| Collection by various composers |
Ms. Q16 (Museo internazionale e biblioteca della musica, Bologna 1487) |
| Collection by various composers |
Ms.α.F.9.9 (Biblioteca Estense, Modena 1495) |
| Collection by various composers |
Pammelia. Musicks Miscellanie or Mixed Varietie of plaesant roundelayes and delightfull catches of 3. 4. 5. 6. 7. 8. 9. 10 parts in one, ed. by Thomas Ravenscroft (Willim Barley, London 1609) |
| Collection by various composers |
Quatorse Sonates a 2 Flustes: dont les 6 premiers sont composés par Mr. Fingher, les 6 suivants par Mr. Courtivill et les 2 derniers par Mr. Paisible (Estienne Roger, Amsterdam c. 1700) |
| This source has been fully transcribed |
| Collection by various composers |
Motetti novi et chanzoni franciose a quatro sopra doi (Andrea Antico, Venice 1520) |
| Collection by various composers |
Second livre contenant trois gaillardes, trois pavanes, vingt trois branles (Pierre Attaingnant, Paris 1547) |
| Collection by various composers |
Troisieme livre de danceries a quatre et cinq parties, vev par Claude Gervaise (Pierre Attaingnant, Paris 1556) |
| Collection by various composers |
Quart livre de danceries, a quatre parties contenant XIX pavanes et XXXI gaillardes. Vev et corrige par Claude Gervaise (Pierre Attaingnant, Paris 1550) |
| Collection by various composers |
Cinqueisme livre de danceries, a quatre parties contenant dix bransles gays, huict bransles de poictou, trentecinq bransles de champaigne. Vev et corrige par Claude Gervaise (Pierre Attaingnant, Paris 1550) |
| Collection by various composers |
Sixieme livre de danceries, mis en musique par Claude Gervaise (Pierre Attaingnant, Paris 1555) |
| Collection by various composers |
Septieme livre de danceries, mis en musique a quatre parties par Estienne du Tetre (Pierre Attaingnant, Paris 1557) |
| Collection by various composers |
Neuf basses dances deux branles vingt et cinq pavennes avec quinze gaillardes en musique a quatre parties (Pierre Attaingnant, Paris 1530) |
| Collection by various composers |
50 Airs anglois. Dont les 20 premiers sont à un dessus seul les 10 suivant à 2 dessus & les 20 derniers à un dessus & une basse, ed. by George Bingham (Estienne Roger & Le Cene, Amsterdam c. 1702) |
| Collection by various composers |
40 Airs anglois à un dessus & une basse & trois sonates, les deux premiers à 2 dessus et le troisiéme à un dessus & une basse. Livre second, ed. by George Bingham (Estienne Roger & Le Cene, Amsterdam c. 1702) |
| This source has been fully transcribed |
Gottfried Finger (c. 1660 - 1730)
and
George Bingham (flourished 1702-06) |
40 Airs anglois pour la flute à un dessus & une basse. Dont les 16 prémiers sont de Monsieur Finger & les 24 suivants de Mr George Bingham. Livre troisieme (Pierre Mortier, Amsterdam c. 1704) |
| Collection by various composers |
The Boston collection of instrumental music: containing marches, quicksteps, waltzes, airs, cotillons, contra dances, hornpipes, quadrilles, arranged with figures, Scotch and Irish jigs, reels, and strathspeys, arranged for brass, wooden, & stringed instruments (Oliver Ditson, Boston 1840) |
| Collection by various composers |
Canti C. N. cento cinquanta (Ottaviano Petrucci, Venice 1503) |
| Collection by various composers |
Cod. 2856 (Biblioteca Casanatense, Rome 1480-90) |
| Collection by various composers |
Recueil des meilleurs contredanses arrangées pour le flageolet, ed. by P.J. Chaxelle (Frere, Paris c. 1790) |
| Collection by various composers |
RM.788.1191/S698: Sonates pour 1 & 2 fluttes (Public Library, Detroit XVIII cent.) |
| Collection by various composers |
The first part of the division flute containing a collection of divisions upon several excellent grounds for the flute being very improveing and delightfull to all lovers of that instrument (John Walsh, London 1706) |
| Collection by various composers |
The second part of the division flute containing the newest divisions upon the choisest grounds for the flute as also several excellent preludes chacon's and cibells by the best masters (John Walsh, London 1708) |
| This source has been fully transcribed |
| Collection by various composers |
Canzoni frottole et capitoli: Libro secondo de la Croce (Valerio Dorico, Rome 1531) |
| This source has been fully transcribed |
| Collection by various composers |
Der Gooden Fluyt Hemel. Eerste Deel (Paulus Matthysz, Amsterdam 1644) |
| This source has been fully transcribed |
| Collection by various composers |
Canzoni francese a due voci buone da cantare et sonare (Antonio Gardane, Venice 1539) |
| Collection by various composers |
't Uitnement Kabinet: Vol Pavanen, Almanden, Sarbanden, Couranten, Balletten, Intraden, Airs etc. 2 vols (Paulus Matthysz, Amsterdam 1646-49) |
| Collection by various composers |
Motetti A. numero trentatre (Ottaviano Petrucci, Venice 1502) |
| Collection by various composers |
Ms. Rés. Vm7 676 (Bibliothèque nationale, Paris 1502) |
| Collection by various composers |
Panciatichi 27 (Biblioteca Nazionale Centrale, Florence XVI cent.) |
| Collection by various composers |
Mus.ms. 260. Franzosische, lateinische, und teutsche Lieder, mit 2 und 4 Stimmen (Bayerische Staatsbibliothek, Munich c. 1550) |
| Collection by various composers |
Concerti di flauto, violini, violetta e basso di diversi autori (Conservatorio di Musica S. Pietro a Majella, Naples 1725) |
| Collection by various composers |
Harmonice Musices Odhecaton A (Ottaviano Petrucci, Venice 1501) |
| Collection by various composers |
Manuscrit musical 161 (Bibliothèque Municipale de Versailles, Paris XVIII cent.) |
| Collection by various composers |
Ms. CF-V-23: Sinfonie di Varij Autori (Biblioteca Palatina, Parma XVIII cent.) |
| Collection by various composers |
Recueil de danseries, contenant presque toutes sortes de danses (Pierre Phalèse and Jean Bellère, Antwerp 1583) |
| Collection by various composers |
Bicinia, sive cantiones suavissime duarum vocum, tam divinae musices tyronibus, quam eiusdem artis peritioribus magno usui futurae, nec non et quibusuis instrumentis accomodae: ex praeclaris huius aetatis auctoribus collectae: quarum catalogum pagella sequens explicat (Pierre Phalèse and Jean Bellère, Antwerp 1590) |
| Collection by various composers |
Promptuarii musici. Sacras harmonias sive motetas V. V. VII. & VIII. vocum, e diversis, iisque clarissimis huius & superioris atatis autoribus, antehac nunquam in Germania editis, collectas exhibentis. Pars prima, ed. by Abraham Schadaeus (Caroli Kiefferi, Strasbourg 1611) |
| Collection by various composers |
Canzoni per sonare con ogni sorte di stromenti a quattro, cinque e otto, con il suo basso generale per l'organo, novamente raccolte da diversi eccellentissimi musici, e date in luce. Libro primo (Alessandro Raverii, Venice 1608) |
| This source has been fully transcribed |
| Collection by various composers |
Bicinia gallica, latina, germanica ex praestantissimis musicorum munumentis collecta et secundum seriem tonorum disposita: Tomus primus (Georg Rhau, Wittenberg 1545) |
| Collection by various composers |
Secundus tomus biciniorum quae et ipsa sunt gallica, latina, germanica ex praestantissimis symphonistis collecta, et in Germania typis nunquam excusa. Additae sunt quaedam, ut vocant, fugae, plenae artis et suavitatis (Georg Rhau, Wittenberg 1545) |
| Collection by various composers |
Nursery Rhymes with the Tunes to which they are still sung in the Nurseries of England, ed. by Edward Francis Rimbault (Cramer, Beale & Co., London [1846]) |
| Collection by various composers |
Le dotte et eccellente compositioni de i madregali a cinque voci da diversi perfettisimi musici fatte (Girolamo Scotto, Venice 1540) |
| Collection by various composers |
Il primo libro delle muse a tre voci. Madrigali de diversi autori di nuovo raccolti e datti in luce. Musica dilettevole, e piacevole da cantare (Girolamo Scotto, Venice 1562) |
| Collection by various composers |
A selection of the most favourite Scots-songs, chiefly pastoral, adapted for the harpsichord, with an accompaniment for a violin by eminent masters (William Napier, London [1790]) |
| This source has been fully transcribed |
| Collection by various composers |
Synopsis Musicae or The Musical Inventory. Being a Collection of the choicest and newest Ayres, Jiggs, Borees, Alemands, Gavots, Entries, Round O's, Horn-pipes, Trumpet-Tunes and Scotch Tunes, for the Recorder or Flute. To which are added several new Songs and Catches Compos'd by the most able Masters (Thomas Cross, London 1693) |
| This source has been fully transcribed |
| Collection by various composers |
Thesaurus Musicus: Being a collection of the newest songs [...] A collection of Aires, composed for two flutes by several masters. 5 vols (J. Heptinstall for John Hudgebut, London 1693-96) |
| This source has been fully transcribed |
| Collection by various composers |
Fantasie Recercari Contrapunti a tre voci appropriati per cantare e sonare d'ogni sorte di stromenti. Libro primo (Antonio Gardane, Venice 1559) |
| Karl Friedrich Abel (1723 - 1787) |
Four Trios; two for two flutes and a bass, and two for a flute, violin and bass. Op. 16 (John Preston, London c. 1785) |
| This source has been fully transcribed |
| Karl Friedrich Abel (1723 - 1787) |
Six easy sonattas for the harpsichord or for a viola da gamba, violin or German flute with a thorough-bass accompaniment (J.J. Hummel, Amsterdam [1771]) |
| This source has been fully transcribed |
| Karl Friedrich Abel (1723 - 1787) |
Sonatas for the Harpsichord with accompaniment for a Violin or German Flute & Violoncello. Op. 2 (R. Bremner, London 1760) |
| John Adson (1587 - 1640) |
Courtly masquing Ayres, composed to 5 and 6 parts, for violins, consorts, and cornets (T.S. for John Browne, London 1621) |
| Camillo Angleria (XVII cent.) |
La regola del contraponto, e della musical compositione. Nella quale si tratta brevemente di tutte le consonanze e dissonanze coi suoi esempi a due, tre e quattro voci (Giorgio Rolla, Milan 1622) |
| Jacob Arcadelt (c. 1504 - 1568) |
Il primo libro de madrigali a quattro voci (Antonio Gardane, Venice 1539) |
| William Babell (c. 1690 - 1723) |
[6] Concertos in 7 Parts: The first four for Violins and one small Flute and the two last for Violins and two Flutes. The proper Flute being nam'd to each Concerto. Perform'd at the Theatre with great applause. Op. 3 (John Walsh, London [1726]) |
| Johann Christian Bach (1735 - 1782) |
Six Sonates pour le Clavecin ou Piano forte, avec Accompagnement d'un Violon ou Flute. Op. 16 (J.J. Hummel, Amsterdam [1779]) |
| Adriano Banchieri (1568 - 1634) |
Cartella overo regole utilissime a quelli che desiderano imparare il canto figurato. Nuovamente da varie opinioni di musici eccellenti ridotte in un piacevole dialogo di Maestro et Discepolo, et divise in due parti (Giacomo Vincenti, Venice 1601) |
| This source has been fully transcribed |
| Adriano Banchieri (1568 - 1634) |
L'organo suonarino. Op. 13 (Ricciardo Amadino, Venice 1605) |
| Adriano Banchieri (1568 - 1634) |
L'organo suonarino. Op. 25 (Ricciardo Amadino, Venice 1611) |
| Adriano Banchieri (1568 - 1634) |
La Banchierina overo cartella picciola del canto figurato. Opera utilissima alli figlioli, per acquistarne il nome di sicuro cantore (Alessandro Vincenti, Venice 1623) |
| Adriano Banchieri (1568 - 1634) |
Canzoni alla francese a 4 voci per sonare. Dentrovi un Echo, et infine una Battaglia a 8 et dui concerti fatti sopra Lieto godea. Libro secondo (Ricciardo Amadino, Venice 1596) |
| Adriano Banchieri (1568 - 1634) |
Dialoghi concerti sinfonie e canzoni da cantarsi con due voci in variati modi nell'organo. Op. 48 (Stampa del Gardano, Venice 1625) |
| Adriano Banchieri (1568 - 1634) |
Il virtuoso ritrovo academico del Dissonante, publicamente praticato con variati concerti musicali a 1, 2, 3, 4, 5 voci o stromenti, nell'Academia de Filomusi. Op. 49 (Bartolomeo Magni, Venice 1626) |
| John Banister (1662 - 1736) |
A Sett of Ayres in Four Parts (Thomas Moore, London 1691) |
| This source has been fully transcribed |
| Francesco Barsanti (1690 - 1772) |
A collection of old Scots tunes with the bass for violoncello or harpsichord (Alexander Baillie, Edinburgh [1742]) |
| This source has been fully transcribed |
| Francesco Barsanti (1690 - 1772) |
[6] Sonatas or Solos for a Flute with a Thorough Bass for the Harpsichord or Bass Violin (John Walsh, London [1724]) |
| Giovanni Bassano (c. 1560 - 1617) |
Ricercate passaggi et cadentie. Per potersi essercitar nel diminuir terminatamente con ogni sorte d'istrumento: et anco diversi passaggi per la semplice voce (Ricciardo Amadino, Venice 1585) |
| This source has been fully transcribed |
| John Baston (flourished 1708-39) |
Six Concertos for Violins and Flutes viz. a Fifth, Sixth and Consort Flute. The proper Flute being nam'd to each Concerto (John Walsh, London [1729]) |
| This source has been fully transcribed |
| Paolo Benedetto Bellinzani (c. 1690 - 1757) |
Sonate a flauto solo con cembalo o violoncello. Op. 3 (Antonio Bortoli, Venice 1720) |
| This source has been fully transcribed |
| Angelo Berardi (c. 1636 - 1694) |
Sinfonie a violino solo. Libro primo, opera settima (Giacomo Monti, Bologna 1670) |
| Maternus Beringer (1580 - post 1632) |
Musicae, das ist der freyen lieblichen Singkunst (Georg Leopold Fuhrmann, Nuremberg 1610) |
| Matteo Bevilacqua (1772 - 1849) |
XII Walzes pour la flute et la guitarre. Op. 15 (Thaddeus Weigl, Vienna [1805]) |
| This source has been fully transcribed |
| Matteo Bevilacqua (1772 - 1849) |
Sei Canzonette Veneziane con accompagniamento di Chitarra. Op. 20 (Nel magazzino della Caes: Real Privil: stamperia chimica, Vienna XIX cent.) |
| George Bingham (flourished 1702-06) |
40 Airs anglois à un dessus & une basse. Livre quatriéme. On a adjouté à ce livre une chacconne de Monsieur Finger (Estienne Roger & Le Cene, Amsterdam c. 1706) |
| This source has been fully transcribed |
| Joseph Bodin de Boismortier (1689 - 1755) |
VI Concertos pour 5 Flûtes-Traversieres ou autres Instrumens sans Basse. Op. 15 (Chez L'Auteur, Paris 1727) |
| This source has been fully transcribed |
| Joseph Bodin de Boismortier (1689 - 1755) |
[6] Sonates a Deux Flûtes-Traversieres sans Basse. Op. 1 (Chez L'Auteur, Paris 1724) |
| Joseph Bodin de Boismortier (1689 - 1755) |
[6] Sonates a Deux Flûtes Traversieres sans Basse. Op. 6 (Chez L'Auteur, Paris 1725) |
| Joseph Bodin de Boismortier (1689 - 1755) |
[6] Sonates en Trio pour Trois Flûtes Traversieres sans Basse. Op. 7 (Chez L'Auteur, Paris 1725) |
| This source has been fully transcribed |
| Joseph Bodin de Boismortier (1689 - 1755) |
[6] Sonates a deux Flûtes-Traversieres sans Basse. Op. 8 (Chez L'Auteur, Paris 1725) |
| Giovanni Maria Bononcini (1642 - 1678) |
Sonate da camera e da ballo a 1, 2, 3 e 4 (Francesco Magni, Venice 1667) |
| Jean Daniel Braun (XVIII cent.) |
Six Suites à deux Muzettes, Qui conviennent aux Vieles, Flutes à Bec, Traversieres, et Haubois. Op. 2 (Chez Le Sr. Naudot, Paris 1729) |
| This source has been fully transcribed |
| Antonio Caldara (c. 1671 - 1736) |
Suonate da camera a due violini, con il basso continuo. Op. 2 (Gioseppe Sala, Venice 1699) |
| Floriano Canale (c. 1550 - post 1603) |
Canzoni da sonare a quattro et otto voci: Libro primo (Giacomo Vincenti, Venice 1600) |
| Fabrizio Caroso (c. 1530 - post 1605) |
Nobiltà di dame (Muschio, Venice 1600) |
| Robert Carr (flourished 1684-7) |
The Delightful Companion: or choice new lessons for the recorder or flute, to which is added, several lessons for two and three flutes to play together. Also plain and easie instructions for beginners, and several graces proper to this instrument. The second edition, corrected (John Playford and John Carr, London 1686) |
| This source has been fully transcribed |
| Ferdinando Carulli (1770 - 1841) |
Solfèges et vocalises. Op. 195 - Trosième Partie: Solfège progressif dans tous les tons, et dans toutes les mesures (Carli, Paris 1826) |
| Ferdinando Carulli (1770 - 1841) |
Metodo completo per chitarra. Op. 27 - Parte terza: 24 lezioni progressive per due chitarre (1810) |
| Girolamo Cavazzoni (c. 1525 - post 1577) |
Intavolatura cioe recercari, canzoni, himni, magnificati. Libro primo (Venice 1543) |
| Scipione Cerreto (c. 1551 - c. 1633) |
Della prattica musica vocale et strumentale (Naples 1601) |
| Scipione Cerreto (c. 1551 - c. 1633) |
Dialogo harmonico, ove si tratta con un sol raggionamento di tutte le regole del contrapunto che si fa sopra Canto Fermo et sopra Canto Figurato, et anco della compositione di più voci, de canoni, delle proportioni et d'altre cose essentiali ad essa prattica musica (Museo internazionale e biblioteca della musica, Bologna c. 1631) |
| This source has been fully transcribed |
| Nicolas Chédeville (1705 - 1782) |
Amusements champêtres. Contenants Trois Suittes a deux Muzettes ou Vielles et Trois avec la Basse Continue. Op. 1 (Chez L'Auteur, Paris 1729) |
| This source has been fully transcribed |
| Nicolas Chédeville (1705 - 1782) |
Il Pastor Fido, Sonates pour la musette, viele, flûte, hautbois, violon, avec la basse continüe. Del Sig.r Antonio Vivaldi. Opera XIIIa. (Chez M.e Boivin, Paris [1737]) |
| Antonio Cifra (1584 - 1629) |
Ricercari et canzoni franzese. Libro secondo (Luca Antonio Soldi, Rome 1619) |
| Giovanni Paolo Cima (c. 1570 - 1630) |
Concerti ecclesiastici a una, due tre quattro voci [...] et sei sonate per instrumenti a due, tre, e quattro (Per gl'eredi di Simon Tini e Filippo Lomazzo, Milan 1610) |
| Arcangelo Corelli (1653 - 1713) |
Sonate da camera a tre. Op. 2 (Giacomo Monti, Bologna 1685) |
| Arcangelo Corelli (1653 - 1713) |
Sonate a tre. Op. 3 (Giovanni Giacomo Komarek, Rome 1689) |
| Arcangelo Corelli (1653 - 1713) |
Première partie du cinquième oeuvre de Corelli ajustée à la flûte traversière avec la basse (Le Clerc, Paris [1738]) |
| Arcangelo Corelli (1653 - 1713) |
Six Solos for a Flute and a Bass [...] Being the second part of his Fifth Opera (John Walsh, London [1702]) |
| This source has been fully transcribed |
| William Croft (1678 - 1727) |
Six sonatas of two parts, purposely made and contrived for two flutes (John Walsh, London [1704]) |
| This source has been fully transcribed |
| Johann Crüger (1598 - 1663) |
Musicae practicae. Praecepta brevia et exercitia pro tyronibus varia. Der rechte Weg zur Singekunst (Sumptibus authoris, Berlin 1660) |
| Giovanni Battista Degli Antoni (1660 - post 1696) |
Balletti e correnti, gighe e sarabande da camera a violino e cembalo o violoncello. Op. 3 (Gioseffo Micheletti, Bologna 1688) |
| This source has been fully transcribed |
| Christoph Demantius (1567 - 1643) |
Isagoge artis musicae ad incipientium captum maxime accommodata (Valentin Fuhrmann, Nuremberg 1607) |
| Christoph Demantius (1567 - 1643) |
Isagoge artis musicae ad incipientium captum maxime accommodata. Editio Nona et ultima (Georg Beuther, Friburgo 1656) |
| Charles Dieupart (post 1667 - c. 1740) |
Six suittes de clavessin pour un violon et flûte avec une basse de viole et un archilut (Estienne Roger, Amsterdam 1701) |
| Baldassare Donato (c. 1529 - 1603) |
Il secondo libro de madrigali a quattro voci (Antonio Gardane / Girolamo Scotto, Venice 1568) |
| John Dowland (1563 - 1626) |
Lachrimae or Seaven Teares in Seaven Passionate Pavans, with divers other Pavans, Galiards, and Almands, set forth for the Lute, Viols, or Violons, in five parts (John Windet, London [1604]) |
| Eustachio Romano (flourished 1500-25) |
Musica duorum: Liber primus (Giovanni Giacomo Pasotti, Rome 1521) |
| Jacob van Eyck (c. 1589 - 1657) |
Der Fluyten Lust-hof. 2 vols (Paulus Matthysz, Amsterdam 1646-54) |
| Heinrich Faber (ante 1500 - 1552) |
Compendiolum musicae pro incipientibus (Ex Officina Gerlachiana per Paulum Kauffmannum, Nuremberg 1594) |
| This source has been fully transcribed |
| Gottfried Finger (c. 1660 - 1730) |
Dix Sonates à 1 Flute & 1 Basse Continue. Op. 3 (Estienne Roger, Amsterdam [1701]) |
| Gottfried Finger (c. 1660 - 1730) |
A Collection of Musick in Two Parts. Consisting of Ayres Chacones, Divisions, and Sonata's for Violins or Flutes (Thomas Moore, London 1691) |
| This source has been fully transcribed |
| Gottfried Finger (c. 1660 - 1730) |
Six Sonatas of two Parts for Two Flutes [...] Op. 2 (John Walsh & John Hare, London c. 1698) |
| This source has been fully transcribed |
| Johann Fischer (1646 - c. 1716) |
Musicalisch Divertissement, Bestehend in einigen Ouverturen und Suiten, mit 2 Stimmen auff Violen, Hautbois oder Fleutes douces zu gebrauchen (Johann Riedeln, Dresden 1699) |
| This source has been fully transcribed |
| Giovanni Battista Fontana (1589 - 1630) |
Sonate a 1, 2, 3 per il violino, o cornetto, fagotto, chitarrone, violoncino o simile altro istromento (Bartolomeo Magni, Venice 1641) |
| Girolamo Frescobaldi (1583 - 1643) |
Il primo libro delle canzoni a una, due, tre e quattro voci per sonare con ogni sorte di stromenti (Paolo Masotti, Rome 1628) |
| Girolamo Frescobaldi (1583 - 1643) |
Canzoni da sonare a una, due, tre et quattro con il basso continuo. Libro primo (Alessandro Vincenti, Venice 1634) |
| Girolamo Frescobaldi (1583 - 1643) |
Fiori musicali di diverse compositioni. Toccate, kirie, canzoni, capricci, e recercari in partitura a quattro utili per sonatori. Op. 12 (Alessandro Vincenti, Venice 1635) |
| Domenico Gabrielli (1659 - 1690) |
Ms. Mus. G.79: Ricercari per il violoncello (Biblioteca Estense, Modena 1689) |
John Ernest Galliard (? - 1747)
and
Ignazio Sieber (? - 1761) |
XII Sonates à une Flute & une Basse Continue, Dont les 6 Premiéres sont de la Composition de Monsieur Galliard, qui sont Opera Prima & les 6 Derniéres de celle de Monsieur Sieber demeurant à Rome (Jeanne Roger, Amsterdam [1710]) |
| Giovanni Giacomo Gastoldi (c. 1554 - 1609) |
Balletti a cinque voci. Con li suoi versi per cantare, et ballare, con una mascherata de cacciatori a sei voci, et un concerto de pastori a otto. (Pierre Phalèse, Antwerp 1596) |
| Francesco Geminiani (1687 - 1762) |
Three Solos containing twelve easy movements for the German Flute or Violin and a Thorough Bass expressly Composed for the Use of Young Performers (J. Bland, London XVIII cent.) |
| This source has been fully transcribed |
| Mauro Giuliani (1781 - 1829) |
Pieces faciles et agreables pour la flute ou violon et guitarre. Op. 74 (Pietro Mechetti, Vienna c. 1810) |
| This source has been fully transcribed |
| Adam Gumpelzhaimer (1559 - 1625) |
Compendium musicae Latino - Germanicum (Valentin Schönig, Augsburg 1595) |
| Adam Gumpelzhaimer (1559 - 1625) |
Compendium musicae (Valentin Schönig, Augsburg 1611) |
| Johann Guth (XVII cent.) |
Novitas musicalis. Allerhand Canones und Fugen von 2. 3. und 4 Stimmen sampt dem General Bass (Balthasar Christoph Wusten, Frankfurt 1675) |
| George Frideric Handel (1685 - 1759) |
Alexander for a Flute. The Ariets with their Symphonys for a single Flute and the Duet for two Flutes of that celebrated opera compos'd by M.r Handell (John Walsh, London XVIII cent.) |
| Joseph Haydn (1732 - 1809) |
Six Sonates a Flute, Violon et Violoncello. Op. 11 (J.J. Hummel, Amsterdam c. 1771) |
| Joseph Haydn (1732 - 1809) |
Three divertimentos for a flute, violin, and bass (Preston, London ) |
| This source has been fully transcribed |
| Jacques Hotteterre «le Romain» (1673 - 1763) |
Premier livre de pieces pour la flûte-traversiere, et autres instruments. Avec la basse. Op. 2. Nouvelle edition (Chez l'Auteur, Paris 1715) |
| Jacques Hotteterre «le Romain» (1673 - 1763) |
Sonates en trio pour les flûtes traversieres, flûtes a bec, violons, hautbois, &c. Livre premier. Op. 3 (Chez l'Auteur, Paris 1712) |
| Jacques Hotteterre «le Romain» (1673 - 1763) |
Premiere Suitte de Pieces a deux Dessus, sans Basse Continue. Pour les Flûtes Traversieres, Flûtes a Bec, Violes & c. Op. 4 (Paris 1712) |
| Clément Janequin (c. 1485 - post 1558) |
Les chansons de La guerre, La chasse, Le chant des oyseaux, La louette, Le rossignol (Pierre Attaingnant, Paris 1537) |
Johann Gottfried Keller (? - 1704)
and
Robert Orme (? - 1711) |
8 Sonates a 3 Parties. Dont 5 sons a 2 Flûtes ou Violons et 1 Basse et 3 a 1 Flûte 1 Violon ou Hautbois et 1 Basse (Estienne Roger, Amsterdam [1700]) |
| Orlando di Lasso (c. 1532 - 1594) |
Magnum opus musicum. Complectens omnes cantiones quas motetas vulgo vocant, tam antea editas quam hacte nus nondum publicatas II. III. IV. V. VI. VII. IIX. IX. X. XII vocum (Nicolai Henrici, Munich 1604) |
| Orlando di Lasso (1532 - 1594) |
Libro de villanelle, moresche et altre canzoni a 4. 5. 6 et 8 voci (Pierre Phalèse and Jean Bellère, Antwerp 1582) |
| Giovanni Legrenzi (1626 - 1690) |
La Cetra. Libro quarto di sonate a due, tre e quattro stromenti. Op. 10 (Francesco Magni, Venice 1673) |
| Leonardo Leo (1694 - 1744) |
Solfeggi (Sächsische Landesbibliothek, Dresden 1750-1800) |
| Richard Leveridge (1670 - 1758) |
A Collection of Songs. In two volumes (for the Author, London 1727) |
| Matthew Locke (c. 1622 - 1677) |
Little Consort of Three Parts: Containing Pavans, Ayres, Corants and Sarabands, for Viols or Violins (John Playford, London 1656) |
| Jean Baptiste [John] Loeillet of London (1680 - 1730) |
Sonatas for variety of instruments viz for a common flute a hoboy or violin also for two German flutes with a bass for the violoncello and a thorough bass for ye harpsichord. Op. 1 (John Walsh, London 1722) |
| Jean Baptiste [John] Loeillet of London (1680 - 1730) |
XII sonatas in three parts. Six of which are for two violins and a bass, three for two German flutes and three for a hautboy and common flute with a bass for the violoncello and a thorough bass for the harpsichord. Op. 2 (John Walsh, London c. 1725) |
| Jean-Baptiste Lully (1632 - 1687) |
Trio de la Chambre. Tome premier. Ms. RES-1397 (Bibliothèque nationale de France, Paris 1705) |
| Jean-Baptiste Lully (1632 - 1687) |
Atys. Tragedie mise en musique (Christophe Ballard, Paris 1689) |
| Jean-Baptiste Lully (II) (1665 - 1743) |
Concert de violons et hautbois donné au soupé du Roy. Ms. Rés.F.528 (Bibliothèque nationale de France, Paris 1707) |
| This source has been fully transcribed |
| Francesco Mancini (1672 - 1737) |
XII Solos for a Flute with a Thorough Bass for the Harpsichord or Bass Violin (John Walsh, London [1724]) |
| This source has been fully transcribed |
| Benedetto Marcello (1686 - 1739) |
Suonate a flauto solo con il suo basso continuo per violoncello o cembalo (Gioseppe Sala, Venice 1712) |
| Biagio Marini (1594 - 1663) |
Arie Madrigali et Corenti a 1. 2. 3. Opera Terza (Stampa del Gardano Appresso Bartholomeo Magni, Venice 1620) |
| Biagio Marini (1594 - 1663) |
Per ogni sorte d'stromento [sic] musicale. Diversi generi di sonate, da chiesa, e da camera, a due, tre, et a quattro. Libro terzo. Opera XXII (Francesco Magni, Venice 1655) |
| Florentio Maschera (c. 1540 - c. 1584) |
Libro primo de canzoni da sonare a quattro voci (Vincenzo Sabbio, Brescia 1584) |
| This source has been fully transcribed |
| Nicola Matteis (? - post 1713) |
Ayrs for the violin. Preludes allmands sarabands courantes gigues divisions and double compositions fitted to all hands and capacities. The first part (London c. 1679) |
| Johann Mattheson (1681 - 1764) |
XII Sonates à 2 et 3 flutes sans bass. Op. 1 (Estienne Roger, Amsterdam 1708) |
| Tarquinio Merula (c. 1594 - 1665) |
Canzoni overo sonate concertate per chiesa e camera a due e a tre. Libro terzo, Op. 12 (Alessandro Vincenti, Venice 1637) |
| Claudio Merulo (1533 - 1604) |
Canzoni d'intavolatura d'organo a quattro voci fatte alla francese (Angelo Gardano, Venice 1592) |
| Johann Melchior Molter (1696 - 1765) |
Mus. Hs. 398-403. Duetti senza basso (Badische Landesbibliothek, Karlsruhe 1745) |
| This source has been fully transcribed |
| Johann Melchior Molter (1696 - 1765) |
Mus. Hs. 404-409. 6 Duets (Badische Landesbibliothek, Karlsruhe 1745) |
| Claudio Monteverdi (1567 - 1643) |
Scherzi musicali a tre voci (Ricciardo Amadino, Venice 1607) |
| Thomas Morley (c. 1557 - 1602) |
The first booke of canzonets to two voyces (Thomas Este, London 1595) |
| This source has been fully transcribed |
| Thomas Morley (c. 1557 - 1602) |
A plaine and easie introduction to practicall musicke set downe in forme of a dialogue (Peter Short, London 1597) |
| Antonio Morsolino (flourished 1588-94) |
Il primo libro delle canzonette a tre voci (Ricciardo Amadino, Venice 1594) |
| This source has been fully transcribed |
| Johann Heinrich Müller (?) |
Zwölf Canons aus Raupachs Gedichten entlehnt für drei Singstimmen ohne Begleitung (Friedrich Hofmeister, Leipzig XIX cent.) |
| Johann Gottlieb Naumann (1741 - 1801) |
Zwölf Canons für III Singstimmen mit deutschem und italienischem Texte (Rudolph Werckmeister, Oranienburg [1804]) |
| This source has been fully transcribed |
| Cesare Negri (c. 1535 - post 1604) |
Nuove inventioni di balli. Opera vaghissima nella quale si danno i giusti modi del ben portar la vita, e di accomodarsi con leggiadria di movimento alle creanze e grazie d'Amore. Convenevoli a tutti i cavalieri e dame per ogni sorta di balletto e brando d'Italia, di Spagna e di Francia. Con figure in rame, regola di musica et intavolatura di suono et di canto (Girolamo Bordone, Milan 1604) |
| Giovanni Domenico da Nola (c. 1510-20 - 1592) |
Canzone villanesche (Girolamo Scotto, Venice 1541) |
| Alessandro Orologio (c. 1550 - 1633) |
Intradae quinque et sex vocibus, quarum in omni genere instrumentorum musicorum usus esse potest. Liber primus (Officina typographica Iacobi Lucij, Helmstedt 1597) |
| This source has been fully transcribed |
| Diego Ortiz (c. 1519 - c. 1570) |
El primo libro: Nel quale si tratta delle glose sopra le cadenze et altre sorte de punti in la musica del violone nouamente posti in luce (Valerio Dorico, Rome 1553) |
| James Paisible (c. 1656 - 1721) |
Six sonatas of two parts for two flutes. Op. 1 (John Walsh, London c. 1703) |
| This source has been fully transcribed |
| Jakob Paix (1556 - 1623) |
Selectae, artificiosae et elegantes fugae duarum, trium, quator, et plurium vocum partim ex veteribus et recentibus musicis summa diligentia et accurato iudicio collectae, partim compositae (Leonhard Reinmichel, Lawingen 1594) |
| Giovanni Antonio Pandolfi Mealli (flourished 1660 - 69) |
Sonate a violino solo per chiesa e camera. Op. 4 (Michele Wagner, Innsbruck 1660) |
| Johann Christoph Pepusch (c. 1667 - 1752) |
VI Concerts à 2 Flûtes a Bec, 2 Flûtes Traversieres Haubois ou Violons & Basse Continue. Op. 8 (Jeanne Roger, Amsterdam c. 1717) |
| This source has been fully transcribed |
| Johann Christoph Pepusch (c. 1667 - 1752) |
Sonatas (Estienne Roger, Amsterdam [1705]) |
| Johann Christoph Pepusch (c. 1667 - 1752) |
Six Sonatas or Solos for the Flute with a Thorough Bass for the Harpsichord (John Walsh, London 1707) |
| Johann Christoph Pepusch (c. 1667 - 1752) |
A Second Set of Solos for the Flute with a Thorough Bass for the Bassoon, Bass-Flute or Harpsichord (John Walsh, London 1709) |
| Giovanni Picchi (flourished 1600-25) |
Canzoni da sonar (Alessandro Vincenti, Venice 1625) |
| Henry Purcell (1659 - 1695) |
King Arthur, or The British Worthy (London 1691) |
| Daniel Purcell (c. 1664 - 1717) |
Six Sonata's or Solos, three for a Violin and three for the Flute, with a Through Bass for the Harpsicord (John Walsh, London [1698]) |
| Daniel Purcell (c. 1664 - 1717) |
Six Sonatas. Three for two Flutes and a Bass, and three Solos for a Flute and a Bass (John Walsh, London c. 1710) |
| Paolo Quagliati (c. 1555 - 1628) |
Recercate, et canzone per sonare, et cantare. Libro primo a quattro voci (Heredi di Nicolò Mutii, Rome 1601) |
| Johann Joachim Quantz (1697 - 1773) |
Sei duetti a due flauti traversi. Opera seconda (Giorgio Ludovico Winter, Berlin 1759) |
| This source has been fully transcribed |
| Giovanni Battista Riccio (flourished 1609-21) |
Il terzo libro delle divine lodi musicali accomodate per concertare nell'organo, con le quattro antifone alla Gloriosa Vergine, e molti motetti a 1. 2. 3. et 4 voci, et alcune canzoni da sonare a una 2. 3. et 4. stromenti. Con partitura (Bartolomeo Magni, Venice 1620) |
| Salamone Rossi (1570 - c. 1630) |
Il primo libro delle sinfonie et gagliarde a tre, quatro, & a cinque voci (Ricciardo Amadino, Venice 1607) |
| This source has been fully transcribed |
| Salamone Rossi (1570 - c. 1630) |
Il secondo libro delle sinfonie e gagliarde a tre voci, con alcune delle dette a quattro, & a cinque, & alcune canzoni per sonar a quattro nel fine (Ricciardo Amadino, Venice 1608) |
| This source has been fully transcribed |
| Erasmus Rotenbucher (c. 1525 - 1586) |
Diphona amoena et florida (Johann vom Berg and Ulrich Neuber, Nuremberg 1549) |
| Giuseppe Sammartini (1695 - 1750) |
XII sonatas for two German flutes or violins with a thorough bass (John Walsh, London c. 1727) |
| This source has been fully transcribed |
| Johann Christian Schickhardt (c. 1681 - 1762) |
XII Sonates a une Flute & une Basse Continue. Op. 17 (Estienne Roger, Amsterdam c. 1712) |
| Johann Christian Schickhardt (c. 1681 - 1762) |
Sonates a une Flute & une Basse Continue. Op. 1 (Estienne Roger, Amsterdam c. 1710) |
| This source has been fully transcribed |
| Johann Christian Schickhardt (c. 1681 - 1762) |
Sonates pour la chambre à deux flutes et une basse continue. Op. 6 (Estienne Roger, Amsterdam 1710) |
| Johann Christian Schickhardt (c. 1681 - 1762) |
L'Alphabet de la Musique. Contenant XXIV Sonates - Solos, Pour la Flute Traversiere ou pour le Violon avec une Basse Continue, Selon la Clef Françoise pour la Flute a Bec, avec une Transposition si on veut se servir des antres Clefs, on si on trouve trop de difficulté à joüer les Tons les plus difficiles. Op. 30 (London c. 1735) |
| Johann Christian Schickhardt (c. 1681 - 1762) |
XII Sonate del Sig.r Arcangelo Corelli, Op. 6ta a 2 Flauti, e Basso Continuo (Jeanne Roger, Amsterdam c. 1720) |
| This source has been fully transcribed |
| Johann Christian Schickhardt (c. 1681 - 1762) |
Principes de la Flûte. Contenant la maniere d'en joüer & la Connoissance de Musique necessaire pour cela. Avec Quarante Deux Airs à 2 Flutes. Op. 12 (Estienne Roger, Amsterdam c. 1710) |
| This source has been fully transcribed |
| Wilhelm Schüler (?) |
Vier Taenze für Guitarre und Floete und Fünf für Guitarre allein (B.C. Rohmeder, Ansbach c. 1821) |
| Francesco Spinacino (flourished 1507) |
Intabulatura de lauto: Libro primo (Ottaviano Petrucci, Venice 1507) |
| Francesco Spinacino (flourished 1507) |
Intabulatura de lauto: Libro secondo (Ottaviano Petrucci, Venice 1507) |
| Gregorio Strozzi (c. 1615 - post 1687) |
Capricci da sonare cimbali et organi (Novello de Bonis, Naples 1687) |
| Michael Talbot (1943 - ) |
Six sonatas for recorder and obbligato harpsichord (Liverpool 2009-11) |
| Michael Talbot (1943 - ) |
Six Duets for two Treble (alto) Recorders in F without bass in eighteenth-century Style (Liverpool 2008) |
| Georg Philipp Telemann (1681 - 1767) |
Sonate metodiche a violino solo o flauto traverso (Hamburg [1728]) |
| Georg Philipp Telemann (1681 - 1767) |
XIIX Canons Mélodieux ou VI Sonates en Duo a Flute traverses, ou Violons, ou Basses de Viole (Le Clerc, Paris 1738) |
| This source has been fully transcribed |
| Georg Philipp Telemann (1681 - 1767) |
Harmonischer Gottes-Dienst oder geistliche Cantaten (Hamburg 1725-26) |
| Georg Philipp Telemann (1681 - 1767) |
Second Livre de Duo pour deux Violons, Fluttes, ou Hautbois (Le Clerc, Paris [1752]) |
| This source has been fully transcribed |
| Georg Philipp Telemann (1681 - 1767) |
Sonates sans Basse à deux Flutes traverses, ou à deux Violons, ou à deux Flutes à bec (Hamburg 1727) |
| This source has been fully transcribed |
| Georg Philipp Telemann (1681 - 1767) |
Essercizii musici, overo dodeci soli e dodeci trii à diversi stromenti (Hamburg [1740]) |
| Georg Philipp Telemann (1681 - 1767) |
Fantasie per il Violino, senza Basso (c. 1727) |
| This source has been fully transcribed |
| Georg Philipp Telemann (1681 - 1767) |
Der Getreue Music-Meister (Hamburg 1728-29) |
| Georg Philipp Telemann (1681 - 1767) |
La Petite Musique de Chambre; Die kleine Kammer-Music. Hautbois, ou Violon, ou Flute traverse, ou Clavessin, avec la Basse chiffrée (Hamburg 1728) |
| Georg Philipp Telemann (1681 - 1767) |
III Trietti methodichi [sic] e III Scherzi à 2 Flauti traversieri overo 2 Violini, col Fondamento (G.C. Grund, Hamburg [1731]) |
| This source has been fully transcribed |
| Giovanni Maria Trabaci (c. 1575 - 1647) |
Ricercate, canzone franzese, capricci: Libro primo (Costantino Vitale, Naples 1603) |
| Marco Uccellini (c. 1603 - 1680) |
Sonate arie et correnti a 2 e 3 per sonare con diversi instromenti (Alessandro Vincenti, Venice 1642) |
| Marco Uccellini (c. 1603 - 1680) |
Sonate correnti et arie da farsi con diversi stromenti sì da camera come da chiesa. A uno a due et a tre. Op. 4 (Alessandro Vincenti, Venice 1645) |
| Robert Valentine (1674 - c. 1735) |
Sonate di Flauto a Solo col Basso per il Cimbalo o Violone. Op. 2 (Pierre Mortier, Amsterdam XVIII cent.) |
| Robert Valentine (1674 - c. 1735) |
La Villeggiatura à 2 Flauti - Ms. Sanv.D.145c (Biblioteca Palatina, Parma XVIII cent.) |
| This source has been fully transcribed |
| Orazio Vecchi (1550 - 1605) |
Selva di varia ricreatione. Nella quale si contengono varij soggetti, a 3. à 4. à 5. à 6. à 7. à 8. à 9 et à 10 voci, cioè Madrigali, Capricci, Balli, Arie, Iustiniane, Canzonette, Fantasie, Serenate, Dialoghi, un Lotto amoroso, con una Battaglia à diece nel fine, et accomodatovi la intavolatura di liuto alle arie, ai balli, et alle canzonette (Angelo Gardano, Venice 1590) |
| Francesco Maria Veracini (1690 - 1768) |
Sonate a violino, o flauto solo, e basso (Sächsische Landesbibliothek, Dresden 1716) |
| This source has been fully transcribed |
| Antonio Vivaldi (1678 - 1741) |
VI Concerti a Flauto Traverso, Violino Primo e Secondo, Alto Viola, Organo e Violoncello. Op. 10 (Michel-Charles Le Cène, Amsterdam 1729) |
| This source has been fully transcribed |
| Thomas Whythorne (1528 - 1596) |
Duos, or songs for two voices. Of the which, some be playne and easie to be sung or played on musicall instruments, and be made for yong beginners of both those sorts. And the rest of these duos be made and set foorth for those that be more perfect in singing or playing as aforesaid, all the which be divided into three parts (Thomas Este, London 1590) |
| William Williams (1675 - 1701) |
Six Sonata's in three parts. Three for two violins and three for two flutes. With a part for the base-violin or viol, and a figur'd base for the organ harpsicord or arch-lute (Thomas Cross, London 1700) |
| Robert Woodcock (1690 - 1728) |
XII Concertos in Eight Parts: The first three for Violins and one small Flute. The second three for Violins and two small Flutes. The third three for Violins & one German Flute and the three last for Violins & one Hoboy. The proper Flute being nam'd to each Concerto (John Walsh, London [1727]) |
| Domenico Zanata (c. 1665 - 1748) |
Suonate da chiesa a 3 strumenti, due violini e violoncello, col basso per l'organo. Op. 1 (Pier Maria Monti, Bologna 1689) |
| Gasparo Zanetti (flourished 1626-45) |
Il scolaro per imparar a suonare di violini et altri stromenti (Carlo Camagno, Milan 1645) |
