestantissimis musicorum munumentis collecta et secundum seriem tonorum disposita: Tomus primus (Georg Rhau, Wittenberg 1545)
Secundus tomus biciniorum quae et ipsa sunt gallica, latina, germanica ex praestantissimis symphonistis collecta, et in Germania typis nunquam excusa. Additae sunt quaedam, ut vocant, fugae, plenae artis et suavitatis (Georg Rhau, Wittenberg 1545)
Nursery Rhymes with the Tunes to which they are still sung in the Nurseries of England, ed. by Edward Francis Rimbault (Cramer, Beale & Co., London [1846])
Le dotte et eccellente compositioni de i madregali a cinque voci da diversi perfettisimi musici fatte (Girolamo Scotto, Venice 1540)
Il primo libro delle muse a tre voci. Madrigali de diversi autori di nuovo raccolti e datti in luce. Musica dilettevole, e piacevole da cantare (Girolamo Scotto, Venice 1562)
A selection of the most favourite Scots-songs, chiefly pastoral, adapted for the harpsichord, with an accompaniment for a violin by eminent masters (William Napier, London [1790])
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Synopsis Musicae or The Musical Inventory. Being a Collection of the choicest and newest Ayres, Jiggs, Borees, Alemands, Gavots, Entries, Round O's, Horn-pipes, Trumpet-Tunes and Scotch Tunes, for the Recorder or Flute. To which are added several new Songs and Catches Compos'd by the most able Masters (Thomas Cross, London 1693)
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Thesaurus Musicus: Being a collection of the newest songs [...] A collection of Aires, composed for two flutes by several masters. 5 vols (J. Heptinstall for John Hudgebut, London 1693-96)
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VI Sonates ou Concerts à 4, 5, & 6 parties composées par Mrs. Bernardi, Torelli & autres fameux Auteurs. Livre 1 (Estienne Roger, Amsterdam XVIII cent.)
Diletto spirituale. Canzonette a tre et a quattro voci composte da diversi ecc.mi musici. Raccolte da Simone Verovio. Intagliate et stampate dal medesimo. Con l'intavoltaura del cimbalo et liuto (Simone Verovio, Rome 1586)
Fantasie Recercari Contrapunti a tre voci appropriati per cantare e sonare d'ogni sorte di stromenti. Libro primo (Antonio Gardane, Venice 1559)
Karl Friedrich Abel Four Trios; two for two flutes and a bass, and two for a flute, violin and bass. Op. 16 (John Preston, London c. 1785)
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Karl Friedrich Abel Six easy sonattas for the harpsichord or for a viola da gamba, violin or German flute with a thorough-bass accompaniment (J.J. Hummel, Amsterdam [1771])
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Karl Friedrich Abel Sonatas for the Harpsichord with accompaniment for a Violin or German Flute & Violoncello. Op. 2 (R. Bremner, London 1760)
John Adson Courtly masquing Ayres, composed to 5 and 6 parts, for violins, consorts, and cornets (T.S. for John Browne, London 1621)
Camillo Angleria La regola del contraponto, e della musical compositione. Nella quale si tratta brevemente di tutte le consonanze e dissonanze coi suoi esempi a due, tre e quattro voci (Giorgio Rolla, Milan 1622)
Jacob Arcadelt Il primo libro de madrigali a quattro voci (Antonio Gardane, Venice 1539)
William Babell [6] Concertos in 7 Parts: The first four for Violins and one small Flute and the two last for Violins and two Flutes. The proper Flute being nam'd to each Concerto. Perform'd at the Theatre with great applause. Op. 3 (John Walsh, London [1726])
Johann Christian Bach Six Sonates pour le Clavecin ou Piano forte, avec Accompagnement d'un Violon ou Flute. Op. 16 (J.J. Hummel, Amsterdam [1779])
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Adriano Banchieri Cartella overo regole utilissime a quelli che desiderano imparare il canto figurato. Nuovamente da varie opinioni di musici eccellenti ridotte in un piacevole dialogo di Maestro et Discepolo, et divise in due parti (Giacomo Vincenti, Venice 1601)
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Adriano Banchieri L'organo suonarino. Op. 13 (Ricciardo Amadino, Venice 1605)
Adriano Banchieri L'organo suonarino. Op. 25 (Ricciardo Amadino, Venice 1611)
Adriano Banchieri La Banchierina overo cartella picciola del canto figurato. Opera utilissima alli figlioli, per acquistarne il nome di sicuro cantore (Alessandro Vincenti, Venice 1623)
Adriano Banchieri Canzoni alla francese a 4 voci per sonare. Dentrovi un Echo, et infine una Battaglia a 8 et dui concerti fatti sopra Lieto godea. Libro secondo (Ricciardo Amadino, Venice 1596)
Adriano Banchieri Dialoghi concerti sinfonie e canzoni da cantarsi con due voci in variati modi nell'organo. Op. 48 (Stampa del Gardano, Venice 1625)
Adriano Banchieri Il virtuoso ritrovo academico del Dissonante, publicamente praticato con variati concerti musicali a 1, 2, 3, 4, 5 voci o stromenti, nell'Academia de Filomusi. Op. 49 (Bartolomeo Magni, Venice 1626)
John Banister A Sett of Ayres in Four Parts (Thomas Moore, London 1691)
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Francesco Barsanti A collection of old Scots tunes with the bass for violoncello or harpsichord (Alexander Baillie, Edinburgh [1742])
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Francesco Barsanti [6] Sonatas or Solos for a Flute with a Thorough Bass for the Harpsichord or Bass Violin (John Walsh, London [1724])
Giovanni Bassano Ricercate passaggi et cadentie. Per potersi essercitar nel diminuir terminatamente con ogni sorte d'istrumento: et anco diversi passaggi per la semplice voce (Ricciardo Amadino, Venice 1585)
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John Baston Six Concertos for Violins and Flutes viz. a Fifth, Sixth and Consort Flute. The proper Flute being nam'd to each Concerto (John Walsh, London [1729])
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Paolo Benedetto Bellinzani Sonate a flauto solo con cembalo o violoncello. Op. 3 (Antonio Bortoli, Venice 1720)
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Angelo Berardi Sinfonie a violino solo. Libro primo, opera settima (Giacomo Monti, Bologna 1670)
Maternus Beringer Musicae, das ist der freyen lieblichen Singkunst (Georg Leopold Fuhrmann, Nuremberg 1610)
Alessandro Besozzi Six Sonatas or Duets for two German Flutes or Violins (T. Straight and Skillers, London c. 1750)
Matteo Bevilacqua XII Walzes pour la flute et la guitarre. Op. 15 (Thaddeus Weigl, Vienna [1805])
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Matteo Bevilacqua Sei Canzonette Veneziane con accompagniamento di Chitarra. Op. 20 (Nel magazzino della Caes: Real Privil: stamperia chimica, Vienna XIX cent.)
George Bingham 40 Airs anglois à un dessus & une basse. Livre quatriéme. On a adjouté à ce livre une chacconne de Monsieur Finger (Estienne Roger & Le Cene, Amsterdam c. 1706)
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Joseph Bodin de Boismortier VI Concertos pour 5 Flûtes-Traversieres ou autres Instrumens sans Basse. Op. 15 (Chez L'Auteur, Paris 1727)
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Joseph Bodin de Boismortier [6] Sonates a Deux Flûtes-Traversieres sans Basse. Op. 1 (Chez L'Auteur, Paris 1724)
Joseph Bodin de Boismortier [6] Sonates a Deux Flûtes Traversieres sans Basse. Op. 6 (Chez L'Auteur, Paris 1725)
Joseph Bodin de Boismortier [6] Sonates en Trio pour Trois Flûtes Traversieres sans Basse. Op. 7 (Chez L'Auteur, Paris 1725)
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Joseph Bodin de Boismortier [6] Sonates a deux Flûtes-Traversieres sans Basse. Op. 8 (Chez L'Auteur, Paris 1725)
Giovanni Maria Bononcini Sonate da camera e da ballo a 1, 2, 3 e 4 (Francesco Magni, Venice 1667)
Jean Daniel Braun Six Suites à deux Muzettes, Qui conviennent aux Vieles, Flutes à Bec, Traversieres, et Haubois. Op. 2 (Chez Le Sr. Naudot, Paris 1729)
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William Byrd Gradualia seu cantionum sacrarum: quarum aliae ad quatuor, aliae vero ad quinque et sex voces editae sunt. Lib. secundus (Richard Redmer, London 1610)
Antonio Caldara Suonate da camera a due violini, con il basso continuo. Op. 2 (Gioseppe Sala, Venice 1699)
Floriano Canale Canzoni da sonare a quattro et otto voci: Libro primo (Giacomo Vincenti, Venice 1600)
Fabrizio Caroso Nobiltà di dame (Muschio, Venice 1600)
Robert Carr The Delightful Companion: or choice new lessons for the recorder or flute, to which is added, several lessons for two and three flutes to play together. Also plain and easie instructions for beginners, and several graces proper to this instrument. The second edition, corrected (John Playford and John Carr, London 1686)
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Ferdinando Carulli Solfèges et vocalises. Op. 195 - Trosième Partie: Solfège progressif dans tous les tons, et dans toutes les mesures (Carli, Paris 1826)
Ferdinando Carulli Metodo completo per chitarra. Op. 27 - Parte terza: 24 lezioni progressive per due chitarre (1810)
Girolamo Cavazzoni Intavolatura cioe recercari, canzoni, himni, magnificati. Libro primo (Venice 1543)
Scipione Cerreto Della prattica musica vocale et strumentale (Naples 1601)
Scipione Cerreto Dialogo harmonico, ove si tratta con un sol raggionamento di tutte le regole del contrapunto che si fa sopra Canto Fermo et sopra Canto Figurato, et anco della compositione di più voci, de canoni, delle proportioni et d'altre cose essentiali ad essa prattica musica (Museo internazionale e biblioteca della musica, Bologna c. 1631)
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Nicolas Chédeville Amusements champêtres. Contenants Trois Suittes a deux Muzettes ou Vielles et Trois avec la Basse Continue. Op. 1 (Chez L'Auteur, Paris 1729)
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Nicolas Chédeville Il Pastor Fido, Sonates pour la musette, viele, flûte, hautbois, violon, avec la basse continüe. Del Sig.r Antonio Vivaldi. Opera XIIIa. (Chez M.e Boivin, Paris [1737])
Antonio Cifra Ricercari et canzoni franzese. Libro secondo (Luca Antonio Soldi, Rome 1619)
Giovanni Paolo Cima Concerti ecclesiastici a una, due tre quattro voci [...] et sei sonate per instrumenti a due, tre, e quattro (Per gl'eredi di Simon Tini e Filippo Lomazzo, Milan 1610)
Giuseppe Colombi Sinfonie da camera, brandi e corrente alla francese, con corrente et arie da camera e suonate per suonare a due, a tre et a quattro. Op. 1 ([Giacomo Monti], Bologna 1668)
Arcangelo Corelli Sonate da camera a tre. Op. 2 (Giacomo Monti, Bologna 1685)
Arcangelo Corelli Sonate a tre. Op. 3 (Giovanni Giacomo Komarek, Rome 1689)
Arcangelo Corelli Concerti grossi con duoi violini e violoncello di concertino obligati e duoi altri violini, viola e basso di concerto grosso ad arbitrio, che si potranno radoppiare. Opera sesta (Estienne Roger, Amsterdam 1714)
Arcangelo Corelli Première partie du cinquième oeuvre de Corelli ajustée à la flûte traversière avec la basse (Le Clerc, Paris [1738])
Arcangelo Corelli Six Solos for a Flute and a Bass [...] Being the second part of his Fifth Opera (John Walsh, London [1702])
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William Croft Six sonatas of two parts, purposely made and contrived for two flutes (John Walsh, London [1704])
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Johann Crüger Musicae practicae. Praecepta brevia et exercitia pro tyronibus varia. Der rechte Weg zur Singekunst (Sumptibus authoris, Berlin 1660)
Giovanni Battista Degli Antoni Balletti e correnti, gighe e sarabande da camera a violino e cembalo o violoncello. Op. 3 (Gioseffo Micheletti, Bologna 1688)
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Christoph Demantius Isagoge artis musicae ad incipientium captum maxime accommodata (Valentin Fuhrmann, Nuremberg 1607)
Christoph Demantius Isagoge artis musicae ad incipientium captum maxime accommodata. Editio Nona et ultima (Georg Beuther, Friburgo 1656)
Charles Dieupart Six suittes de clavessin pour un violon et flûte avec une basse de viole et un archilut (Estienne Roger, Amsterdam 1701)
Baldassare Donato Il secondo libro de madrigali a quattro voci (Antonio Gardane / Girolamo Scotto, Venice 1568)
John Dowland Lachrimae or Seaven Teares in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or Violons, in five parts (John Windet, London [1604])
John Dowland The first booke of songes or ayres of fowre partes with tablature for the lute (Peter Short, London 1597)
Eustachio Romano Musica duorum: Liber primus (Giovanni Giacomo Pasotti, Rome 1521)
Jacob van Eyck Der Fluyten Lust-hof. 2 vols (Paulus Matthysz, Amsterdam 1646-54)
Heinrich Faber Compendiolum musicae pro incipientibus (Ex Officina Gerlachiana per Paulum Kauffmannum, Nuremberg 1594)
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Gottfried Finger Dix Sonates à 1 Flute & 1 Basse Continue. Op. 3 (Estienne Roger, Amsterdam [1701])
Gottfried Finger A Collection of Musick in Two Parts. Consisting of Ayres Chacones, Divisions, and Sonata's for Violins or Flutes (Thomas Moore, London 1691)
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Gottfried Finger Six Sonatas of two Parts for Two Flutes [...] Op. 2 (John Walsh & John Hare, London c. 1698)
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Johann Fischer Musicalisch Divertissement, Bestehend in einigen Ouverturen und Suiten, mit 2 Stimmen auff Violen, Hautbois oder Fleutes douces zu gebrauchen (Johann Riedeln, Dresden 1699)
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Giovanni Battista Fontana Sonate a 1, 2, 3 per il violino, o cornetto, fagotto, chitarrone, violoncino o simile altro istromento (Bartolomeo Magni, Venice 1641)
Girolamo Frescobaldi Il primo libro delle canzoni a una, due, tre e quattro voci per sonare con ogni sorte di stromenti (Paolo Masotti, Rome 1628)
Girolamo Frescobaldi Canzoni da sonare a una, due, tre et quattro con il basso continuo. Libro primo (Alessandro Vincenti, Venice 1634)
Girolamo Frescobaldi Fiori musicali di diverse compositioni. Toccate, kirie, canzoni, capricci, e recercari in partitura a quattro utili per sonatori. Op. 12 (Alessandro Vincenti, Venice 1635)
Andrea Gabrieli and Giovanni Gabrieli Concerti continenti musica di chiesa, madrigali, et altro, per voci et stromenti musicali a 6. 7. 8. 10. 12. et 16. Libro primo et secondo (Angelo Gardano, Venice 1587)
Andrea Gabrieli Ecclesiasticarum cantionum quatuor vocum, omnibus sanctorum solemnitatibus deservientium. Liber primus (Angelo Gardano, Venice 1576)
Domenico Gabrielli Ms. Mus. G.79: Ricercari per il violoncello (Biblioteca Estense, Modena 1689)
Domenico Galli Trattenimento musicale sopra il violoncello a’ solo (Modena 1691)
John Ernest Galliard and Ignazio Sieber XII Sonates à une Flute & une Basse Continue, Dont les 6 Premiéres sont de la Composition de Monsieur Galliard, qui sont Opera Prima & les 6 Derniéres de celle de Monsieur Sieber demeurant à Rome (Jeanne Roger, Amsterdam [1710])
Giovanni Giacomo Gastoldi Balletti a cinque voci. Con li suoi versi per cantare, et ballare, con una mascherata de cacciatori a sei voci, et un concerto de pastori a otto. (Pierre Phalèse, Antwerp 1596)
Francesco Geminiani Three Solos containing twelve easy movements for the German Flute or Violin and a Thorough Bass expressly Composed for the Use of Young Performers (J. Bland, London XVIII cent.)
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Mauro Giuliani Pieces faciles et agreables pour la flute ou violon et guitarre. Op. 74 (Pietro Mechetti, Vienna c. 1810)
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Adam Gumpelzhaimer Compendium musicae Latino - Germanicum (Valentin Schönig, Augsburg 1595)
Adam Gumpelzhaimer Compendium musicae (Valentin Schönig, Augsburg 1611)
Johann Guth Novitas musicalis. Allerhand Canones und Fugen von 2. 3. und 4 Stimmen sampt dem General Bass (Balthasar Christoph Wusten, Frankfurt 1675)
George Frideric Handel Alexander for a Flute. The Ariets with their Symphonys for a single Flute and the Duet for two Flutes of that celebrated opera compos'd by M.r Handell (John Walsh, London XVIII cent.)
Joseph Haydn Six Sonates a Flute, Violon et Violoncello. Op. 11 (J.J. Hummel, Amsterdam c. 1771)
Joseph Haydn Three divertimentos for a flute, violin, and bass (Preston, London )
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Jacques Hotteterre «le Romain» Premier livre de pieces pour la flûte-traversiere, et autres instruments. Avec la basse. Op. 2. Nouvelle edition (Chez l'Auteur, Paris 1715)
Jacques Hotteterre «le Romain» Sonates en trio pour les flûtes traversieres, flûtes a bec, violons, hautbois, &c. Livre premier. Op. 3 (Chez l'Auteur, Paris 1712)
Jacques Hotteterre «le Romain» Premiere Suitte de Pieces a deux Dessus, sans Basse Continue. Pour les Flûtes Traversieres, Flûtes a Bec, Violes & c. Op. 4 (Paris 1712)
Clément Janequin Les chansons de La guerre, La chasse, Le chant des oyseaux, La louette, Le rossignol (Pierre Attaingnant, Paris 1537)
Johann Gottfried Keller and Robert Orme 8 Sonates a 3 Parties. Dont 5 sons a 2 Flûtes ou Violons et 1 Basse et 3 a 1 Flûte 1 Violon ou Hautbois et 1 Basse (Estienne Roger, Amsterdam [1700])
Orlando di Lasso Magnum opus musicum. Complectens omnes cantiones quas motetas vulgo vocant, tam antea editas quam hacte nus nondum publicatas II. III. IV. V. VI. VII. IIX. IX. X. XII vocum (Nicolai Henrici, Munich 1604)
Orlando di Lasso Libro de villanelle, moresche et altre canzoni a 4. 5. 6 et 8 voci (Pierre Phalèse and Jean Bellère, Antwerp 1582)
Giovanni Legrenzi La Cetra. Libro quarto di sonate a due, tre e quattro stromenti. Op. 10 (Francesco Magni, Venice 1673)
Leonardo Leo Solfeggi (Sächsische Landesbibliothek, Dresden 1750-1800)
Richard Leveridge A Collection of Songs. In two volumes (for the Author, London 1727)
Matthew Locke Little Consort of Three Parts: Containing Pavans, Ayres, Corants and Sarabands, for Viols or Violins. In two several varieties: The first 20 are for two trebles and basse: The last 20 for treble, tenor & basse. To be performed either alone or with theorbo's and harpsecord (John Playford, London 1656)
Jean Baptiste [John] Loeillet of London Sonatas for variety of instruments viz for a common flute a hoboy or violin also for two German flutes with a bass for the violoncello and a thorough bass for ye harpsichord. Op. 1 (John Walsh, London 1722)
Jean Baptiste [John] Loeillet of London XII sonatas in three parts. Six of which are for two violins and a bass, three for two German flutes and three for a hautboy and common flute with a bass for the violoncello and a thorough bass for the harpsichord. Op. 2 (John Walsh, London c. 1725)
Jean-Baptiste Lully Trio de la Chambre. Tome premier. Ms. RES-1397 (Bibliothèque nationale de France, Paris 1705)
Jean-Baptiste Lully Atys. Tragedie mise en musique (Christophe Ballard, Paris 1689)
Jean-Baptiste Lully (II) Concert de violons et hautbois donné au soupé du Roy. Ms. Rés.F.528 (Bibliothèque nationale de France, Paris 1707)
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Francesco Mancini XII Solos for a Flute with a Thorough Bass for the Harpsichord or Bass Violin (John Walsh, London [1724])
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Benedetto Marcello Suonate a flauto solo con il suo basso continuo per violoncello o cembalo (Gioseppe Sala, Venice 1712)
Biagio Marini Arie Madrigali et Corenti a 1. 2. 3. Opera Terza (Stampa del Gardano Appresso Bartholomeo Magni, Venice 1620)
Biagio Marini Per ogni sorte d'stromento [sic] musicale. Diversi generi di sonate, da chiesa, e da camera, a due, tre, et a quattro. Libro terzo. Opera XXII (Francesco Magni, Venice 1655)
Florentio Maschera Libro primo de canzoni da sonare a quattro voci (Vincenzo Sabbio, Brescia 1584)
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Nicola Matteis Ayrs for the violin. Preludes allmands sarabands courantes gigues divisions and double compositions fitted to all hands and capacities. The first part (London c. 1679)
Johann Mattheson XII Sonates à 2 et 3 flutes sans bass. Op. 1 (Estienne Roger, Amsterdam 1708)
Ascanio Mayone Secondo libro di diversi capricci per sonare (Giovanni Battista Gargano, Naples 1609)
Tarquinio Merula Canzoni overo sonate concertate per chiesa e camera a due e a tre. Libro terzo, Op. 12 (Alessandro Vincenti, Venice 1637)
Claudio Merulo Canzoni d'intavolatura d'organo a quattro voci fatte alla francese (Angelo Gardano, Venice 1592)
Johann Melchior Molter Mus. Hs. 398-403. Duetti senza basso (Badische Landesbibliothek, Karlsruhe 1745)
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Johann Melchior Molter Mus. Hs. 404-409. 6 Duets (Badische Landesbibliothek, Karlsruhe 1745)
Claudio Monteverdi Scherzi musicali a tre voci (Ricciardo Amadino, Venice 1607)
Claudio Monteverdi L’Orfeo. Favola in musica rappresentata in Mantova l’anno 1607 (Ricciardo Amadino, Venice 1609)
Thomas Morley The first booke of canzonets to two voyces (Thomas Este, London 1595)
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Thomas Morley A plaine and easie introduction to practicall musicke set downe in forme of a dialogue (Peter Short, London 1597)
Antonio Morsolino Il primo libro delle canzonette a tre voci (Ricciardo Amadino, Venice 1594)
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Johann Heinrich Müller Zwölf Canons aus Raupachs Gedichten entlehnt für drei Singstimmen ohne Begleitung (Friedrich Hofmeister, Leipzig XIX cent.)
Johann Gottlieb Naumann Zwölf Canons für III Singstimmen mit deutschem und italienischem Texte (Rudolph Werckmeister, Oranienburg [1804])
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Cesare Negri Nuove inventioni di balli. Opera vaghissima nella quale si danno i giusti modi del ben portar la vita, e di accomodarsi con leggiadria di movimento alle creanze e grazie d'Amore. Convenevoli a tutti i cavalieri e dame per ogni sorta di balletto e brando d'Italia, di Spagna e di Francia. Con figure in rame, regola di musica et intavolatura di suono et di canto (Girolamo Bordone, Milan 1604)
Alessandro Orologio Intradae quinque et sex vocibus, quarum in omni genere instrumentorum musicorum usus esse potest. Liber primus (Officina typographica Iacobi Lucij, Helmstedt 1597)
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Diego Ortiz El primo libro: Nel quale si tratta delle glose sopra le cadenze et altre sorte de punti in la musica del violone nouamente posti in luce (Valerio Dorico, Rome 1553)
Lucas Osiander Fünfftzig Geistliche Lieder und Psalmen mit vier Stimmen auff Contrapuncts weise (für die Schülen und Kirchen im löblichen Fürstenthumb Würtenberg) also gesetz das ein gantze Christliche Gemein durchauß mit singen kan. (Catharina Gerlach, Nuremberg 1586)
James Oswald The Caledonian Pocket Companion. In seven volumes, containing all the favourite Scotch tunes with variations for the German flute with an index to the whole. 8 vols (Printed for the Author, London c. 1745)
James Paisible Six sonatas of two parts for two flutes. Op. 1 (John Walsh, London c. 1703)
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Jakob Paix Selectae, artificiosae et elegantes fugae duarum, trium, quator, et plurium vocum partim ex veteribus et recentibus musicis summa diligentia et accurato iudicio collectae, partim compositae (Leonhard Reinmichel, Lawingen 1594)
Giovanni Antonio Pandolfi Mealli Sonate a violino solo per chiesa e camera. Op. 3 (Michele Wagner, Innsbruck 1660)
Giovanni Antonio Pandolfi Mealli Sonate a violino solo per chiesa e camera. Op. 4 (Michele Wagner, Innsbruck 1660)
Johann Christoph Pepusch VI Concerts à 2 Flûtes a Bec, 2 Flûtes Traversieres Haubois ou Violons & Basse Continue. Op. 8 (Jeanne Roger, Amsterdam c. 1717)
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Johann Christoph Pepusch Sonatas (Estienne Roger, Amsterdam [1705])
Johann Christoph Pepusch Six Sonatas or Solos for the Flute with a Thorough Bass for the Harpsichord (John Walsh, London 1707)
Johann Christoph Pepusch A Second Set of Solos for the Flute with a Thorough Bass for the Bassoon, Bass-Flute or Harpsichord (John Walsh, London 1709)
Giovanni Picchi Canzoni da sonar (Alessandro Vincenti, Venice 1625)
Henry Purcell King Arthur, or The British Worthy (London 1691)
Daniel Purcell Six Sonata's or Solos, three for a Violin and three for the Flute, with a Through Bass for the Harpsicord (John Walsh, London [1698])
Daniel Purcell Six Sonatas. Three for two Flutes and a Bass, and three Solos for a Flute and a Bass (John Walsh, London c. 1710)
Paolo Quagliati Recercate, et canzone per sonare, et cantare. Libro primo a quattro voci (Heredi di Nicolò Mutii, Rome 1601)
Johann Joachim Quantz Sei duetti a due flauti traversi. Opera seconda (Giorgio Ludovico Winter, Berlin 1759)
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Giovanni Battista Riccio Il terzo libro delle divine lodi musicali accomodate per concertare nell'organo, con le quattro antifone alla Gloriosa Vergine, e molti motetti a 1. 2. 3. et 4 voci, et alcune canzoni da sonare a una 2. 3. et 4. stromenti. Con partitura (Bartolomeo Magni, Venice 1620)
Salamone Rossi Il primo libro delle sinfonie et gagliarde a tre, quatro, & a cinque voci (Ricciardo Amadino, Venice 1607)
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Salamone Rossi Il secondo libro delle sinfonie e gagliarde a tre voci, con alcune delle dette a quattro, & a cinque, & alcune canzoni per sonar a quattro nel fine (Ricciardo Amadino, Venice 1608)
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Erasmus Rotenbucher Diphona amoena et florida (Johann vom Berg and Ulrich Neuber, Nuremberg 1549)
Giuseppe Sammartini XII sonatas for two German flutes or violins with a thorough bass (John Walsh, London c. 1727)
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Johann Christian Schickhardt XII Sonates a une Flute & une Basse Continue. Op. 17 (Estienne Roger, Amsterdam c. 1712)
Johann Christian Schickhardt Sonates a une Flute & une Basse Continue. Op. 1 (Estienne Roger, Amsterdam c. 1710)
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Johann Christian Schickhardt Sonates pour la chambre à deux flutes et une basse continue. Op. 6 (Estienne Roger, Amsterdam 1710)
Johann Christian Schickhardt L'Alphabet de la Musique. Contenant XXIV Sonates - Solos, Pour la Flute Traversiere ou pour le Violon avec une Basse Continue, Selon la Clef Françoise pour la Flute a Bec, avec une Transposition si on veut se servir des antres Clefs, on si on trouve trop de difficulté à joüer les Tons les plus difficiles. Op. 30 (London c. 1735)
Johann Christian Schickhardt XII Sonate del Sig.r Arcangelo Corelli, Op. 6ta a 2 Flauti, e Basso Continuo (Jeanne Roger, Amsterdam c. 1720)
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Johann Christian Schickhardt Principes de la Flûte. Contenant la maniere d'en joüer & la Connoissance de Musique necessaire pour cela. Avec Quarante Deux Airs à 2 Flutes. Op. 12 (Estienne Roger, Amsterdam c. 1710)
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Wilhelm Schüler Vier Taenze für Guitarre und Floete und Fünf für Guitarre allein (B.C. Rohmeder, Ansbach c. 1821)
Bartolomé de Selma y Salaverde Canzoni, fantasie et correnti da suonar ad una, 2., 3. 4. con basso continuo (Bartolomeo Magni, Venice 1638)
Francesco Spinacino Intabulatura de lauto: Libro primo (Ottaviano Petrucci, Venice 1507)
Francesco Spinacino Intabulatura de lauto: Libro secondo (Ottaviano Petrucci, Venice 1507)
Gregorio Strozzi Capricci da sonare cembali et organi. Op. 4 (Novello de Bonis, Naples 1687)
Michael Talbot Six sonatas for recorder and obbligato harpsichord (Liverpool 2009-11)
Michael Talbot Six Duets for two Treble (alto) Recorders in F without bass in eighteenth-century Style (Liverpool 2008)
Georg Philipp Telemann Sonate metodiche a violino solo o flauto traverso (Hamburg [1728])
Georg Philipp Telemann XIIX Canons Mélodieux ou VI Sonates en Duo a Flute traverses, ou Violons, ou Basses de Viole (Le Clerc, Paris 1738)
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Georg Philipp Telemann Harmonischer Gottes-Dienst oder geistliche Cantaten (Hamburg 1725-26)
Georg Philipp Telemann Second Livre de Duo pour deux Violons, Fluttes, ou Hautbois (Le Clerc, Paris [1752])
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Georg Philipp Telemann Sonates sans Basse à deux Flutes traverses, ou à deux Violons, ou à deux Flutes à bec (Hamburg 1727)
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Georg Philipp Telemann Essercizii musici, overo dodeci soli e dodeci trii à diversi stromenti (Hamburg [1740])
Georg Philipp Telemann Fantasie per il Violino, senza Basso (c. 1727)
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Georg Philipp Telemann Der Getreue Music-Meister (Hamburg 1728-29)
Georg Philipp Telemann La Petite Musique de Chambre; Die kleine Kammer-Music. Hautbois, ou Violon, ou Flute traverse, ou Clavessin, avec la Basse chiffrée (Hamburg 1728)
Georg Philipp Telemann III Trietti methodichi [sic] e III Scherzi à 2 Flauti traversieri overo 2 Violini, col Fondamento (G.C. Grund, Hamburg [1731])
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Giovanni Maria Trabaci Ricercate, canzone franzese, capricci: Libro primo (Costantino Vitale, Naples 1603)
Marco Uccellini Sonate arie et correnti a 2 e 3 per sonare con diversi instromenti (Alessandro Vincenti, Venice 1642)
Marco Uccellini Sonate correnti et arie da farsi con diversi stromenti sì da camera come da chiesa. A uno a due et a tre. Op. 4 (Alessandro Vincenti, Venice 1645)
Robert Valentine Sonate di Flauto a Solo col Basso per il Cimbalo o Violone. Op. 2 (Mascardi, Rome 1708)
Robert Valentine La Villeggiatura à 2 Flauti - Ms. Sanv.D.145c (Biblioteca Palatina, Parma XVIII cent.)
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Orazio Vecchi Selva di varia ricreatione. Nella quale si contengono varij soggetti, a 3. à 4. à 5. à 6. à 7. à 8. à 9 et à 10 voci, cioè Madrigali, Capricci, Balli, Arie, Iustiniane, Canzonette, Fantasie, Serenate, Dialoghi, un Lotto amoroso, con una Battaglia à diece nel fine, et accomodatovi la intavolatura di liuto alle arie, ai balli, et alle canzonette (Angelo Gardano, Venice 1590)
Francesco Maria Veracini Sonate a violino, o flauto solo, e basso (Sächsische Landesbibliothek, Dresden 1716)
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Giovanni Battista Vitali Artifici musicali ne quali si contengono canoni in diverse maniere, contrapunti dopii, inventioni curiose, capritii, e sonate. Op. 13 (Eredi Cassiani Stampatori Episcopali, Modena 1689)
Antonio Vivaldi VI Concerti a Flauto Traverso, Violino Primo e Secondo, Alto Viola, Organo e Violoncello. Op. 10 (Michel-Charles Le Cène, Amsterdam 1729)
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Antonio Vivaldi Suonate da camera a tre. Opera prima (Estienne Roger Marchand, Amsterdam c. 1712)
Thomas Whythorne Duos, or songs for two voices. Of the which, some be playne and easie to be sung or played on musicall instruments, and be made for yong beginners of both those sorts. And the rest of these duos be made and set foorth for those that be more perfect in singing or playing as aforesaid, all the which be divided into three parts (Thomas Este, London 1590)
William Williams Six Sonata's in three parts. Three for two violins and three for two flutes. With a part for the base-violin or viol, and a figur'd base for the organ harpsicord or arch-lute (Thomas Cross, London 1700)
Robert Woodcock XII Concertos in Eight Parts: The first three for Violins and one small Flute. The second three for Violins and two small Flutes. The third three for Violins & one German Flute and the three last for Violins & one Hoboy. The proper Flute being nam'd to each Concerto (John Walsh, London [1727])
Domenico Zanata Suonate da chiesa a 3 strumenti, due violini e violoncello, col basso per l'organo. Op. 1 (Pier Maria Monti, Bologna 1689)
Gasparo Zanetti Il scolaro per imparar a suonare di violini et altri stromenti (Carlo Camagno, Milan 1645)