Source of duos: Heyden (1540)

all_duo (11)
by_composer: anonymous_name (2) josquin (7) obrecht (1) orto (1)

all_duo
	rubric	notes	concordances	modern editions
1.	[p. 28:] Acutae uocis alterum exemplum, sub gsolreut bmolli. Fuga duarum uocum, quarum altera priorem post tempus sequitur, altior tono. Ios. [p. 29:] RESOLVTIO.	This canon is employed as solmization exercises: after the time signature there is found the solmization key syllables.	Glareanus (1547), 28	Miller, Glarean Miller, Heyden
2.	[p. 30:] Acutae uocis quartum exemplum, sub c [natural] duri. Fuga duorum, quorum posterior priorem post tempus sequitur, sed tono demissior. Iosquin. [p. 31:] Resolutio uocis sequentis.	This canon is employed as solmization exercises: after the time signature there is found the solmization key syllables.	Glareanus (1547), 29	Miller, Glarean Miller, Heyden
3.	[p. 32:] Mediarum uocum Alti & Tenoris, primum exemplum: Fuga duorum, ex eadem claue, post perfectum tempus. ἄδηλος.	This canon is employed as solmization exercises: after the time signature there is found the solmization key syllables.		Miller, Heyden
4.	[p. 33:] Mediarum uocum Alti & Tenoris alterum exemplum, sub c solfaut [natural]duri. Fuga duorum in unisono. ἄδηλος.	This canon is employed as solmization exercises: after the time signature there is found the solmization key syllables.		Miller, Heyden
5.	[p. 36:] Infimae uocis, id est, Bassi, primum exemplum. Fuga duorum in unisono. Iacobi Obrecht.	This canon is employed as solmization exercises: after the time signature there is found the solmization key syllables.	Various composers (1545-b), 106 Glareanus (1547), 7 Paix (1587), 2 Vienna MS 18832, 13	Akos, Schola Bellin, Rhau Frei, Glarean Jöde, Kanon Miller, Glarean Miller, Heyden
6.	[p. 37:] Infimae uocis alterum exemplum. Fuga duorum in unisono. De Orto.	This canon is employed as solmization exercises: after the time signature there is found the solmization key syllables.	Glareanus (1547), 19	Miller, Glarean Miller, Heyden
7.	[p. 38:] Infimae uocis tertium exemplum. Fuga duorum, in Subdiatessaron. Iosquini.	This canon is employed as solmization exercises: after the time signature there is found the solmization key syllables.	Various composers (1545-a), 74 Glareanus (1547), 1 Paix (1587), 1	Bellin, Rhau Jöde, Kanon Mönk, Rhau Miller, Glarean Miller, Heyden
8.	[p. 92-93:] Exemplum. Fuga duorum. Iosquini.	The textless version of this canon, which has been published with text in other sources, is employed as a sesquialtera example.	Glareanus (1547), 30 Munich MS 260, 56 Vienna MS 18832, 89	Bellin, Ms. 260 Miller, Glarean Miller, Heyden
9.	[p. 103:] Exemplum primi Modi per C cum C2. Duo in unum Iosquini.	This canon is employed as example of diminution in the chapter «De diminutione».	Glareanus (1547), 27	Miller, Glarean Miller, Heyden
10.	[p. 103:] Exemplum Secundi Modi, per C cum cut. Duo in unum Iosquini.	This canon is employed as example of diminution in the chapter «De diminutione».	Glareanus (1547), 27	Miller, Glarean Miller, Heyden
11.	[p. 104:] Exemplum Tertij Modi, per C cum reversed. Duo in unum Iosquini.	This canon is employed as example of diminution in the chapter «De diminutione».	Glareanus (1547), 27	Miller, Glarean Miller, Heyden

literature
Bologna: Civico Museo Bibliografico Musicale, Catalogo Gaspari online.	See the related record from the online database of this library.
Miller, Heyden	English modern edition of Heyden's treatise. This is the best source of information on the treatise.

Sebald Heyden, De arte canendi, ac vero signorum in cantibus usu, libri duo (Johannes Petreius, Nuremberg 1540)
Eleven canons with and without text by various composers employed as examples of solmization, notation and composition techniques. The pages of the treatises are not numbered.	contents facsimiles literature