playable duos

playable duos

Playable duos are QuickTime™ movies which show the score of the duo while the music plays. Each movie weighs between 1 and 4 MB, hence we suggest to download them only if a fast connection is available.
We are planning to put on the site one or two movies for each composer and/or for each collection.

Romano (1521)
Eustachio Romano, Cantus cum tenore (5) / «Mulier cupido quod dicit amanti»

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Vienna MS 18832
Anonymous, [textless duo in A]

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Festa (c. 1530)
Costanzo Festa, [textless duo in D (1)] – La Spagna

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Various composers (1539-b)
Antonio Gardane, «Content desir qui cause ma douleur»

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Lampadius (1539)
Auctor Lampadius, «Omnis caro fenum»

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Heyden (1540)
Anonymous, [textless canon at the unison] (1)

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Jacob Obrecht, «Qui cum Patre et Filio» – canon at the unison

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Josquin des Prez, «In nomine Domini» – canon per augmentatione

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Gero (1541)
Jhan Gero, «Non dispregiate donna»

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Adrian Willaert, «E se per gelosia»

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Scotto (1541)
Girolamo Scotto, «Se del mio amor temete»

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Various composers (1543)
Andrea Ganassi, Pleni sunt coeli

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Anonymous, Dont vien cella

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Licino (1545/46)
Agostino Licino, [textless canon at the fifth above (1)]

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Various composers (1545-a)
Josquin des Prez, «Per illud ave prolatum»

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Glareanus (1547)
Gregor Meyer, Monas in Phrygio – textless canon at the fifth below

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Faber (1548)
Heinrich Faber, [textless canon at the unison (3)]

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Rotenbucher (1549)
Anonymous, Invitatorium ad puellos ludo primum literario initiantes. «Vos ad se pueri»

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Lupacchino (ante 1550)
Bernardino Lupacchino, [textless duo in G (1)]

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Gioan Maria Tasso, [textless duo in G (1)]

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Munich MS 260
Anonymous, Ich seg adieu

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Coclico (1552)
Adrian Petit Coclico, [textless canon at the fifth above]

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Ortiz (1553)
Diego Ortiz, Recercada primera [La Spagna]

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Vinci (1560)
Pietro Vinci, Gallina ratto rattonis / Gallina con lo corvo

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Wilfflingseder (1561)
Ambrosius Wilfflingseder, [textless duo in G (8)]

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Paien (ante 1564)
Gioan Paien, «A questo confortand'il popol tutto»

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Lupacchino (1565)
Anonymous, «Ancidetemi pur grevi martiri»

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Various composers (1571)
Anonymous, «O Maria mater pia»

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Lasso (1577)
Orlando di Lasso, «Iustus cor suum tradet»

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Orlando di Lasso, [I textless duo in G]

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Gevicenus (1579)
Andreas Chrysoponus Gevicenus, «Est nomen Domini turris fortissima nobis»

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Andreas Chrysoponus Gevicenus, «Vota Deo fusis quid cessas»

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Infantas (1579)
Fernando de las Infantas, [textless duo in E (1) – La sol fa mi]

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Fernando de las Infantas, textless canon by inversion

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De Antiquis (1585)
Giovanni Giacomo de Antiquis, Fantasia 18

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Giovanni Battista Pace, [textless canon at the octave above]

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Fabrizio Facciola, [textless canon at the octave below]

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Cola Vincenzo Fanelli, [textless duo in G]

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Galilei (1584)
Vincenzo Galilei, [textless duo in F (1)]

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Asola (1584)
Giovanni Matteo Asola, «Cantan fra rami gli augelletti vaghi» – canon at the octave above

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Giovanni Matteo Asola, «Eterno foco vivo» – canon at the octave below

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Guami (1588)
Francesco Guami, [textless duo in D (2) – La sol fa re mi]

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Nicoletti (1588)
Filippo Nicoletti, «A caso un giorno mi guidò la sorte»

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Various composers (1590)
André Pevernage, «La vita fugge e non s'arresta un'ora»

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Whythorne (1590)
Thomas Whythorne, What makes young folks simple in shew – textless canon at the unison

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Morley (1595)
Thomas Morley, «Goe yee my canzonets»

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Thomas Morley, Il Grillo

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Morley (1597)
Thomas Morley, [textless duo in G (6) – Ut re mi ut re mi fa]

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Fonghetti (1598)
Paolo Fonghetti, «Se da quel vago viso»

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Paolo Fonghetti, La Biscia

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Gastoldi (1598)
Giovanni Giacomo Gastoldi, [textless duo in F (3) – La Bella Franceschina and Girometta]

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Orfeo Vecchi, [textless duo in G]

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Bellanda (1599)
Lodovico Bellanda, Prima parte, «O musa tu che di caduchi allori» – Seconda parte, «Tu spira al petto mio celesti ardori»

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Banchieri (1601)
Adriano Banchieri, [textless duo in C – Ut re mi fa sol la]

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Calì (1605)
Giovan Battista Calì, Foggia del Salso

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Zuccaro (1606)
Annibale Zuccaro, [textless duo in F (1)]

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Demantius (1607)
Johann Christoph Demantius, [textless canon by inversion]

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Da Cavi (1608)
Pietro Paolo da Cavi, Ricercar XIII

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Sangiorgio (1608)
Pietro Sangiorgio, [textless duo in A (4) – Io son ferito ahi lasso]

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Troilo (1608)
Antonio Troilo, Duo XI a voci pari. Scherzo sopra la Bariera

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Banchieri (1609)
Adriano Banchieri, [textless duo in F (1) – Ut re mi fa sol la]

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Beringer (1610)
Maternus Beringer, «Quemadmodum desiderat cervus» – canon at the octave below

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Bianco (1610)
Giovanni Battista Bianco, «Et in terra pax»

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Gumpelzhaimer (1611)
Adam Gumpelzhaimer, «Ecce nunc benedicite Domino» – canon at the unison

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Adam Gumpelzhaimer, «Laetatus sum in his» – canon at the unison

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Adam Gumpelzhaimer, «Cantate Domino canticum novum laus eius» – canon at the unison

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Hans Leo Hassler, «Vanitas vanitatum» – canon per augmentatione at the fifth below

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Bartei (1618)
Girolamo Bartei, [textless duo in D (4) – Vestiva i colli]

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Banchieri (1623)
Giacinto da Brescia, «Cantate Domino canticum novum» – Ut re mi fa sol la

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Friderici (1623)
Daniel Friderici, «Quis puer? Emanuel»

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Daniel Friderici, «Milia quinque virum»

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Banchieri (1625)
Adriano Banchieri, «Il bianco e dolce cigno»

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Cerreto (1631)
Scipione Cerreto, «Fammi pur guerr'Amor quanto tu vuoi» (III)

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Gentile (1642)
Giovanni Gentile, Ricercata III

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Giamberti (1657)
Giuseppe Giamberti, Duo XXXVIII. Civetta a due canti

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Piochi (1671)
Cristofano Piochi, Ricercar XV a due bassi [La sol fa re mi]

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Piochi (1673)
Cristofano Piochi, Ricercare XVI – textless canon at the seventh above

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Natali (1674)
Pompeo Natali, [textless duo in G (6)]

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Caresana (1681)
Cristoforo Caresana, Duo II su Iste Confessor a mezzosoprano e tenore [c]: «Iste Confessor»

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Natali (1681)
Pompeo Natali, Calliope

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Corti (1685)
Stefano Corti, Ricercare I a due canti

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Viviani (1693)
Giovanni Buonaventura Viviani, Solfeggio V

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Magini (1703)
Francesco Magini, Solfeggiamento II ad alto e basso

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Bertalotti (1744)
Angelo Michele Bertalotti, Solfeggio XI

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Angelo Michele Bertalotti, Solfeggio XLVI

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